DOCSLIB.ORG

Welkom Achtergrondartikelen Programma's En Toelichtingen Musici Informatie

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Welkom Achtergrondartikelen Programma's En Toelichtingen Musici Informatie 2 welkom welcome 7 achtergrondartikelen articles 41 programma's en toelichtingen programmes and program notes 99 musici musicians 135 informatie information 1 Beste Biënnale bezoeker, Na drie succesvolle edities van de worden gepresenteerd leeft bij ons voort. In Dear Biennial visitor, The Biennial also offers young professionals Biënnale kan met voorzichtige trots worden deze Biënnale worden liefst elf gloednieuwe After three successful editions of the Amsterdam and amateurs the opportunity to make their geconstateerd dat er een unieke traditie is composities ten doop gehouden, daarnaast Cello Biennial, we can conclude with guarded way into the spotlight. A great number of young ontstaan in het Muziekgebouw aan ’t IJ. Van zijn er dagelijks composities te horen die – pride that a unique tradition has been established professionals have entered the National Cello 26 oktober tot en met 3 november 2012 is het ten onrechte – zelden worden uitgevoerd. in the Muziekgebouw aan ‘t IJ. From October 26 Competition or signed up for the twelve public weer zo ver: het hele gebouw gonst dan van Ondertussen is de Biënnale ook de plek through November 3, the tradition continues: the masterclasses, workshops or Open Podium. In de celloklanken. waar jonge professionals en amateurs entire building will buzz with the sound of the addition there is the ever-popular Mega Kinder Dit festivalboek maakt u wegwijs in het zich in de kijker kunnen spelen. Veel jonge cello. Cello Orkest (MegaKCO), where approximately volledige programma van deze Vierde professionele cellisten schreven zich in voor This festival book will guide you through the 140 young amateurs will bundle their efforts and Amsterdamse Cello Biënnale. Met ruim het Nationaal Cello Concours of doen mee complete programme of this Fourth Amsterdam creativity in a joint concert. zeventig evenementen, negenendertig aan de twaalf openbare masterclasses, de Cello Biennial. With some seventy events, thirty- Our Ensemble in Residence is the world-class grote solisten uit de hele wereld en dertien workshops of de Open Podia. Daarnaast nine top soloists from all over the world and ensemble Cello8ctet Amsterdam. These eight orkesten en ensembles is het festival is er het immer ontroerende Mega Kinder thirteen orchestras and ensembles, the festival is dedicated musicians will perform innovative ambitieuzer en het boek dikker dan ooit Cello Orkest (MegaKCO) waarbij circa more ambitious, and the book thicker, than ever. concerts with new music, present the Biennial’s tevoren. Dankzij vele gulle bijdragen van honderdveertig jonge amateurs hun Thanks to generous contributions from friends, new children’s concert and, following the evening vrienden, donateurs, culturele fondsen, krachten en creativiteit bundelen in een donors, cultural funds, sponsors and you, our programmes, will take on the role of charming sponsoren en u, ons kaartenkopend publiek, gemeenschappelijk concert. ticket-holding audience, we are once again able to hosts and hostesses of the Cello Lounge. is het opnieuw mogelijk om een spectaculair Ensemble in Residence is het Cello8ctet realize a spectacular programme. Soloists and ensembles from all over the programma te realiseren. Amsterdam, een cello ensemble van The idea to place this fourth Biennial in world will make the Muziekgebouw and Bimhuis Ons idee om deze vierde Biënnale in een wereldformaat. Deze acht bevlogen an Oriental perspective arose in 2008 when shimmer with the sound of cello music, from Oosters perspectief te plaatsen ontstond musici laten zich horen in spraakmakende the Chinese composer Tan Dun conducted his the earliest to the most modern compositions. toen de Chinese componist Tan Dun in 2008 programma’s met nieuwe muziek, zij opera Marco Polo in Amsterdam. Tan’s musical Instrument and bow builders, publishers, stands zijn eigen opera Marco Polo in Amsterdam presenteren voor de Biënnale een nieuwe visions on unbounded musical communication with CDs and sheet music, and an extensive dirigeerde. Zijn muzikale vergezichten over kindervoorstelling en na afloop van de correspond neatly with our own dreams. Tan Dun Fringe programme – all free and located grenzeloze muzikale communicatie bleken avondconcerten ontpoppen zij zich tot composes beautifully for the cello; his charisma throughout the building – contribute to the mooi aan te sluiten op onze dagdromen. Tan charmante gastvrouwen en -heren van de and idealism do the rest. As Artist in Residence, convivial atmosphere and will once again provide Dun componeert prachtig voor de cello, zijn Cello-Lounge. Tan Dun will conduct several ensembles, an unforgettable ‘cello experience’ for audiences, charisma en idealisme doen de rest. Als Artist Solisten en ensembles uit de hele wereld including the performance of his multimedia students and masters alike. in Residence zal Tan Dun hier verschillende zullen het Muziekgebouw aan ‘t IJ en het composition The Map, with a leading role for ensembles dirigeren, onder andere in zijn Bimhuis negen dagen lang van ’s morgens Anssi Karttunen. We wish you many stirring, amazing and multimediale compositie The Map met een vroeg tot ‘s avonds laat doen zinderen van Johann Sebastian Bach’s cello suites are the enjoyable moments in the coming week. hoofdrol voor Anssi Karttunen. de alleroudste tot allernieuwste cellomuziek. programmatic thread and touchstone of all the Rode draad en toetssteen van alle Cello-en stokkenbouwers, uitgevers, stands Biennials. Six days at 9:30 a.m., six different Maarten Mostert artistic director Biënnales zijn de meesterlijke Cello Suites van met cd's en bladmuziek en een uitgebreid cellists will tackle these brilliant suites in ‘Bach Johan Dorrestein managing director Johann Sebastian Bach. Zesmaal kunt u om Fringe-programma – allemaal gratis & Breakfast’. Visitors are invited to take part in 9.30 uur het Bach & Breakfast ochtendritueel toegankelijke evenementen door het hele this enduring morning ritual – not to mention the meemaken, waarbij de suites door zes gebouw – dragen bij aan de veelgeroemde coffee, juice and warm croissant… verschillende cellisten onder handen worden sfeer en zorgen ongetwijfeld opnieuw voor Amsterdam is indebted to the tireless genomen. De koffie, jus en warme croissant een onvergetelijke ‘cello-experience’ voor efforts of Jan Wolff, champion of new music zijn trouwens ook niet te versmaden.... publiek, studenten en meesters. and the ensemble culture, for its magnificent Amsterdam dankt het prachtige Muziekgebouw aan ‘t IJ. Jan Wolff has passed, Muziekgebouw aan de niet-aflatende inzet Wij wensen u veel momenten van ontroering, but his philosophy that new music should be van Jan Wolff, beschermheer van de nieuwe verwondering en van puur genieten toe. presented with the utmost care and élan lives muziek en de ensemblecultuur. Jan Wolff is er on. In this Biennial, eleven brand-new works will helaas niet meer, maar zijn credo dat nieuwe Maarten Mostert artistiek leider be premiered, alongside daily performances of muziek met de grootste zorg en elan moet Johan Dorrestein zakelijk leider unjustly neglected cello compositions. 3 achtergrondartikelen articles For the complete English translation of the articles, go to: www.amsterdamsecellobiennale.nl 6 Kameleon met honderd gezichten Hoe klinkt de cello anno 2012? door Bas van Putten 12 Tonk! Quannnggg… Teeeï? Tsjang! Artist in Residence Tan Dun voelt zich alleen thuis in zijn muziek door Michel Khalifa 18 Gegrepen door de cello Nationaal Cello Concours raakt een gevoelige snaar door Saskia Törnqvist 22 Geen dag zonder Bach Zes cellisten aan het woord over de Bijbel van het cellorepertoire door Marianne Broeder 26 Acht cellisten onderweg naar de top Cello8ctet Amsterdam slaat de vleugels uit tijdens deze Biënnale door Huib Ramaer 30 Mit Leiser Stimme De ongerepte muziek van Peˉteris Vasks door Jan Brokken 35 Frédéric Chopin en Auguste Franchomme Een Vriendschap door Anner Bijlsma 5 Hoe klinkt de cello anno 2012? The cello sound of 2012 Kameleon met honderd gezichten The chameleon with 100 faces Het regent premières tijdens de It’s raining premieres at Amsterdamse Cello Biënnale. Alexander this Biennial. Alexander Raskatov, Peˉteris Vasks, Du Wei, Diego Raskatov, Pe¯teris Vasks, Du Wei, Diego Soifer, Soifer, Yannis Kyriakides, Julia Wolfe, Uljas Yannis Kyriakides, Julia Pulkkis, Martin Fondse en Theo Loevendie Wolfe, Uljas Pulkkis, Martin Fondse and kregen allen het verzoek een nieuw werk Theo Loevendie were te schrijven voor de cello. Daarmee zagen commissioned to write a new work for the cello. zij zich voor dezelfde vragen gesteld: wat And they were all faced heeft de cello te bieden in 2012? En wat with the same question: what does the cello hebben zij zelf toe te voegen? Musicoloog have to offer in 2012? Bas van Putten inventariseerde de laatste Musicologist Bas van honderd jaar cellorepertoire, ondervroeg Putten took stock of the cello repertoire of the past een aantal Biënnale-componisten en 100 years, interviewed maakt de balans op. a few of the Biennial’s composers, and makes up the balance. Tot circa 1900 kan de definitie van de cello en de For the complete celloliteratuur in één zin. Donker, lyrisch-dramatisch English translation of instrument, zingend in lange brede lijnen. De this article, go to: www. hoogtepunten uit het cellorepertoire vertonen van amsterdamsecello Bach tot Dvorˇák natuurlijk de expressieve rijkdom biënnale.nl van alle grote muziek, maar stemmigheid is een gemeenschappelijke noemer. Over het licht valt een schaduw van melancholieke rondborstigheid, die
Load more

Recommended publications
  • 14 January 2011 Page 1 of 9
    Radio 3 Listings for 8 – 14 January 2011 Page 1 of 9 SATURDAY 08 JANUARY 2011 05:37AM virtuosity, but it's quite possible he wrote this concerto to play Mozart, Wolfgang Amadeus (1756-1791) himself. One early soloist commented that the middle SAT 01:00 Through the Night (b00wx4v1) Alma Dei creatoris (K.277) movement was 'too clever by half', but it's the finale that's The Genius of Mozart, presented by John Shea Ursula Reinhardt-Kiss (soprano); Annelies Burmeister (mezzo); catches most attention today, as it suddenly lurches into the Eberhard Büchner (tenor); Leipzig Radio Chorus & Symphony 'Turkish' (or more accurately Hungarian-inspired) style - and 01:01AM Orchestra), Herbert Kegel (conductor) the nickname has stuck. Mozart, Wolfgang Amadeus (1756-1791) Thamos, König in Ägypten (K.345) 05:43AM Conductor Garry Walker is no stranger to Mozart, last season Monteverdi Choir; English Baroque Soloists; cond. by John Mozart, Wolfgang Amadeus (1756-1791) he visited the St David's Festival in West Wales with the Eliot Gardiner 16 Minuets (K.176) (excerpts) Nos.1-4 orchestra, taking the 'Haffner' symphony. Today he conducts Slovak Sinfonietta, cond. Tara Krysa the players in Symphony No. 25, written when Mozart was a 01:50AM teenager. It's his first symphony in a minor key, and maybe the Mozart, Wolfgang Amadeus (1756-1791) 05:51AM passion and turbulence we hear in the outer movements a young Piano Sonata in C minor (K. 457) (1784) Mozart, Wolfgang Amadeus (1756-1791) man struggling out of his adolescence. Denis Burstein (piano) Quartet for strings in B flat major (K.458) "Hunt" Quatuor Mosaïques MOZART 02:15AM Violin Concerto No.
    [Show full text]
  • The University of Chicago Objects of Veneration
    THE UNIVERSITY OF CHICAGO OBJECTS OF VENERATION: MUSIC AND MATERIALITY IN THE COMPOSER-CULTS OF GERMANY AND AUSTRIA, 1870-1930 A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF MUSIC BY ABIGAIL FINE CHICAGO, ILLINOIS AUGUST 2017 © Copyright Abigail Fine 2017 All rights reserved ii TABLE OF CONTENTS LIST OF MUSICAL EXAMPLES.................................................................. v LIST OF FIGURES.......................................................................................... vi LIST OF TABLES............................................................................................ ix ACKNOWLEDGEMENTS............................................................................. x ABSTRACT....................................................................................................... xiii INTRODUCTION........................................................................................................ 1 CHAPTER 1: Beethoven’s Death and the Physiognomy of Late Style Introduction..................................................................................................... 41 Part I: Material Reception Beethoven’s (Death) Mask............................................................................. 50 The Cult of the Face........................................................................................ 67 Part II: Musical Reception Musical Physiognomies...............................................................................
    [Show full text]
  • APRIL 2009 LIST See Inside for Valid Dates
    tel 0115 982 7500 fax 0115 982 7020 APRIL 2009 LIST See inside for valid dates Dear Customer As the weather here becomes positively agreeable and the evenings lengthen, we offer you a cornucopia of delights containing both new growth and old returning favourites in a seductively priced spring bouquet - we hope you cannot resist! The major new release this month is Angela Hewitt’s re-visit of the Bach 48, a fresh look at this masterpiece of the keyboard repertoire. The reports indicate a quite different approach from her original recordings a decade ago, resulting from her years of performing and living with this music - a ‘new-found freedom’ as Ms Hewitt calls it. We have made it available at a special price for this list, along with reductions on the whole of her Hyperion back catalogue. The LSO Live Gergiev Mahler series continues with Symphony no.8 recorded in the mammoth acoustic of St Paul’s Cathedral. DG, in this Handel year, provide us with the first ever studio recording of his neglected Ezio, first performed in London in 1732 and a fine example of ‘opera seria’. For fans of the Gheorghiu/Alagna duo, there is a fascinating new world premiere recording on the Larghetto label (see page 8) of excerpts from a little known opera by Vladimir Cosma, Marius and Fanny, inspired by the writings of Marcel Pagnol. As always, we have negotiated reduced price offers - HM Gold, Praga, Delphian, Accord, Handel sets on Hyperion, EMI Gemini and British Composers, and the Medici Arts DVD catalogue. Make the most of them.
    [Show full text]
  • Radio 3 Listings for 28 December 2019 – 3 January 2020 Page 1 of 16
    Radio 3 Listings for 28 December 2019 – 3 January 2020 Page 1 of 16 SATURDAY 28 DECEMBER 2019 (conductor) BBC National Orchestra of Wales Jac van Steen (conductor) SAT 01:00 Through the Night (m000cpsr) 05:01 AM BIS BIS2408 (Hybrid SACD) - Released 3rd January 2020 Regensburger Domspatzen at Tage Alter Musik Judith Weir (1954-) String quartet Ravel: Jeux de Miroirs Leopold Mozart shows himself to be a serious composer at the Silesian Quartet Javier Perianes (piano) height of his powers with his Symphony in G and Missa Orchestre de Paris Solemnis. They are performed at the Tage Alter Musik festival 05:13 AM Josep Pons (conductor) in Regensburg, Germany, by the Regensburger Domspatzen and Franz Schubert (1797-1828) Harmonia Mundi HMM902326 the Hofkapelle Munich. Catriona Young presents. 4 Impromptus for piano, D 899 (No 4 in A flat) http://www.harmoniamundi.com/#!/albums/2571 Arthur Schnabel (piano) 01:01 AM 9.30am Building a Library Leopold Mozart (1719-1787) 05:21 AM Symphony in G 'Neue Lambacher', for strings Johann Philipp Kirnberger (1721-1783) Laura Tunbridge discusses a wide range of approaches to Hofkapelle Munchen, Rudiger Lotter (conductor) Cantata, 'An den Flussen Babylons' Schumann's searing Heine cycle and recommends the key Johannes Happel (bass), Balthasar-Neumann-Chor, Balthasar- recording to keep for posterity. 01:18 AM Neumann-Ensemble, Detlef Bratschke (conductor) Leopold Mozart (1719-1787) 10.20am New Releases Missa Solemnis in C 05:33 AM Katja Stuber (soprano), Dorothee Rabsch (contralto), Robert Joaquín Turina (1882-1949)
    [Show full text]
  • Robert Schumann 1810–1856
    Jodi Levitz Carla Moore The Benvenue Fortepiano Trio 2 Robert Schumann 1810–1856 Märchenbilder Op.113* 1 I. Nicht schnell 3.29 2 II. Lebhaft 3.58 3 III. Rasch 2.32 4 IV. Langsam 5.26 Fünf Stücke im Volkston Op.102 † 5 I. Mit Humor 3.05 6 II. Langsam 3.21 7 III. Nicht schnell 4.13 8 IV. Nicht zu rasch 1.53 9 V. Stark und markiert 3.00 Piano Quintet in E flat Op.44° 10 I. Allegro brillante 9.04 11 II. In modo d’un marcia 7.50 12 III. Scherzo 4.51 13 IV. Allegro ma non troppo 7.06 59.48 The Benvenue Fortepiano Trio on period instruments * † ° Eric Zivian fortepiano (Franz Rausch, Vienna, 1841) ° Monica Huggett violin (Dutch [Cuypers School], circa 1770) † ° Tanya Tomkins cello (Joseph Panormo, London, 1811) *°Jodi Levitz viola (Andrea Ghisalberti, Parma, 1729) ° Carla Moore violin (Johann Georg Thir, Vienna, 1754) 3 When Robert Schumann finally married Clara Wieck on 12 September 1840, it marked the end of a long battle with Clara’s father, Friedrich Wieck, who considered the 30-year-old composer unfit for her. As Wieck’s arguments fell away and it became clear that the young lovers would soon be able to marry, Schumann entered an extraordinary phase of compositional productivity. During 1840 and into 1841 – known as the composer’s Liederjahr or ‘year of song’ – he composed no fewer than 125 Lieder, casting them off at white heat, sometimes at the rate of two a day. This prodigious activity continued into the next year, when he turned his mind to the orchestra, composing the First Symphony and the original version of the Fourth, along with the Overture, Scherzo and Finale and the piano Phantasie, which was to become the first movement of the Piano Concerto a few years later.
    [Show full text]
  • 20Th-Century Repertory
    Mikrokosmos List 575. - 2 - June 2013 ....20TH-CENTURY REPERTORY 1 Ahrens, Joseph: Das heilige Jahr - comp.organ S 3 x MUSICA VIV MV 601114 A 20 2 Anrooy, Peter van: Piet Hein/ H.Andriessen: Kuhnau Variations/ J.Wagenaar: FONTANA 6530044 A 10 Cyrano & De getemde feeks Overtures - Residentie Orkest, cond.Dorati, Otterloo (Dutch pressing) S 3 Arndt, Rudi: Burleske for Trompet & Orch/Hattwig: Carpe diem/Rosenfeld: Scherzo NOVA 885008 A 10 for Vln & Orch/Arenz: Sommer/Bruchmann: Toccata S 4 Auric: Trio/ M.Constant: Trio/ Canteloube: Rustiques/ Lesur: Suite - Monte Carlo REM 11029 A 12 Wind Trio (gatefold) 1987 S 5 Balanchivadze: Piano Concerto 3, Ritsa Lake Intermezzo, On the Tbilisi Sea Waltz - MELODIYA D 3916 A 60 CP1 L.Oborin, cond.Khaikin, Dimitriadi 10" OLD 6 Bantock: Pierrot Ov/ Bridge: Summer, Hamlet, Suite for String Orch/ Butterworth: RCA RL 25184 A 10 Idyll for Small Orch - cond.Del Mar (UK) S 7 Bartok: Cantata Profana, 5 Hungarian Folk Songs, Village scenes, 7 Choruses - HUNGAROT SLPX 11510 A 10 cond.Dorati, Ferencsik, Korodi (Complete Edition) S 8 Bartok: Kossuth Sym Poem; Scherzo for Pno; Scherzo from Sym in E flat - E.Tusa, HUNGAROT SLPX 11517 A 10 cond.Lehel S 9 Bartok: Miraculous Mandarin ballet, Dance Suite, Hungarian Peasant Songs - HUNGAROT SLPX 11319 A 10 Budapest PO, cond.J.Sandor (Complete Edition) S 10 Bartok: Sonata for 2 Pnos & Perc; Solo Sonata for Vln - Kocsis, Ranki, Petz, Marton, HUNGAROT SLPX 11479 A 10 D.Kovacs (Complete Edition) S 11 Bartok: Suite 2, Rumanian Folk Dances, Transylvanian Dances, Hungarian Sketches
    [Show full text]
  • March 2013 List Blu-Ray New Releases
    tel 0115 982 7500 fax 0115 982 7020 MARCH 2013 LIST See inside for valid dates Dear Customer The recording that we are most excited about this month has to be the brand new St John Passion from the Dunedin Consort. Ever since their stunning release of Handel’s Messiah on the Linn label, each new offering has been eagerly awaited and this latest venture certainly doesn’t disappoint. Due out on 18th March, we have arranged for it to be available at a very special price for all those who order it in advance - see p.2 for details. Boulez is back with Mahler this month, this time exploring the lesser-recorded Das Klagende Lied with Anna Prohaska and Dorothea Roschmann - well worth a try. Other items we are looking forward to are the second instalment of Barry Douglas’ Brahms cycle for Chandos, Christina Pluhar’s Mediterraneo for Virgin Classics and Sir Mark Elder’s issue of Vaughan Williams’ Symphonies 5 & 8 on the Halle label. There also appears to be an abundance of new bargain boxsets this month, including items focused on Vladimir Ashkenazy (Decca), Sir John Eliot Gardiner (DG Archiv), Boult’s Vaughan Williams (EMI), Klemperer’s Mozart Operas (EMI), Byron Janis (Sony), Jascha Heifetz (Sony) and Wagner (also Sony). These can all be found under the relevant label sections - great value for collectors. Hungaroton have recently agreed a new distribution arrangement in the UK and this month we are able to feature a special offer on the entire label for the first time in a while.
    [Show full text]
  • Danjulo Ishizaka Violoncello Peter Wittenberg Klavier
    CONCORSO 16 Lionel Tertis/Enrico Mainardi RECITAL Barbara Westphal Viola Mari Kato Klavier Danjulo Ishizaka Violoncello Peter Wittenberg Klavier Freitag, 13. Mai 2016 19.30 Uhr Solitär Universität Mozarteum Mirabellplatz 1 Programm Johannes Brahms Sonate e-Moll, op. 38 Claude Debussy Sonate d-Moll für Violoncello und Klavier (1833-1897) Allegro non troppo (1862-1918) Prologue. Lent Allegretto quasi Menuetto Sérénade et Finale. Modérément – Animé Allegro Frédéric Chopin Sonate pour violoncelle g-Moll, op. 65 Benjamin Britten Lachrymae, op. 48 (1810-1849) Allegro moderato (1913-1976) Reflections on a song of Dowland Scherzo („If My Complaints Could Passions Move“) Largo Für William Primrose Finale. Allegro Barbara Westphal, Viola Danjulo Ishizaka, Violoncello Mari Kato, Klavier Peter Wittenberg, Klavier -- Pause -- Barbara Westphal Mari Kato Barbara Westphal studierte in London und New York und Mari Kato wurde in Obihiro auf Japans Nordinsel Hokkaido erlangte ihre Konzertreife bei Itzhak Perlman und Michael Tree. geboren und studierte an der Musikhochschule Köln bei 1983 gewann sie im ARD Wettbewerb den einzigen Preis für Tiny Wirtz und an der Musikhochschule Hannover bei David Solo-Bratsche sowie den Busch Preis. Wilde. Sie besuchte Meisterkurse bei Paul Badura-Skoda und Als Solistin und Kammermusikerin konzertiert sie weltweit. Sergei Dorenski. Sie errang den 1. Preis beim Beethoven- Von 1978 bis 1985 war sie Bratschistin des Delos Quartetts Klavierwettbewerb in Sapporo (1987) und beim Internationalen (USA), Erster Preisträger beim Internationalen Wettbewerb Klavierwettbewerb in Lugano (1991). für Streichquartett in Colmar (Frankreich, 1981). Regelmäßig Als Solistin trat sie mit dem Nordkammerorchester Sapporo, mit gastiert sie bei internationalen Festivals wie z.B. Santa Fe (New dem Sapporo Symphonieorchester unter Tadaaki Otaka auf und Mexico), Sarasota (Florida), Great Lakes Festival (Michigan), Incontri in Terra di Siena und arbeitete mit Dirigenten wie Lorin Maazel, Hubert Soudant, Johannes Kalitzke, Michael Boder Schleswig-Holstein Musik Festival.
    [Show full text]
  • Universidad De Cuenca Facultad De Artes
    UNIVERSIDAD DE CUENCA FACULTAD DE ARTES Titulo: Análisis comparativo de técnica interpretativa a tres instrumentistas que proponen la ejecución del Concierto en Re Mayor para violonchelo de Joseph Haydn. Trabajo de Titulación previo a la obtención de Licenciatura AUTOR: Miriam Carolina Lasso Lazo CI: 0106522048 TUTOR: MGST. Raquel Margarita Ortega Sarango CI: 1103698393 CUENCA- ECUADOR 2019 Universidad de Cuenca. Resumen Este proyecto de tesis desarrolla un análisis comparativo de técnica interpretativa a tres instrumentistas que proponen una ejecución del Concierto en Re mayor de Joseph Haydn, el objetivo principal es desarrollar el análisis estructural, armónico y comparativo de técnica interpretativa a tres instrumentistas que ejecutan el concierto en Re mayor de Joseph Haydn para así proceder a obtener diversos criterios interpretativos, el análisis estructural y armónico del concierto servirá de guía al determinar que pasajes serán objeto de comparación entre los intérpretes, cabe recalcar que las cadencias de cada movimiento también formarán parte de la comparación de técnica interpretativa ya que en ellas se puede observar el control técnico y virtuoso del intérprete. El análisis comparativo de técnica de interpretación se realiza primero en variables generales, es decir en la ejecución de cada intérprete sobre la obra en general para proceder luego con variables específicas en cada movimiento, al final se eligen los criterios que más se ajustan a la interpretación de la ejecutante. Palabras Clave: ANALISIS COMPARATIVO, CRITERIO,
    [Show full text]
  • Brahms String Sextets WDR Chamber Players
    Brahms String Sextets WDR Chamber Players 1 Johannes Brahms (1833-1897) A testing ground for chamber music Thoughts on the Brahms string sextets String Sextet No. 1 in B-flat Major, Op. 18 (1862) 1 I. Allegro ma non troppo 13. 33 “One hears six intelligent people at the same time are granted absolute 2 II. Andante, ma moderato 8. 56 conversing among themselves, derives individuality. 3 III. Scherzo. Allegro molto 3. 04 pleasure from their discourse, and gets to 4 IV. Rondo. Poco allegretto e grazioso 9. 15 know the peculiarities of the instruments.” On this basis, the string quartet — If Goethe’s well-known aperçu concerning probably the most significant chamber- String Sextet No. 2 in G Major, Op. 36 (1865) the string quartet could be so easily music genre in the history of European 1 I. Allegro non troppo 13. 48 adapted to the string sextet by merely music, thanks to its aesthetic appeal — has 2 II. Scherzo. Allegro non troppo - Presto giocoso - Tempo primo 7. 04 replacing the number four by six, then one developed a tradition that extends from 3 III. Adagio 8. 37 would truly be oversimplifying matters its beginnings with Haydn through Mozart 4 IV. Poco allegro 8. 12 with regard to the string sextet. For and Beethoven until well into the 20th the essence of Goethe’s thinking — the century. The string sextet cannot present Total playing time: 72. 45 conversation in which each participant a comparable development as a genre, has an equally important say — cannot irrespective of the varying combination WDR Symphony Orchestra Cologne be transferred without further ado to of instruments: for there was no standard Chamber Players: the extended ensemble.
    [Show full text]
  • Guide-To-String Trios
    GUIDE TO THE STRING TRIO LITERATURE Guide to the Strin g Trio Li teratu Ray re by mon d Si lvert rust BY RAYMOND SILVERTRUST EDITOR OF THE CHAMBER MUSIC JOURNAL -1- Table of Contents Introduction and Preface ··································································································· 3 Trios for Violin, Viola and Violoncello ············································································ 6 Trios for 2 Violins and Cello or 2 Violins and Viola ······················································· 24 Index······························································································································· 29 -2- A Guide to the String Trio Literature By Raymond Silvertrust Introduction and Preface professional ensemble. Along the way, I developed a love of the broader chamber music literature to which I was first exposed First, I would like to apologize to my readers. I have hastily through the medium of phonograph records. To my chagrin, typed this entirely myself. And as I have no editor and because I years of concert-going made clear that I was unlikely to ever hear am not a good proof reader, you will find many mistakes, largely such music performed live, either because the professionals did because I have felt, now in my seventh decade, that I am racing not know of the music or because the music was unavailable. against the clock so to speak. I have wanted to make sure that I When I realized this state of affairs, I undertook to obtain some would be able to complete this guide. When it is done, and if I of the music I had heard on disk so that at least I could play it. To have time, I will improve it, add to it and, of course, try to this end, I began to search music stores, antiquarian dealers and eliminate all of the errors I have left behind.
    [Show full text]
  • HAMLET PIANO TRIO LUDWIG Van BEETHOVEN
    HAMLET PIANO TRIO CHANNEL CLASSICS CCS 39117 LUDWIG van BEETHOVEN OPUS 70 & 121 HAMLET PIANO TRIO hree world-class musicians decided to join forces in 2011. As the Hamlet TPiano Trio their reputation grows fast worldwide. All three have earned their stripes, both as soloists and as chamber musicians. The Dutch Italian and Italian Dutchman Paolo Giacometti is known as a soloist playing both modern and period instruments. He has recorded many albums with great works and renowned orchestras. In 2004, he received his first Edison award for one of his albums from the eight-part Rossini project. As a chamber musician, Paolo is well-known in combination with renowned musicians like Pieter Wispelwey, with whom he has formed a duo for a long time. But he also worked with Viktoria Mullova, Bart Schneemann, Janine Jansen and many other artists. György Sebök is one of the greatest sources of inspiration for Paolo’s musical development. Every year, Paolo is present at the Musikdorf Ernen, where Sebök once founded his festival. Here is also where the idea came into being to form a trio with Xenia and Candida. Since 2010, Paolo is a professor at the Robert Schumann Musikhochschule in Dusseldorf. Candida Thompson has been artistic leader of Amsterdam Sinfonietta since 2003, which under her leadership has developed into one of the most prominent chamber orchestras in the world, performing both in the Netherlands and abroad with soloists such as Murray Perahia, Thomas Hampson, Maxim Vengerov, Christianne Stotijn, Martin Frost and Gidon Kremer. Candida studied at the Guildhall School of Music with David Takeno.
    [Show full text]