DOCSLIB.ORG

Catalog of Copyright Entries 3D Ser Vol 27 Pt

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Catalog of Copyright Entries 3D Ser Vol 27 Pt ' , S^ L* 'i-\ "'M .<^^°^ o. %-o^' .:-iM^ %/ :>m^^%,^' .^•^ °- .^il& >^'^^ "• "^^ ^^'^ 'ij : %.** -^^^^^^ -^K^ ^'-^ ° /\ A '5.^ .*^ .*^ iO. A- -> °o C^ °^ ' ./v ,0^ t>.~ « .^' '>> %.,.' ,v^:<'^, %/ These entries alone may not reflect the complete Copyright Office record pertaining to a particular work. Contact the U.S. Copyright Office for information about any additional records that may exist. ' .. .0^ o r- o > J i' <>> «, '(\'?s^/,*o 'tis 'V' ^/i^ratfete' *> «. *i%^^/, * %^-m--/ %-w--/ \w\.** %/W--/ %--W^,-^~ ^#/V* W> aV -^a r* ^^''' "^^^ ^^^ "^^^ '^^^ i^ "fc '^^ ^S^'' -^ ^- ^^ These entries alone may not reflect the complete Copyright Office record pertaining to a particular work. Contact the U.S. Copyright Office for information about any additional records that may exist. These entries alone may not reflect the complete Copyright Office record pertaining to a particular work. Contact the U.S. Copyright Office for information about any additional records that may exist. a particular These entries alone may not reflect the complete Copyright Office record pertaining to work. Contact the U.S. Copyright Office for information about any additional records that may exist. These entries alone may not reflect the complete Copyright Office record pertaining to a particular work. Contact the U.S. Copyright Office for information about any additional records that may exist. ISSN 0041-7823 Catalog of Copyright Entries: Third Series Volume 27, Part iiB Commercial Prints and Labels January—December 1973 •^ ,t«s COPYRIGHT OFFICE • THE LIBRARY OF CONGRESS WASHINGTON : 1974 These entries alone may not reflect the complete Copyright Office record pertaining to a particular work. Contact the U.S. Copyright Office for information about any additional records that may exist. These entries alone may not reflect the complete Copyright Office record pertaining to a particular work. Contact the U.S. Copyright Office for information about any additional records that may exist. Catalog of Copyright Entries Third Series record pertaining to a particular These entries alone may not reflect the complete Copyright Office records that may exist. work. Contact the U.S. Copyright Office for information about any additional These entries alone may not reflect the complete Copyright Office record pertaining to a particular work. Contact the U.S. Copyright Office for information about any additional records that may exist. ISSN 0041-7823 Catalog of Copyright Entries: Third Series Volume 27, Part iiB Commercial Prints and Labels January—December 1973 COPYRIGHT OFFICE • THE LIBRARY OF CONGRESS WASHINGTON : 1974 Office record pertaining to a particular These entries alone may not reflect the complete Copyright additional records that may exist. work. Contact the U.S. Copyright Office for information about any Library of Congress card no. 6-35347. This number identifies the Library of Congress printed card for the complete series of the Catalog of Copyright Entries. ISSN 0041-7823 Key title: Catalog of copyright entries. Third series. Part IIB. Commercial prints and labels. For sale by the Superintendent of Documents, U.S. Government Printing Office, Washington, D.C. 20402. Price of this part is given on page vi. These entries alone may not reflect the complete Copyright Office record pertaining to a particular work. Contact the U.S. Copyright Office for information about any additional records that may exist. Copyright Ruby ^THE UBRABT OF CONGRESS BINDING SPECIFICATION SUP CATALOG OF COPYRIGHT ENTRIES 3D SERIES VOL, 27 PART IIB COM'./ERCIaL PRINTS AND LABELS 1973 NO, 1 See first slip, pattern, or dummy for DIRECTIONS Changes in title are noted above LW 4-/73 (rev 5/6l) These entries alone may not reflect the complete Copyright Office record pertaining to a particular work. Contact the U.S. Copyright Office for information about any additional records that may exist. These entries alone may not reflect the complete Copyright Office record pertaining to a particular work. Contact the U.S. Copyright Office for information about any additional records that may exist. : Preface The CATALOG OF COPYRIGHT ENTRIES in sections 12, 13, 14, or 215 of Title 17 of the is published by authority of sections 210 and 211 United States Code. of Title 17 of the United States Code. Section 210 Orders, payable in advance, for all parts of the provides in part: "The current catalog of copy- Catalog of Copyright Entries should be sent to the right entries and the index volumes herein pro- Superintendent of Documents, U.S. Government vided for shall be admitted in any court as prima Printing Office, Washington, D.C. 20402. Orders facie evidence of the facts stated therein as regards may be placed for individual issues, as subscrip- any copyright registration." tions for one or more parts, or for the complete The Catalog is subdivided into parts correspond- Catalog at $75 a year, for periods of one, two, ing to the classes of material listed in section 5 of or three years. All orders should state clearly Title 17 of the United States Code. The table at the title and the inclusive dates of the part wanted. the end of this preface shows the organization of Checks or money orders should be made payable the Catalog, the symbols used with the registration to the Superintendent of Documents. numbers to identify the classes, and the prices of The Copyright Office welcomes inquiries, sug- the semiannual or annual issues. gestions, and comments on the content and The record of each copyright registration listed organization of the Catalog. Such communica- in the Catalog includes a description of the work tions should be addressed to the Chief of the copyrighted and data relating to the copyright Cataloging Division, Copyright Office, Library claim (the name of the copyright claimant as of Congress, Washington, D.C. 20559. given in the application for registration, the copy- right date, the copyright registration number, etc.). Organization of Parts For a more complete description of the contents of this issue of the Catalog see p. vii. Each part listed in the following table records Information as to changes of copyright owner- all current registrations in the class or classes ship is not included in the Catalog, but a search indicated by the alphabetical symbols. Renewal of the Copyright Office Assignments and Related registrations are listed separately at the end of Documents Indexes may be requested from the each related part. Register of Copyrights. A fee for the search and The first letter of the symbol is that of the class report will be estimated at the statutory rate of under which registration is made. Second and $5 per hour. third letters, if any, that follow the initial letter For each registration listed, except for renewals, are added by the Copyright Office for the purpose there has been deposited a copy or copies of the of statistical analysis. Their significance is as work in accordance with the provisions contained follows These entries alone may not reflect the complete Copyright Office record pertaining to a particular work. Contact the U.S. Copyright Office for information about any additional records that may exist. F Published foreign works. In the case of books and O Published works of foreign origin registered under periodicals, it designates works manufactured out- the waiver-of-fee provision (section 215 of Title 17 side the United States (except those registered for of the United States Code). (BIO, GEO) ad interim copyright). In all other classes to P Domestic published works in classes for which which it applies, it designates works first published registration is possible for either published or un^ outside the United States, the authors of which published works. (EP, JP) are neither citizens nor domiciliaries of the U Unpublished works in classes for which registration United States. (AF, EF) is possible for either published or unpublished I Books and periodicals registered for ad interim copy- works. (DU, EU) right. (AI, BI) Price per Price per semiannual semiannual issue issue Part 1 Books and Pamphlets, Including Serials Parts 7-1 1 A Works of Art, Reproductions of Works and Contributions to Periodicals (In 2 sections) . $10. 00 of Art, Scientific and Technical Drawings, A Books Photographic Works, Prints and Pictorial Illus- BB Contributions to periodicals trations $3. 00 R Renewal registrations G Works of art and models or designs for Part 2 Periodicals (Annual issue) 6. 00 works of art B Periodicals H Reproductions of works of art R Renewal registrations I Drawings or sculptural works of a scientific Parts 3-4 Dramas and Works Prepared for Oral or technical character Delivery 3. 00 J Photographs C Lectures and other works prepared for K Prints and pictorial illustrations oral delivery R Renewal registrations D Dramatic or dramatico-musical works Part 1 1 B Commercial Prints and Labels R Renewal registrations (Annual issue) 5. 00 Part 5 Music (In 2 sections) 10. 00 KK Commercial prints and labels E Musical compositions R Renewal registrations R Renewal registrations Parts 12-13 Motion Pictures 3. 00 Part 6 Maps and Adases 3. 00 L Motion-picture photoplays F Maps M Motion pictures other than photoplays R Renewal registrations R Renewal registrations Subscription price: Complete Catalog for the year $75.00; $18.75 additional for foreign mailing. Orders, accompanied by remittances, should be addressed to the Superintendent of Documents, U.S. Government Printing Office, Washington, D.C. 20402. These entries alone may not reflect the complete Copyright Office record pertaining to a particular work. Contact the U.S. Copyright Office for information about any additional records that may exist. Table of Contents Page Current Registrations 1 Renewal Registrations 115 Index 117 Introduction of those materials contained in the PART 1 IB lists all registrations made in class K 1 1 Statement claimed, under the symbol KK for the period covered by this registered work on which copyright is not application.
Load more

Recommended publications
  • Stream Restoration Tactics Challenged Challenged Tactics Tactics Restoration Restoration Stream Stream
    October 2020 Volume 30 Number 7 Stream restoration tactics challenged Some environmentalists, local residents question removing trees to repair waterways PAGE 12 BALTIMORE HARBOR ‘FARMING WHILE BLACK’ WATERFALLS, ANYONE? LANC., PA 17604 PA LANC., PERMIT 280 PERMIT PAID U.S. POSTATE U.S. NONPROFIT ORG NONPROFIT Bay Journal Bay obus, PA 17407-0222 PA obus, Jac | 222 Box . P.O | Swimmable & fishable by 2020? Farmers draw on heritage for Explore Ricketts Glen State Park PAGE 2O sustainable practices PAGE 24 in Pennsylvania PAGE 30 CONTENTS NEWS EDITOR’S NOTE 7 Congress extends Bay Program, related efforts 8 Campaign touts Chesapeake National Recreation Area Understanding uncertainty 9 11 Anacostia sites to chosen for cleanup If there is one thing I am certain of, it is that, after 10 Manokin River oyster project put on ‘aggressive’ timetable decades of effort, we still know too little about too 11 Switchgrass growing in popularity for conservation much related to the Bay. As Whitney Pipkin reports in this issue, shad in the James River are 12 Stream restoration techniques draw pushback not recovering after decades of work. There seem to be lots of reasons 15 EPA hit with lawsuits over Chesapeake Bay cleanup but there is a lot of uncertainty as to how much each impacts the fish; 18 Nutrient trends different from what you think – or not probably all need to be addressed, but few of them are. Water samples from the Choptank River Likewise, Tim Wheeler reports on the effectiveness of stream await examination. What they reveal 20 Safe swimming and fishing in Baltimore Harbor? restoration.
    [Show full text]
  • Moment for Illinois State Rep
    JOHN WATERS PAGE 22 ON MINK, WINDY CITY Lady THE VOICE OF CHICAGO’S GAY, LESBIAN, gaga BI AND TRANS COMMUNITY SINCE 1985 DEC. 8, 2010 TIMES VOL 26, NO. 10 www.WindyCityMediaGroup.com Civil unions pass ‘Huge’ moment for Illinois State Rep. Greg Harris talked with efforts of state Rep. Greg Harris, who became Same- and opposite-sex couples who wish Windy City Times about the meaning the chief sponsor of the bill in the chamber af- to enter into civil unions will have the same of the civil-union bill—and the ter state Rep. (and Cook County commissioner- state rights as married couples. electric atmosphere in Springfield elect) John Fritchey initially spearheaded it. GH: Yes, that’s right. Traditionally, relation- Windy City Times talked with Harris about the ship recognition has been within the purview BY ANDREW DAVIS TERRY COSGROVE ON meaning of the measure as well as the atmo- of the states. It was only with the federal DOMA sphere and goings-on during a very tense two Last week marked a historic event for Illinois as [Defense of Marriage Act] that the federal gov- ELectION ISSUES days. the state legislature passed the Illinois Religious ernment ventured into regulating relationship Windy City Times: First of all, I’m going to PAGE 12 Freedom Protection and Civil Union Act. recognition, other than when the Supreme Court ask a very general question: How are you feel- In fact, the time was apparently so historic decided cases like Loving v. Virginia. But Con- ing? Are you relieved? Excited? that Illinois Gov.
    [Show full text]
  • Reggie Workman Working Man
    APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne
    [Show full text]
  • The National News Council's News Clippings, 1973 August- 1973 September (1973)
    University of California, Hastings College of the Law UC Hastings Scholarship Repository Formation of the National News Council Judicial Ethics and the National News Council 8-1973 The aN tional News Council's News Clippings, 1973 August- 1973 September The aN tional News Council, Inc. Follow this and additional works at: http://repository.uchastings.edu/nnc Recommended Citation The aN tional News Council, Inc., The National News Council's News Clippings, 1973 August- 1973 September (1973). Available at: http://repository.uchastings.edu/nnc/168 This News Article is brought to you for free and open access by the Judicial Ethics and the National News Council at UC Hastings Scholarship Repository. It has been accepted for inclusion in Formation of the National News Council by an authorized administrator of UC Hastings Scholarship Repository. For more information, please contact [email protected]. THE NEW YORK TIMES, SUNDAY, SEPTEMBER 16, 197J 19 By lORN I. O'CONNOR TelevisIon NE of the more significant con­ are received. The letter concluded that tuted "a controversial Issue ext public In three ·centralized conduits? If the frontations currently taking place "in our view there is no~hing contro­ importance," networks do distort, however uninten­ Oin the television arena involves versial or debatable in the proposition Getting no response from the net­ tionally, who will force them to clarify? the case of Accuracy in Media, that nat aU pensions meet the expecta­ work that it considered acceptable, AIM In any journalism, given the pressure Inc., a nonprofit, self-appointed "watch­ tions' of employes or serve all persons took its case to the FCC, and last of deadlines, mistakes are inevitable.
    [Show full text]
  • The Ithacan, 1973-02-08
    Ithaca College Digital Commons @ IC The thI acan, 1972-73 The thI acan: 1970/71 to 1979/80 2-8-1973 The thI acan, 1973-02-08 The thI acan Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1972-73 Recommended Citation The thI acan, "The thI acan, 1973-02-08" (1973). The Ithacan, 1972-73. 16. http://digitalcommons.ithaca.edu/ithacan_1972-73/16 This Newspaper is brought to you for free and open access by the The thI acan: 1970/71 to 1979/80 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1972-73 by an authorized administrator of Digital Commons @ IC. ,r • ' ,. .'. • ' ' .. · ~-~ -- ......... ·- "·_-, .... ,,., 9 1973 I CA COUEG BRARY erials ca, wYork. Vol. XL I No. 17 Febru The Divine Light 'SOUNDS 0-F_ BL_ACK-NESS' FACI.NG H_ARD TIMES ··., ..~- ·_ ..~ .- ;,,. e·y Sheldon Julius doesn't seem to realize that all Management's Reasoning "Rock _music today, whether of Ithaca isn't enthused with Questioned by the Rolling Stqnes, Curtis progressive rock. There are, Thus black programming was r. , , Mayfield or the Jefferson indeed, other forms of music reduced to 8 hours and 45 ·i-'."", SATQURU MAHARAJ ,i Airplane can trace most of its that are enjoyable to the ·-:::, ,.,;,.-- . minutes. These hours were form and content to the rhythm listening audience. Currently, spread over two days, Saturday ·· · <:.lJf.Tom-Threlkeld '· years old,. this God-energy and blues music that was bQrn since the · cutting of the and Sunday. After the Xmas :\!,Wbei'.the world needs reportedly entered the soul of and bred exclusively by the.
    [Show full text]
  • Souvenir Book Was Designed by Andrew Bertke, Created in Quarkxpress, Illustrator, and Photoshop
    brought to you by… Minnesota Science Fiction Society, Inc. April 10th though 12th, 1998 • Radisson Hotel South, L’Hotel Sofitel, Holiday Inn Airport 2 and Wyndham Garden Hotel • Bloomington, MN Table of Contents: A View From A Different Corner: Letter from the Exec ..................5 Hotel Information............................................................................6 Operations........................................................................................7 Professional Guest of Honor: Gardner Dozois ................................8 The Hagiography of Saint Dozois....................................................8 Fan Guest of Honour: Dave Langford............................................12 Toastmaster: John M. Ford ............................................................16 Mark Time Award Presenter: Phil Proctor ....................................22 The Mark Time Award at Minicon 33 ..........................................23 Minicon 33 was brought to you be ................................................30 Copyright © 1998 by the Minnesota Science Fiction Society (MN-StF). All rights reserved. Published and distributed by the Minicon 33 Convention Staff for MN-Stf — a non-profit, volunteer-run organization since 1968. No portion of this book (except as noted below) may be reproduced or transmitted in any form or by any means electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from MN-Stf. Illustrations remain the property of the respective artists. MN-StF waives copyright on the following: Operations Policies, Masquerade Rules, Art Show Rules and Auction Rules. These are available to the public for their own uses. For further information about Minicon, the Minnesota Science Fiction Society (MN-StF), or any of our activities, write: P.O. Box 8297, Lake Street Station, Minneapolis, MN 55408-8297. You may also call the MN-Stf Hotline at 612-824-5559 or the Minicon Voicemail at 612-333-7533. Cover art was designed by Derrick Dasenbrock.
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]
  • Thad Jones Chronology Copy
    Thad Jones Chronology Compiled by David Demsey • 1923/March 28 - Born, Pontiac Michigan; father a lumber inspector for General Motors, had moved to MI from Vicksburg, MS. One of ten children – Thad: “We lost one sister in a drowning accident, and Elvin had a twin brother that died at an early age, but the remaining eight survive.” (Source: liner of H. Jones Have You Met This Jones?) • Professional career began during high school (later 1930s) • C. 1936-7, started to play trumpet at age 14 • C. 1936 in Arcadia Club Band in Pontiac, MI, led by trumpet-playing uncle Bill; band also contained Hank Jones • C. 1939, Formed The Hungry Five, played school dances; contained pianist Vivian Scott, tenorist Dan Turner • Last year in high school (1939?) played in 13-piece band in Saginaw, MI; had first contact with Big Nick Nicolas and Sonny Stitt, formed group with others from Flint, MI, went on road for 2.5 years, broke up in Indianapolis • 1941 traveling with Connie Cornell band through South • 1943 in Dallas for about six months, with band led by altoist Red Calhoun • 1943/December-April 1946 – U.S. Army; first big band experience in G.I. band led by Jack Teagarden, Jr.; arranged for G.I. band that toured with the show “Bedtime Stories” • 1946, formed own band in Oklahoma City • 1946, played in Des Moines with Harold and Seymour Gray for 7 months • 1948, recorded Swing, Not Spring, w/Billy Mitchell, Terry Pollard, piano/vibes; James Richardson? Alvin Jackson?, b; Elvin Jones, d. • 1950-53 formed group with tenor saxophonist Billy Mitchell, also
    [Show full text]
  • WARNER BROS. / WEA RECORDS 1970 to 1982
    AUSTRALIAN RECORD LABELS WARNER BROS. / WEA RECORDS 1970 to 1982 COMPILED BY MICHAEL DE LOOPER © BIG THREE PUBLICATIONS, APRIL 2019 WARNER BROS. / WEA RECORDS, 1970–1982 A BRIEF WARNER BROS. / WEA HISTORY WIKIPEDIA TELLS US THAT... WEA’S ROOTS DATE BACK TO THE FOUNDING OF WARNER BROS. RECORDS IN 1958 AS A DIVISION OF WARNER BROS. PICTURES. IN 1963, WARNER BROS. RECORDS PURCHASED FRANK SINATRA’S REPRISE RECORDS. AFTER WARNER BROS. WAS SOLD TO SEVEN ARTS PRODUCTIONS IN 1967 (FORMING WARNER BROS.-SEVEN ARTS), IT PURCHASED ATLANTIC RECORDS AS WELL AS ITS SUBSIDIARY ATCO RECORDS. IN 1969, THE WARNER BROS.-SEVEN ARTS COMPANY WAS SOLD TO THE KINNEY NATIONAL COMPANY. KINNEY MUSIC INTERNATIONAL (LATER CHANGING ITS NAME TO WARNER COMMUNICATIONS) COMBINED THE OPERATIONS OF ALL OF ITS RECORD LABELS, AND KINNEY CEO STEVE ROSS LED THE GROUP THROUGH ITS MOST SUCCESSFUL PERIOD, UNTIL HIS DEATH IN 1994. IN 1969, ELEKTRA RECORDS BOSS JAC HOLZMAN APPROACHED ATLANTIC'S JERRY WEXLER TO SET UP A JOINT DISTRIBUTION NETWORK FOR WARNER, ELEKTRA, AND ATLANTIC. ATLANTIC RECORDS ALSO AGREED TO ASSIST WARNER BROS. IN ESTABLISHING OVERSEAS DIVISIONS, BUT RIVALRY WAS STILL A FACTOR —WHEN WARNER EXECUTIVE PHIL ROSE ARRIVED IN AUSTRALIA TO BEGIN SETTING UP AN AUSTRALIAN SUBSIDIARY, HE DISCOVERED THAT ONLY ONE WEEK EARLIER ATLANTIC HAD SIGNED A NEW FOUR-YEAR DISTRIBUTION DEAL WITH FESTIVAL RECORDS. IN MARCH 1972, KINNEY MUSIC INTERNATIONAL WAS RENAMED WEA MUSIC INTERNATIONAL. DURING THE 1970S, THE WARNER GROUP BUILT UP A COMMANDING POSITION IN THE MUSIC INDUSTRY. IN 1970, IT BOUGHT ELEKTRA (FOUNDED BY HOLZMAN IN 1950) FOR $10 MILLION, ALONG WITH THE BUDGET CLASSICAL MUSIC LABEL NONESUCH RECORDS.
    [Show full text]
  • In This Issue
    THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC In This Issue Carmen Bradford Jay Clayton Bruce Ditmas George Gruntz John McLaughlin Dennis Mackrel Pete LaRoca Buster Williams art pepper on vinyl Cafe society book review Volume 39 Number 2 April may june 2013 MAKAYA MCCRAVEN DRUMS ANDREW TOOMBS PIANO TIM SEISSER BASS “a fresh take on the age-old piano trio, catapulted by McCraven’s propulsive percussion into an orbit that few first-time groups ever achieve.”– Neil Tesser AARON KOPPEL GUITAR MATT NELSON PIANO, RHODES, HAMMOND B-3 GRAHAM CZACH BASS ROBERT TUCKER DRUMS HHHH “There’s always a twist when the forward-thinking guitarist Aaron Koppel is in the picture... The band knows how and where to take chances.” – Jon Ross, Downbeat Available at : CDBaby, iTunes, Amazon ChicagoJazz.com & everywhere www.chicagosessions.com 2013 RELEASES ON SLAM "DAY FOR NIGHT AT JACK STraW" David Haney piano, Julian Priester trombone, Buell Neidlinger bass. Marc Smason trombone, shofar, Doug Haning contra alto clarinet, Dan Blunck tenor sax and flute, Frank Clayton bass, Juan Pablo Carletti drums. "JUST FLUX" “FREE-DOT”, the duo of Antonio Cotardo flutes, voice, bells, piano and Paolo Pacciolla drums, berimbao, mbira, voice, Jew’s harp, household percussion, piano. "RENEGADE" Esmond Selwyn guitar, Paul Sawtell keyboards, Bill Coleman bass, Tony Richards drums DOUBLE CD SLAMCD 291 www.slamproductions.net [email protected] Bernard “Pretty” Purdie And the beat goes on…Share a musical experience with me…. I am available for: Private Lessons-Master Classes-Clinics-Concerts
    [Show full text]
  • Chip and Dale Dublat Romana
    Chip And Dale Dublat Romana Chip And Dale Dublat Romana 1 / 3 2 / 3 Chip si Dale Poveste de Craciun Desene in limba Romana. mimi. Loading... Unsubscribe from .... Desene animate dublate in Romana 2015 - Tom si Jerry desene animate hd. 42 .. Chip & Dale dublat in limba romana.. 28 Apr 2015 . Chipe i Dale Salvatorii n .... Chicken in the Rough, 1951, In a farmyard a hen is sitting on a nest of eggs when Chip an' Dale, who are picking acorns, come upon the eggs. A baby chick comes .... ᴴᴰ Pato Donald y Chip y Dale dibujos animados - Pluto, Mickey Mouse Episodios Completos Nuevo 2018 HD. Note : I am a loyal fan of Disney. All video rights .... It wasn't until this day in 1947 that Chip an' Dale debuted with their names in the Academy Award®-nominated Donald Duck cartoon short Chip .... Veveriţele Chip şi Dale, protagonistele unui îndrăgit serial de desene ... şi va adapta pentru marele ecran seria de romane "The Genius Files", .... Families can talk about how Chip and Dale are different in this show than they are in the classic Disney cartoons. Which version of the chipmunk buddies do kids .... The new arrivals include multiple sizes of Captain Mickey and Captain Minnie along with Donald Duck, Pluto, Goofy, and Chip and Dale.. In the years that followed, Chip and Dale became some of Disney's most beloved characters. They were popular enough to receive their own—albeit, short-lived— .... Chip 'n Dale's Campfire Sing-A-Long. All Ages. Magic Kingdom Resort Area, The Campsites at Disney's Fort Wilderness Resort · Alice in Wonderland in a ...
    [Show full text]
  • Barefacts24-01-02
    24/01/02 The University of Surrey Students’ Newspaper www.ussu.co.uk Issue no: 1022 FREE Life after the Greensoc: “Vox Pop” Barearts Womb Convert-a-cup! nope. It’s gone! Cooper Temple Clause p4 p5 p nowhere p6-12 News In Brief Exam Board Makes Mistakes Exam board Edexcel has been harshly criticised this week following serious errors in the handling of AS-level exam- inations. First a question in one exam had the wrong diagram and was hence Not In Our impossible. Then a school received an exam papers with two pages missing and only received the missing pages by fax half an hour before the start, giving teachers little time to photocopy and insert the pages. Many are calling for investigations or the withdrawal of the board's licence. David Hart, head of the NAHT said "If Edexcel have been as incompetent as they appear to have been, I don't see that the government has any Building option other than to sack them as an examining board. The apparent lack of quality assurance and cavalier disregard HRB Guest Arrested On Drugs Charge for the interests of students is breathtak- ing." BY TRISTAN O’DWYER Editor Omagh Bomber Convicted Republic dissident Colm Murphy was A MAN was arrested early on convicted this week of the Omagh bombing in August 1998 which killed Sunday morning in the Helyn Rose twenty eight people in the small Tyrone Bar of the Students’ Union on sus- town. A court in Dublin found him piscion of possession of class A guilty, and it was made clear he was a drugs with intent to supply.
    [Show full text]