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Catalog of Copyright Entries 3D Ser Vol 27 Pt
' , S^ L* 'i-\ "'M .<^^°^ o. %-o^' .:-iM^ %/ :>m^^%,^' .^•^ °- .^il& >^'^^ "• "^^ ^^'^ 'ij : %.** -^^^^^^ -^K^ ^'-^ ° /\ A '5.^ .*^ .*^ iO. A- -> °o C^ °^ ' ./v ,0^ t>.~ « .^' '>> %.,.' ,v^:<'^, %/ These entries alone may not reflect the complete Copyright Office record pertaining to a particular work. Contact the U.S. Copyright Office for information about any additional records that may exist. ' .. .0^ o r- o > J i' <>> «, '(\'?s^/,*o 'tis 'V' ^/i^ratfete' *> «. *i%^^/, * %^-m--/ %-w--/ \w\.** %/W--/ %--W^,-^~ ^#/V* W> aV -^a r* ^^''' "^^^ ^^^ "^^^ '^^^ i^ "fc '^^ ^S^'' -^ ^- ^^ These entries alone may not reflect the complete Copyright Office record pertaining to a particular work. Contact the U.S. Copyright Office for information about any additional records that may exist. These entries alone may not reflect the complete Copyright Office record pertaining to a particular work. Contact the U.S. Copyright Office for information about any additional records that may exist. a particular These entries alone may not reflect the complete Copyright Office record pertaining to work. Contact the U.S. Copyright Office for information about any additional records that may exist. These entries alone may not reflect the complete Copyright Office record pertaining to a particular work. Contact the U.S. Copyright Office for information about any additional records that may exist. ISSN 0041-7823 Catalog of Copyright Entries: Third Series Volume 27, Part iiB Commercial Prints and Labels January—December 1973 •^ ,t«s COPYRIGHT OFFICE • THE LIBRARY OF CONGRESS WASHINGTON : 1974 These entries alone may not reflect the complete Copyright Office record pertaining to a particular work. Contact the U.S. Copyright Office for information about any additional records that may exist. -
OBSERVER Vol
OBSERVER Vol. 12 No. 14 September 24, 1969 Front Page Deserted Village Suit Marion Swerdlow Page 2 America In The 60s Geoff Cahoon Article Joan Tollifson and Bruce Warshavsky Mr. Black Page 3 Bombs Quote From Pablo Picasso Chicks Kidnapped Seale Budget Page 4 Photograph LNS/MVN Tunes Mark Barnett Page 5 Cat Of Nine Tails Welcome To The Zoo John Katzenbach Quote From Woodrow Wilson Page 6 Editorial Quote From Louis Blanc Cartoon Feiffer Letters [Questions regarding Bruce Warshavsky's and Joan Tollifson's article . .] Anita Schnee Page 7 Skiff SDS Marion Swerdlow DESERTED VILLAGESUIT jail. The legal limit for punishment for brutally harassed by a ·matron .. At I three Bard students and their Last May such an offence is actually 15 days. They least one was placed in a solitary at the college were convicted visitor were told they might make phone calls confinement cell. In the early hours of on the Central Hudson Gas of trespass only after they had entered a plea. the morning, they were taken to the and Electric Corporation property Martin allegedly advised them to plead prison's cellar and subjected to which lies directly behind Ward Manor. fingerprinting and mugshots. It is known to Bard students as the guilty, telling them that if they pleaded not guilty and were found guilty, it 'Deserted Village.' told that a copy of his face and would result in a $500 fine. On the Each was would be sent to the FBI. They basis of this, all four pleaded guilty and prints Each of these four have filed a released at seven o'clock in were given $100 fines. -
Rightmwing Forces Mobilize at UCSD
Volume 7. Number 4 nublished at UCSD 15th vear of ~ublication Nov. 3-Nov. 16. 1911 CIA responds to SCU ... CIA Discloses Ties with University of California The Central Intelligence Agency referendum. The SCU has held that one . (CIA) recently responded to a request of the major reasons for the for the release of the Agency's administrations's union-bustind tactics documents concerning its relationships was the SCU's substantial support for a with the University of California. The widely popular and growing anti-CIA request was submitted by the UCSD movement throughout the UC system. Student Cooperative Union (SCU) The movement was sparked by 1975 under the terms of the Freedom of disclosures that the CIA planned to Information Act (FOIA). (See letters on increase recruitment of women and .A 3 ---- 1\ TL-PWI ----- >-_ ( ..I . .- . page 9). I ne unagreca to comply wlrn rnlnorlry sruaenrs Irom several major the request. universities in the U.S. The SCU has been investigating UC ties with the CIA and other intelligence INSIDE THIS ISSUE: agencies since 1975. At that time. the Draft Flramlgn Thaatar, SCU was the "student government" at "UCS~34", lnaupuratlon, UCSD, and adopted a resolution calling Funky La Jolla and mora... upon the UC Board of Regents to' disclose and sever all UC ties with the Following a Statewide Conference on November, 1975. Anti- CIA protestors pursue UC Pres~dentSaxon, demanding CIA. Similar resolutions were adopted the CIA sponsored by the UCSD Anti- that UC-CIA t~esbe termmated. by the Third College Council, and the CIA Coalition in 1976, Nathan Gardels. -
Of ABBA 1 ABBA 1
Music the best of ABBA 1 ABBA 1. Waterloo (2:45) 7. Knowing Me, Knowing You (4:04) 2. S.O.S. (3:24) 8. The Name Of The Game (4:01) 3. I Do, I Do, I Do, I Do, I Do (3:17) 9. Take A Chance On Me (4:06) 4. Mamma Mia (3:34) 10. Chiquitita (5:29) 5. Fernando (4:15) 11. The Winner Takes It All (4:54) 6. Dancing Queen (3:53) Ad Vielle Que Pourra 2 Ad Vielle Que Pourra 1. Schottische du Stoc… (4:22) 7. Suite de Gavottes E… (4:38) 13. La Malfaissante (4:29) 2. Malloz ar Barz Koz … (3:12) 8. Bourrée Dans le Jar… (5:38) 3. Chupad Melen / Ha… (3:16) 9. Polkas Ratées (3:14) 4. L'Agacante / Valse … (5:03) 10. Valse des Coquelic… (1:44) 5. La Pucelle d'Ussel (2:42) 11. Fillettes des Campa… (2:37) 6. Les Filles de France (5:58) 12. An Dro Pitaouer / A… (5:22) Saint Hubert 3 The Agnostic Mountain Gospel Choir 1. Saint Hubert (2:39) 7. They Can Make It Rain Bombs (4:36) 2. Cool Drink Of Water (4:59) 8. Heart’s Not In It (4:09) 3. Motherless Child (2:56) 9. One Sin (2:25) 4. Don’t We All (3:54) 10. Fourteen Faces (2:45) 5. Stop And Listen (3:28) 11. Rolling Home (3:13) 6. Neighbourhood Butcher (3:22) Onze Danses Pour Combattre La Migraine. 4 Aksak Maboul 1. Mecredi Matin (0:22) 7. -
Roarshock Page
ROARSHOCK PAGE www.roarshock.net Volume 10, Number 7 San Francisco July 23, 2017 ften, if not always, it seems some chaos occurs with the other, and then reads across the resulting page. in late July. ROARSHOCK PAGE this time “Cut and paste” took on new meanings in the digital O turns focus to the cut-up method long lines of age. Meditative “cutting” manipulation of electronic inquiry for this publication. text used as a composition process in a number of pieces in ROARSHOCK PAGE since this publication resumed in 2012 (and just briefly before the world strangely end- ed on 12/21/2012). While elements of the source materi- al MAYBE partially, or entirely, random, a great deal of conscious editing goes into many or most cut-ups with perhaps intent @ direct streams of consciousness in more definite courses. While considering cut-up as a literary technique always remain informed that other works in art medium achieve similar results, even not necessarily composed via the cut-up routine. Revolution 9 by The Beatles could be an audio example, with bits from The Firesign Theatre, and the curious radio pro- gram Over the Edge by Don Joyce. In the 1980s the Neo Pagan Society, Troll Empire, various associated groups, individuals, hangers on, hangers up, hangers down, loosely shared edits of tapes with cut-in cut-out seg- ments of other recordings. Cassette tapes circulated through the postal service and could take weeks or months to go around. Not yet the capacity for instant sharing with a far flung crew, or instant memes like to- day, as younger folks usually look upon me in tolerant kindness and say, glad you made it to the New Days. -
Souvenir Book Was Designed by Andrew Bertke, Created in Quarkxpress, Illustrator, and Photoshop
brought to you by… Minnesota Science Fiction Society, Inc. April 10th though 12th, 1998 • Radisson Hotel South, L’Hotel Sofitel, Holiday Inn Airport 2 and Wyndham Garden Hotel • Bloomington, MN Table of Contents: A View From A Different Corner: Letter from the Exec ..................5 Hotel Information............................................................................6 Operations........................................................................................7 Professional Guest of Honor: Gardner Dozois ................................8 The Hagiography of Saint Dozois....................................................8 Fan Guest of Honour: Dave Langford............................................12 Toastmaster: John M. Ford ............................................................16 Mark Time Award Presenter: Phil Proctor ....................................22 The Mark Time Award at Minicon 33 ..........................................23 Minicon 33 was brought to you be ................................................30 Copyright © 1998 by the Minnesota Science Fiction Society (MN-StF). All rights reserved. Published and distributed by the Minicon 33 Convention Staff for MN-Stf — a non-profit, volunteer-run organization since 1968. No portion of this book (except as noted below) may be reproduced or transmitted in any form or by any means electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from MN-Stf. Illustrations remain the property of the respective artists. MN-StF waives copyright on the following: Operations Policies, Masquerade Rules, Art Show Rules and Auction Rules. These are available to the public for their own uses. For further information about Minicon, the Minnesota Science Fiction Society (MN-StF), or any of our activities, write: P.O. Box 8297, Lake Street Station, Minneapolis, MN 55408-8297. You may also call the MN-Stf Hotline at 612-824-5559 or the Minicon Voicemail at 612-333-7533. Cover art was designed by Derrick Dasenbrock. -
'Ompiled by Bob Hamilton
AMERICA'S ONLY REVIEW Jan. 1 -June 30, 19 THE RADIO MARKETPLACE . ----Volume f 'ompiled by Bob Hamilton www.americanradiohistory.com Each week these eight morning men wake up more than twice the total population of Paris, France! and- Paris, Arkansas Paris, Iowa Paris, Mississippi Paris, Idaho Paris, Kentucky Paris, Missouri Paris, Illinois Paris, Maine Paris, Texas Over five million peo- Gambling, WOR ple each week invite these N.Y. Dale Dorman, entertaining air personali- WRKO Boston Dr. ties into their homes. To Don Rose, KFRC those listeners who have made San Francisco the RKO Radio morning men Charlie Tuna, KHJ the most outstanding group in Los Angeles Rick the industry, we say "Merci Dees, WHBQ Memphis Fred Beaucoup." Winston, WFYR Chicago Pete Jay Thomas, 99X N.Y. John Jamerson, WGMS Wash., D.C. IIK«o RADIO repuesl ARB lotel Versons 12. TSe. morn In 6 am-10 am cerne eud,ence genl-Mey 1977 Esnmales suDlecl lo pualilicelrons 0r1111a19e 09 www.americanradiohistory.com THE CAPITOL QUARTERLY REPORT OF HITS! THE BEATLES THE STEVE MILLER AT THE BAND HOLLYWOOD BOWL 1111 s2e ) TAVARES o Love Storm 1h LITTLE RIVER BAND Diamantina Cocktail sCapitol www.americanradiohistory.com www.americanradiohistory.com THE PEOPLE WHO PUT I ELIZABET- " ALLA LISA t3 ODBL:I`_' P r.. SMITH .. +E DANVERS UDETTE PIRTLE GN - LAVEZZO GRAPE3IS PHOTOGRAPHY BY ROB CLAYTON P.O.BOX3135 : ARMEL, CALIFORNIA 4392= (408) 624-0338 sx PUBLICATIONS www.americanradiohistory.com Listen k of Peter F Wind Framptons Sumethins Frampton Frampton Of Carnet Happening SP 4512 Conies Alive Change SP 4389 SP 3619 SP 37113 SP 4,318 Produced www.americanradiohistory.com D the life rampton. -
George Carlin 1 George Carlin
George Carlin 1 George Carlin George Carlin Carlin in Trenton, New Jersey on April 4, 2008 Birth name George Denis Patrick Carlin Born May 12, 1937Manhattan, New York, U.S. Died June 22, 2008 (aged 71)Santa Monica, California, U.S. Medium Stand-up, television, film, books, radio Nationality American Years active 1956–2008 Genres Character comedy, observational comedy, Insult comedy, wit/word play, satire/political satire, black comedy, surreal humor, sarcasm, blue comedy Subject(s) American culture, American English, everyday life, atheism, recreational drug use, death, philosophy, human behavior, American politics, parenting, children, religion, profanity, psychology, Anarchism, race relations, old age, pop culture, self-deprecation, childhood, family [1] [2] [2] [3] [4] [5] [2] [5] [2] [5] Influences Danny Kaye, Jonathan Winters, Lenny Bruce, Richard Pryor, Jerry Lewis, Marx Brothers, Mort [4] [5] [5] [2] [5] Sahl, Spike Jones, Ernie Kovacs, Ritz Brothers Monty Python [6] [7] [8] [9] [10] Influenced Chris Rock, Jerry Seinfeld, Bill Hicks, Jim Norton, Sam Kinison, Louis C.K., Bill Cosby, Lewis Black, Jon [11] [12] [13] [14] [15] [16] Stewart, Stephen Colbert, Bill Maher, Denis Leary, Patrice O'Neal, Adam Carolla, Colin Quinn, Steven [17] [18] [19] [19] [20] Wright, Russell Peters, Jay Leno, Ben Stiller, Kevin Smith Spouse Brenda Hosbrook (August 5, 1961 — May 11, 1997) (her death) 1 child [21] Sally Wade (June 24, 1998 — June 22, 2008) (his death) Notable works Class Clown and roles "Seven Words You Can Never Say on Television" Mr. Conductor -
University of Oklahoma Graduate College
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE EXTINGUISHING THE GREEN FIRE: THE RISE OF OPPOSITION TO ENVIRONMENTALISM, 1948-2010 A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY By KATRINA LACHER Norman, Oklahoma 2011 EXTINGUISHING THE GREEN FIRE: THE RISE OF OPPOSITION TO ENVIRONMENTALISM, 1948-2010 A DISSERTATION APPROVED FOR THE DEPARTMENT OF HISTORY BY ______________________________ Dr. Sterling Evans, Chair ______________________________ Dr. Donald J. Pisani, Co-Chair ______________________________ Dr. Robert Griswold ______________________________ Dr. Warren Metcalf ______________________________ Dr. Katherine Pandora © Copyright by KATRINA LACHER 2011 All Rights Reserved. For Danny Acknowledgements Long-distance runners and graduate students often appear as lone and solitary figures – running along the shoulder of a deserted road or hunched over a stack of books in an equally desolate library. However, just as a skilled and dedicated cadre of coaches is often behind every successful marathoner, this dissertation would not be possible without a support team of “coaches,” “trainers,” “nutritionists,” and the like. I remain in awe of the selfless effort and numerous acts of kindness of many friends, relatives, colleagues, and mentors. The University of Oklahoma was an ideal environment to learn how to be a scholar. In particular, I wish to thank Cliff Hudson for the generous opportunities afforded by the Hudson Family Fellowship. Research grants from the University of Oklahoma Graduate College, the University Foundation, and the Department of History allowed me to travel to archives from coast to coast, literally, Maine to California. I offer my sincere thanks to the tireless efforts of the departmental support staff of Kelly Guinn, Rhonda George, and Barbara Million who helped to decode university procedures and expedited reimbursement. -
Zsat 151219 293 Songs, 9.4 Hours, 1.86 GB
Page 1 of 12 zsat 151219 293 songs, 9.4 hours, 1.86 GB Name Time Album Artist 1 Chromium Switch truncated 0:07 Firesign Theatre 2 Homer broadcasting all hollering scream 0:08 Simpsons Homer Simpson 3 Station Identification 0:07 Station ID Cara Dell'Apa 4 That's What I Call A Ball.mp3 1:53 Hollywood Glamour 56 Vol 9 Larry Donn 5 Bush Jamie is boring 2 _bore to about 03_ 0:07 6 announcer break silence 2 min 2:00 7 I have lived my life in the fast lane, feel for the road 0:09 Jim Varney 8 I have lived my life in the fast lane, feel for the road 0:09 9 livedinfastlane 0:09 10 livedinfastlane 2 0:09 11 Dry Bones Twist 2:47 R And B Hipshakers Vol.3 Just A Little Bit Of The… The Drivers 12 Craig's Crazy Boogie 2:42 Virginia Rocks CD 2 The Downbeats 13 Jungle Hop 2:14 Hey Hey Pretty Baby Don & Dewey 14 speed up balcony shakespeare 0:15 Firesign Theater 15 My Baby's 3-D 2:06 The Hound - July 15, 1995 Dominoes w/Jackie Wilson 16 Wont last 0:02 17 All Night Long 2:38 Lucky Doowop & Dance 2 Du Mauriers 18 Announcer Break Silence 1 min 1:00 19 announcer break silence 2 min 2:00 20 Dr Ross Boogie 2:39 Sun Records - The Blues Years 1950-1958 (Char… Doctor Ross 21 I think the guys are phony 0:02 22 Dr. Velvet <voodoo charms spells herbs dust aro… 2:34 Night Ridin' Doc Starkes & His Nite Riders 23 Oh yeah thats what he thinks 0:03 zsat 151219 Page 2 of 12 Name Time Album Artist 24 WHAM 2:43 Early Decca Label Harmony - vol. -
On the Appearance of the Comedy LP, 1957–1973
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 9-2016 On the Appearance of the Comedy LP, 1957–1973 David Michael McCarthy The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/1515 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] ON THE APPEARANCE OF THE COMEDY LP, 1957–1973 by DAVID MICHAEL McCARTHY A dissertation submitted to the Graduate Faculty in Music in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2016 ii © 2016 DAVID MICHAEL McCARTHY All rights reserved. iii On the Appearance of the Comedy LP, 1957–1973 by David Michael McCarthy This manuscript has been read and accepted for the Graduate Faculty in Music in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. ___________________ __________________________________________ Date Amy Herzog Chair of Examining Committee ___________________ __________________________________________ Date Norman Carey Executive Officer Supervisory Committee: Jane Sugarman, Advisor Anne Stone, First Reader Sumanth Gopinath Amy Herzog THE CITY UNIVERSITY OF NEW YORK iv ABSTRACT On the Appearance of the Comedy LP, 1957–1973 by David Michael McCarthy Advisor: Dr. Jane Sugarman Many observers of contemporary comedy in the United States during the 1960s referred to musical aspects of extra-musical performances. Comedy LP records furnish important artifacts for the study of the musical appearances these observers produced for themselves. -
Maltese Falcon (Huston 1940/Hammett 1930)
Chapter Three—Maltese Falcon (Huston 1940/Hammett 1930) pirates! you’ve got brains! yes you have! curses, foiled again the mickey finn shot samuel spade, confidential investigator you kill me! don’t bogart me According to noted 19th Century author Henry James (1843-1916), novels are “large, loose baggy monsters.” The monstrous size and looseness of the genre demands serious adaptation to the time-bound scope of cinema, often by fusing several characters into one, eliminating major sections of plot, and crystallizing what elements remain, favoring dramatic moments over those more mundane. John Huston’s directorial debut is the exception to the adaptation rule in that it transfers nearly all of Hammett’s novel to screen with very little editing or rewriting. Except for the character of Gutman’s daughter and Spade’s existentialist monologue regarding the Flitcraft episode, Huston basically follows Hammett’s plot to a T, relying on the novelist to provide most of the dialogue. The only other glaring departure from the novel is the Shakespearean paraphrase Humphrey Bogart allegedly suggested to Huston for inclusion at the end of the film, in answer to Tom Polhaus’s question about the nature of the falcon. Spade, misquoting Prospero from The Tempest, says it is: "The stuff that dreams are made of." Many film historians point to Huston’s Maltese Falcon (the novel had been filmed twice before) as the first example of film noir. French film critics writing in Les cahiers du cinéma codified the genre-linked features of this particularly American creation, including the femme fatale, the existential perspective on the individual and fate, the hard-boiled tradition, and the stylistic use of light and shadow, dubbing the genre “black film” or film noir.