Late Night Jazz: Then This
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Complexity Through Interaction
Complexity Through Interaction An investigation into the spontaneous development of collective musical ideas from simple thematic materials Nicholas Tasman Haywood M.Music Performance, The University of Melbourne (Victorian College of the Arts) Submitted in partial fulfilment of the degree of Doctor of Philosophy University of Tasmania Hobart (June 2014) ii DECLARATION This exegesis contains the results of research carried out at the University of Tasmania, Conservatorium of Music between 2010 and 2013. It contains no material that, to my knowledge, has been accepted for a degree or diploma by the University or any other institution, except by way of background information that is duly acknowledged in the exegesis. I declare that this exegesis is my own work and contains no material previously published or written by another person except where clear acknowledgement or reference has been made in the text. This exegesis may be made available for loan and limited copying in accordance with the Copyright Act 1968. Nicholas Tasman Haywood Date ii Table of Contents Acknowledgements ................................................................................................. iv List of Figures ............................................................................................................ v Abstract ................................................................................................................... vi Chapter 1 ................................................................................................................. -
Af20-Booking-Guide.Pdf
1 SPECIAL EVENT YOU'RE 60th Birthday Concert 6 Fire Gardens 12 WRITERS’ WEEK 77 Adelaide Writers’ Week WELCOME AF OPERA Requiem 8 DANCE Breaking the Waves 24 10 Lyon Opera Ballet 26 Enter Achilles We believe everyone should be able to enjoy the Adelaide Festival. 44 Between Tiny Cities Check out the following discounts and ways to save... PHYSICAL THEATRE 45 Two Crews 54 Black Velvet High Performance Packing Tape 40 CLASSICAL MUSIC THEATRE 16 150 Psalms The Doctor 14 OPEN HOUSE CONCESSION UNDER 30 28 The Sound of History: Beethoven, Cold Blood 22 Napoleon and Revolution A range of initiatives including Pensioner Under 30? Access super Mouthpiece 30 48 Chamber Landscapes: Pay What You Can and 1000 Unemployed discounted tickets to most Cock Cock... Who’s There? 38 Citizen & Composer tickets for those in need MEAA member Festival shows The Iliad – Out Loud 42 See page 85 for more information Aleppo. A Portrait of Absence 46 52 Garrick Ohlsson Dance Nation 60 53 Mahler / Adès STUDENTS FRIENDS GROUPS CONTEMPORARY MUSIC INTERACTIVE Your full time student ID Become a Friend to access Book a group of 6+ 32 Buŋgul Eight 36 unlocks special prices for priority seating and save online and save 15% 61 WOMADelaide most Festival shows 15% on AF tickets 65 The Parov Stelar Band 66 Mad Max meets VISUAL ART The Shaolin Afronauts 150 Psalms Exhibition 21 67 Vince Jones & The Heavy Hitters MYSTERY PACKAGES NEW A Doll's House 62 68 Lisa Gerrard & Paul Grabowsky Monster Theatres - 74 IN 69 Joep Beving If you find it hard to decide what to see during the Festival, 2020 Adelaide Biennial . -
Top 40 Singles Top 40 Albums
23 February 1992 CHART #798 Top 40 Singles Top 40 Albums Smells Like Teen Spirit Don't Talk Just Kiss The Commitments OST The Globe 1 Nirvana 21 Right Said Fred 1 Various 21 Big Audio Dynamite Last week 2 / 6 weeks BMG Last week - / 1 weeks FESTIVAL Last week 1 / 6 weeks Platinum / BMG Last week - / 1 weeks SONY Rush Cream Nevermind We Can't Dance 2 Big Audio Dynamite 22 Prince 2 Nirvana 22 Genesis Last week 1 / 9 weeks SONY Last week 12 / 14 weeks WARNER Last week 2 / 11 weeks Gold / UNIVERSAL Last week 22 / 11 weeks Gold / VIRGIN Remember The Time Turn It Up Waking Up The Neighbours Blood Sugar Sex Majik 3 Michael Jackson 23 Oaktowns 3.5.7 3 Bryan Adams 23 Red Hot Chili Peppers Last week - / 1 weeks SONY Last week 18 / 9 weeks EMI Last week 4 / 18 weeks Platinum / POLYGRAM Last week 19 / 16 weeks WARNER Justified And Ancient Pride (In The Name) From Time To Time Mr Lucky 4 The KLF 24 Coles & Clivilles 4 Paul Young 24 John Lee Hooker Last week 11 / 4 weeks FESTIVAL Last week - / 1 weeks SONY Last week 3 / 6 weeks Gold / SONY Last week 24 / 19 weeks Gold / VIRGIN Let's Talk About Sex Is It Good To You Shepherd Moons Full House 5 Salt N Pepa 25 Heavy D & The Boyz 5 Enya 25 John Farnham Last week 5 / 17 weeks POLYGRAM Last week 48 / 6 weeks BMG Last week 5 / 11 weeks WARNER Last week 16 / 7 weeks Gold / BMG Remedy Martika's Kitchen Achtung Baby Armchair Melodies 6 The Black Crowes 26 Martika 6 U2 26 David Gray Last week - / 1 weeks WARNER Last week 24 / 7 weeks SONY Last week 8 / 10 weeks Platinum / POLYGRAM Last week 31 / 3 weeks BMG Don't -
Paul Grabowsky
PAUL GRABOWSKY SELECTED CREDITS DAISY WINTERS (2017) THE MENKOFF METHOD (2015) WORDS AND PICTURES (2013) EMPIRE FALLS (2005) THE JUNGLE BOOK 2(2003) (Original Songs, Lyrics – “Jungle Rhythm”, “W-I-L-D”, “Jungle Rhythm (Mowgli Solo)”) BIOGRAPHY Paul Grabowsky is a pianist, composer, arranger and conductor, and is one of Australia’s most distinguished artists. Born in Papua New Guinea in 1958, Paul was raised in Melbourne where he attended Wesley College. He began classical piano lessons at the age of five, studying with Mack Jost from 1965-1978. He began informal studies in jazz around 1976, and fully devoted his energies to improvised music from 1978. During the 70’s he became prominent in the music scene in Melbourne, working in various jazz, theatre and cabaret projects. He lived in Munich, Germany from 1980-1985, where he was active on the local and European jazz scenes, performing and recording with Johnny Griffin, Chet Baker, Art Farmer, Benny Bailey, Guenther Klatt, Marty Cook and many others. He returned to Australia in 1986. In 1983, he formed the Paul Grabowsky Trio, winner of four ARIA awards and one of Australia’s longest-living and most influential jazz ensembles. He has also won two Helpmann awards, several Bell awards and a Deadly award. He was the Sydney Myer Performing Artist of the year in 2000, and received the Melbourne Prize for Music in 2007. As a performer, he became known for his work with the ‘Wizards of Oz’, a group he co- led with saxophonist Dale Barlow from 1987-1989 and Vince Jones, for whom he was musical director in 1988-89. -
Annual Financial Report 30 June 2020
Australasian Performing Right Association Limited (a company limited by guarantee) and its controlled entity ABN 42 000 016 099 Annual Financial Report 30 June 2020 Australasian Performing Right Association Limited and its controlled entity Annual Report 30 June 2020 Directors’ report For the year ended 30 June 2020 The Directors present their report together with the financial statements of the consolidated entity, being the Australasian Performing Right Association Limited (Company) and its controlled entity, for the financial year ended 30 June and the independent auditor’s report thereon. Directors The Directors of the Company at any time during or since the financial year are: Jenny Morris OAM, MNZM Non-executive Writer Director since 1995 and Chair of the Board A writer member of APRA since 1983, Jenny has been a music writer, performer and recording artist since 1980 with three top 5 and four top 20 singles in Australia and similar success in New Zealand. Jenny has recorded nine albums gaining gold, platinum and multi-platinum status in the process and won back to back ARIA awards for best female vocalist. Jenny was inducted into the NZ Music Hall of Fame in 2018. Jenny is also a non-executive director and passionate supporter of Nordoff Robbins Music Therapy Australia. Jenny presents their biennial ‘Art of Music’ gala event, which raises significant and much needed funds for the charity. Bob Aird Non-executive Publisher Director from 1989 to 2019 Bob recently retired from his position as Managing Director of Universal Music Publishing Pty Limited, Universal Music Publishing Group Pty Ltd, Universal/MCA Publishing Pty Limited, Essex Music of Australia Pty Limited and Cromwell Music of Australia Pty Limited which he held for 16 years. -
2004 Edition 1 (PDF 2.5MB)
ORIG IN2004 EDITION 1 S Vice Chancellor’s comment Welcome to the first edition of Origins which profiles Australia’s newest university. Established in November 2003, Charles Darwin University is a place for fresh thought, bold vision and renewed focus. The first step has been to develop a new framework for the institution and we have been heartened by the support and input from our stakeholders in making sure we build the right framework to deliver outcomes for the Territory. The energy and enthusiasm that Charles Darwin University is harnessing in finding knowledge solutions is inspirational – and we have only just opened for business. With campuses and study centres located across the Northern Territory, we offer opportunities beyond what is normally expected of a University. We provide pathways into a broad range of courses in traditional areas as well as specialist areas unique to our location including tropical and desert studies and Indigenous research and education. For a place steeped in Aboriginal tradition and culture which enjoys a close interaction with the peoples of Southeast Asia, our location affords boundless research opportunities to create local knowledge with global applications. We are a University that dares to be different. We welcome researchers, teachers and students who are prepared to take on challenges and are committed to making a difference. This first edition of Origins provides a snapshot of the diversity and strengths on which we are building Vice Chancellor Professor Helen Garnett Vice Chancellor Professor the new institution. 1 Northern attraction Some of Australia’s leading academics have joined Charles Darwin University, strengthening the organisation’s role as a leading research and education provider in specialist areas. -
14Th Annual Peggy Glanville-Hicks Address 2012
australian societa y fo r s music educationm e What Would Peggy Do? i ncorporated 14th Annual Peggy Glanville-Hicks Address 2012 Michael Kieran Harvey The New Music Network established the Peggy Glanville-Hicks Address in 1999 in honour of one of Australia’s great international composers. It is an annual forum for ideas relating to the creation and performance of Australian music. In the spirit of the great Australian composer Peggy Glanville-Hicks, an outstanding advocate of Australian music delivers the address each year, challenging the status quo and raising issues of importance in new music. In 2012, Michael Kieran Harvey was guest speaker presenting his Address entitled What Would Peggy Do? at the Sydney Conservatorium on 22 October and BMW Edge Fed Square in Melbourne on 2 November 2012. The transcripts are reproduced with permission by Michael Kieran Harvey and the New Music Network. http://www.newmusicnetwork.com.au/index.html Australian Journal of Music Education 2012:2,59-70 Just in case some of you are wondering about I did read an absolutely awe-inspiring Peggy what to expect from the original blurb for this Glanville-Hicks Address by Jon Rose however, address: the pie-graphs didn’t quite work out, and and I guess my views are known to the address powerpoint is so boring, don’t you agree? organisers, so, therefore, I will proceed, certain For reasons of a rare dysfunctional condition in the knowledge that I will offend many and I have called (quote) “industry allergy”, and for encourage, I hope, a valuable few. -
February 2021
January Sunday, 3rd Sunday, 17th. Dasika/Keller/Svoboda – Premiere Holly Moore Quartet – Debut Presenting original jazz & improvised Hailed for his “captivating honesty” (The Music Trust), Niran Dasika is a multi As the 2020 recipient of the Melbourne International Jazz Festivals program Take music in Melbourne since 1983 award-winning trumpeter and improvisor, known for his ethereal, expressive Note, Holly Moore premiered a new suite of music for sextet (3-piece horn trumpet playing and deeply evocative compositions, described as “ravishing” section and rhythm section) at ‘These Digital Times’ to much acclaim. As an (The Sydney Morning Herald) and “exquisite” (Australian Book Review). Dasika’s advocate for women in jazz, Holly also designed and delivered a series of online latest project introduces a new trio with legendary Melbourne pianist Andrea jazz workshops to Victorian high school students with the MIJF. Holly Moore Keller and emerging bass virtuoso Helen Svoboda, presenting an evening of brings together her new quartet featuring some of Melbourne’s finest young contemplative, minimalist compositions. Based in the Netherlands for the last musicians. This group explores her new compositions inspired by the chaos of two years, Svoboda is the recipient of 2020 Freedman Jazz Fellowship, and the 2020, delving into themes of love, loss and displacement. Drawing on European AAO’s ‘Pathfinder’ Music Leadership program for 2020/2021. jazz and post-bop influences, their sound is lush, grand and dynamic. Holly Moore (alto saxophone) performs with Kade Brown (piano), Robbie Finch (double bass) and Luke Andresen (drums). January& Sunday, 10th Meatshell + Claire Cross & Harry Cook – Debuts MEATSHELL is the experimental-folk duo of Helen Svoboda (contrabass/voice) Sunday, 24th and Andrew Saragossi (tenor saxophone). -
Abc Music Wins Three Awards at the 2020 Aria Awards Abc Music Lifetime Award Wins Now at 188
THURSDAY, NOVEMBER 26 FOR IMMEDIATE RELEASE ABC MUSIC WINS THREE AWARDS AT THE 2020 ARIA AWARDS ABC MUSIC LIFETIME AWARD WINS NOW AT 188 Following the 2020 ARIA Awards last night, ABC Music has collected three awards across the Best Children’s Album, Best World Music Album & Best Classical Album categories. The awards were won by Teeny Tiny Stevies ‘Thoughtful Songs for Little People’ (Best Children’s Album), Joseph Tawadros ‘Live at the Sydney Opera House’ (Best World Music Album) and Richard Tognetti & Erin Helyard ‘Beethoven & Mozart Violin Sonatas’ (Best Classical Album). Last night’s event saw Teeny Tiny Stevies win their first-ever ARIA Award. “We’ve been working musicians for so long now, this nod from the industry is definitely a proud moment. If I’m lucky I’ll get a few high fives from other parents at school drop off today,” said Byll Stephen, half of the sister duo. The night marked the fifth ARIA win for Tawadros and Tognetti. “It’s been a hard year for musicians everywhere - like me, most have had no live shows and it’s devastating. This recognition of my music is extra special, especially as it’s a live concert recording with a lively audience. I want to thank everyone who was involved in making it happen. It’s some much-needed light in a very challenging year,” said Joseph. On winning Best Classical Album with Richard Tognetti, Erin Helyard said, “Richard & I are old mates and are delighted to have won. We wanted to present a kind of history of the evolution of the eighteenth-century violin sonata, and the city of Vienna. -
Australia Council Support for Music
Inquiry into the Australian music industry Submission 98 AUSTRALIA COUNCIL FOR THE ARTS SUBMISSION TO THE STANDING COMMITTEE ON COMMUNICATIONS AND THE ARTS INQUIRY INTO THE AUSTRALIAN MUSIC INDUSTRY OCTOBER 2018 1 Inquiry into the Australian music industry Submission 98 Committee Secretary Standing Committee on Communications and the Arts PO Box 6021 Parliament House Canberra, ACT 2600 Dear Secretary, The Australia Council for the Arts welcomes the opportunity to provide this submission to the Inquiry into the Australian Music Industry. As the Australian Government’s principal arts funding and advisory body, the Council invests in artistic excellence through support for all facets of the creative process; increases awareness about the value of the arts; and is committed to the arts being more accessible to all Australians. Conducting, commissioning and publishing research into, and about, the arts is a key function under the Australia Council Act 2013.1 This submission outlines the role Council plays in supporting and promoting the diverse, excellent and energetic contemporary music culture. We would welcome the opportunity to discuss this further with you. Yours sincerely, Tony Grybowski Chief Executive Officer Australia Council for the Arts 1 Australia Council Act 2013 s.9 (Aust) 2 Inquiry into the Australian music industry Submission 98 Contents Executive summary 4 AUSTRALIA COUNCIL SUPPORT FOR MUSIC 7 FACTORS CONTRIBUTING TO GROWTH AND SUSTAINABILITY 9 Music practice 9 Disruption and resilience 11 Live music 14 Festivals 15 National -
PAUL GRABOWSKY: on an UPWARD PATH by Adrian Jackson* ______
PAUL GRABOWSKY: ON AN UPWARD PATH by Adrian Jackson* ______________________________________________________ [This article appeared in the November, 1991 edition of the APRA Magazine.] he last time I interviewed Paul Grabowsky for APRA (December 1988), he was a talent on the way up. He was already being hailed (in the jazz world, at least) T as one of Australia's most talented pianists and composers, for work with his own groups in Melbourne; with the quartet, Wizards Of Oz; and with the Australian Jazz Orchestra. And he had begun to establish a reputation as one of our most prolific composers for film and television. Paul Grabowsky: hailed (in the jazz world, at least) as one of Australia's most talented pianists and composers…PHOTO CREDIT ANDY LIGUZ _______________________________________________________ *In 1991 when this was written Adrian Jackson had been writing on jazz for The Age in Melbourne since 1978. 1 Since then, Grabowsky's career has continued on an upward path. He has released two recordings (6 x 3 on Spiral Scratch, which won the 1989 ARIA award for Best Jazz Recording; and The Moon And You on Warners, which has achieved very healthy sales for a hard-core jazz product). He has written several more soundtracks, and has more in the pipeline. And then there has been his work on television. Due to an association that stretches back to the Melbourne University comedy revue (Grabowsky was studying music at the Conservatorium, when Steve Vizard was doing law), Grabowsky landed the job of writing music for the successful Seven network comedy series Fast Forward. -
THE MUTE CANARY PROJECT on Myspace Music - Free Streaming Mp3s, Pictures & Music Videos 7/12/10 4:05 PM
THE MUTE CANARY PROJECT on Myspace Music - Free Streaming MP3s, Pictures & Music Videos 7/12/10 4:05 PM Music My Music Music Videos Charts Featured Playlists Music News Shows For Artists “ has joined MySpace! ” Mood: good 6:56 PM 17 Oct 2009 Discover ▼ Sign Up • Login ▼ Search Music Search THE MUTE CANARY PROJECT Friend Home People MusicAdd CommentVideo · SendGames MessageTV Movies Topics More ▼ Help Sign Up Login General Info Genre: Experimental / Jazz / Progressive Profile Location Brisbane, Queensland, AU Profile Views: 6977 Music Last Login: 4/12/2010 Member Since 17/10/2009 Photos Record Label BLACK RHINO Type of Label Indie Shows Bio Stream Upcoming Events for November: .. .. THE MUTE CANARY PROJECT led by Elliott Dalgleish .. .. Curated by Akai-Dalgleish-Hodgins-Kawauchi-Koyano-McNicol-Richardson- Friends Saunders-Wallis-Weston-Vale. .. .. The Judith Wright Centre for Contemporary Arts (Shopfront) .. 23rd of November .. 7:30pm .. .. Cecil Taylor, Roscoe Mitchell and The Art Comments Ensemble of Chicago meets Conlon Nancarrow, Charles Wuorinen, La Monte Young and Advertisement Toru Takemitsu.. .. Guests: .. .. Roger Dean (Piano/Keyboards) SYD/UK .. Jim Denley Badges (Saxophone) SYD .. Benjamin Marks (Trombone) BRIS .. Brett Evans (Saxophone) MELB Shows & Events .. Robert Davidson (Double Bass) BRIS .. Ian Thompson (Toy Sampler, Noise Maker) BRIS .. John Rodgers (Bush Poet) BRIS .. Cameron Kennedy (Percussion) BRIS.. Gus 7 upcoming shows/events Cereijo (Congas/Percussion) CUBA.. Leif GIfford (Projection) BRIS .. Tim Green (Drums) BRIS .. Scott McConnachie (Saxophone) BRIS .. Vanessa Tomlinson (Vibes) BRIS .. DEC Blue Birdie BLACK ANGELS STRING QUARTET BRIS .. Jamie Cooper (Painting/Sketches) BRIS .. Byron Bay, NSW, AUSTRALIA Dave Ades (Saxophone) BYRON BAY.. Jacum Manricks (Saxophone) NY USA.