Rightmwing Forces Mobilize at UCSD
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Souvenir Book Was Designed by Andrew Bertke, Created in Quarkxpress, Illustrator, and Photoshop
brought to you by… Minnesota Science Fiction Society, Inc. April 10th though 12th, 1998 • Radisson Hotel South, L’Hotel Sofitel, Holiday Inn Airport 2 and Wyndham Garden Hotel • Bloomington, MN Table of Contents: A View From A Different Corner: Letter from the Exec ..................5 Hotel Information............................................................................6 Operations........................................................................................7 Professional Guest of Honor: Gardner Dozois ................................8 The Hagiography of Saint Dozois....................................................8 Fan Guest of Honour: Dave Langford............................................12 Toastmaster: John M. Ford ............................................................16 Mark Time Award Presenter: Phil Proctor ....................................22 The Mark Time Award at Minicon 33 ..........................................23 Minicon 33 was brought to you be ................................................30 Copyright © 1998 by the Minnesota Science Fiction Society (MN-StF). All rights reserved. Published and distributed by the Minicon 33 Convention Staff for MN-Stf — a non-profit, volunteer-run organization since 1968. No portion of this book (except as noted below) may be reproduced or transmitted in any form or by any means electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from MN-Stf. Illustrations remain the property of the respective artists. MN-StF waives copyright on the following: Operations Policies, Masquerade Rules, Art Show Rules and Auction Rules. These are available to the public for their own uses. For further information about Minicon, the Minnesota Science Fiction Society (MN-StF), or any of our activities, write: P.O. Box 8297, Lake Street Station, Minneapolis, MN 55408-8297. You may also call the MN-Stf Hotline at 612-824-5559 or the Minicon Voicemail at 612-333-7533. Cover art was designed by Derrick Dasenbrock. -
Zsat 151219 293 Songs, 9.4 Hours, 1.86 GB
Page 1 of 12 zsat 151219 293 songs, 9.4 hours, 1.86 GB Name Time Album Artist 1 Chromium Switch truncated 0:07 Firesign Theatre 2 Homer broadcasting all hollering scream 0:08 Simpsons Homer Simpson 3 Station Identification 0:07 Station ID Cara Dell'Apa 4 That's What I Call A Ball.mp3 1:53 Hollywood Glamour 56 Vol 9 Larry Donn 5 Bush Jamie is boring 2 _bore to about 03_ 0:07 6 announcer break silence 2 min 2:00 7 I have lived my life in the fast lane, feel for the road 0:09 Jim Varney 8 I have lived my life in the fast lane, feel for the road 0:09 9 livedinfastlane 0:09 10 livedinfastlane 2 0:09 11 Dry Bones Twist 2:47 R And B Hipshakers Vol.3 Just A Little Bit Of The… The Drivers 12 Craig's Crazy Boogie 2:42 Virginia Rocks CD 2 The Downbeats 13 Jungle Hop 2:14 Hey Hey Pretty Baby Don & Dewey 14 speed up balcony shakespeare 0:15 Firesign Theater 15 My Baby's 3-D 2:06 The Hound - July 15, 1995 Dominoes w/Jackie Wilson 16 Wont last 0:02 17 All Night Long 2:38 Lucky Doowop & Dance 2 Du Mauriers 18 Announcer Break Silence 1 min 1:00 19 announcer break silence 2 min 2:00 20 Dr Ross Boogie 2:39 Sun Records - The Blues Years 1950-1958 (Char… Doctor Ross 21 I think the guys are phony 0:02 22 Dr. Velvet <voodoo charms spells herbs dust aro… 2:34 Night Ridin' Doc Starkes & His Nite Riders 23 Oh yeah thats what he thinks 0:03 zsat 151219 Page 2 of 12 Name Time Album Artist 24 WHAM 2:43 Early Decca Label Harmony - vol. -
Maltese Falcon (Huston 1940/Hammett 1930)
Chapter Three—Maltese Falcon (Huston 1940/Hammett 1930) pirates! you’ve got brains! yes you have! curses, foiled again the mickey finn shot samuel spade, confidential investigator you kill me! don’t bogart me According to noted 19th Century author Henry James (1843-1916), novels are “large, loose baggy monsters.” The monstrous size and looseness of the genre demands serious adaptation to the time-bound scope of cinema, often by fusing several characters into one, eliminating major sections of plot, and crystallizing what elements remain, favoring dramatic moments over those more mundane. John Huston’s directorial debut is the exception to the adaptation rule in that it transfers nearly all of Hammett’s novel to screen with very little editing or rewriting. Except for the character of Gutman’s daughter and Spade’s existentialist monologue regarding the Flitcraft episode, Huston basically follows Hammett’s plot to a T, relying on the novelist to provide most of the dialogue. The only other glaring departure from the novel is the Shakespearean paraphrase Humphrey Bogart allegedly suggested to Huston for inclusion at the end of the film, in answer to Tom Polhaus’s question about the nature of the falcon. Spade, misquoting Prospero from The Tempest, says it is: "The stuff that dreams are made of." Many film historians point to Huston’s Maltese Falcon (the novel had been filmed twice before) as the first example of film noir. French film critics writing in Les cahiers du cinéma codified the genre-linked features of this particularly American creation, including the femme fatale, the existential perspective on the individual and fate, the hard-boiled tradition, and the stylistic use of light and shadow, dubbing the genre “black film” or film noir. -
Interview with Firesign Theatre Member Phil Proctor
The following interview with PHIL PROCTOR, of the Firesign Theatre, was conducted by the Library of Congress on September 15, 2015. Phil Proctor LOC: How did Firesign Theatre first come to be signed to Columbia records? Well, we were doing a radio show of Peter Bergman’s at KPFK in LA which I became involved with in a very strange way. I had first come out to Los Angeles with a musical called “The Amorous Flea,” for which I won a “Theater World” award and then I returned to New York to perform on Broadway in “A Time for Singing” and “A Race of Hairy Men” by Evan Hunter, where I understudied Brandon DeWilde. Brandon and I became close friends and decided to drive out to Los Angeles together. Through Brandon I met Peter Fonda and we sort of became the “Three Musketeers.” At the time, Peter was working on a little movie idea he called “Captain America” but he couldn’t get the rights to that title so he renamed it “Easy Rider.” And he was doing research on the youth movement, so we went down to the Sunset Strip one night to became part of a protest against a curfew law which then turned into the Sunset Strip Riots. At one point, we joined a sit-down, a sit-in—and I found I was sitting on a copy of the “LA Free Press.” So, I pulled that out from under my butt and I realized I had sat down on a picture of Peter Bergman interviewing returning Vietnam War vets for KPFK Pacifica Radio. -
The Meadoword, August 2011
August 2011 Volume 29, Number 8 The To FREE Meadoword MeaThe doword PUBLISHED BY THE MEADOWS CO mm UNITY ASSO C IATION TO PROVIDE INFOR M ATION AND EDU C ATION FOR MEADOWS RESIDENTS MANASOTA, MANASOTA, FL U.S. POSTAGE PRESORTED STANDARD PERMIT 61 PAID 2 The Meadoword • August 2011 MCA BOARD OF DIRECTORS Assembly Committee Anthony Sawyer, President Bob Friedlander, Vice President No Assembly of Property Owners meeting in August Ginny Coveney, Treasurer By Claire Coyle—Chairperson Bill Hoegel, Secretary Dr. Bill Grubb Jerry Hilmes Delegates, please mark your Joy Howes calendars for the September 21 Jo Evans meeting at 7:00 pm in the Lakeside Who do you want Paul Mercier Room of the Meadows Community Center. to hear from? COMMITTEES This meeting is an important Do you have a topic Assembly of Property Owners one because we need to elect the of interest to you and Claire Coyle, Chairperson Search and Screening Committee, your neighbors? Anthony Sawyer, Liaison Next Assembly who recommends a slate of Budget and Finance candidates to run for the Board of The Executive Committee September 21 • 7:00 pm Jerry Schwarzkopf, Chairperson of the Assembly is currently Bob Friedlander, Liaison Directors of the MCA. Please plan Guest Speaker to attend. working to identify speakers Community Activities Attorney The September speaker will be for next year and would like Ginny Coveney, Chairperson Charla Burchett, Esq attorney Charla Burchett, Esq. She your ideas and suggestions. Emergency Preparedness will discuss estate planning issues Everyone is invited to stay Dr. Harry Shannon, Chairperson Call Claire Coyle, 941-371-8925, for coffee, refreshments, & Dr. -
2015 Mark Time Awards Include Jerry Stearns, Brian Price and William Stout
FOR IMMEDIATE RELEASE New Audio Production Awards Established to Honor The Firesign Theater’s Comedy and Satire Legacy FREELAND, WA – January 23, 2015 – The most prominent awards worldwide for original radio drama – The Mark Time Awards – are adding four new awards to honor the historic contribution of The Firesign Theater to radio and audio production. The new awards and the long-established Mark Time Award for the year’s best science fiction production and the Ogle Award for fantasy/horror will be presented during the 2015 HEAR Now Festival in Kansas City, Missouri June 12th. “With these four new awards, we are celebrating a renewed interest in audio arts, which are thriving in the first decades of the 21st century in part because of the huge popularity of streaming and digital media,” said Judith Walcutt, Chief Executive Officer of Otherworld Media, which recently was selected to administer the Mark Time Awards. For the past 30 years, Otherworld Media has produced award-winning audio plays, radio broadcasts, and educational programming. The new Mark Time awards honoring The Firesign Theater are: The Nick Danger Prize for the best audio production in the mystery/detective fiction category, which is named after Firesign’s famous satire of radio detectives of the 1950s. The original “Nick,” Phil Austin, and his wife Oona will be part of the judging team. The Bradshaw, an award named after the late Peter Bergman’s cop character in the Nick Danger episodes, will be given for “service to the field” and chosen by the MTA’s advisory board. ! 1! The Betty Jo (But Everyone Knew Her as Nancy) prize honors the multi-gender vocal skills of Phil Proctor and will be awarded for best performances. -
Firesign Theatre Public Storage Unit STOLEN ITEMS Noted 4/28/2015
Firesign Theatre Public Storage Unit STOLEN ITEMS noted 4/28/2015 From the Navy Blue Samsonite Suitcase, these items are missing: • Feathered hats (3) • Fish-shaped bag • Rubber skull • Tin lunch pail From the box Peter Bergman Collection Box 01, these items were taken: • Amplifier, Pignose portable amp #057, signed Wayne Kimbell / Richard Edlund • Box, color slides, 2 sets of slides from 36-exposure reels “Gum chewing marathon Barbro” Green storage box – “F.S.T. Props” Phil Proctor collages [4 portfolios] Art Profolio: Proctor & Bergman Press Archives – Oversize (Portfolio 1) [see detailed list, end of document] Art Profolio: Proctor & Bergman Press Archives – Oversize (Portfolio 2) [see detailed list, end of document] Art Profolio: Firesign Theatre Press Clippings – Oversize (Portfolio 1) [see detailed list, end of document] Art Profolio: Firesign Theatre Press Clippings – Oversize (Portfolio 2) [see detailed list, end of document] Art Profolio: Firesign Theatre Press Clippings – Oversize (Portfolio 3) [see detailed list, end of document] 16mm film case, brown, Plio-Magic, Everything You Know Is Wrong [label inside “3200K”, label outside “5400K”] 16mm film can, 14” diameter, Everything You Know Is Wrong “Damaged print sprocket holes torn” Auction merch: • Ralph Spoilsport license plate frames, 116 • Auction item: Dr. Firesign mask, signed Proctor • Auction item: Artie Choke Martian ears, signed Bergman • Auction item: [character name?] Martian ears, signed Ossman • Auction item: Bozo red pom-pom ears, signed Proctor • Auction item: -
David Ossman Tapes, 1960-1970, MSS-032
The Ward M. Canaday Center for Special Collections The University of Toledo Finding Aid David Ossman Tapes, 1960-1970 MSS-032 Size: 4 Linear Feet Provenance: The University of Toledo Libraries purchased this collection in 1977. Certain letters to Ossman from poets involved in "The Sullen Art" were removed by him prior to the sale of the collection. Literary rights to the items in this collection may be assumed to rest with the creators of those items. Mr. Ossman waived any copyright he possessed in favor of the University of Toledo. The researcher desiring to quote extensively from the materials in this collection should consult the staff of The Ward M. Canaday Center regarding copyright Issues. Access: open Collection Summary: Collection consists of tape recordings of interviews with 44 poets, mostly American, for the radio program "The Sullen Art" (1960-1961); correspondence from those poets and from listeners regarding the program; poetry readings by seven poets for the series "The Poet in New York"; and tapes of the Berkeley Poetry Conference (July 13-23, 1965), including lectures and poetry readings. Featured poets include Allen Ginsberg, Edward Dorn, Robert Edward Duncan, Robert Creeley, Imamu Amiri Baraka, Gilbert Sorrentino, and Paul Blackburn. Subject(s): Literature, Music, Art, Drama, and Theatre Related Collections: Processing Note: Copyright: The literary rights to this collection are assumed to rest with the person(s) responsible for the production of the particular items within the collection, or with their heirs or assigns. Researchers bear full legal responsibility for the acquisition to publish from any part of said collection per Title 17, United States Code. -
Marching to Shibboleth Pdf, Epub, Ebook
MARCHING TO SHIBBOLETH PDF, EPUB, EBOOK The Firesign Theatre | 306 pages | 15 Nov 2011 | BEARMANOR MEDIA | 9781593936624 | English | none Marching to Shibboleth PDF Book Foolish or Wise? Weight loss magic! With the precomposed characters, the character with all its glyphs can be formed exactly how you want it to look. It's Saturday, not Fatterday! If the warning doesn't explicitly mention how to replace a setting or what the alternative syntax should be, we will eventually capture that information on this page. Controls whether lookup failures are cached for the minCacheDuration. Getting back on track. Other editions. Soar towards your goals. Motivation February 27, Motivation May 1, Check out their sunny web site , and call them at to find out how you can partner up with the sun. Quit Quitting on Yourself! Welcome back. The SP can request a specific method of authentication from the IdP. I have posted about the free and very helpful Shibboleth program from Logos. Goodreads helps you keep track of books you want to read. The internal user connects directly with the internal ADFS server. What is the end game? Get through the weekend It's dreary outside but it doesn't have to be dreary on the inside. Realistic Exercise Programs. Exercise on a plate takes minutes to create a fat burning meal. JPost News Ticker. Waffles and Weight Loss. See infrastructure information for more details. Abby Dees has lost pounds and has dropped 60 inches. Hot Chocolate and Ghee Part 2. Be courageous!!! World News. Direct And To The Point. A large page doorstop packed with every mad utterance you thought you might have heard on these four groundbreaking albums: Waiting fo For comedy fans of a certain age, a book titled The Complete Scripts of the Firesign Theatre's Classic Records would induce an instant click of the "Buy Now" button. -
Firesign Theatre (1970) Added to the National Registry: 2005 Essay by Frederick C
“Don’t Crush That Dwarf, Hand Me the Pliers”—The Firesign Theatre (1970) Added to the National Registry: 2005 Essay by Frederick C. Wiebel, Jr. (guest post)* Original album Original label The Firesign Theatre Just mentioning the name The Firesign Theatre evokes many mental images. A nostalgic warmth for the good old days that never were. Of millions of Americans gathering around their citizen radios listening to FDR's weekly fireside chats. Zodiacal puns for the pot smoking patrons of the psychedelic sixties and seventies trying to escape from a club-swinging world gone mad with war and political upheaval. Guerrilla theater in the streets humorously deprogramming a populous from the narcotic of pop culture and authority. A put-on group of cohesive thought. A group that never was a group. A rock band without music, playing with words in rhythmical patterns on a major scale. A concern that puts out comedy albums but aren’t concerned about being comedians. College boy counter-culture humor from post graduates for students and non-students, adults and non-adults who remain forever young at heart. An indefinable outfit that produces an indefinable product for an indefinable market. Fighting clowns against the powers that be. Shakespearean comedy in a time of Orwellian tragedy. An aural Norman Rockwell painting on acid. A theater of the mind built with the bricks of politics and poetry on the solid foundation of the golden age of radio. The images pile on and on, and on, with double, triple, quadruple entendres and non-sequiturs, layering a baklava of subconscious surreality and blatantly silly humor acting as a political poultice for the open wounds of a sick society. -
The Lodestone Catalog November, 2006 Firesign Theatre the Best in Contemporary Audio Theatre Page 6 Science Fiction Page 14 ZBS Comedy Page 12 Page 10
The Lodestone Catalog November, 2006 Firesign Theatre The Best in Contemporary Audio Theatre page 6 Science Fiction page 14 ZBS Comedy page 12 page 10 Prairie Home Norman Corwin Companion page 20 page 4 Bloomington, IN 47404 627 N. Morton St.#204 Lodestone Catalog Why Contemporary Audio Theater? What’s In A Name? Of course, we love the old stuff. “Old-Time Why do we call it audio theater? Many people Radio” (OTR) is a wonderful thing. It was a call it radio drama, but most of the best new time when a great deal of time, effort, and productions go directly to CD, never being Welcome money was put into the medium, and it got heard on the radio. New-Time-Radio? Same some wonderful results. problem. Theater of the Mind? Theater of the Ear? Sonic Movies? All nice, and great at cap- And the best of those results got remembered. turing different aspects of the medium, but we Welcome to the -- The best of those results got preserved. The Lodestone Catalog think Audio Theater describes it best. the world’s best source for English-language best of those results is still around today. contemporary audio theater. What we listen to today is the best of what was What is Audio Theater? created then. Why Audio Theater? Voices. Music. Sound effects. Silence. These But what about the new stuff? are the basic ingredients of audio theater. We sell audio theater because we love the Although television and trends took audio But there are more ingredients -- Time, medium of audio theater.