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Notas a Los Textos
NOTAS A LOS TEXTOS Dada la recurrencia de algunas fuentes, se las invoca mediante la siguiente citación abreviada: BIOY (1963): BIOY, Adolfo, Años de mocedad. Nuevo Cabildo, 1963. BIOY CASARES (1994): Memorias. Barcelona: Tusquets, 1994. BIOY CASARES (2006): Borges. Bogotá: Destino, 2006. Salvo indicación en contrario, Buenos Aires es el lugar de toda editorial o publicación periódica citada. NOTAS A LA INVENCIÓN DE MOREL La novela tuvo las siguientes ediciones: M1 «La invención de Morel». Sur, Nº 72 (septiembre 1940): 43-71 [fragmento, corres- pondiente a pp. 15-80 de M2]. M2 La invención de Morel. 1ª edición. Losada («Novelistas de España y América»), 1940, 169 pp. M3 La invención de Morel. 2ª edición. Sur, 1948, 140 pp. M4 La invención de Morel. 3ª edición. Emecé («Novelistas argentinos contemporá- neos»), 1953, 155 pp. M5 La invención de Morel. 4ª edición. Emecé («Escritores argentinos»), 1991, 162 pp. La presente edición sigue la cuarta y definitiva, cuyo texto fue fijado por Daniel Martino en 1991. Unicamente se ha corregido la divisa que cita el náufrago para ajustarla a la grafía original leonardiana tal como la invoca Valéry y tal como aparecía en la primera edición de la novela. En las notas se incluyen solo aquellas variantes que alteran conte- nidos. La invención de Morel. Títulos alternativos fueron La invención de Gopar (según el encabezamiento de una lista de correcciones, manuscrita de Bioy Casares, conservada en un cuaderno de c. 1939) y La invención de Guerin [sic] (conforme al texto del contrato original de publicación, fechado el 31 de julio de 1940). En el borrador de una carta de c. -
April 2005 Updrafts
Chaparral from the California Federation of Chaparral Poets, Inc. serving Californiaupdr poets for over 60 yearsaftsVolume 66, No. 3 • April, 2005 President Ted Kooser is Pulitzer Prize Winner James Shuman, PSJ 2005 has been a busy year for Poet Laureate Ted Kooser. On April 7, the Pulitzer commit- First Vice President tee announced that his Delights & Shadows had won the Pulitzer Prize for poetry. And, Jeremy Shuman, PSJ later in the week, he accepted appointment to serve a second term as Poet Laureate. Second Vice President While many previous Poets Laureate have also Katharine Wilson, RF Winners of the Pulitzer Prize receive a $10,000 award. Third Vice President been winners of the Pulitzer, not since 1947 has the Pegasus Buchanan, Tw prize been won by the sitting laureate. In that year, A professor of English at the University of Ne- braska-Lincoln, Kooser’s award-winning book, De- Fourth Vice President Robert Lowell won— and at the time the position Eric Donald, Or was known as the Consultant in Poetry to the Li- lights & Shadows, was published by Copper Canyon Press in 2004. Treasurer brary of Congress. It was not until 1986 that the po- Ursula Gibson, Tw sition became known as the Poet Laureate Consult- “I’m thrilled by this,” Kooser said shortly after Recording Secretary ant in Poetry to the Library of Congress. the announcement. “ It’s something every poet dreams Lee Collins, Tw The 89th annual prizes in Journalism, Letters, of. There are so many gifted poets in this country, Corresponding Secretary Drama and Music were announced by Columbia Uni- and so many marvelous collections published each Dorothy Marshall, Tw versity. -
Rainer Maria Rilke Letters to a Young Poet
From Soulard’s Notebooks Assistant Editor: Kassandra Soulard To Seek a Better World [New Fiction] by G.C. Dillon 1 Poetry by Joe Coleman 5 Notes from New England [Commentary] by Raymond Soulard, Jr. 10 Manifest Project: June 2013 23 Poetry by Nathan D. Horowitz 44 Poetry by Tom Sheehan 49 Simian Songs [Essay] by Charlie Beyer 55 Poetry by Judih Haggai 59 Letters to a Young Poet by Rainer Maria Rilke 63 Many Musics [Poetry] by Raymond Soulard, Jr. 87 Artist Gallery by Joe Coleman 100 The State of Psychedelic Research: Interview with Rick Doblin by Ido Hartogsohn 105 Poetry by Joe Ciccone 115 Poetry by Martina Newberry 116 Labyrinthine [A New Fixtion] by Raymond Soulard, Jr. 119 Notes on Contributors 156 2013 Front cover art by Joe Coleman. Back cover art by Raymond Soulard, Jr. & Kassandra Soulard. Original Cenacle logo by Barbara Brannon. Interior graphic artwork by Raymond Soulard, Jr. & Kassandra Soulard, exept where otherwise indicated. Manifest Project III is successor to Manifest Project I (Cenacle | 65 | June 2008) & Manifest Project II (Cenacle | 72 | April 2010). Accompanying disk to print version contains: • Cenacles #47-85 • Burning Man Books #1-66 • Scriptor Press Sampler #1-13 • RaiBooks #1-7 • RS Mixes from “Within’s Within: Scenes from the Psychedelic Revolution”; & • Jellicle Literary Guild Highlights Series Disk contents downloadable at: http://www.scriptorpress.com/cenacle/supplementary_disk. zip The Cenacle is published quarterly (with occasional special issues) by Scriptor Press New England, 2442 NW Market Street, #363, Seattle, Washington, 98107. It is kin organ to ElectroLounge website (http://www.scriptorpress.com), RaiBooks, Burning Man Books, Scriptor Press Sampler, The Jellicle Literary Guild, & “Within’s Within: Scenes from the Psychedelic Revolution w/Soulard,” broadcast online worldwide weekends on SpiritPlants Radio (http://www.spiritplantsradio.com). -
Gérard De Nerval Et Charles Nodier: Le Rêve Et La Folie
ABSTRACT GÉRARD DE NERVAL ET CHARLES NODIER: LE RÊVE ET LA FOLIE par Laetitia Gouhier Charles Nodier et Gérard de Nerval entreprennent dans La Fée aux miettes et Aurélia une exploration du moi et de la destinée de ce moi à la recherche d’une vérité transcendante qui est la quête du bonheur à travers une femme aimée irrémédiablement perdue. Pour cela ils développent un mode d’expression en marge des modes littéraires de l’époque en ayant recours au mode fantastique. En effet, l’exploration du moi est liée à la perception surnaturaliste intervenant dans les rêves des protagonistes de ces deux contes. Il s’agit dans cette étude de voir comment l’irruption de l’irréel chez Nodier et Nerval creuse un espace dans lequel instaurer le moi et pourquoi l’irréel et le fantastique provoquent l’interrogation du « moi » en littérature jetant un doute sur sa santé mentale. GÉRARD DE NERVAL ET CHARLES NODIER : LE RÊVE ET LA FOLIE A thesis Submitted to the Faculty of Miami University In partial fulfilment of The requirements of the degree of Masters of Arts Department of French and Italian By Laetitia Gouhier Miami University Oxford, Ohio 2003 Advisor: Jonathan Strauss Reader: Elisabeth Hodges Reader: Anna Roberts TABLE DES MATIÈRES Introduction: Gérard de Nerval le poète fou et Charles Nodier le conteur mélancolique................................................................................................................1 Petite histoire de la folie...........................................................................................2 Nerval -
Poetics History February 2021
Stanford Workshop in Poetics Faculty Chair: Marisa Galvez Graduate Coordinator: Lorenzo Bartolucci The Workshop in Poetics was founded in 2007 by Professors Roland Greene and Nicholas Jenkins and has met regularly ever since. Its core members are about twenty graduate students and several members of the Stanford faculty. Everyone is welcome. The workshop’s main purpose is to offer Ph.D. students a place to present their work in progress in a community of peers and faculty. Not bound by language or period, the group has discussed most of the literatures studied at Stanford. The workshop’s events follow several formats. The most common format is a discussion of work in progress by either a member of the group or a visiting speaker; for these events, the paper under discussion is circulated in advance. Some events concern the state of the field, identifying a topic or issue or a recent book for general discussion, often introduced by the author. A third category deals with neglected classics in poetics, usually books or articles that once were widely known and are still important but that are now seldom found in curricula or criticism. In the history below, each event is designated work in progress [WP], state of the field [SF], or lost classic [LC]. Student members find the workshop especially useful because it augments their coursework and dissertation writing with fresh perspectives and an attentive, often challenging community of interlocutors. Many advanced dissertations in the group have been discussed in two meetings, and in principle nearly every chapter by a member can find an occasion to be presented. -
Adolfo Bioy Casares En Uruguay
ede haber sido mas auspiciosa Arturo Sergio V/SCA n si en su inauguracion se .agonista quien, por su parte, ficativas, esta presente? Adolfo Bioy Casares en Uruguay ldo Loustaunau sugirio que a afios del cuento de Borges, En un reportaje a Adolfo Bioy Casares, realizado por Ruben ~ria una conjuncion tal de Loza Aguerrebere y publicado en El Pais de los Domingos el 3 de ~s. junio de 1990, el reporteador le dijo al reporteado: «En Montevideo, de Salto. Es el pedazo de un tiene usted muchos lectores y muchos amigos mfos 10 admiran y 1mbien fue demol ida. Se 10 quieren infinitamente». Y el reporteado respondio: «Bueno, ademas o marcaba Lisa esta mafiana, de esos amigos, que seguramente van a ser amigos mfos cuando los epitan y, a la manera de los conozca, ha de haber un doble mfo, porque siempre tengo ganas de de contrasena para que los ir al Uruguay». Pues bien: la de ahora es la hora en que ese deseo de ento que entregamos a Bioy Adolfo Bioy Casares queda cumplido, y, para satisfaccion no solo de os. Muchas gracias a todos. el sino de todos los que estamos aquf congregados, su presencia en el Uruguay no es la de ese fantasmagorico doble aludido en sus palabras sino la suya real y personalfsima. Dire ahora, porque '1ubes, 18 de agosto de 1990. conviene destacarlo, que esa presencia estuvo de algun modo prefi gurada cuando laAcademia Nacional de Letras, en su sesion plenaria del dfa 3 de agosto de 1990, 10 propuso, conjuntamente con los chilenos Nicanor Parra y Jose Donoso, para constituir la terna de candidatos de la Corporacion para la edicion 1990 del Premio de Literatura en Lengua Castel/ana «Miguel de Cervantes». -
THE THREE MUSKETEERS by Alexandre Dumas
THE THREE MUSKETEERS by Alexandre Dumas THE AUTHOR Alexandre Dumas (1802-1870) was born in a small French village northeast of Paris. His father had been a general under Napoleon, and his paternal grandfather had lived in Haiti and had married a former slave woman there, thus making Dumas what was called a quadroon. Napoleon and his father had parted on bad terms, with Dumas’ father being owed a large sum of money; the failure to pay this debt left the family poor and struggling, though the younger Dumas remained an admirer of the French emperor. Young Dumas moved to Paris in 1823 and took a job as a clerk to the Duke of Orleans (later to become King Louis Philippe), but soon began writing plays. Though his plays were successful and he made quite a handsome living from them, his profligate lifestyle (both financially and sexually) kept him constantly on the edge of bankruptcy. He played an active role in the revolution of 1830, and then turned to writing novels. As was the case with Dickens in England, his books were published in cheap newspapers in serial form. Dumas proved able to crank out popular stories at an amazing rate, and soon became the most famous writer in France. Among his works are The Three Musketeers (1844), The Count of Monte Cristo (1845), and The Man in the Iron Mask (1850). Dumas’ novels tend to be long and full of flowery description (some cynics suggest that this is because he was paid by the word), and for this reason often appear today in the form of abridged translations (if you ever doubt the value of such an approach, take a look at the unabridged version of Victor Hugo’s Les Miserables sometime). -
Modernist Ekphrasis and Museum Politics
1 BEYOND THE FRAME: MODERNIST EKPHRASIS AND MUSEUM POLITICS A dissertation presented By Frank Robert Capogna to The Department of English In partial fulfillment of the requirements for the degree of Doctor of Philosophy In the field of English Northeastern University Boston, Massachusetts April 2017 2 BEYOND THE FRAME: MODERNIST EKPHRASIS AND MUSEUM POLITICS A dissertation presented By Frank Robert Capogna ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the College of Social Sciences and Humanities of Northeastern University April 2017 3 ABSTRACT This dissertation argues that the public art museum and its practices of collecting, organizing, and defining cultures at once enabled and constrained the poetic forms and subjects available to American and British poets of a transatlantic long modernist period. I trace these lines of influence particularly as they shape modernist engagements with ekphrasis, the historical genre of poetry that describes, contemplates, or interrogates a visual art object. Drawing on a range of materials and theoretical formations—from archival documents that attest to modernist poets’ lived experiences in museums and galleries to Pierre Bourdieu’s sociology of art and critical scholarship in the field of Museum Studies—I situate modernist ekphrastic poetry in relation to developments in twentieth-century museology and to the revolutionary literary and visual aesthetics of early twentieth-century modernism. This juxtaposition reveals how modern poets revised the conventions of, and recalibrated the expectations for, ekphrastic poetry to evaluate the museum’s cultural capital and its then common marginalization of the art and experiences of female subjects, queer subjects, and subjects of color. -
The Authenticity of Ambiguity: Dada and Existentialism
THE AUTHENTICITY OF AMBIGUITY: DADA AND EXISTENTIALISM by ELIZABETH FRANCES BENJAMIN A thesis submitted to The University of Birmingham For the degree of DOCTOR OF PHILOSOPHY Department of Modern Languages College of Arts and Law University of Birmingham August 2014 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ii - ABSTRACT - Dada is often dismissed as an anti-art movement that engaged with a limited and merely destructive theoretical impetus. French Existentialism is often condemned for its perceived quietist implications. However, closer analysis reveals a preoccupation with philosophy in the former and with art in the latter. Neither was nonsensical or meaningless, but both reveal a rich individualist ethics aimed at the amelioration of the individual and society. It is through their combined analysis that we can view and productively utilise their alignment. Offering new critical aesthetic and philosophical approaches to Dada as a quintessential part of the European Avant-Garde, this thesis performs a reassessment of the movement as a form of (proto-)Existentialist philosophy. The thesis represents the first major comparative study of Dada and Existentialism, contributing a new perspective on Dada as a movement, a historical legacy, and a philosophical field of study. -
(Art)N VIRTUAL PHOTOGRAPHY PHSCOLOGRAMS
(art)n WWW.ARTN.COM VIRTUAL PHOTOGRAPHY PHSCOLOGRAMS Museum News: Catalogue Features Museum Masterworks Winter 2005 In celebration of recent acquisitions and a stunning new facility, the Fred Jones Jr. Museum of Art, in conjunction with the University of Oklahoma Press, is offering art lovers a catalogue featuring works from the museum’s rich and diverse permanent collection. Combining more than 270 full-color reproductions with explanatory text, the book highlights 101 of the museum’s most important holdings as well as related works by the artists and their peers. “This book celebrates one of the nation’s finest university art collections,” says Eric M. Lee, museum director and co- author with Rima Canaan, of Selected Works: The Fred Jones Jr. Museum of Art at the University of Oklahoma. “More than half of the featured works in the catalogue have been acquired by the museum in the past decade. With the new building opening in January, it is the perfect time to showcase our permanent collection. We are extremely grateful to the Jones family for making this publication possible.” The catalogue is dedicated to Mary Eddy and Fred Jones, who built the museum’s original facility in 1971 as a E L LE N S AN D O R D I RE C T O R (art)n WWW.ARTN.COM VIRTUAL PHOTOGRAPHY PHSCOLOGRAMS memorial to their son, Fred Jones Jr., who died in a plane crash during his senior year at OU. The family’s tradition of support continues through the Jones’ daughter, Marilyn Jones Upsher, and grandsons Fred Jones Hall, Brooks Hall and Kirkland Hall, who provided funding for the catalogue. -
13Th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture
13th Valley John M. Del Vecchio Fiction 25.00 ABC of Architecture James F. O’Gorman Non-fiction 38.65 ACROSS THE SEA OF GREGORY BENFORD SF 9.95 SUNS Affluent Society John Kenneth Galbraith 13.99 African Exodus: The Origins Christopher Stringer and Non-fiction 6.49 of Modern Humanity Robin McKie AGAINST INFINITY GREGORY BENFORD SF 25.00 Age of Anxiety: A Baroque W. H. Auden Eclogue Alabanza: New and Selected Martin Espada Poetry 24.95 Poems, 1982-2002 Alexandria Quartet Lawrence Durell ALIEN LIGHT NANCY KRESS SF Alva & Irva: The Twins Who Edward Carey Fiction Saved a City And Quiet Flows the Don Mikhail Sholokhov Fiction AND ETERNITY PIERS ANTHONY SF ANDROMEDA STRAIN MICHAEL CRICHTON SF Annotated Mona Lisa: A Carol Strickland and Non-fiction Crash Course in Art History John Boswell From Prehistoric to Post- Modern ANTHONOLOGY PIERS ANTHONY SF Appointment in Samarra John O’Hara ARSLAN M. J. ENGH SF Art of Living: The Classic Epictetus and Sharon Lebell Non-fiction Manual on Virtue, Happiness, and Effectiveness Art Attack: A Short Cultural Marc Aronson Non-fiction History of the Avant-Garde AT WINTER’S END ROBERT SILVERBERG SF Austerlitz W.G. Sebald Auto biography of Miss Jane Ernest Gaines Fiction Pittman Backlash: The Undeclared Susan Faludi Non-fiction War Against American Women Bad Publicity Jeffrey Frank Bad Land Jonathan Raban Badenheim 1939 Aharon Appelfeld Fiction Ball Four: My Life and Hard Jim Bouton Time Throwing the Knuckleball in the Big Leagues Barefoot to Balanchine: How Mary Kerner Non-fiction to Watch Dance Battle with the Slum Jacob Riis Bear William Faulkner Fiction Beauty Robin McKinley Fiction BEGGARS IN SPAIN NANCY KRESS SF BEHOLD THE MAN MICHAEL MOORCOCK SF Being Dead Jim Crace Bend in the River V. -
Solstices Paris
solstices solstices 16 rue Pestalozzi - 75005 Paris +33 (0)6 13 80 19 45 [email protected] www.librairie-solstices.com RCS LILLE 424 568 665 Membre du / Member of Syndicat de la Librairie Ancienne et Moderne (SLAM) & de la Ligue Internationale de la Librairie Ancienne / International League of Antiquarian Booksellers (LILA / ILAB) VENTE PAR CORRESPONDANCE OU SUR RENDEZ-VOUS Les ouvrages proposés sont garantis complets, en bon état général, sauf indication contraire. Conditions générales de vente : Conforme aux usages de la Librairie ancienne et moderne. Prix nets en euro, port en sus, à la charge du destinataire. Règlement par chèque en euro sur une banque française ou virement bancaire sur notre compte. Virement PayPal accepté. Conditions of sale : Net prices in euro, cost of shipment and insurance is additional. Payment to be made by chek drawn in euro on a French bank or transfered directly to our account. PayPal transfer accepted. Domiciliation bancaire : Crédit Mutuel Lille Liberté RIB : 15629 02715 00042555345 44 IBAN : FR 76 1562 9027 1500 0425 5534 544 BIC : CMCIFR2A Illustrations de couverture : n°36 - Speechless - with the dead solstices Salon du livre ancien et de l’objet d’art Paris, 11-14 avril 2019 38 propositions 1. Peter BEHRENS, Schriften, Initialen und Schmuck, 1902. 2. Frans MASEREEL, Debout les Morts. Résurrection infernale, 1917. 3. Ivan AKSIONOV, Alexandra EXTER, Picasso i akrestnosti,1917. 4. Hugo KOCH, Emil MAETZEL, Der gelben Posaune der Sieben, 1920. 5. Ze'ev RABAN, Levin KIPNISS, Alef-Bet, 1923. 6. Moïsei BRODSKY, Nikolaï PUNIN, Iskusstvo rabochikh, 1928. 7. Vladimir F. MIKHELS, Pervaia Vsesoiouznaia Spartakiada, 1928.