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Radio 3 Listings for 28 December 2019 – 3 January 2020 Page 1 of 16
Radio 3 Listings for 28 December 2019 – 3 January 2020 Page 1 of 16 SATURDAY 28 DECEMBER 2019 (conductor) BBC National Orchestra of Wales Jac van Steen (conductor) SAT 01:00 Through the Night (m000cpsr) 05:01 AM BIS BIS2408 (Hybrid SACD) - Released 3rd January 2020 Regensburger Domspatzen at Tage Alter Musik Judith Weir (1954-) String quartet Ravel: Jeux de Miroirs Leopold Mozart shows himself to be a serious composer at the Silesian Quartet Javier Perianes (piano) height of his powers with his Symphony in G and Missa Orchestre de Paris Solemnis. They are performed at the Tage Alter Musik festival 05:13 AM Josep Pons (conductor) in Regensburg, Germany, by the Regensburger Domspatzen and Franz Schubert (1797-1828) Harmonia Mundi HMM902326 the Hofkapelle Munich. Catriona Young presents. 4 Impromptus for piano, D 899 (No 4 in A flat) http://www.harmoniamundi.com/#!/albums/2571 Arthur Schnabel (piano) 01:01 AM 9.30am Building a Library Leopold Mozart (1719-1787) 05:21 AM Symphony in G 'Neue Lambacher', for strings Johann Philipp Kirnberger (1721-1783) Laura Tunbridge discusses a wide range of approaches to Hofkapelle Munchen, Rudiger Lotter (conductor) Cantata, 'An den Flussen Babylons' Schumann's searing Heine cycle and recommends the key Johannes Happel (bass), Balthasar-Neumann-Chor, Balthasar- recording to keep for posterity. 01:18 AM Neumann-Ensemble, Detlef Bratschke (conductor) Leopold Mozart (1719-1787) 10.20am New Releases Missa Solemnis in C 05:33 AM Katja Stuber (soprano), Dorothee Rabsch (contralto), Robert Joaquín Turina (1882-1949) -
Welkom Achtergrondartikelen Programma's En Toelichtingen Musici Informatie
2 welkom welcome 7 achtergrondartikelen articles 41 programma's en toelichtingen programmes and program notes 99 musici musicians 135 informatie information 1 Beste Biënnale bezoeker, Na drie succesvolle edities van de worden gepresenteerd leeft bij ons voort. In Dear Biennial visitor, The Biennial also offers young professionals Biënnale kan met voorzichtige trots worden deze Biënnale worden liefst elf gloednieuwe After three successful editions of the Amsterdam and amateurs the opportunity to make their geconstateerd dat er een unieke traditie is composities ten doop gehouden, daarnaast Cello Biennial, we can conclude with guarded way into the spotlight. A great number of young ontstaan in het Muziekgebouw aan ’t IJ. Van zijn er dagelijks composities te horen die – pride that a unique tradition has been established professionals have entered the National Cello 26 oktober tot en met 3 november 2012 is het ten onrechte – zelden worden uitgevoerd. in the Muziekgebouw aan ‘t IJ. From October 26 Competition or signed up for the twelve public weer zo ver: het hele gebouw gonst dan van Ondertussen is de Biënnale ook de plek through November 3, the tradition continues: the masterclasses, workshops or Open Podium. In de celloklanken. waar jonge professionals en amateurs entire building will buzz with the sound of the addition there is the ever-popular Mega Kinder Dit festivalboek maakt u wegwijs in het zich in de kijker kunnen spelen. Veel jonge cello. Cello Orkest (MegaKCO), where approximately volledige programma van deze Vierde professionele cellisten schreven zich in voor This festival book will guide you through the 140 young amateurs will bundle their efforts and Amsterdamse Cello Biënnale. -
Antonio Vivaldi (1678-1741)
Ospedale della Pietà in Venice Opernhaus Prag Antonio Vivaldi (1678-1741) Complete Opera – Antonio Vivaldi – Complete Opera – Index - Complete Operas by Antonio Vivaldi Page Preface 3 Cantatas 1 RV687 Wedding Cantata 'Gloria e Imeneo' (Wedding cantata) 4 2 RV690 Serenata a 3 'Mio cor, povero cor' (My poor heart) 5 3 RV693 Serenata a 3 'La senna festegiante' 6 Operas 1 RV697 Argippo 7 2 RV699 Armida al campo d'Egitto 8 3 RV700 Arsilda, Regina di Ponto 9 4 RV702 Atenaide 10 5 RV703 Bajazet - Il Tamerlano 11 6 RV705 Catone in Utica 12 7 RV709 Dorilla in Tempe 13 8 RV710 Ercole sul Termodonte 14 9 RV711 Farnace 15 10 RV714 La fida ninfa 16 11 RV717 Il Giustino 17 12 RV718 Griselda 18 13 RV719 L'incoronazione di Dario 19 14 RV723 Motezuma 20 15 RV725 L'Olimpiade 21 16 RV726 L'oracolo in Messenia 22 17 RV727 Orlando finto pazzo 23 18 RV728 Orlando furioso 24 19 RV729 Ottone in Villa 25 20 RV731 Rosmira Fedele 26 21 RV734 La Silvia (incomplete) 27 22 RV736 Il Teuzzone 27 23 RV738 Tito Manlio 29 24 RV739 La verita in cimento 30 25 RV740 Il Tigrane (Fragment) 31 2 – Antonio Vivaldi – Complete Opera – Preface In 17th century Italy is quite affected by the opera fever. The genus just newly created is celebrated everywhere. Not quite. For in Romee were allowed operas for decades heard exclusively in a closed society. The Papal State, who wanted to seem virtuous achieved at least outwardly like all these stories about love, lust, passions and all the ancient heroes and gods was morally rather questionable. -
Federico Maria Sardelli
F EDERICO M ARIA S A R D E L L I – Conductor In 1984 Federico Maria Sardelli, originally a flutist, founded the Baroque orchestra Modo Antiquo, with which he appears, as both soloist and conductor, at major festivals throughout Europe and in such concert halls as Concertgebouw Amsterdam, Théâtre des Champs-Elysées Paris, Tchaikovsky Concert Hall Moscow and Auditorium Parco della Musica in Rome. He is regularly invited as a guest conductor by many prestigious symphony orchestras, including Orchestra Barocca dell’Accademia di Santa Cecilia di Roma, Gewandhaus Lipzig, Maggio Musicale Fiorentino, Filarmonica Arturo Toscanini, Orchestra Filarmonica di Torino, Staatskapelle Halle, Kammerakademie Potsdam, Real Filarmonia de Galicia, Orchestra dei Pomeriggi Musicali di Milano. Federico Maria Sardelli has been a notable protagonist in the Vivaldi renaissance of the past few years: he conducted the world premiere recording and performance of many Vivaldi’s operas. In 2005, at Rotterdam Concertgebouw, he conducted the world premiere of Motezuma , rediscovered after 270 years. In 2006 he conducted the world premiere of Vivaldi’s L’Atenaide at Teatro della Pergola in Florence. In 2012 he recorded the last eight Vivaldi works reappeared ( New Discoveries II , Naïve) and conducted the world premiere of the new version of Orlando Furioso , rediscovered and reconstituted by him (Festival de Beaune, Naïve recording). In 2007 he has been Principal Conductor of Händel Festspiele in Halle, where he conducted Ariodante. Among the most important production he has conducted, Giasone by Francesco Cavalli at Vlaamse Opera Antwerp, Olivo e Pasquale at Festival Donizetti Bergamo, Dido and Aeneas at Teatro Regio Turin, La Dafne and Alceste at Maggio Musicale Fiorentino, Händel’s Teseo at Tchaikovsky Concert Hall in Moscow. -
In the Electric Mist
Berlinale 2009 Bertrand Tavernier Wettbewerb IN THE ELECTRIC MIST IN THE ELECTRIC MIST DANS LA BRUME ELECTRIQUE USA/Frankreich 2009 Darsteller Dave Robicheaux Tommy Lee Jones Länge 117 Min. Julie Balboni John Goodman Format 35 mm, Elrod T. Sykes Peter Sarsgaard Cinemascope Bootsie Mary Steenburgen Farbe Kelly Drummond Kelly Macdonald Rosie Gomez Justina Machado Stabliste Twinky Lemoyne Ned Beatty Regie Bertrand Tavernier Ben Herbert James Gammon Buch Jerzy Kromolowski Lou Girard Pruitt Taylor Vince Mary Olson- General John Bell Kromolowski, Hood Levon Helm nach dem Roman Sam „Hogman“ von James Lee Patin Buddy Guy Burke Cholo Manelli Julio Cesar Cedillo Kamera Bruno de Keyzer Murphy Doucet Bernard Hocke Kameraassistenz Michael D. Weldon Michael Goldman John Sayles Schnitt Thierry Derocles Roberto Silvi Larry Madaras Ton Paul Ledford Tommy Lee Jones Musik Marco Beltrami Production Design Merideth Boswell Kostüm Kathy Kiatta IN THE ELECTRIC MIST Maske Tarra Day New Iberia, Louisiana. Detective Dave Robicheaux jagt einen Serienkiller, Regieassistenz Philip Hardage dem bereits mehrere junge Frauen zum Opfer gefallen sind. Auf der Rück - Casting Jeanne McCarthy fahrt von einem abermals grauenvollen Tatort macht er Bekanntschaft mit Lisa Mae dem Hollywood-Star Elrod T. Sykes. Sykes hält sich zu Dreharbeiten in der Fincannon Herstellungsltg. John Hardy Stadt auf, wo – mit Unterstützung von „Baby Feet“ Balboni, der Nummer Produzenten Michael Fitzgerald eins unter den örtlichen Kriminellen – sein aktueller Film entsteht. Er Frédéric berichtet Dave, dass er in den Sümpfen eine Leiche gesehen hat: den Bourboulon teilweise bereits verwesten Körper eines Schwarzen in Ketten. Diese Co-Produzentin Deborah Dobson Entdeckung löst bei Robicheaux schmerzliche Erinnerungen an einen Fall Bach Executive Producers Gulnara Sarsenova in der Vergangen heit aus. -
Alrededor De La Medianoche CINE Y
Alrededor de la Medianoche CINE Y OUND IDNIGHT Nº 245 (OCTUBRE 2008) (R M ) AZZ SINOPSIS Una noche de 1959, en París, un debilitado músico de jazz sorprende en el club “Blue Note” con el elocuente sonido que transmite su saxo. Fuera, un parisino demasiado pobre como para tomar un vaso de vino hace esfuerzos por escuchar las notas musicales. Pronto, a ambos les unirá una gran amistad... FICHA ARTÍSTICA Dale Turner ............................................................ DEXTER GORDON Francis Borler........................................................FRANÇOIS CLUZET Berangere........................................................... GABRIELLE HACKER Buttercup ................................................. SANDRA REAVES-PHILLIPS Darcey Leigh ............................................................ LONETTE McKEE Eddie Wayne......................................................... HERBIE HANCOCK FICHA TÉCNICA Duración....................... 133 min. Dirección..............B. TAVERNIER Fotografía ....BRUNO DE KEYZER Nacionalidad........ Francia/EEUU Productora .............LITTLE BEAR Montaje .......... ARMAND PSENNY Año de Producción .............. 1986 Productor.......... IRWIN WINKLER Música ...........HERBIE HANCOCK (Color) Guión..................B. TAVERNIER, Dir. Artística........ P. DUQUESNE .............................DAVID RAYFIEL Dis. Vestuario.......... .J. MOREAU EL DIRECTOR: BERTRAND TAVERNIER Director y guionista francés, devoto del cine americano y uno de los más exitosos y comprometidos realizadores de su país, -
Danjulo Ishizaka Violoncello Peter Wittenberg Klavier
CONCORSO 16 Lionel Tertis/Enrico Mainardi RECITAL Barbara Westphal Viola Mari Kato Klavier Danjulo Ishizaka Violoncello Peter Wittenberg Klavier Freitag, 13. Mai 2016 19.30 Uhr Solitär Universität Mozarteum Mirabellplatz 1 Programm Johannes Brahms Sonate e-Moll, op. 38 Claude Debussy Sonate d-Moll für Violoncello und Klavier (1833-1897) Allegro non troppo (1862-1918) Prologue. Lent Allegretto quasi Menuetto Sérénade et Finale. Modérément – Animé Allegro Frédéric Chopin Sonate pour violoncelle g-Moll, op. 65 Benjamin Britten Lachrymae, op. 48 (1810-1849) Allegro moderato (1913-1976) Reflections on a song of Dowland Scherzo („If My Complaints Could Passions Move“) Largo Für William Primrose Finale. Allegro Barbara Westphal, Viola Danjulo Ishizaka, Violoncello Mari Kato, Klavier Peter Wittenberg, Klavier -- Pause -- Barbara Westphal Mari Kato Barbara Westphal studierte in London und New York und Mari Kato wurde in Obihiro auf Japans Nordinsel Hokkaido erlangte ihre Konzertreife bei Itzhak Perlman und Michael Tree. geboren und studierte an der Musikhochschule Köln bei 1983 gewann sie im ARD Wettbewerb den einzigen Preis für Tiny Wirtz und an der Musikhochschule Hannover bei David Solo-Bratsche sowie den Busch Preis. Wilde. Sie besuchte Meisterkurse bei Paul Badura-Skoda und Als Solistin und Kammermusikerin konzertiert sie weltweit. Sergei Dorenski. Sie errang den 1. Preis beim Beethoven- Von 1978 bis 1985 war sie Bratschistin des Delos Quartetts Klavierwettbewerb in Sapporo (1987) und beim Internationalen (USA), Erster Preisträger beim Internationalen Wettbewerb Klavierwettbewerb in Lugano (1991). für Streichquartett in Colmar (Frankreich, 1981). Regelmäßig Als Solistin trat sie mit dem Nordkammerorchester Sapporo, mit gastiert sie bei internationalen Festivals wie z.B. Santa Fe (New dem Sapporo Symphonieorchester unter Tadaaki Otaka auf und Mexico), Sarasota (Florida), Great Lakes Festival (Michigan), Incontri in Terra di Siena und arbeitete mit Dirigenten wie Lorin Maazel, Hubert Soudant, Johannes Kalitzke, Michael Boder Schleswig-Holstein Musik Festival. -
Classical New Release
harmonia mundi UK JUNE 30 2014 Classical new release Maria Joao Pires joins Onyx available 30th June & July 14, call-off 20th June BBC MUSIC MAGAZINE, CHOICES July Naïve V5344 Mister Paganini: Laurent Korcia Glossa GCD922803 Gesualdo Responsoria: La Compagnia del Madrigale GRAMOPHONE, EDITOR’S CHOICE, July Orfeo C878141A Strauss Also sprach, Don Juan, Till Eulenspiegel: CBSO, Andris Nelsons IRR OUTSTANDING, June BBC MUSIC MAGAZINE CHOICE June Opera Magazine, DISC OF THE MONTH Signum SIGCD372 Bartok Bluebeard’s Castle: Sir John Tomlinson, Philharmonia, Esa-Pekka Salonen IRR OUTSTANDING, June Pan Classics PC10305 C.P.E. Bach Works for Keyboard & Violin: Leila Schayegh ALBUM OF THE WEEK, Sunday Times, 11th May GLOSSA GCD921119 Mozart The Last Three Symphonies: Orchestra of the 18th Century, Frans Brüggen BBC RADIO 3, CD OF THE WEEK, CD REVIEW Naive V5373 Handel Tamerlano / Sabata, Cencic, Minasi DISTRIBUTED LABELS: ACCENT RECORDS, ACTES SUD, AGOGIQUE, ALIA VOX, AMBRONAY, APARTE, ARTE VERUM, AUDITE, BEL AIR, THE CHOIR OF KINGS COLLEGE CAMBRIDGE, CONVIVIUM, CHRISTOPHORUS, CSO RESOUND, DELPHIAN, DUCALE, EDITION CLASSICS, FLORA, FRA MUSICA, GLOSSA, harmonia mundi, HAT[NOW]ART, LA DOLCE VOLTA, LES ARTS FLORISSANTS EDITIONS, LSO LIVE, MARIINSKY, MIRARE, MODE, MUSO, MYRIOS, NAÏVE, ONYX, OPELLA NOVA, ORFEO, PAN CLASSICS, PRADIZO, PARATY, PEARL, PHILHARMONIA BAROQUE, PHIL.HARMONIE, PRAGA DIGITALS, RADIO FRANCE, RAM, REAL COMPAÑIA ÓPERA DE CÁMARA, RCO LIVE, SFZ MUSIC, SIGNUM, STRADIVARIUS, UNITED ARCHIVES, WAHOO, WALHALL ETERNITY, WERGO, WIGMORE HALL LIVE, WINTER & WINTER, YSAYE RELEASE DATE 14TH JULY 2014 LISZT: Sonata in B minor, Late pieces Paul Lewis Editor’s Choice, Gramophone *****, The Guardian Radio 3 Disc of the Week Gramophone Critics’ Choice Pianist Recommended "The poetry and grandeur of his playing put Paul Lewis's Liszt among the Greats…even in a crowded market place (where Horowitz, Gilels, Richter, Argerich, Brendel and Pollini, etc, jostle for attention) Paul Lewis's recording stands out for its breadth, mastery and shining musicianship. -
Universidad De Cuenca Facultad De Artes
UNIVERSIDAD DE CUENCA FACULTAD DE ARTES Titulo: Análisis comparativo de técnica interpretativa a tres instrumentistas que proponen la ejecución del Concierto en Re Mayor para violonchelo de Joseph Haydn. Trabajo de Titulación previo a la obtención de Licenciatura AUTOR: Miriam Carolina Lasso Lazo CI: 0106522048 TUTOR: MGST. Raquel Margarita Ortega Sarango CI: 1103698393 CUENCA- ECUADOR 2019 Universidad de Cuenca. Resumen Este proyecto de tesis desarrolla un análisis comparativo de técnica interpretativa a tres instrumentistas que proponen una ejecución del Concierto en Re mayor de Joseph Haydn, el objetivo principal es desarrollar el análisis estructural, armónico y comparativo de técnica interpretativa a tres instrumentistas que ejecutan el concierto en Re mayor de Joseph Haydn para así proceder a obtener diversos criterios interpretativos, el análisis estructural y armónico del concierto servirá de guía al determinar que pasajes serán objeto de comparación entre los intérpretes, cabe recalcar que las cadencias de cada movimiento también formarán parte de la comparación de técnica interpretativa ya que en ellas se puede observar el control técnico y virtuoso del intérprete. El análisis comparativo de técnica de interpretación se realiza primero en variables generales, es decir en la ejecución de cada intérprete sobre la obra en general para proceder luego con variables específicas en cada movimiento, al final se eligen los criterios que más se ajustan a la interpretación de la ejecutante. Palabras Clave: ANALISIS COMPARATIVO, CRITERIO, -
MODO ANTIQUO Federico Maria Sardelli, Direzione SELVA MORALE E SPIRITUALE Di Claudio Monteverdi
Sabato 14 maggio Chiesa S. Marcellino ore 21.00 MODO ANTIQUO Federico Maria Sardelli, direzione SELVA MORALE E SPIRITUALE di Claudio Monteverdi Concerto di inaugurazione MODO ANTIQUO Federico Maria Sardelli, flauto dritto Raffaele Tiseo, Paolo Cantamessa, violini Pasquale Lepore, violetta Valeria Brunelli, violoncello Daniele Rosi, violone Judith Pacquier, cornetto Andrea Angeloni, trombone tenore Danilo Tamburo, trombone basso Andrea Coen, organo Simone Vallerotonda, tiorba Roberta Mameli, soprano Antonio Giovannini, alto Alberto Allegrezza, tenore primo Paolo Fanciullacci, tenore secondo Salvo Vitale, basso direzione Federico Maria Sardelli SELVA MORALE E SPIRITUALE Claudio Monteverdi (1567 – 1643) Beatus Vir (primo) a 6 voci con istromenti (da Selva morale, e spirituale, Venezia 1641) Giovanni Paolo Cima (c. 1570 – 1622) Sonata a 3 (da Concerti ecclesiastici, Milano 1610) Claudio Monteverdi Confitebor tibi, Domine (terzo) ‘alla francese’ a 5 voci (da Selva morale) Giovanni Gabrieli (1557 – 1612) Canzon a 5 (da Canzoni et sonate, Venezia 1615 ) Claudio Monteverdi Confitebor tibi, Domine (secondo) a canto solo e 2 violini (da Messa a quattro voci et salmi concertati, Venezia 1650) Dario Castello ( ? – entro il 1658) Sonata prima a soprano solo (da Sonate concertate in stil moderno, Libro II, Venezia 1640) Claudio Monteverdi Cantate Domino a 6 voci (da Libro primo de mottetti in lode d’Iddio nostro Signore, Venezia 1620) *** Claudio Monteverdi Laetatus sum a 5 voci (da Messa a quattro voci et salmi) Dario Castello Sonata quarta (da Sonate -
Ficm Cat16 Todo-01
Contenido Gala Mexicana.......................................................................................................125 estrenos mexicanos.............................................................................126 Homenaje a Consuelo Frank................................................................... 128 Homenaje a Julio Bracho............................................................................136 ............................................................................................................ introducción 4 México Imaginario............................................................................................ 154 ................................................................................................................. Presentación 5 Cine Sin Fronteras.............................................................................................. 165 ..................................................................................... ¡Bienvenidos a Morelia! 6 Programa de Diversidad Sexual...........................................................172 ..................................................... Mensaje de la Secretaría de Cultura 7 Canal 22 Presenta............................................................................................... 178 Mensaje del Instituto Mexicano de Cinematografía ������������9 14° Festival Internacional de Cine de Morelia.............................11 programas especiales........................................................................ 179 -
Tavernier, a Filmmaker in His Generation
1 Lynn A. Higgins Dartmouth College Tavernier, A Filmmaker in his Generation Acclaimed by many as the leading French cinéaste of his generation, Bertrand Tavernier has made twenty feature films since 1973. Along with others such as Doillon, Eustache, and Téchiné, Tavernier established his reputation in the 1970s. An heir of the Nouvelle Vague, he is also an admirer and astute analyst of the French “Tradition de Qualité” that preceded it. He is younger than Godard and Truffaut, but older than Besson, Beineix and the “cinéma du look” as well as than Kurys and Akerman and the multitude of femmes cinéastes who emerged in the 1980s and 1990s. Although most critics assume (either approvingly or not) that he has “returned” to a pre-New Wave conception of filmmaking, I do not believe this to be the case. Tavernier belongs to a no-man’s land (and even more a no-woman’s land) between strong generations of filmmakers. It is not surprising that in his historical films, he is drawn to periods of aftermath and transition, moments characterized by the heady possibility of creating new worlds, but also by a dark cloud of existential doubt. Tavernier is also an outspoken public figure: his leadership has been felt in his native Lyon, where he helped create the Institut Lumière, and in Paris, where—in person and through his television documentaries— his voice can can be heard in debates over cultural issues as in the 1999 “affaire de la critique,” and social questions such as drugs and immigration. He was even interviewed by Le Monde about the United States’ impending invasion of Iraq.