Firesign Theatre Public Storage Unit STOLEN ITEMS Revised 6/16/2015
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Catalog of Copyright Entries 3D Ser Vol 27 Pt
' , S^ L* 'i-\ "'M .<^^°^ o. %-o^' .:-iM^ %/ :>m^^%,^' .^•^ °- .^il& >^'^^ "• "^^ ^^'^ 'ij : %.** -^^^^^^ -^K^ ^'-^ ° /\ A '5.^ .*^ .*^ iO. A- -> °o C^ °^ ' ./v ,0^ t>.~ « .^' '>> %.,.' ,v^:<'^, %/ These entries alone may not reflect the complete Copyright Office record pertaining to a particular work. Contact the U.S. Copyright Office for information about any additional records that may exist. ' .. .0^ o r- o > J i' <>> «, '(\'?s^/,*o 'tis 'V' ^/i^ratfete' *> «. *i%^^/, * %^-m--/ %-w--/ \w\.** %/W--/ %--W^,-^~ ^#/V* W> aV -^a r* ^^''' "^^^ ^^^ "^^^ '^^^ i^ "fc '^^ ^S^'' -^ ^- ^^ These entries alone may not reflect the complete Copyright Office record pertaining to a particular work. Contact the U.S. Copyright Office for information about any additional records that may exist. These entries alone may not reflect the complete Copyright Office record pertaining to a particular work. Contact the U.S. Copyright Office for information about any additional records that may exist. a particular These entries alone may not reflect the complete Copyright Office record pertaining to work. Contact the U.S. Copyright Office for information about any additional records that may exist. These entries alone may not reflect the complete Copyright Office record pertaining to a particular work. Contact the U.S. Copyright Office for information about any additional records that may exist. ISSN 0041-7823 Catalog of Copyright Entries: Third Series Volume 27, Part iiB Commercial Prints and Labels January—December 1973 •^ ,t«s COPYRIGHT OFFICE • THE LIBRARY OF CONGRESS WASHINGTON : 1974 These entries alone may not reflect the complete Copyright Office record pertaining to a particular work. Contact the U.S. Copyright Office for information about any additional records that may exist. -
Souvenir Book Was Designed by Andrew Bertke, Created in Quarkxpress, Illustrator, and Photoshop
brought to you by… Minnesota Science Fiction Society, Inc. April 10th though 12th, 1998 • Radisson Hotel South, L’Hotel Sofitel, Holiday Inn Airport 2 and Wyndham Garden Hotel • Bloomington, MN Table of Contents: A View From A Different Corner: Letter from the Exec ..................5 Hotel Information............................................................................6 Operations........................................................................................7 Professional Guest of Honor: Gardner Dozois ................................8 The Hagiography of Saint Dozois....................................................8 Fan Guest of Honour: Dave Langford............................................12 Toastmaster: John M. Ford ............................................................16 Mark Time Award Presenter: Phil Proctor ....................................22 The Mark Time Award at Minicon 33 ..........................................23 Minicon 33 was brought to you be ................................................30 Copyright © 1998 by the Minnesota Science Fiction Society (MN-StF). All rights reserved. Published and distributed by the Minicon 33 Convention Staff for MN-Stf — a non-profit, volunteer-run organization since 1968. No portion of this book (except as noted below) may be reproduced or transmitted in any form or by any means electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from MN-Stf. Illustrations remain the property of the respective artists. MN-StF waives copyright on the following: Operations Policies, Masquerade Rules, Art Show Rules and Auction Rules. These are available to the public for their own uses. For further information about Minicon, the Minnesota Science Fiction Society (MN-StF), or any of our activities, write: P.O. Box 8297, Lake Street Station, Minneapolis, MN 55408-8297. You may also call the MN-Stf Hotline at 612-824-5559 or the Minicon Voicemail at 612-333-7533. Cover art was designed by Derrick Dasenbrock. -
'Ompiled by Bob Hamilton
AMERICA'S ONLY REVIEW Jan. 1 -June 30, 19 THE RADIO MARKETPLACE . ----Volume f 'ompiled by Bob Hamilton www.americanradiohistory.com Each week these eight morning men wake up more than twice the total population of Paris, France! and- Paris, Arkansas Paris, Iowa Paris, Mississippi Paris, Idaho Paris, Kentucky Paris, Missouri Paris, Illinois Paris, Maine Paris, Texas Over five million peo- Gambling, WOR ple each week invite these N.Y. Dale Dorman, entertaining air personali- WRKO Boston Dr. ties into their homes. To Don Rose, KFRC those listeners who have made San Francisco the RKO Radio morning men Charlie Tuna, KHJ the most outstanding group in Los Angeles Rick the industry, we say "Merci Dees, WHBQ Memphis Fred Beaucoup." Winston, WFYR Chicago Pete Jay Thomas, 99X N.Y. John Jamerson, WGMS Wash., D.C. IIK«o RADIO repuesl ARB lotel Versons 12. TSe. morn In 6 am-10 am cerne eud,ence genl-Mey 1977 Esnmales suDlecl lo pualilicelrons 0r1111a19e 09 www.americanradiohistory.com THE CAPITOL QUARTERLY REPORT OF HITS! THE BEATLES THE STEVE MILLER AT THE BAND HOLLYWOOD BOWL 1111 s2e ) TAVARES o Love Storm 1h LITTLE RIVER BAND Diamantina Cocktail sCapitol www.americanradiohistory.com www.americanradiohistory.com THE PEOPLE WHO PUT I ELIZABET- " ALLA LISA t3 ODBL:I`_' P r.. SMITH .. +E DANVERS UDETTE PIRTLE GN - LAVEZZO GRAPE3IS PHOTOGRAPHY BY ROB CLAYTON P.O.BOX3135 : ARMEL, CALIFORNIA 4392= (408) 624-0338 sx PUBLICATIONS www.americanradiohistory.com Listen k of Peter F Wind Framptons Sumethins Frampton Frampton Of Carnet Happening SP 4512 Conies Alive Change SP 4389 SP 3619 SP 37113 SP 4,318 Produced www.americanradiohistory.com D the life rampton. -
George Carlin 1 George Carlin
George Carlin 1 George Carlin George Carlin Carlin in Trenton, New Jersey on April 4, 2008 Birth name George Denis Patrick Carlin Born May 12, 1937Manhattan, New York, U.S. Died June 22, 2008 (aged 71)Santa Monica, California, U.S. Medium Stand-up, television, film, books, radio Nationality American Years active 1956–2008 Genres Character comedy, observational comedy, Insult comedy, wit/word play, satire/political satire, black comedy, surreal humor, sarcasm, blue comedy Subject(s) American culture, American English, everyday life, atheism, recreational drug use, death, philosophy, human behavior, American politics, parenting, children, religion, profanity, psychology, Anarchism, race relations, old age, pop culture, self-deprecation, childhood, family [1] [2] [2] [3] [4] [5] [2] [5] [2] [5] Influences Danny Kaye, Jonathan Winters, Lenny Bruce, Richard Pryor, Jerry Lewis, Marx Brothers, Mort [4] [5] [5] [2] [5] Sahl, Spike Jones, Ernie Kovacs, Ritz Brothers Monty Python [6] [7] [8] [9] [10] Influenced Chris Rock, Jerry Seinfeld, Bill Hicks, Jim Norton, Sam Kinison, Louis C.K., Bill Cosby, Lewis Black, Jon [11] [12] [13] [14] [15] [16] Stewart, Stephen Colbert, Bill Maher, Denis Leary, Patrice O'Neal, Adam Carolla, Colin Quinn, Steven [17] [18] [19] [19] [20] Wright, Russell Peters, Jay Leno, Ben Stiller, Kevin Smith Spouse Brenda Hosbrook (August 5, 1961 — May 11, 1997) (her death) 1 child [21] Sally Wade (June 24, 1998 — June 22, 2008) (his death) Notable works Class Clown and roles "Seven Words You Can Never Say on Television" Mr. Conductor -
University of Oklahoma Graduate College
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE EXTINGUISHING THE GREEN FIRE: THE RISE OF OPPOSITION TO ENVIRONMENTALISM, 1948-2010 A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By KATRINA LACHER Norman, Oklahoma 2011 EXTINGUISHING THE GREEN FIRE: THE RISE OF OPPOSITION TO ENVIRONMENTALISM, 1948-2010 A DISSERTATION APPROVED FOR THE DEPARTMENT OF HISTORY BY ______________________________ Dr. Sterling Evans, Chair ______________________________ Dr. Donald J. Pisani, Co-Chair ______________________________ Dr. Robert Griswold ______________________________ Dr. Warren Metcalf ______________________________ Dr. Katherine Pandora © Copyright by KATRINA LACHER 2011 All Rights Reserved. For Danny Acknowledgements Long-distance runners and graduate students often appear as lone and solitary figures – running along the shoulder of a deserted road or hunched over a stack of books in an equally desolate library. However, just as a skilled and dedicated cadre of coaches is often behind every successful marathoner, this dissertation would not be possible without a support team of “coaches,” “trainers,” “nutritionists,” and the like. I remain in awe of the selfless effort and numerous acts of kindness of many friends, relatives, colleagues, and mentors. The University of Oklahoma was an ideal environment to learn how to be a scholar. In particular, I wish to thank Cliff Hudson for the generous opportunities afforded by the Hudson Family Fellowship. Research grants from the University of Oklahoma Graduate College, the University Foundation, and the Department of History allowed me to travel to archives from coast to coast, literally, Maine to California. I offer my sincere thanks to the tireless efforts of the departmental support staff of Kelly Guinn, Rhonda George, and Barbara Million who helped to decode university procedures and expedited reimbursement. -
On the Appearance of the Comedy LP, 1957–1973
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2016 On the Appearance of the Comedy LP, 1957–1973 David Michael McCarthy The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1515 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] ON THE APPEARANCE OF THE COMEDY LP, 1957–1973 by DAVID MICHAEL McCARTHY A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 ii © 2016 DAVID MICHAEL McCARTHY All rights reserved. iii On the Appearance of the Comedy LP, 1957–1973 by David Michael McCarthy This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ___________________ __________________________________________ Date Amy Herzog Chair of Examining Committee ___________________ __________________________________________ Date Norman Carey Executive Officer Supervisory Committee: Jane Sugarman, Advisor Anne Stone, First Reader Sumanth Gopinath Amy Herzog THE CITY UNIVERSITY OF NEW YORK iv ABSTRACT On the Appearance of the Comedy LP, 1957–1973 by David Michael McCarthy Advisor: Dr. Jane Sugarman Many observers of contemporary comedy in the United States during the 1960s referred to musical aspects of extra-musical performances. Comedy LP records furnish important artifacts for the study of the musical appearances these observers produced for themselves. -
Craig Stroupe Writing in Layers Critical Memoir How Can You Be In
1 Craig Stroupe Writing in Layers Critical Memoir How Can You Be in Two Places at Once 28 When You’re Not Any Where at All FROM THE FIRESIGN THEATER ALBUM DON’T CRUSH THAT DRAWF, HAND ME THE PLIERS: (Opening 8 seconds of album to establish the unconventional nature and tone of the Firesign Theater experience) Off-mic voice: “We’re rolling….” SFX: Coughing, chairs scraping, inDistinct voices, then one complaining voice emerges among the hubbub, approaching: Janitor: “You people got troubles here? I Don’t know why you people seem to think this is magic. It’s just this little chromium switch here. Ah, you people are so superstitious….” Churchy organ music begins, then unDer anD out: MUSIC: Fade up opening few instrumental bars of Steely Dan’s “FM” as the Firesign Theatre clip continues under. Music continues unDer narration, but too low to hear lyrics. (After the cold open featuring the Firesign Theater clip, the clip of the song “FM” provides an aura bridge to the narrative layer. The song also suggests the 1970s historical context and also the fact that the Firesign Theater originated in early FM radio programming, which offered a more opened, long-form alternative to the highly commercialized AM radio format.) NARRATOR In the late 1960s anD early '70s, The Firesign Theatre recorDeD on CBS Records a string of experimental comedy albums¾long, strange, surreal sagas¾that became touchstones of the counterculture. The Library of Congress called them "the Beatles of Comedy." In 1971, in the quiet suburban worlD of Titusville, Florida, I DiscovereD The Firesign Theatre on a home-recorded cassette in the audio collection of the local public library. -
Satirist Peter Bergman, 72, Dies
Time: 03-11 -2012 18:32 User: dalbrecht PubDate: 03-12-2012 Zone: KY Edition: 1 Page Name: B4 Color: CyanMagentaYellowBlack B4 | MONDAY,MARCH 12,2012 | THE COURIER-JOURNAL DEATHS &METRO | courier-journal.com KY Satirist Peter Bergman, 72, dies Founded troupe the country,the surrealist Bergman told the Cleve- “We were spokespeople role as the grizzled police val” on the radio while the humor of the Firesign land Plain Dealer in 2001. for arevolution in the late Lieutenant Bradshaw of other three came on as Firesign Theatre Theatre provided the disil- “This may sound high-falu- ’60s and early ’70s.” Berg- the chronicles of private in- guest moviemakers. In an lusioned throngs with tin’, but the Firesign Thea- man told The Post in 1981. vestigator Nick Danger, interview,Proctor recalled By T. Rees Shapiro something to laugh about. tre is like four jazz stars The group had such ade- Third Eye. (“When two that one of the films Berg- The Washington Post What it was, precisely,that playing together as a voted following that fans aren’tenough.”) man showed was an X-rat- made them so funny,was group, only we do word jazz would listen to their al- Peter Paul Bergman ed feature called “Blondie Peter Bergman, a somewhat difficult to de- instead of music. But we’re bums hundreds of times, was born Nov.29, 1939, in Goes to the Dentist.” founding member of the fine. not snobs. Imean, every- attempting to deconstruct Cleveland, where his fa- “We started getting Firesign Theatre comedy The group made vinyl thing from body jokes to the layers of jokes, sound ther was the men’sfashion phone calls from people troupe, whose zany pun- records that stylistically puns are grist for the mill. -
Guide to the American Women Making History and Culture: 1963-1982 Collection PRA.RS.001
http://oac.cdlib.org/findaid/ark:/13030/c83f4v6g Online items available Guide to the American Women Making History and Culture: 1963-1982 Collection PRA.RS.001 Jolene M. Beiser, MA, MLIS, Archivist Pacifica Radio Archives This finding aid was produced thanks to a matching grant from the National Historical Publications and Records Commission at the National Archives and Records Administration. Pacifica Radio Archives April 12, 2016 3729 Cahuenga Blvd., West North Hollywood, CA 91604 jolene at pacificaradioarchives dot org URL: http://pacificaradioarchives.org/ Guide to the American Women Making PRA.RS.001 1 History and Culture: 1963-1982 Collection PRA.RS.001 Language of Material: English Contributing Institution: Pacifica Radio Archives Title: Guide to the American Women Making History and Culture: 1963-1982 Collection creator: KPFA (Radio station : Berkeley, Calif.) creator: KPFK (Radio station : Los Angeles, Calif.) creator: KPFT-FM (Radio station : Houston, Tex.) creator: Pacifica Radio Archives creator: WBAI Radio (New York, N.Y.) creator: WPFW (Radio station : Washington, D.C.) Identifier/Call Number: PRA.RS.001 Physical Description: 2024 Reels Physical Description: 2.39 Terabytes Physical Description: 156 Linear Feet Date (bulk): 1963-1982 Date (inclusive): 1944-1994 Abstract: The American Women Making History and Culture: 1963-1982 collection includes 2,024 reel-to-reel tapes and 2,024 WAV files preserved as part of the Pacifica Radio Archives’ 2013-2016 “American Women Making History and Culture: 1963-1982” (“American Women”) preservation project. The recordings were selected as an “artificial collection” to document the Women’s movement and second-wave feminism as it was broadcast on the Pacifica network. -
Schur Assumes Chancellor Post Drowning Rescue Not Without Risks
University of Wisconsin-Milwaukee Vol. 24, No. 6, September 6, 1979 Schur assumes chancellor post UWM Economics Professor faculty members on or about Sept. Leon M. Schur became acting 6 that would answer all questions. UWM chancellor Aug. 31. Schur assumed the temporary position Schur said he was appointed after being cleared in a univer acting chancellor by the UW sity investigation of any conflict Board of Regents with the under of interest in his association with standing that he would not be S.A.K., Inc. eligible to permanently assume However, Rep. William Broy- the chancellorship. He said he drick (D-Milw.) wanted to open an would be "very happy to go back" investigation, and met with UW to the economics department System President Edwin Young to when a chancellor was found by discuss the matter. the UW Search Committee. Schur and Eric Schenker, dean "I've never had any adminis of UWM's School of Business trative aspirations," said Schur. Administration, were identified as The deadline for chancellor vice presidents, directors and nominations is Oct. 1, and Schur stockholders of S.A.K. (Save a said it is possible that a final The first UWM/Medalist Kickoff Classic was held end. UWM placed third in the tournament. See Kilowatt). The firm was set up [turn to p. 2, col. 1] in Milwaukee at The Bavarian Field last week related story on page 11. to market a device that would Drowning rescue not without risks by Dick J Peck pulling her younger sister out LaBruce, who has never taken "They (the girls) kept bobbing of The Post staff even farther. -
Interview with Firesign Theatre Member Phil Proctor
The following interview with PHIL PROCTOR, of the Firesign Theatre, was conducted by the Library of Congress on September 15, 2015. Phil Proctor LOC: How did Firesign Theatre first come to be signed to Columbia records? Well, we were doing a radio show of Peter Bergman’s at KPFK in LA which I became involved with in a very strange way. I had first come out to Los Angeles with a musical called “The Amorous Flea,” for which I won a “Theater World” award and then I returned to New York to perform on Broadway in “A Time for Singing” and “A Race of Hairy Men” by Evan Hunter, where I understudied Brandon DeWilde. Brandon and I became close friends and decided to drive out to Los Angeles together. Through Brandon I met Peter Fonda and we sort of became the “Three Musketeers.” At the time, Peter was working on a little movie idea he called “Captain America” but he couldn’t get the rights to that title so he renamed it “Easy Rider.” And he was doing research on the youth movement, so we went down to the Sunset Strip one night to became part of a protest against a curfew law which then turned into the Sunset Strip Riots. At one point, we joined a sit-down, a sit-in—and I found I was sitting on a copy of the “LA Free Press.” So, I pulled that out from under my butt and I realized I had sat down on a picture of Peter Bergman interviewing returning Vietnam War vets for KPFK Pacifica Radio. -
2015 Mark Time Awards Include Jerry Stearns, Brian Price and William Stout
FOR IMMEDIATE RELEASE New Audio Production Awards Established to Honor The Firesign Theater’s Comedy and Satire Legacy FREELAND, WA – January 23, 2015 – The most prominent awards worldwide for original radio drama – The Mark Time Awards – are adding four new awards to honor the historic contribution of The Firesign Theater to radio and audio production. The new awards and the long-established Mark Time Award for the year’s best science fiction production and the Ogle Award for fantasy/horror will be presented during the 2015 HEAR Now Festival in Kansas City, Missouri June 12th. “With these four new awards, we are celebrating a renewed interest in audio arts, which are thriving in the first decades of the 21st century in part because of the huge popularity of streaming and digital media,” said Judith Walcutt, Chief Executive Officer of Otherworld Media, which recently was selected to administer the Mark Time Awards. For the past 30 years, Otherworld Media has produced award-winning audio plays, radio broadcasts, and educational programming. The new Mark Time awards honoring The Firesign Theater are: The Nick Danger Prize for the best audio production in the mystery/detective fiction category, which is named after Firesign’s famous satire of radio detectives of the 1950s. The original “Nick,” Phil Austin, and his wife Oona will be part of the judging team. The Bradshaw, an award named after the late Peter Bergman’s cop character in the Nick Danger episodes, will be given for “service to the field” and chosen by the MTA’s advisory board. ! 1! The Betty Jo (But Everyone Knew Her as Nancy) prize honors the multi-gender vocal skills of Phil Proctor and will be awarded for best performances.