Peter Gabriel: New Blood Live in London 3D Captures Music Pioneer in Concert from London's Legendary Hammersmith Apollo

Total Page:16

File Type:pdf, Size:1020Kb

Peter Gabriel: New Blood Live in London 3D Captures Music Pioneer in Concert from London's Legendary Hammersmith Apollo August 22, 2011 Peter Gabriel: New Blood Live in London 3D Captures Music Pioneer in Concert from London's Legendary Hammersmith Apollo NCM Fathom, Omniverse Vision, Eagle Rock Entertainment and Real World Present Two-Night Event Featuring Orchestral Arrangements of Peter Gabriel's Songs In More than 135 Select Theaters Nationwide CENTENNIAL, Colo.--(BUSINESS WIRE)-- Rock and Roll Hall of Fame artist Peter Gabriel will be showcased in Peter Gabriel: New Blood Live in London 3D, an exclusive in-theater event showing in more than 135 select movie theaters across the U.S. on Tuesday, September 6 and Monday, September 12 at 7:30 p.m. (local time). Offering fans an un-missable opportunity to experience his unique musical vision, this two-night special event, presented by NCM Fathom, Omniverse Vision, Eagle Rock Entertainment and Real World, follows hot on the heels of Gabriel's sold out U.S. tour. The musical event features re-imagined orchestral arrangements of many of Peter's songs that dispense with the traditional weapons of the rock armoury - no guitar, bass or drums. This treatment is applied with painstaking attention to detail and stunning effect to songs that include "Don't Give Up," "Downside Up," "Mercy Street," "The Rhythm of the Heat," "In Your Eyes," "Solsbury Hill" and the spine tingling, atmospheric "San Jacinto." Working together, acclaimed composer and arranger John Metcalfe, Peter and the New Blood Orchestra have given each track a new depth. The 46-piece New Blood Orchestra is conducted by renowned orchestrator Ben Foster. Tickets for Peter Gabriel: New Blood Live in London 3D are available at participating theater box offices and online at www.FathomEvents.com. For a complete list of theater locations and prices, visit the NCM Fathom website (theaters and participants are subject to change). Peter Gabriel: New Blood Live in London 3D was pre-recorded at London's iconic Hammersmith Apollo on March 23, 2011, as he performed breathtaking orchestral reinterpretations of many of his own songs - captured for the very first time in stunning 3-D. The repertoire mixes cover versions from his "Scratch My Back" album with tracks from across his solo career in brand new orchestral arrangements. Gabriel is a renowned live performer and his onstage charisma and instantly recognizable voice combine brilliantly with the orchestral sound palette to breathe a new sense of wonder into familiar songs. As you would expect the concert is also a visual feast, with graphics, animation and imagery blending to enhance and illustrate the music. A distinguished singer, musician, and songwriter, Gabriel rose to fame as the lead vocalist and flautist of the progressive rock group Genesis, before embarking on a successful solo career. Recently, he has focused on producing and promoting world music as well as pioneering digital distribution methods for music. In 2007, he was honored as a BMI Icon at the 57th annual BMI London Awards for his "influence on generations of music makers." Gabriel was also awarded the Polar Music Prize in 2009, and inducted into the Rock and Roll Hall of Fame as a member of Genesis in 2010. For updates and further information, visit www.petergabriel.com. Peter Gabriel: New Blood Live in London 3D will be broadcast nationwide through NCM's exclusive Digital Broadcast Network. "Peter Gabriel's unmistakable voice and music speaks for itself — simply put, he is one of the most innovative and influential artists in music today," said Dan Diamond, vice president of NCM Fathom. "His latest project with the New Blood Orchestra will captivate audiences across the country, and we look forward to sharing Gabriel's remarkable show in the top-notch 3-D technology that it deserves." About National CineMedia (NCM) NCM operates NCM Media Networks, a leading integrated media company reaching U.S. consumers in movie theaters, online and through mobile technology. The NCM Cinema Network and NCM Fathom present cinema advertising and events across the nation's largest digital in-theater network, comprised of theaters owned by AMC Entertainment Inc., Cinemark Holdings, Inc. (NYSE: CNK), Regal Entertainment Group (NYSE: RGC) and other leading regional theater circuits. NCM's theater advertising network covers 175 Designated Market Areas® (49 of the top 50) and includes over 18,100 screens (16,800 digital). During 2010, over 690 million patrons attended movies shown in theaters in which NCM currently has exclusive, cinema advertising agreements in place. The NCM Fathom Events broadcast network is comprised of nearly 700 locations in 165 Designated Market Areas® (all of the top 50). The NCM Interactive Network offers 360-degree integrated marketing opportunities in combination with cinema, encompassing 42 entertainment-related websites, online widgets and mobile applications. National CineMedia, Inc. (NASDAQ: NCMI) owns a 48.7% interest in and is the managing member of National CineMedia LLC. For more information, visit www.nationalcinemedia.com or www.ncm.com. About Omniverse Vision Omniverse Vision is based in London and is a producer and distributor of premium alternative content. Omniverse Vision is dedicated to bringing special events to screens around the world that are equipped with state of the art technology including digital platforms and 3D. Omniverse Vision enables the turnkey broadcast of shows as diverse as music concerts, sports and other special events. http://www.omniversevision.com About Eagle Rock Entertainment Eagle Rock Entertainment is an international media production and distribution company operating across audiovisual entertainment programming. Eagle Rock Entertainment works directly alongside talent to produce the highest quality programming output covering film, general entertainment and musical performance. Eagle Rock Entertainment has offices based in London, New York, Germany, France & Toronto. NCM Fathom Samuel Threadgill, 303-957-1749 [email protected] or Scoop Marketing for NCM Fathom Erik Stein, 818-761-6100 [email protected] or Kayos Productions for Eagle Rock Entertainment Carol Kaye, 212-366-9970 [email protected] or For Omniverse Vision Linda Valentine, +44 (20) 8743-6137 [email protected] Source: NCM Fathom News Provided by Acquire Media.
Recommended publications
  • Slavery in America: the Montgomery Slave Trade
    Slavery In America The Montgomery Trade Slave 1 2 In 2013, with support from the Black Heritage Council, the Equal Justice Initiative erected three markers in downtown Montgomery documenting the city’s prominent role in the 19th century Domestic Slave Trade. The Montgomery Trade Slave Slavery In America 4 CONTENTS The Montgomery Trade Slave 6 Slavery In America INTRODUCTION SLAVERY IN AMERICA 8 Inventing Racial Inferiority: How American Slavery Was Different 12 Religion and Slavery 14 The Lives and Fears of America’s Enslaved People 15 The Domestic Slave Trade in America 23 The Economics of Enslavement 24–25 MONTGOMERY SLAVE TRADE 31 Montgomery’s Particularly Brutal Slave Trading Practices 38 Kidnapping and Enslavement of Free African Americans 39 Separation of Families 40 Separated by Slavery: The Trauma of Losing Family 42–43 Exploitative Local Slave Trading Practices 44 “To Be Sold At Auction” 44–45 Sexual Exploitation of Enslaved People 46 Resistance through Revolt, Escape, and Survival 48–49 5 THE POST SLAVERY EXPERIENCE 50 The Abolitionist Movement 52–53 After Slavery: Post-Emancipation in Alabama 55 1901 Alabama Constitution 57 Reconstruction and Beyond in Montgomery 60 Post-War Throughout the South: Racism Through Politics and Violence 64 A NATIONAL LEGACY: 67 OUR COLLECTIVE MEMORY OF SLAVERY, WAR, AND RACE Reviving the Confederacy in Alabama and Beyond 70 CONCLUSION 76 Notes 80 Acknowledgments 87 6 INTRODUCTION Beginning in the sixteenth century, millions of African people The Montgomery Trade Slave were kidnapped, enslaved, and shipped across the Atlantic to the Americas under horrific conditions that frequently resulted in starvation and death.
    [Show full text]
  • Lead a Normal Life
    1: Lead A Normal Life “My family arrived in this country from Spain at the time of the Armada, and the story goes we were adopted by Cornish peasants . .” Peter Gabriel, 1974 “My dad is an electrical engineer, inventor type, reserved, shy, analytical, and my mum’s more instinctive, she responds by the moment – music is her big thing. And I’ve got both.” Peter Gabriel, 2000 HEN Peter Gabriel spoke of rather trusting a ‘country man than a Wtown man’ in Genesis’ 1974 song ‘The Chamber Of 32 Doors’, he could well have been talking about his own roots. For in his 63 years (at the time of writing), Gabriel has spent less than a decade living in a city. Although he keeps a residence in West London, Gabriel lives in rustic splendour at his home by his Real World studios in Box near Bath in Wiltshire, which echoes the rural idyll of his childhood in the Surrey countryside. The physical roots of his life could be a metaphor for his semi-detached relationship with showbusiness; near enough, yet far away. Surrey is less than an hour from London and his residence now is less than 15 minutes from the bustling city centre of Bath. He can get into the middle of things easily when he needs to, yet he remains far enough removed. It is not dissimilar to his relationship with the mainstream of popular music. Whenever Gabriel has neared the big time (or indeed, ‘Big Time’, his 1986 hit single) he has been there just enough to receive acclaim and at times, stellar sales, before retreating back to the anonymous comfort of the margins.
    [Show full text]
  • Heroes Magazine
    HEROES ISSUE #01 Radrennbahn Weissensee a year later. The title of triumphant, words the song is a reference to the 1975 track “Hero” by and music. Producer Tony Visconti took credit for the German band Neu!, whom Bowie and Eno inspiring the image of the lovers kissing “by the admired. It was one of the early tracks recorded wall”, when he and backing vocalist Antonia Maass BOWIE during the album sessions, but remained (Maaß) embraced in front of Bowie as he looked an instrumental until towards the out of the Hansa Studio window. Bowie’s habit in end of production. The quotation the period following the song’s release was to say marks in the title of the song, a that the protagonists were based on an anonymous “’Heroes’” is a song written deliberate affectation, were young couple but Visconti, who was married to by David Bowie and Brian Eno in 1977. designed to impart an Mary Hopkin at the time, contends that Bowie was Produced by Bowie and Tony Visconti, it ironic quality on the protecting him and his affair with Maass. Bowie was released both as a single and as the otherwise highly confirmed this in 2003. title track of the album “Heroes”. A product romantic, even The music, co-written by Bowie and Eno, has of Bowie’s “Berlin” period, and not a huge hit in been likened to a Wall of Sound production, an the UK or US at the time, the song has gone on undulating juggernaut of guitars, percussion and to become one of Bowie’s signature songs and is synthesizers.
    [Show full text]
  • Shaking the Trees Free
    FREE SHAKING THE TREES PDF Azra Tabassum | 74 pages | 25 Jun 2014 | Words Dance Publishing | 9780692232408 | English | United States Shaking the Viral Tree It was remastered with most of Gabriel's catalogue in The tracks are creatively re-ordered, ignoring chronology. Some of the tracks were different from the album versions. New parts were recorded for several tracks in Gabriel's Real World Studios. Most songs are edited for time, either Shaking the Trees radio, single, or video edit versions. The remix is similar to the remix, which appeared as the B-side of the "Walk Through the Fire" single, but is edited down to 3m 45s long, as here. This version is a piano and voice arrangement, that Shaking the Trees far simpler than the highly produced version on Peter Gabriel Its sparseness is closer to the version that Gabriel recorded with Robert Fripp on Fripp's Exposure In interviews, Gabriel has said that he preferred the version, and it was that version with Fripp that he chose to overdub in German as the flipside of the single "Biko" released before Ein deutsches Album Although this album highlights songs from Peter Gabriel's earlier albums, tracks from Peter Gabriel II, or Scratch and the soundtrack to the film Birdy are not included. Say Anything Although Shaking the Trees made "In Your Eyes" perhaps the most well known Peter Gabriel song aside from " Sledgehammer ", it failed to crack the Shaking the Trees 20 and was thus omitted from the album in Shaking the Trees of five of the other eight tracks from So —four other hits and album track "Mercy Street".
    [Show full text]
  • Peter Gabriel L'uomo Che Vide Il Futuro Della Musica
    38 Culture GIOVEDÌ 11 FEBBRAIO 2010 BUON COMPLEANNO p Auguri Sabato l’ex Genesis compie 60 anni e domani esce il nuovo cd, «Scratch My Back» p Sorprese Pezzi di Bowie, Talking Heads, Lou Reed ma anche Regina Spektor e Arcade Fire Peter Gabriel l’uomo che vide il futuro della musica Ancora una volta ha spiazzato que anni lasciò (di stucco) i Genesis e tutti. Gabriel compie 60 anni, e un’infinità di appassionati. li festeggia con un nuovo cd: so- Solo cover, questa volta, lui che lo orchestra per l’uomo che co- non ne aveva fatte quasi mai (gli ap- me nessun altro seppe reinven- passionati si dividono i bootleg con I tarsi quattro volte, reinventan- Heard it Through the Grapevine di do - ogni volta - la musica. Marvin Gaye o con Strawberry Fields dei Beatles...). Strane rivisitazioni: ROBERTO BRUNELLI una Heroes (sì, Bowie) che «disarma» Heroes tuffandola in un mare di archi [email protected] che ci ricordano una linea che parte Questa volta sono gli archi: insi- coltissima da Penderecki fino a lambi- nuanti, s’intrecciano dolorosamen- re Philip Glass, una Boy in the Bubble te nei meandri ignoti così come nel- di Paul Simon di cui sono decostruite l’intimo del vissuto musicale di tan- le intenzioni, come a dimostrare che ti di noi. Peter Gabriel da tempo im- la struttura s’impone sulla sovrastrut- memorabile ci ha abituato a improv- tura, che la composizione vince su visi mutamenti di scena. C’erano ogni orchestrazione possibile, e lo l’utopia dei fiori ed il blues, negli an- stesso vale per Apres Mois della giova- ni settanta, e lui si tuffa con i Gene- ne russa-americana Regina Spektor, sis in una terra di esplorazione in a malapena nata quando Peter era cui sul rock avevano preso a soffia- già al suo terzo album solista.
    [Show full text]
  • The Self in the Poetry of Anne Sexton
    Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1984 The Self in the Poetry of Anne Sexton Katherine Frances McSpadden Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the English Language and Literature Commons Recommended Citation McSpadden, Katherine Frances, "The Self in the Poetry of Anne Sexton" (1984). Dissertations. 2327. https://ecommons.luc.edu/luc_diss/2327 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1984 Katherine Frances McSpadden THE SELF IN THE POETRY OF ANNE SEXTON by Katherine Frances McSpadden A Dissertation Submitted to the Faculty of the Graduate School of Loyola University of Chicago in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy December 1984 ACKNOWLEDGMENTS I would like to acknowledge the members of my dissertation committee for their generous assistance: my director Dr. Harry T. Puckett, Assistant Professor of English at Loyola University, for his insightful guidance and patient support; Dr. Paul R. Messbarger, Associate Professor of English at Loyola, for his kind and enthusiastic praise of my work; and Dr. Rosemary C. Hartnett, Assistant Professor of English at Loyola, for many years of professional and personal friendship. All three members of my committee have shown a spirit of colleagueship and of eagerly sharing the experience of learning which will serve as a model for my own teaching experiences.
    [Show full text]
  • Stay Resolution-Strong
    FEBRUARY 2016 LOOK NO FURTHER: DRAMA NJTV IS YOUR HOME FOR During the past five seasons of Downton Abbey, we’ve seen the tides of history sweep from the sinking of the Titanic and World War I to the jazz-hot beginnings of the Roaring Twenties. We’ve seen Matthew Crawley melt Lady Mary’s heart. And thanks to the fabulously quotable Dowager Countess, we’re still pondering, “What is a week-end?” The sixth and final season of the popular Masterpiece series opens in 1925. Women’s rights have given Lady Mary and Lady Edith new positions of responsibility: Mary runs the COURTESY OF NICK BRIGGS estate, and Edith manages the magazine she inherited from Michael Gregson. Tom has left for Boston, and newlyweds Lady Rose and Atticus are trying their luck in Jazz Age New York. Anna faces a murder charge, and big doubts hang over the servants’ jobs. Will great houses and the fortunes that support them soon be gone? One thing is certain: NJTV will continue to be your DOWNTON ABBEY SEASON 6 home for great drama. PREMIERES WEDNESDAY, On February 2, we’re pleased to premiere Mercy FEBRUARY 3 AT 9PM Street, a new six-part series following the lives of doctors, nurses, contraband laborers, and MERCY STREET ANTONY PLATT Southern loyalists in Union-occupied Alexandria, AIRS TUESDAYS AT 10PM Virginia, and the Mansion House Hospital in the early years of the Civil War. Filmed on BEGINNING FEBRUARY 2 location in Virginia, the series is the first American drama to air on public television in more than a decade.
    [Show full text]
  • Tolo Dictionary
    PACIFIC LINGUISTICS Series C - No. 91 TOLO DICTIONARY by Susan Smith Crowley Department of Linguistics Research School of Pacific Studies THE AUSTRALIAN NATIONAL UNIVERSITY Crowley, S.S. Tolo dictionary. C-91, xiv + 129 pages. Pacific Linguistics, The Australian National University, 1986. DOI:10.15144/PL-C91.cover ©1986 Pacific Linguistics and/or the author(s). Online edition licensed 2015 CC BY-SA 4.0, with permission of PL. A sealang.net/CRCL initiative. PACIFIC LINGUISTICS is issued through the Linguistic Circle of Canberra and consists of four series: SERIES A - Occasional Papers SERIES B - Monographs SERIES C - Books SERIES D - Special Publications EDITOR: S.A. Wurm ASSOCIATE EDITORS: D.C. Laycock, C.L. Voorhoeve, D.T. Tryon, T.E. Dutton EDITORIAL ADVISERS: B. W. Bender K.A. McElhanon University of Hawaii Summer Institute of Linguistics David Bradley H.P. McKaughan La Trobe University University of Hawaii A. Capell P. MUhlhausler University of Sydney Linacre College, Oxford Michael G. Clyne G.N. O'Grady Monash University University of Victoria, B.C. S.H. Elbert A.K. Pawley University of Hawaii University of Auckland K.J. Franklin K.L. Pike Summer Institute of Linguistics Summer Institute of Linguistics W.W. Glover E.C. Polome Summer Institute of Linguistics U ni versity of Texas G.W. Grace Malcolm Ross University of Hawaii Australian National University M.A.K. Halliday Gillian Sankoff University of Sydney University of Pennsylvania E. Haugen W.A.L. Stokhof Harvard University University of Leiden A. Healey B.K. T'sou Summer Institute of Linguistics City Polytechnic of Hong Kong L.A.
    [Show full text]
  • FORECAST – Skimming Off the Malware Cream
    FORECAST – Skimming off the Malware Cream Matthias Neugschwandtner1, Paolo Milani Comparetti1, Gregoire Jacob2, and Christopher Kruegel2 1Vienna University of Technology, {mneug,pmilani}@seclab.tuwien.ac.at 2University of California, Santa Barbara, {gregoire,chris}@cs.ucsb.edu ABSTRACT Malware commonly employs various forms of packing and ob- To handle the large number of malware samples appearing in the fuscation to resist static analysis. Therefore, the most widespread wild each day, security analysts and vendors employ automated approach to the analysis of malware samples is currently based on tools to detect, classify and analyze malicious code. Because mal- executing the malicious code in a controlled environment to ob- ware is typically resistant to static analysis, automated dynamic serve its behavior. Dynamic analysis tools such as CWSandbox [3], analysis is widely used for this purpose. Executing malicious soft- Norman Sandbox and Anubis [13, 2] execute a malware sample in ware in a controlled environment while observing its behavior can an instrumented sandbox and record its interactions with system provide rich information on a malware’s capabilities. However, and network resources. This information can be distilled into a running each malware sample even for a few minutes is expensive. human-readable report that provides an analyst with a high level For this reason, malware analysis efforts need to select a subset of view of a sample’s behavior, but it can also be fed as input to fur- samples for analysis. To date, this selection has been performed ei- ther automatic analysis tasks. Execution logs and network traces ther randomly or using techniques focused on avoiding re-analysis provided by dynamic analysis have been used to classify malware of polymorphic malware variants [41, 23].
    [Show full text]
  • Jacques Pépin: the Art of Craft KQED Perks Family Fun Day at the Presidio Officers’ Club
    Member Magazine MAY 2017 Jacques Pépin: The Art of Craft KQED Perks Family Fun Day at the Presidio Officers’ Club Join the Presidio Trust and KQED for a free family fun day at the Presidio Officers’ Club onSaturday, May 13, from 10:30am to 2:30pm. Get curious about the Presidio’s natural and cultural history with special guests Curious George and the Man in the Yellow Hat, from the PBS KIDS animated television series. Enjoy interactive exhibits and hands-on bird-themed crafts celebrating International Migratory Bird Day. Learn about local wildlife from the Roving Ranger Truck and find out how you can be involved in your park! presidio.gov/kqed The wait is over for the year’s Check, Please! Bay Area’s Taste & Sip event! Join KQED and Leslie Sbrocco on Tuesday, May 23 to sample gourmet cuisine and sip great wines from restaurants and wineries from around the Bay Area. 6:30-9pm San Francisco Design Center Galleria KQED members: $85 Nonmembers: $95 A display of Jacques Tickets available through City Box Office: www.cityboxoffice.com or 415.392.4400 The 12th season of Check, Please! Bay Area is sponsored by Integrated Resources Group, European Sleep Works, Oakland International courtesy Jacques Pépin; Airport, Sutter CPMC 2020, La Tourangelle, and Total Wine & More. Jacques Pépin with daughter Claudine and granddaughter kqed.org/checkplease NPR Music’s Tiny Desk Tour: North Bay courtesy Jennifer Huang; Tank and the Bangas — the winner of NPR Music’s 2017 Tiny Desk Contest — will perform a courtesy Jacques Pépin. (top to bottom, page 2) CG: ® & © 2014 Universal Studios and/ free concert at the Lagunitas Petaluma Taproom on Goodfriend/KQED.
    [Show full text]
  • Peter Gabriel by W Ill Hermes
    Peter Gabriel By W ill Hermes The multifaceted performer has spent nearly forty years as a solo artist and music innovator. THERE HAVE BEEN MANY PETER GABRIELS: THE PROG rocker who steered the cosmos-minded genre toward Earth; the sem i- new waver more focused on empathic storytelling and musical inno­ vation than fashion or attitude; the Top Forty hitmaker ambivalent about the spotlight; the global activist whose Real World label and collaborations introduced pivotal non-Western acts to new audiences; the elder statesman inspiring a new generation of singer-songwrit­ ers. ^ So his second induction into the Rock and Roll Hall of Fame, as a solo act this time - his first, in 2010, was as cofounder of the prog-pop juggernaut Genesis - seems wholly earned. Yet it surprised him, especially since he was a no-show that first time: The ceremony took place two days before the notorious perfectionist began a major tour. “I would’ve gone last time if I had not been about to perform,” Gabriel (b. February 13,1950) explained. “I just thought, 1 can’t go. We’d given ourselves very little rehearsal time.’” ^ “It’s a huge honor,” he said of his inclusions, noting that among numerous Grammys and other awards, this one is distinguished ‘because it’s more for your body of work than a specific project.” ^ That body of work began with Genesis, named after the young British band declined the moniker of “Gabriel’s Angels.” They produced their first single (“The Silent Sun”) in the winter of 1968, when Gabriel was 17.
    [Show full text]
  • Symphony Orchestra and Wind Ensemble Present Peter Gabriel's
    School of Music College of the Arts Scholarship Series Symphony Orchestra Wind Ensemble present Peter Gabriel’s new blood Michael Alexander, conductor David Kehler, conductor Thursday, January 10, 2013 8:00 p.m. Dr. Bobbie Bailey & Family Performance Center Fifty-eighth Concert of the 2012-2013 Season Kennesaw State University School of Music Audrey B. and Jack E. Morgan, Sr. Concert Hall January 10, 2013 Written by Peter Gabriel Arranged by John Metcalfe The Rhythm of the Heat Downside Up San Jacinto Intruder Wallflower In Your Eyes Mercy Street INTERMISSION Red Rain Darkness Don’t Give Up Digging In The Dirt The Nest That Sailed The Sky Solsbury Hill Published by: Real World Music Ltd / EMI Blackwoodwood Music Inc. Courtesy of petergabriel.com Personnel Flute/Alto Flute/Piccolo Violin 2 Catherine Flinchum, Woodstock Rachel Campbell, Sandy Springs Dirk Stanfield, Amarillo, TX Micah David, Portland, OR Amanda Esposito, Kennesaw Oboe Terry Keeling, Acworth Alexander Sifuentes, Lawrenceville Meian Butcher, Marietta Joshua Martin, Marietta Clarinet Kimberly Ranallo, Powder Springs Kadie Johnston, Buford Brittany Thayer, Burlington, VT Tyler Moore, Acworth Viola Bassoon Justin Brookins, Panama City, FL Sarah Fluker, Decatur Ryan Gibson, Marietta Hallie Imeson, Canton Horn Rachael Keplin, Wichita, KS David Anders, Kennesaw Kyle Mayes, Marietta Kristen Arvold, Cleveland Aliyah Miller, Austell Perry Morris, Powder Springs Alishia Pittman, Duluth Trumpet Samantha Tang, Marietta John Thomas Burson, Marietta Justin Rowan, Woodstock Cello Kathryn
    [Show full text]