Forgery, Banditry, and Advanced Mathematics: the Curious Academic Lineage of Kong Yingda (574–648) in the Sui and Northern Dynasties Daniel Patrick Morgan
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The Dunhuang Chinese Sky: a Comprehensive Study of the Oldest Known Star Atlas
25/02/09JAHH/v4 1 THE DUNHUANG CHINESE SKY: A COMPREHENSIVE STUDY OF THE OLDEST KNOWN STAR ATLAS JEAN-MARC BONNET-BIDAUD Commissariat à l’Energie Atomique ,Centre de Saclay, F-91191 Gif-sur-Yvette, France E-mail: [email protected] FRANÇOISE PRADERIE Observatoire de Paris, 61 Avenue de l’Observatoire, F- 75014 Paris, France E-mail: [email protected] and SUSAN WHITFIELD The British Library, 96 Euston Road, London NW1 2DB, UK E-mail: [email protected] Abstract: This paper presents an analysis of the star atlas included in the medieval Chinese manuscript (Or.8210/S.3326), discovered in 1907 by the archaeologist Aurel Stein at the Silk Road town of Dunhuang and now held in the British Library. Although partially studied by a few Chinese scholars, it has never been fully displayed and discussed in the Western world. This set of sky maps (12 hour angle maps in quasi-cylindrical projection and a circumpolar map in azimuthal projection), displaying the full sky visible from the Northern hemisphere, is up to now the oldest complete preserved star atlas from any civilisation. It is also the first known pictorial representation of the quasi-totality of the Chinese constellations. This paper describes the history of the physical object – a roll of thin paper drawn with ink. We analyse the stellar content of each map (1339 stars, 257 asterisms) and the texts associated with the maps. We establish the precision with which the maps are drawn (1.5 to 4° for the brightest stars) and examine the type of projections used. -
MISSION in CENTRAL CHINA
MISSION in CENTRAL CHINA A SHORT HISTORY of P.I.M.E. INSTITUTE in HENAN and SHAANXI Ticozzi Sergio, Hong Kong 2014 1 (on the cover) The Delegates of the 3rd PIME General Assembly (Hong Kong, 15/2 -7/3, 1934) Standing from left: Sitting from left: Fr. Luigi Chessa, Delegate of Kaifeng Msgr. Domenico Grassi, Superior of Bezwada Fr. Michele Lucci, Delegate of Weihui Bp. Enrico Valtorta, Vicar ap. of Hong Kong Fr. Giuseppe Lombardi, Delegate of Bp. Flaminio Belotti, Vicar ap. of Nanyang Hanzhong Bp. Dionigi Vismara, Bishop of Hyderabad Fr. Ugo Sordo, Delegate of Nanyang Bp. Vittorio E. Sagrada, Vicar ap. of Toungoo Fr. Sperandio Villa, China Superior regional Bp. Giuseppe N. Tacconi, Vicar ap. of Kaifeng Fr. Giovanni Piatti, Procurator general Bp. Martino Chiolino, Vicar ap. of Weihui Fr. Paolo Manna, Superior general Bp. Giovanni B. Anselmo, Bishop of Dinajpur Fr. Isidoro Pagani, Delegate of Italy Bp. Erminio Bonetta, Prefect ap. of Kengtung Fr. Paolo Pastori, Delegate of Italy Fr. Giovanni B. Tragella, assistant general Fr. Luigi Risso, Vicar general Fr. Umberto Colli, superior regional of India Fr. Alfredo Lanfranconi, Delegate of Toungoo Fr. Clemente Vismara, Delegate ofKengtung Fr. Valentino Belgeri, Delegate of Dinajpur Fr. Antonio Riganti, Delegate of Hong Kong 2 INDEX: 1 1. Destination: Henan (1869-1881) 25 2. Division of the Henan Vicariate and the Boxers’ Uprising (1881-1901) 49 3. Henan Missions through revolutions and changes (1902-1924) 79 4. Henan Vicariates and the country’s trials (1924-1946) 125 5. Henan Dioceses under the -
Engaging with the Trans-East Asian Cultural Tradition in Modern Chinese, Japanese, Korean, and Taiwanese Literatures, 1880S-1940S
Afterlives of the Culture: Engaging with the Trans-East Asian Cultural Tradition in Modern Chinese, Japanese, Korean, and Taiwanese Literatures, 1880s-1940s The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Hashimoto, Satoru. 2014. Afterlives of the Culture: Engaging with the Trans-East Asian Cultural Tradition in Modern Chinese, Japanese, Korean, and Taiwanese Literatures, 1880s-1940s. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:13064962 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Afterlives of the Culture: Engaging with the Trans-East Asian Cultural Tradition in Modern Chinese, Japanese, Korean, and Taiwanese Literatures, 1880s-1940s A dissertation presented by Satoru Hashimoto to The Department of East Asian Languages and Civilizations in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of East Asian Languages and Civilizations Harvard University Cambridge, Massachusetts August 2014 ! ! © 2014 Satoru Hashimoto All rights reserved. ! ! Dissertation Advisor: Professor David Der-Wei Wang Satoru Hashimoto Afterlives of the Culture: Engaging with the Trans-East Asian Cultural Tradition in Modern Chinese, Japanese, Korean, and Taiwanese Literatures, 1880s-1940s Abstract This dissertation examines how modern literature in China, Japan, Korea, and Taiwan in the late-nineteenth to the early-twentieth centuries was practiced within contexts of these countries’ deeply interrelated literary traditions. -
Li Chunfeng Programme
JEUDI 29 NOVEMBRE 2012 – T HURSDAY 29 N OVEMBER 2012 JOURNÉE D’ÉTUDES – W ORKSHOP Li Chunfeng 李淳 風 (602-670), praticien des mathématiques et des sciences astrales THREE ONE -DAY WORKSHOPS ON à la cour des Tang LI C HUNFENG AND THE TREATISES IN THE OFFICIAL HISTORIES WRITTEN IN T ANG C HINA Li Chunfeng 李淳 風 (602-670), practitioner of mathematics and astral sciences ORGANISED BY SAW MEMBERS K ARINE C HEMLA , D AMIEN C HAUSSENDE , AND Z HU Y IWE N at the Tang Court 9h15 Karine Chemla Accueil / Introduction 9h30-10h15 Zhu Yiwen The Way of Writing 'Treatises on Harmonics and Calendars' (Lü Li zhi 律曆志) in the 7 th century China 10h15-10h45: discussion 10h45-11h30 Howard L. Goodman MERCREDI 28 NOVEMBRE 2012 – W EDNESDAY 28 N OVEMBER 2012 Li Chunfeng's metrology: technical arts and scholarship in Xun Xu's day and in Tang times LECTURE DE TEXTE / T EXT READING 11h30-12h00: discussion 9h30-12h30 1 Howard L. Goodman 2h00-14h00: pause déjeuner / lunch break 律曆 晉書 Lecture d’un extrait du chapitre « Lüli » (Tubes sonores et calendrier) du Jinshu 14h00-14h45 Reading of an extract from the 'Lüli' 律曆 (Pitchpipes and Calendar) chapter of the Jinshu 晉書 Donald Harper Medieval Chinese heaven and earth mirrors: Textual sources of Li Chunfeng’s Yisi zhan ⼄⺒占 (Yisi-year divination) 14h45-15h15: discussion 15h15-16h00 Jean-Marc Bonnet-Bidaud Li Chunfeng as the Author of the Dunhuang Star Map? 16h00-16h30: discussion Lieu / Place: Lieu / Place: Room A 646 – Mondrian, Bâtiment Condorcet Room 366 A – Klimt, Bâtiment Condorcet Université Paris Diderot, 4 rue Elsa -
Jade Huang and Chinese Culture Identity: Focus on the Myth of “Huang of Xiahoushi”
Journal of Literature and Art Studies, June 2016, Vol. 6, No. 6, 603-618 doi: 10.17265/2159-5836/2016.06.003 D DAVID PUBLISHING Jade Huang and Chinese Culture Identity: Focus on the Myth of “Huang of Xiahoushi” TANG Qi-cui, WU Yu-wei Shanghai Jiao Tong University, Shanghai, China This paper focus on the myth of “Huang of Xiahoushi” (夏后氏之璜), focusing on the distribution of Jade Huang (玉璜) since the early neolithic and its process of pluralistic integration. The paper explores the story of ethnic group, cultural identification and the significance of Jade Huang in the discourse construction of etiquette civilization behind the mythic narrative based on multi-evidence method and the local meaning of literature in ancient Chinese context. Keywords: Jade Huang, Huang of Xiahoushi, unified diversity, Chinese identity, etiquette civilization, multi-evidence method Introduction Modern archeological relics including potteries, jades and bronzes bring back the lost history; the process of how Chinese unified diversity took shape in general and the great tradition of jade culture in eight thousand in particular. The handed-down documents echo each other at a distance provide solid evidences for the origin of civilization of rite and music and the core values based on jade belief. Jade Huang is an important one of it. It is illuminated by numerous records about Jade Huang in ancient literature, as well as a large number of archaeology findings past 7,000 years. The paper seeks to focus on the following questions: what is the function of Jade Huang in historic and prehistoric period? Moreover, what is the function of “Huang of Xiahoushi”, which belonged to emperor and symbolized special power in historic documents and myths and legends in ancient china? Jade Huang: Etiquette and Literature Jade Huang (Yu Huang, Semi-circular/annular Jade Pendant) is a type of jade artifact which is seemed to be remotely related to etiquette and literature. -
Another Look at Early Chan: Daoxuan, Bodhidharma, and the Three Levels Movement
T’OUNGT’OUNG PAO PAO T’oung Pao 94 (2008) 49-114 www.brill.nl/tpao Another Look at Early Chan: Daoxuan, Bodhidharma, and the Three Levels Movement Eric Greene University of California, Berkeley Abstract As one of the earliest records pertaining to Bodhidharma, Daoxuan’s Xu gaoseng zhuan is a crucial text in the study of so-called Early Chan. Though it is often thought that Daoxuan was attempting to promote the Bodhidharma lineage, recent studies have suggested that he was actually attacking Bodhidharma and his later followers. The present article suggests that such readings are incor rect and that Daoxuan was in fact attacking the followers of the Three Levels (Sanjie) movement founded by Xinxing, whose role in defining the meaning of chan during the seventh century has not been sufficiently appreciated. Résumé Étant un des premiers documents à parler de Bodhidharma, le Xu Gaoseng zhuan de Daoxuan constitue une source cruciale pour l’étude du “Chan primitif”. Même si l’on considère le plus souvent que Daoxuan s’efforçait de promouvoir la lignée de Bodhidharma, plusieurs études récentes suggèrent qu’en fait il attaquait Bodhidharma et ses héritiers. L’auteur suggère que cette interprétation n’est pas correcte: en réalité Daoxuan s’attaquait aux adhérents du mouvement des “Trois niveaux” (Sanjie) fondé par Xinxing, dont la contribution à la définition du sens duchan pendant le viie siècle n’a pas encore été suffisamment appréciée. Keywords Buddhism, Chan, Daoxuan, Xinxing, Sanjie movement © Koninklijke Brill NV, Leiden, 2008 DOI: 10.1163/008254308X367022 50 E. Greene / T’oung Pao 94 (2008) 49-114 In the words of Bernard Faure, “Although Bodhidharma’s biography is obscure, his life is relatively well known.”1 Indeed, early records of this monk are so vague, and later hagiography embellishes him so extravagantly, that the best approach seems to be, as Faure ultimately suggests, that we treat Bodhidharma not as an individual but as a textual paradigm. -
Dialogue Between Confucius and Socrates: Norms of Rhetorical Constructs in Their Dialogical Form and Dialogic Imagination
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1998 Dialogue Between Confucius and Socrates: Norms of Rhetorical Constructs in Their Dialogical Form and Dialogic Imagination. Bin Xie Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Xie, Bin, "Dialogue Between Confucius and Socrates: Norms of Rhetorical Constructs in Their Dialogical Form and Dialogic Imagination." (1998). LSU Historical Dissertations and Theses. 6717. https://digitalcommons.lsu.edu/gradschool_disstheses/6717 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter free, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
The Politics of Place-Making in the Records of Buddhist Monasteries in Luoyang
_full_journalsubtitle: International Journal of Chinese Studies/Revue Internationale de Sinologie _full_abbrevjournaltitle: TPAO _full_ppubnumber: ISSN 0082-5433 (print version) _full_epubnumber: ISSN 1568-5322 (online version) _full_issue: 1-2 _full_issuetitle: 0 _full_alt_author_running_head (neem stramien J2 voor dit article en vul alleen 0 in hierna): Manling Luo _full_alt_articletitle_deel (kopregel rechts, hier invullen): The Politics of Place-Making _full_is_advance_article: 0 _full_article_language: en indien anders: engelse articletitle: 0 T’OUNG PAO The Politics of Place-Making T’oung Pao 105 (2019) 43-75 www.brill.com/tpao 43 The Politics of Place-Making in the Records of Buddhist Monasteries in Luoyang Manling Luo Indiana University The Luoyang qielan ji 洛陽伽藍記 (Records of Buddhist Monasteries in Luoyang; hereafter Records), compiled by Yang Xuanzhi 楊衒之 (fl. 547) in roughly 547 CE, commemorates the ruined capital city of the North- ern Wei dynasty 北魏 (386-534).1 One of the few major works to survive from the period, the Records has received much critical attention, with topics ranging from its textual history to its historical and literary value. This essay focuses on what I call the “politics of place-making” in the memoir, that is, engagements with Luoyang’s space as expressions of power before and after the city’s abandonment, as represented and un- derstood by Yang. These ignored aspects shed light on the central con- cerns that motivated his writing, thereby revealing his perspective on the intersections of place, power, and human agency. The analysis al- lows us to better understand his innovations in pioneering an unofficial, space-centered historiography that defines historical agents as place- makers whose deeds and lives are anchored spatially as much as tempo- rally. -
Do Not Kill the Goose That Lays Golden Eggs: the Reasons of the Deficiencies in China’S Intellectual Property Rights Protection
DO NOT KILL THE GOOSE THAT LAYS GOLDEN EGGS: THE REASONS OF THE DEFICIENCIES IN CHINA’S INTELLECTUAL PROPERTY RIGHTS PROTECTION XIUYI ZHENG MPhil University of York Law March 2015 Abstract China’s intellectual property protection, which has been considered weak and discussed for decades, is playing an increasingly significant role in global trading. In the past decades, China has made great strikes in its intellectual property rights (IPR) protection, while its performance is still not satisfactory, especially in the eyes of developed countries. Before taking any further coercive strategies, both developed countries and China should look into the reasons of the deficiencies in China’s IPR protection so that measures could be taken more efficiently. This thesis will focus on the detailed history of the development of China’s IPR protection with a historical method, thus justifying the theory that late start and slow development are the main two reasons of the deficiencies in China’s IPR system. The concept of IPR did not exist in China until the end of 19th century due to the influence of Confucianism. The weak awareness of IPR lasted till now. From the day that western forces brought the idea of IPR into China to the establishment of a genuine protection system, China experienced a violent social turbulence with many changes in regimes and guiding ideologies. Meanwhile, Chinese government was continuously in the dilemma: whether they should pursuit a better IPR protection system or learn advanced knowledge and technologies from developed countries. All these factors slowed down the development of IPR in China. -
A Sphere Unto Itself: the Death and Medieval Framing of the History of Chinese Cosmography Daniel Patrick Morgan
A Sphere unto Itself: the Death and Medieval Framing of the History of Chinese Cosmography Daniel Patrick Morgan To cite this version: Daniel Patrick Morgan. A Sphere unto Itself: the Death and Medieval Framing of the History of Chi- nese Cosmography. First International Workshop on Traditional Sciences in Asia, Kyoto University, Jun 2015, Kyoto, Japan. halshs-01333724 HAL Id: halshs-01333724 https://halshs.archives-ouvertes.fr/halshs-01333724 Submitted on 7 Jul 2016 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Distributed under a Creative Commons Attribution - NonCommercial - ShareAlike| 4.0 International License A Sphere unto Itself: the Death and Medieval Framing of the History of Chinese Cosmology Daniel Patrick Morgan* ERC Project SAW (CNRS-Université Paris Diderot) 17–19 June 2015 for the International Workshop on Traditional Sciences in Asia 2015, Kyoto University Abstract: This paper attempts to explain the lack of dialogue between Indian and Chinese cos- mologies in the astral sciences of the Six Dynasties and Tang. The history of cosmology in China, we are told, died in the eighth century, the final blow having been delivered by the monk Yixing. Almost everything we know about this history derives from three sources: Shen Yue and Li Chunfeng’s respective ‘heavenly patterns’ monographs (5th & 7th cent.) and Gautama Siddhārtha’s Kaiyuan zhanjing (729). -
Court Historiography in Early Tang China: Assigning a Place to History and Historians at the Palace
COURT HISTORIOGRAPHY IN EARLY TANG CHINA: ASSIGNING A PLACE TO HISTORY AND HISTORIANS AT THE PALACE Isenbike Togan Introduction In Tang China (618–907 CE) policies and political interaction took shape at court, in the context of palace life. During the early Tang, court life came to include activities such as the writing of history: historians were assigned a place in the palace. The placement of the historians within the precincts of the palace was an illustration of the ‘politicization of history’, the institutional and political appropriation of history writing by the Tang court. This new trend did not only shape the interpretation of past events, but also the approach and methods of future historiography. It was during this time that the major histories of the preceding four centuries were written and the groundwork laid for future history writing by professional historians. These changes were initiated by the second Tang emperor Li Shimin, known as Tang Taizong (626–649). He was regarded as an exemplary figure by later dynasties; his reign of Zhen Guan (True Vision) is known in Chinese history as the ‘good rule of the Zhen Guan reign.’ This ‘Golden Age’ lasted for 23 years from 627 to 649. Taizong, who reached power by killing the crown prince and forcing his father to abdicate, was able to achieve high standing in history, irrespective of these events. He gained this standing initially through a policy of shar- ing power with political contestants and consolidated his position with a victory (630) over the Early Türk, the foreign power in the north and the west. -
THE GREAT ERA of ART COLLECTING in CHINA Emperor Taizong and His Followers
BBognaogna ŁakomskaŁakomska Academy of Fine Arts, Gdansk The State Ethnographic Museum in Warsaw Polish Institute of World Art Studies THE GREAT ERA OF ART COLLECTING IN CHINA Emperor Taizong and his followers n 618 AD when the Tang dynasty was founded, the Imperial Storehouse had merely three hundred scrolls, but all of them were regarded as treasures Ihanded down from the Sui dynasty.1) This small collection, however, only began to grow when on the throne sat Emperor Taizong 太宗 (626 – 649 AD) – one of the greatest art collectors of all times. An excellent scholar and calligra- pher, interested in art himself, Taizong almost fanatically began to buy art from private individuals.2) As a result, by the year 632 AD in the imperial collection there were already over 1,500 scrolls of calligraphy.3) The Imperial Storehouse was much more than simply a repository for art works. It was an exclusive institution uniting excellent intellectuals, artists and capable officials, who also were outstanding experts in art. Its core constituted a counsel of three authorities: Yu Shinan 虞世南 (558 – 638 AD) – once Emperor Taizong’s teacher of calligraphy; Wei Zheng 魏徵 (580 – 643 AD) – a brilliant officer and the emperor’s adviser; and Chu Suiliang 褚遂良 (597 – 658 AD) – 1) Acker (1979: 127). 2) In sponsored by the Emperor Huizong 徽宗 (1100 – 1126) the Xuanhe Huapu宣和画谱 (Catalogue of Paintings of the Xuanhe Emperor [Huizong]), there is a following description of Emperor Taizong as an artist as well as a patron of art: “…Taizong was good at fei bai飞白 (fl ying white) and gave some of his pieces in it to his top offi cials.