Has Warfare Changed? Sorting Apples from Oranges By
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Cognitive Theory of War: Why Do Weak States Choose War Against Stronger States?
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2004 Cognitive Theory of War: Why Do Weak States Choose War against Stronger States? Sang Hyun Park University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Political Science Commons Recommended Citation Park, Sang Hyun, "Cognitive Theory of War: Why Do Weak States Choose War against Stronger States?. " PhD diss., University of Tennessee, 2004. https://trace.tennessee.edu/utk_graddiss/2346 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Sang Hyun Park entitled "Cognitive Theory of War: Why Do Weak States Choose War against Stronger States?." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Political Science. Robert A. Gorman, Major Professor We have read this dissertation and recommend its acceptance: Mary Caprioli, Donald W. Hastings, April Morgan, Anthony J. Nownes Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by Sang-Hyun Park entitled “Cognitive Theory of War: Why Do Weak States Choose War against Stronger States?” I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, with a major in Political Science. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
Children of the Heav'nly King: Religious Expression in the Central
Seldom has the folklore of a particular re- CHILDREN lar weeknight gospel singings, which may fea gion been as exhaustively documented as that ture both local and regional small singing of the central Blue Ridge Mountains. Ex- OF THE groups, tent revival meetings, which travel tending from southwestern Virginia into north- from town to town on a weekly basis, religious western North Carolina, the area has for radio programs, which may consist of years been a fertile hunting ground for the HE A"' T'NLV preaching, singing, a combination of both, most popular and classic forms of American .ft.V , .1 the broadcast of a local service, or the folklore: the Child ballad, the Jack tale, the native KING broadcast of a pre-recorded syndicated program. They American murder ballad, the witch include the way in which a church tale, and the fiddle or banjo tune. INTRODUCTORY is built, the way in which its interi- Films and television programs have or is laid out, and the very location portrayed the region in dozens of of the church in regard to cross- stereotyped treatments of mountain folk, from ESS A ....y roads, hills, and cemetery. And finally, they include "Walton's mountain" in the north to Andy Griffith's .ft. the individual church member talking about his "Mayberry" in the south. FoIklor own church's history, interpreting ists and other enthusiasts have church theology, recounting char been collecting in the region for acter anecdotes about well-known over fifty years and have amassed preachers, exempla designed to miles of audio tape and film foot illustrate good stewardship or even age. -
STRIKING FIRST – Preemptive and Preventive Attack in U.S. National
THE ARTS This PDF document was made available CHILD POLICY from www.rand.org as a public service of CIVIL JUSTICE the RAND Corporation. EDUCATION ENERGY AND ENVIRONMENT Jump down to document6 HEALTH AND HEALTH CARE INTERNATIONAL AFFAIRS The RAND Corporation is a nonprofit NATIONAL SECURITY research organization providing POPULATION AND AGING PUBLIC SAFETY objective analysis and effective SCIENCE AND TECHNOLOGY solutions that address the challenges SUBSTANCE ABUSE facing the public and private sectors TERRORISM AND HOMELAND SECURITY around the world. TRANSPORTATION AND INFRASTRUCTURE WORKFORCE AND WORKPLACE Support RAND Purchase this document Browse Books & Publications Make a charitable contribution For More Information Visit RAND at www.rand.org Explore RAND Project AIR FORCE View document details Limited Electronic Distribution Rights This document and trademark(s) contained herein are protected by law as indicated in a notice appearing later in this work. This electronic representation of RAND intellectual property is provided for non- commercial use only. Permission is required from RAND to reproduce, or reuse in another form, any of our research documents. This product is part of the RAND Corporation monograph series. RAND monographs present major research findings that address the challenges facing the public and private sectors. All RAND mono- graphs undergo rigorous peer review to ensure high standards for research quality and objectivity. STRIKINGFIRST Preemptive and Preventive Attack in U.S. National Security Policy KARL P. MUELLER JASEN J. CASTILLO FORREST E. MORGAN NEGEEN PEGAHI BRIAN ROSEN Prepared for the United States Air Force Approved for public release; distribution unlimited The research described in this report was sponsored by the United States Air Force under Contract F49642-01-C-0003. -
West Coast Rock Final Version
WEST COAST ROCK AND THE COUNTERCULTURE MOVEMENT Diplomarbeit zur Erlangung des akademischen Grades einer Magistra der Philosophie an der Karl-Franzens-Universität Graz vorgelegt von Christina DREIER am Institut für Anglistik Begutachter: Ao. Univ.-Prof. Mag. Dr.phil. Hugo Keiper Graz, 2012 An dieser Stelle möchte ich mich bei meinem Betreuer Prof. Dr. Hugo Keiper für seine Unterstützung auf meinem Weg von der Idee bis zur Fertigstellung der Arbeit herzlich bedanken. Seine Ideen, Anregungen und Hinweise, sowie sein umfangreiches musikalisches, kulturelles und literarisches Wissen waren mir eine große Hilfe. Des Weiteren gilt mein Dank meinem Onkel Patrick, der die Arbeit Korrektur gelesen und mir dadurch sehr geholfen hat. Natürlich möchte ich mich auch von ganzem Herzen bei all jenen bedanken, die mich während meiner gesamten Studienzeit tatkräftig unterstützt haben. Danke Mama, Papa, Oma, Opa, Lisa, Eva, Markus, Gabi, Erwin UND DANKE JÜRGEN! . Table of Contents 0. Timeline ......................................................................................................................................................... 1 1. Introduction .................................................................................................................................................. 2 2. Socio-Historical Background ....................................................................................................................... 4 2.1. Political Issues ............................................................................................................................... -
Roxbox by Artist (Hed) Planet Earth 2 Play Feat
RoxBox by Artist (Hed) Planet Earth 2 Play Feat. Thomas Jules & Bartender Jucxi D Blackout Careless Whisper Other Side 2 Unlimited 10 Years No Limit Actions & Motives 20 Fingers Beautiful Short Dick Man Drug Of Choice 21 Demands Fix Me Give Me A Minute Fix Me (Acoustic) 2Pac Shoot It Out Changes Through The Iris Dear Mama Wasteland How Do You Want It 10,000 Maniacs Until The End Of Time Because The Night 2Pac Feat Dr. Dre Candy Everybody Wants California Love Like The Weather 2Pac Feat. Dr Dre More Than This California Love These Are The Days 2Pac Feat. Elton John Trouble Me Ghetto Gospel 101 Dalmations 2Pac Feat. Eminem Cruella De Vil One Day At A Time 10cc 2Pac Feat. Notorious B.I.G. Dreadlock Holiday Runnin' Good Morning Judge 3 Doors Down I'm Not In Love Away From The Sun The Things We Do For Love Be Like That Things We Do For Love Behind Those Eyes 112 Citizen Soldier Dance With Me Duck & Run Peaches & Cream Every Time You Go Right Here For You Here By Me U Already Know Here Without You 112 Feat. Ludacris It's Not My Time (I Won't Go) Hot & Wet Kryptonite 112 Feat. Super Cat Landing In London Na Na Na Let Me Be Myself 12 Gauge Let Me Go Dunkie Butt Live For Today 12 Stones Loser Arms Of A Stranger Road I'm On Far Away When I'm Gone Shadows When You're Young We Are One 3 Of A Kind 1910 Fruitgum Co. -
Cdg-Mp3 Karaoke: S – Z - 13.631 Datotek
Cdg-Mp3 karaoke: S – Z - 13.631 datotek S Club - Alive [SF Karaoke] S Club - Love Ain't Gonna Wait For You [SF Karaoke] S Club - Say Goodbye [SF Karaoke] S Club 7 - Alive [SF Karaoke] S Club 7 - Best Friend [Homestar Karaoke] S Club 7 - Best Friend [SF Karaoke] S Club 7 - Bring It All Back [EK Karaoke] S Club 7 - Bring It All Back [SF Karaoke] S Club 7 - Don't Stop Moving [AS Karaoke] S Club 7 - Don't Stop Moving [EK Karaoke] S Club 7 - Don't Stop Moving [MF Karaoke] S Club 7 - Don't Stop Moving [PI Karaoke] S Club 7 - Don't Stop Moving [SB Karaoke] S Club 7 - Don't Stop Moving [SC Karaoke] S Club 7 - Don't Stop Moving [SF Karaoke] S Club 7 - Don't Stop Moving [Z Karaoke] S Club 7 - Have You Ever [Homestar Karaoke] S Club 7 - Have You Ever [PI Karaoke] S Club 7 - Have You Ever [SC Karaoke] S Club 7 - Have You Ever [SF Karaoke] S Club 7 - I'll Be There [EK Karaoke] S Club 7 - Love Ain't Gonna Wait For You [SF Karaoke] S Club 7 - Natural [EK Karaoke] S Club 7 - Natural [MF Karaoke] S Club 7 - Natural [SF Karaoke] S Club 7 - Never Had A Dream Come True [EK Karaoke] S Club 7 - Never Had A Dream Come True [MM Karaoke] S Club 7 - Never Had a Dream Come True [NS Karaoke] S Club 7 - Never Had A Dream Come True [SC Karaoke] S Club 7 - Never Had A Dream Come True [SF Karaoke] S Club 7 - Never Had A Dream Come True [STW Karaoke] S Club 7 - Reach [MF Karaoke] S Club 7 - Reach [PI Karaoke] S Club 7 - Reach [SC Karaoke] S Club 7 - Reach [SF Karaoke] S Club 7 - Reach [Z Karaoke] S Club 7 - S Club Party [EK Karaoke] S Club 7 - S Club Party [SC Karaoke] -
Musicalization in Qualified Media of Poetry and Painting
Musicalization in Qualified Media of Poetry and Painting (Inter)mediality in šāhnāmeh and Its Illustrations D i s s e r t a t i o n zur Erlangung des akademischen Grades Doktor der Philosophie in der Philosophischen Fakultät der Eberhard Karls Universität Tübingen vorgelegt von (Farzaneh Soorani) Aus (Iran) (2018) Gedruckt mit Genehmigung der Philosophischen Fakultät der Eberhard Karls Universität Tübingen Dekan: Prof. Dr. Jürgen Leonhardt Hauptberichterstatter: Prof. Dr. Klaus Sachs-Hombach Mitberichterstatterin: Prof. Dr. Ingrid Hotz-Davies Tag der mündlichen Prüfung: (Druck oder Verlag und Ort) ii Acknowledgement به نام خداوند جان و خرد کزین برتر اندیشه برنگذرد Great lord of life and wisdom! In thy name Which to transcend no flight of thought may claim (Ferdowsi) It is my pleasure to acknowledge the roles of several individuals who were instrumental for the completion of my Ph.D. Research. I owe my deepest gratitude to my advisor Professor Klaus Sachs-Hombach. Without his continuous optimism and support concerning this work, this study would hardly have been completed. I also express my warmest gratitude to my second supervisor Professor Ingrid Hotz-Davies, who patiently guided me during the last year. My special appreciation goes to Dr. Brunner, for his friendship and encouragement and for providing financial assistance, which bolstered me to perform my work comfortably. He offered emotional and logistical counsel in times when I felt that earning a Ph.D. was surely the worst decision I had ever made. Lukas Wilde was my primary adviser in the final stages of my research. The final version of the "introduction" has benefited enormously from his demand for clarity and his help constructing a strong argument. -
Static-X Start a War Mp3, Flac, Wma
Static-X Start A War mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Start A War Country: Russia Released: 2005 Style: Nu Metal MP3 version RAR size: 1660 mb FLAC version RAR size: 1684 mb WMA version RAR size: 1334 mb Rating: 4.5 Votes: 185 Other Formats: AU MIDI ADX TTA VOC MP1 WAV Tracklist 1 The Enemy 2:28 2 I'm The One 2:36 3 Start A War 2:44 4 Pieces 2:38 5 Dirthouse 3:03 6 Skinnyman 3:40 7 Just In Case 4:24 8 Set It Off 3:55 9 I Want To F***ing Break It 2:42 10 Night Terrors 3:09 11 Otsego Amigo 2:45 12 My Damnation 4:01 13 Brainfog 9:53 Bonus Hits: 14 The Only (OST) 2:50 15 Ostego Undead (OST) 3:52 16 Cold (OST) 2:58 17 Anything But This (OST) 4:03 18 Push It (OST) 2:46 19 I Am (OST) 3:00 20 Deliver Me (OST) 2:38 Companies, etc. Manufactured By – ООО "Парадиз" – LNG089 Phonographic Copyright (p) – Warner Music Group Germany Holding GmbH Copyright (c) – Warner Music Group Germany Holding GmbH Credits Mastered By – Tom Baker Producer, Mixed By – Ulrich Wild Notes Packaged in jewel case. Booklet 2 pages Barcode and Other Identifiers Barcode (Text): 4 601470 229040 > Barcode (String): 4601470229040 Matrix / Runout: LNG089 Other versions Category Artist Title (Format) Label Category Country Year Warner Bros. 49373-2 Static-X Start A War (CD, Album) 49373-2 US 2005 Records Start A War (CD, Album, Warner Bros. -
Strategic Air Warfare
Strategic Air Warfare An Interview with Generals Curtis E. LeMay, Leon W. Johnson, David A. Burchinal, and Jack J. Catton Edited with an Introduction by Richard H. Kohn and Joseph P. Harahan Office of Air Force History United States Air Force Washington, D.C., 1988 The Cover B-52 Stratofortress begins low-level penetration mission in this painting by Robert Benjamin. The B-52 has been one of the most visible instruments of American strategic air power since the mid-1950s. Courtesy USAF Art Collection Library of Congress Cataloging-in-PublicationData Strategic air warfare. (USAF warrior studies) Bibliography: p. Includes index. Supt. of Docs. no.: D 301.96:st8/2 1. Bombing, Aerial-United States. 2. World War, 1939-1945-Aerial oper- ations, American. 3. Korean War, 1950-1953-Aerial operations, American. 4. Vietnamese Conflict, 1961-1975-Aerial operations, American. 5. United States. Air Force-History. 6. Generals-United States-Interviews. I. Le May, Curtis E. 11. Kohn, Richard H. 111. Harahan, Joseph P. IV. United States. Air Force. Office of Air Force History. V. Series UG703.277 1988 358.4'2'0973 88-600389 ISBN 0-912799-56-0 / Project Warrior Studies are published by the Office of Air Force History. The views expressed in this publication are those of the contributors and do not necessarily reflect the policies of the United States Air Force or the Department of Defense. For sale by the Superintendent of Documents, U.S. Government Printing Office Washington, D.C. 20402 iv Foreword Strategic Air Warfare is part of a continuing series of historical volumes produced by the Office of Air Force History in direct support of Project Warrior. -
Mediated Music Makers. Constructing Author Images in Popular
Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. 47 Visual reflections of Björk. 49 Conclusion . 54 2. Stardom in disguise. 56 Author image as a marketing asset. -
The University of Wisconsin-Eau Claire Stand Down Margaret: the Reactions of British Musicians to the Governments of Margaret Th
THE UNIVERSITY OF WISCONSIN-EAU CLAIRE STAND DOWN MARGARET: THE REACTIONS OF BRITISH MUSICIANS TO THE GOVERNMENTS OF MARGARET THATCHER DEPARTMENT OF HISTORY BY KEITH CORMANY SUPERVISING PROFESSOR: JOSEPH ORSER COOPERATING PROFESSOR: LOUISA RICE EAU CLAIRE, WISCONSIN DECEMBER 2013 Copyright of this work is owned by the author. This digital version is published by McIntyre Library, University of Wisconsin-Eau Claire, with the consent of the author. ii CONTENTS Abstract……………..…………………………………………………………………………….iii Introduction……..………………………………………………………………………………....1 Alienation and Rejection………………………………………………………………………....15 Criticism…..…...…………………………………………………………………………………28 Conclusion...…...…………………………………………………………………………………39 Bibliography……………………………………………………………………………………...44 iii Abstract Margaret Thatcher’s tenure as Prime Minister of the United Kingdom, which lasted from 1979 until 1990, was quite polarizing. Despite being elected thrice, in 1979, 1983, and 1987, Thatcher nonetheless faced a great deal of opposition. This opposition is perhaps most evident in the form of popular music in the 1980s. Two previous musical groups, the Sex Pistols and The Clash, largely laid the groundwork for the forms that opposition to Thatcher assumed. The first form of opposition was to reflect the alienation and dissatisfaction felt in society, or to simply reject Margaret Thatcher as an individual. The second form was to offer more specific critiques or responses to events or policies enacted under the administrations of Margaret Thatcher. The paper is organized