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2 welkom welcome 7 achtergrondartikelen articles 41 programma's en toelichtingen programmes and program notes 99 musici musicians 135 informatie information 1 Beste Biënnale bezoeker, Na drie succesvolle edities van de worden gepresenteerd leeft bij ons voort. In Dear Biennial visitor, The Biennial also offers young professionals Biënnale kan met voorzichtige trots worden deze Biënnale worden liefst elf gloednieuwe After three successful editions of the Amsterdam and amateurs the opportunity to make their geconstateerd dat er een unieke traditie is composities ten doop gehouden, daarnaast Cello Biennial, we can conclude with guarded way into the spotlight. A great number of young ontstaan in het Muziekgebouw aan ’t IJ. Van zijn er dagelijks composities te horen die – pride that a unique tradition has been established professionals have entered the National Cello 26 oktober tot en met 3 november 2012 is het ten onrechte – zelden worden uitgevoerd. in the Muziekgebouw aan ‘t IJ. From October 26 Competition or signed up for the twelve public weer zo ver: het hele gebouw gonst dan van Ondertussen is de Biënnale ook de plek through November 3, the tradition continues: the masterclasses, workshops or Open Podium. In de celloklanken. waar jonge professionals en amateurs entire building will buzz with the sound of the addition there is the ever-popular Mega Kinder Dit festivalboek maakt u wegwijs in het zich in de kijker kunnen spelen. Veel jonge cello. Cello Orkest (MegaKCO), where approximately volledige programma van deze Vierde professionele cellisten schreven zich in voor This festival book will guide you through the 140 young amateurs will bundle their efforts and Amsterdamse Cello Biënnale. Met ruim het Nationaal Cello Concours of doen mee complete programme of this Fourth Amsterdam creativity in a joint concert. zeventig evenementen, negenendertig aan de twaalf openbare masterclasses, de Cello Biennial. With some seventy events, thirty- Our Ensemble in Residence is the world-class grote solisten uit de hele wereld en dertien workshops of de Open Podia. Daarnaast nine top soloists from all over the world and ensemble Cello8ctet Amsterdam. These eight orkesten en ensembles is het festival is er het immer ontroerende Mega Kinder thirteen orchestras and ensembles, the festival is dedicated musicians will perform innovative ambitieuzer en het boek dikker dan ooit Cello Orkest (MegaKCO) waarbij circa more ambitious, and the book thicker, than ever. concerts with new music, present the Biennial’s tevoren. Dankzij vele gulle bijdragen van honderdveertig jonge amateurs hun Thanks to generous contributions from friends, new children’s concert and, following the evening vrienden, donateurs, culturele fondsen, krachten en creativiteit bundelen in een donors, cultural funds, sponsors and you, our programmes, will take on the role of charming sponsoren en u, ons kaartenkopend publiek, gemeenschappelijk concert. ticket-holding audience, we are once again able to hosts and hostesses of the Cello Lounge. is het opnieuw mogelijk om een spectaculair Ensemble in Residence is het Cello8ctet realize a spectacular programme. Soloists and ensembles from all over the programma te realiseren. Amsterdam, een cello ensemble van The idea to place this fourth Biennial in world will make the Muziekgebouw and Bimhuis Ons idee om deze vierde Biënnale in een wereldformaat. Deze acht bevlogen an Oriental perspective arose in 2008 when shimmer with the sound of cello music, from Oosters perspectief te plaatsen ontstond musici laten zich horen in spraakmakende the Chinese composer Tan Dun conducted his the earliest to the most modern compositions. toen de Chinese componist Tan Dun in 2008 programma’s met nieuwe muziek, zij opera Marco Polo in Amsterdam. Tan’s musical Instrument and bow builders, publishers, stands zijn eigen opera Marco Polo in Amsterdam presenteren voor de Biënnale een nieuwe visions on unbounded musical communication with CDs and sheet music, and an extensive dirigeerde. Zijn muzikale vergezichten over kindervoorstelling en na afloop van de correspond neatly with our own dreams. Tan Dun Fringe programme – all free and located grenzeloze muzikale communicatie bleken avondconcerten ontpoppen zij zich tot composes beautifully for the cello; his charisma throughout the building – contribute to the mooi aan te sluiten op onze dagdromen. Tan charmante gastvrouwen en -heren van de and idealism do the rest. As Artist in Residence, convivial atmosphere and will once again provide Dun componeert prachtig voor de cello, zijn Cello-Lounge. Tan Dun will conduct several ensembles, an unforgettable ‘cello experience’ for audiences, charisma en idealisme doen de rest. Als Artist Solisten en ensembles uit de hele wereld including the performance of his multimedia students and masters alike. in Residence zal Tan Dun hier verschillende zullen het Muziekgebouw aan ‘t IJ en het composition The Map, with a leading role for ensembles dirigeren, onder andere in zijn Bimhuis negen dagen lang van ’s morgens Anssi Karttunen. We wish you many stirring, amazing and multimediale compositie The Map met een vroeg tot ‘s avonds laat doen zinderen van Johann Sebastian Bach’s cello suites are the enjoyable moments in the coming week. hoofdrol voor Anssi Karttunen. de alleroudste tot allernieuwste cellomuziek. programmatic thread and touchstone of all the Rode draad en toetssteen van alle Cello-en stokkenbouwers, uitgevers, stands Biennials. Six days at 9:30 a.m., six different Maarten Mostert artistic director Biënnales zijn de meesterlijke Cello Suites van met cd's en bladmuziek en een uitgebreid cellists will tackle these brilliant suites in ‘Bach Johan Dorrestein managing director Johann Sebastian Bach. Zesmaal kunt u om Fringe-programma – allemaal gratis & Breakfast’. Visitors are invited to take part in 9.30 uur het Bach & Breakfast ochtendritueel toegankelijke evenementen door het hele this enduring morning ritual – not to mention the meemaken, waarbij de suites door zes gebouw – dragen bij aan de veelgeroemde coffee, juice and warm croissant… verschillende cellisten onder handen worden sfeer en zorgen ongetwijfeld opnieuw voor Amsterdam is indebted to the tireless genomen. De koffie, jus en warme croissant een onvergetelijke ‘cello-experience’ voor efforts of Jan Wolff, champion of new music zijn trouwens ook niet te versmaden.... publiek, studenten en meesters. and the ensemble culture, for its magnificent Amsterdam dankt het prachtige Muziekgebouw aan ‘t IJ. Jan Wolff has passed, Muziekgebouw aan de niet-aflatende inzet Wij wensen u veel momenten van ontroering, but his philosophy that new music should be van Jan Wolff, beschermheer van de nieuwe verwondering en van puur genieten toe. presented with the utmost care and élan lives muziek en de ensemblecultuur. Jan Wolff is er on. In this Biennial, eleven brand-new works will helaas niet meer, maar zijn credo dat nieuwe Maarten Mostert artistiek leider be premiered, alongside daily performances of muziek met de grootste zorg en elan moet Johan Dorrestein zakelijk leider unjustly neglected cello compositions. 3 achtergrondartikelen articles For the complete English translation of the articles, go to: www.amsterdamsecellobiennale.nl 6 Kameleon met honderd gezichten Hoe klinkt de cello anno 2012? door Bas van Putten 12 Tonk! Quannnggg… Teeeï? Tsjang! Artist in Residence Tan Dun voelt zich alleen thuis in zijn muziek door Michel Khalifa 18 Gegrepen door de cello Nationaal Cello Concours raakt een gevoelige snaar door Saskia Törnqvist 22 Geen dag zonder Bach Zes cellisten aan het woord over de Bijbel van het cellorepertoire door Marianne Broeder 26 Acht cellisten onderweg naar de top Cello8ctet Amsterdam slaat de vleugels uit tijdens deze Biënnale door Huib Ramaer 30 Mit Leiser Stimme De ongerepte muziek van Peˉteris Vasks door Jan Brokken 35 Frédéric Chopin en Auguste Franchomme Een Vriendschap door Anner Bijlsma 5 Hoe klinkt de cello anno 2012? The cello sound of 2012 Kameleon met honderd gezichten The chameleon with 100 faces Het regent premières tijdens de It’s raining premieres at Amsterdamse Cello Biënnale. Alexander this Biennial. Alexander Raskatov, Peˉteris Vasks, Du Wei, Diego Raskatov, Pe¯teris Vasks, Du Wei, Diego Soifer, Soifer, Yannis Kyriakides, Julia Wolfe, Uljas Yannis Kyriakides, Julia Pulkkis, Martin Fondse en Theo Loevendie Wolfe, Uljas Pulkkis, Martin Fondse and kregen allen het verzoek een nieuw werk Theo Loevendie were te schrijven voor de cello. Daarmee zagen commissioned to write a new work for the cello. zij zich voor dezelfde vragen gesteld: wat And they were all faced heeft de cello te bieden in 2012? En wat with the same question: what does the cello hebben zij zelf toe te voegen? Musicoloog have to offer in 2012? Bas van Putten inventariseerde de laatste Musicologist Bas van honderd jaar cellorepertoire, ondervroeg Putten took stock of the cello repertoire of the past een aantal Biënnale-componisten en 100 years, interviewed maakt de balans op. a few of the Biennial’s composers, and makes up the balance. Tot circa 1900 kan de definitie van de cello en de For the complete celloliteratuur in één zin. Donker, lyrisch-dramatisch English translation of instrument, zingend in lange brede lijnen. De this article, go to: www. hoogtepunten uit het cellorepertoire vertonen van amsterdamsecello Bach tot Dvorˇák natuurlijk de expressieve rijkdom biënnale.nl van alle grote muziek, maar stemmigheid is een gemeenschappelijke noemer. Over het licht valt een schaduw van melancholieke rondborstigheid, die
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    GUIDE TO THE STRING TRIO LITERATURE Guide to the Strin g Trio Li teratu Ray re by mon d Si lvert rust BY RAYMOND SILVERTRUST EDITOR OF THE CHAMBER MUSIC JOURNAL -1- Table of Contents Introduction and Preface ··································································································· 3 Trios for Violin, Viola and Violoncello ············································································ 6 Trios for 2 Violins and Cello or 2 Violins and Viola ······················································· 24 Index······························································································································· 29 -2- A Guide to the String Trio Literature By Raymond Silvertrust Introduction and Preface professional ensemble. Along the way, I developed a love of the broader chamber music literature to which I was first exposed First, I would like to apologize to my readers. I have hastily through the medium of phonograph records. To my chagrin, typed this entirely myself. And as I have no editor and because I years of concert-going made clear that I was unlikely to ever hear am not a good proof reader, you will find many mistakes, largely such music performed live, either because the professionals did because I have felt, now in my seventh decade, that I am racing not know of the music or because the music was unavailable. against the clock so to speak. I have wanted to make sure that I When I realized this state of affairs, I undertook to obtain some would be able to complete this guide. When it is done, and if I of the music I had heard on disk so that at least I could play it. To have time, I will improve it, add to it and, of course, try to this end, I began to search music stores, antiquarian dealers and eliminate all of the errors I have left behind.
  • HAMLET PIANO TRIO LUDWIG Van BEETHOVEN

    HAMLET PIANO TRIO LUDWIG Van BEETHOVEN

    HAMLET PIANO TRIO CHANNEL CLASSICS CCS 39117 LUDWIG van BEETHOVEN OPUS 70 & 121 HAMLET PIANO TRIO hree world-class musicians decided to join forces in 2011. As the Hamlet TPiano Trio their reputation grows fast worldwide. All three have earned their stripes, both as soloists and as chamber musicians. The Dutch Italian and Italian Dutchman Paolo Giacometti is known as a soloist playing both modern and period instruments. He has recorded many albums with great works and renowned orchestras. In 2004, he received his first Edison award for one of his albums from the eight-part Rossini project. As a chamber musician, Paolo is well-known in combination with renowned musicians like Pieter Wispelwey, with whom he has formed a duo for a long time. But he also worked with Viktoria Mullova, Bart Schneemann, Janine Jansen and many other artists. György Sebök is one of the greatest sources of inspiration for Paolo’s musical development. Every year, Paolo is present at the Musikdorf Ernen, where Sebök once founded his festival. Here is also where the idea came into being to form a trio with Xenia and Candida. Since 2010, Paolo is a professor at the Robert Schumann Musikhochschule in Dusseldorf. Candida Thompson has been artistic leader of Amsterdam Sinfonietta since 2003, which under her leadership has developed into one of the most prominent chamber orchestras in the world, performing both in the Netherlands and abroad with soloists such as Murray Perahia, Thomas Hampson, Maxim Vengerov, Christianne Stotijn, Martin Frost and Gidon Kremer. Candida studied at the Guildhall School of Music with David Takeno.