Planet Proctor 2016
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'Ompiled by Bob Hamilton
AMERICA'S ONLY REVIEW Jan. 1 -June 30, 19 THE RADIO MARKETPLACE . ----Volume f 'ompiled by Bob Hamilton www.americanradiohistory.com Each week these eight morning men wake up more than twice the total population of Paris, France! and- Paris, Arkansas Paris, Iowa Paris, Mississippi Paris, Idaho Paris, Kentucky Paris, Missouri Paris, Illinois Paris, Maine Paris, Texas Over five million peo- Gambling, WOR ple each week invite these N.Y. Dale Dorman, entertaining air personali- WRKO Boston Dr. ties into their homes. To Don Rose, KFRC those listeners who have made San Francisco the RKO Radio morning men Charlie Tuna, KHJ the most outstanding group in Los Angeles Rick the industry, we say "Merci Dees, WHBQ Memphis Fred Beaucoup." Winston, WFYR Chicago Pete Jay Thomas, 99X N.Y. John Jamerson, WGMS Wash., D.C. IIK«o RADIO repuesl ARB lotel Versons 12. TSe. morn In 6 am-10 am cerne eud,ence genl-Mey 1977 Esnmales suDlecl lo pualilicelrons 0r1111a19e 09 www.americanradiohistory.com THE CAPITOL QUARTERLY REPORT OF HITS! THE BEATLES THE STEVE MILLER AT THE BAND HOLLYWOOD BOWL 1111 s2e ) TAVARES o Love Storm 1h LITTLE RIVER BAND Diamantina Cocktail sCapitol www.americanradiohistory.com www.americanradiohistory.com THE PEOPLE WHO PUT I ELIZABET- " ALLA LISA t3 ODBL:I`_' P r.. SMITH .. +E DANVERS UDETTE PIRTLE GN - LAVEZZO GRAPE3IS PHOTOGRAPHY BY ROB CLAYTON P.O.BOX3135 : ARMEL, CALIFORNIA 4392= (408) 624-0338 sx PUBLICATIONS www.americanradiohistory.com Listen k of Peter F Wind Framptons Sumethins Frampton Frampton Of Carnet Happening SP 4512 Conies Alive Change SP 4389 SP 3619 SP 37113 SP 4,318 Produced www.americanradiohistory.com D the life rampton. -
Craig Stroupe Writing in Layers Critical Memoir How Can You Be In
1 Craig Stroupe Writing in Layers Critical Memoir How Can You Be in Two Places at Once 28 When You’re Not Any Where at All FROM THE FIRESIGN THEATER ALBUM DON’T CRUSH THAT DRAWF, HAND ME THE PLIERS: (Opening 8 seconds of album to establish the unconventional nature and tone of the Firesign Theater experience) Off-mic voice: “We’re rolling….” SFX: Coughing, chairs scraping, inDistinct voices, then one complaining voice emerges among the hubbub, approaching: Janitor: “You people got troubles here? I Don’t know why you people seem to think this is magic. It’s just this little chromium switch here. Ah, you people are so superstitious….” Churchy organ music begins, then unDer anD out: MUSIC: Fade up opening few instrumental bars of Steely Dan’s “FM” as the Firesign Theatre clip continues under. Music continues unDer narration, but too low to hear lyrics. (After the cold open featuring the Firesign Theater clip, the clip of the song “FM” provides an aura bridge to the narrative layer. The song also suggests the 1970s historical context and also the fact that the Firesign Theater originated in early FM radio programming, which offered a more opened, long-form alternative to the highly commercialized AM radio format.) NARRATOR In the late 1960s anD early '70s, The Firesign Theatre recorDeD on CBS Records a string of experimental comedy albums¾long, strange, surreal sagas¾that became touchstones of the counterculture. The Library of Congress called them "the Beatles of Comedy." In 1971, in the quiet suburban worlD of Titusville, Florida, I DiscovereD The Firesign Theatre on a home-recorded cassette in the audio collection of the local public library. -
Satirist Peter Bergman, 72, Dies
Time: 03-11 -2012 18:32 User: dalbrecht PubDate: 03-12-2012 Zone: KY Edition: 1 Page Name: B4 Color: CyanMagentaYellowBlack B4 | MONDAY,MARCH 12,2012 | THE COURIER-JOURNAL DEATHS &METRO | courier-journal.com KY Satirist Peter Bergman, 72, dies Founded troupe the country,the surrealist Bergman told the Cleve- “We were spokespeople role as the grizzled police val” on the radio while the humor of the Firesign land Plain Dealer in 2001. for arevolution in the late Lieutenant Bradshaw of other three came on as Firesign Theatre Theatre provided the disil- “This may sound high-falu- ’60s and early ’70s.” Berg- the chronicles of private in- guest moviemakers. In an lusioned throngs with tin’, but the Firesign Thea- man told The Post in 1981. vestigator Nick Danger, interview,Proctor recalled By T. Rees Shapiro something to laugh about. tre is like four jazz stars The group had such ade- Third Eye. (“When two that one of the films Berg- The Washington Post What it was, precisely,that playing together as a voted following that fans aren’tenough.”) man showed was an X-rat- made them so funny,was group, only we do word jazz would listen to their al- Peter Paul Bergman ed feature called “Blondie Peter Bergman, a somewhat difficult to de- instead of music. But we’re bums hundreds of times, was born Nov.29, 1939, in Goes to the Dentist.” founding member of the fine. not snobs. Imean, every- attempting to deconstruct Cleveland, where his fa- “We started getting Firesign Theatre comedy The group made vinyl thing from body jokes to the layers of jokes, sound ther was the men’sfashion phone calls from people troupe, whose zany pun- records that stylistically puns are grist for the mill. -
Guide to the American Women Making History and Culture: 1963-1982 Collection PRA.RS.001
http://oac.cdlib.org/findaid/ark:/13030/c83f4v6g Online items available Guide to the American Women Making History and Culture: 1963-1982 Collection PRA.RS.001 Jolene M. Beiser, MA, MLIS, Archivist Pacifica Radio Archives This finding aid was produced thanks to a matching grant from the National Historical Publications and Records Commission at the National Archives and Records Administration. Pacifica Radio Archives April 12, 2016 3729 Cahuenga Blvd., West North Hollywood, CA 91604 jolene at pacificaradioarchives dot org URL: http://pacificaradioarchives.org/ Guide to the American Women Making PRA.RS.001 1 History and Culture: 1963-1982 Collection PRA.RS.001 Language of Material: English Contributing Institution: Pacifica Radio Archives Title: Guide to the American Women Making History and Culture: 1963-1982 Collection creator: KPFA (Radio station : Berkeley, Calif.) creator: KPFK (Radio station : Los Angeles, Calif.) creator: KPFT-FM (Radio station : Houston, Tex.) creator: Pacifica Radio Archives creator: WBAI Radio (New York, N.Y.) creator: WPFW (Radio station : Washington, D.C.) Identifier/Call Number: PRA.RS.001 Physical Description: 2024 Reels Physical Description: 2.39 Terabytes Physical Description: 156 Linear Feet Date (bulk): 1963-1982 Date (inclusive): 1944-1994 Abstract: The American Women Making History and Culture: 1963-1982 collection includes 2,024 reel-to-reel tapes and 2,024 WAV files preserved as part of the Pacifica Radio Archives’ 2013-2016 “American Women Making History and Culture: 1963-1982” (“American Women”) preservation project. The recordings were selected as an “artificial collection” to document the Women’s movement and second-wave feminism as it was broadcast on the Pacifica network. -
Interview with Firesign Theatre Member Phil Proctor
The following interview with PHIL PROCTOR, of the Firesign Theatre, was conducted by the Library of Congress on September 15, 2015. Phil Proctor LOC: How did Firesign Theatre first come to be signed to Columbia records? Well, we were doing a radio show of Peter Bergman’s at KPFK in LA which I became involved with in a very strange way. I had first come out to Los Angeles with a musical called “The Amorous Flea,” for which I won a “Theater World” award and then I returned to New York to perform on Broadway in “A Time for Singing” and “A Race of Hairy Men” by Evan Hunter, where I understudied Brandon DeWilde. Brandon and I became close friends and decided to drive out to Los Angeles together. Through Brandon I met Peter Fonda and we sort of became the “Three Musketeers.” At the time, Peter was working on a little movie idea he called “Captain America” but he couldn’t get the rights to that title so he renamed it “Easy Rider.” And he was doing research on the youth movement, so we went down to the Sunset Strip one night to became part of a protest against a curfew law which then turned into the Sunset Strip Riots. At one point, we joined a sit-down, a sit-in—and I found I was sitting on a copy of the “LA Free Press.” So, I pulled that out from under my butt and I realized I had sat down on a picture of Peter Bergman interviewing returning Vietnam War vets for KPFK Pacifica Radio. -
2015 Mark Time Awards Include Jerry Stearns, Brian Price and William Stout
FOR IMMEDIATE RELEASE New Audio Production Awards Established to Honor The Firesign Theater’s Comedy and Satire Legacy FREELAND, WA – January 23, 2015 – The most prominent awards worldwide for original radio drama – The Mark Time Awards – are adding four new awards to honor the historic contribution of The Firesign Theater to radio and audio production. The new awards and the long-established Mark Time Award for the year’s best science fiction production and the Ogle Award for fantasy/horror will be presented during the 2015 HEAR Now Festival in Kansas City, Missouri June 12th. “With these four new awards, we are celebrating a renewed interest in audio arts, which are thriving in the first decades of the 21st century in part because of the huge popularity of streaming and digital media,” said Judith Walcutt, Chief Executive Officer of Otherworld Media, which recently was selected to administer the Mark Time Awards. For the past 30 years, Otherworld Media has produced award-winning audio plays, radio broadcasts, and educational programming. The new Mark Time awards honoring The Firesign Theater are: The Nick Danger Prize for the best audio production in the mystery/detective fiction category, which is named after Firesign’s famous satire of radio detectives of the 1950s. The original “Nick,” Phil Austin, and his wife Oona will be part of the judging team. The Bradshaw, an award named after the late Peter Bergman’s cop character in the Nick Danger episodes, will be given for “service to the field” and chosen by the MTA’s advisory board. ! 1! The Betty Jo (But Everyone Knew Her as Nancy) prize honors the multi-gender vocal skills of Phil Proctor and will be awarded for best performances. -
Firesign Theatre Public Storage Unit STOLEN ITEMS Revised 6/16/2015
Firesign Theatre Public Storage Unit STOLEN ITEMS revised 6/16/2015 Green storage box – “F.S.T. Props” Phil Proctor collages, 4 binders [see thumbnail list] Art Profolio: Proctor & Bergman Press Archives – Oversize (Portfolio 1) [see detailed list] Art Profolio: Proctor & Bergman Press Archives – Oversize (Portfolio 2) [see detailed list] Art Profolio: Firesign Theatre Press Clippings – Oversize (Portfolio 1) [see detailed list] Art Profolio: Firesign Theatre Press Clippings – Oversize (Portfolio 2) [see detailed list] Art Profolio: Firesign Theatre Press Clippings – Oversize (Portfolio 3) [see detailed list] 16mm film case, brown, Plio-Magic, Everything You Know Is Wrong [label inside “3200K”, label outside “5400K”] 16mm film can, 14” diameter, Everything You Know Is Wrong “Damaged print sprocket holes torn” Auction merch: • Auction item: Dr. Firesign mask, signed Proctor [see photo] • Auction item: Artie Choke Martian ears, signed Bergman [see photo] • Auction item: [character name?] Martian ears, signed Ossman [see photo] • Auction item: Bozo red pom-pom ears, signed Proctor [see photo] • Auction item: Bozo green tie, signed Proctor [see photo] • Auction item: Bozo green tie, signed Bergman [see photo] • Auction item: Bozo red shoes, signed Bergman [see photo] • Auction item: Bozo red shoes, signed Proctor [see photo] Hanging clothing bag Gold-black shiny short-sleeved dress shirt (Babe) Camouflage vests (2), camouflage shirt (Pico) White oriental robe with blue trim (Pastor Flash) Houndstooth jacket (John Smith) Khaki long-sleeved shirt with blue/gold sequined spaulets and medals (Lily Lamont) Apron (Eleanor) Red jacket (Ralph Spoilsport) Money jacket Judge’s robe Black jacket with red trim (Phil Austin, “Mr. President”, Bozos) Bear Whiz Beer apron Dr. -
Firesign Theatre Public Storage Unit STOLEN ITEMS Noted 4/28/2015
Firesign Theatre Public Storage Unit STOLEN ITEMS noted 4/28/2015 From the Navy Blue Samsonite Suitcase, these items are missing: • Feathered hats (3) • Fish-shaped bag • Rubber skull • Tin lunch pail From the box Peter Bergman Collection Box 01, these items were taken: • Amplifier, Pignose portable amp #057, signed Wayne Kimbell / Richard Edlund • Box, color slides, 2 sets of slides from 36-exposure reels “Gum chewing marathon Barbro” Green storage box – “F.S.T. Props” Phil Proctor collages [4 portfolios] Art Profolio: Proctor & Bergman Press Archives – Oversize (Portfolio 1) [see detailed list, end of document] Art Profolio: Proctor & Bergman Press Archives – Oversize (Portfolio 2) [see detailed list, end of document] Art Profolio: Firesign Theatre Press Clippings – Oversize (Portfolio 1) [see detailed list, end of document] Art Profolio: Firesign Theatre Press Clippings – Oversize (Portfolio 2) [see detailed list, end of document] Art Profolio: Firesign Theatre Press Clippings – Oversize (Portfolio 3) [see detailed list, end of document] 16mm film case, brown, Plio-Magic, Everything You Know Is Wrong [label inside “3200K”, label outside “5400K”] 16mm film can, 14” diameter, Everything You Know Is Wrong “Damaged print sprocket holes torn” Auction merch: • Ralph Spoilsport license plate frames, 116 • Auction item: Dr. Firesign mask, signed Proctor • Auction item: Artie Choke Martian ears, signed Bergman • Auction item: [character name?] Martian ears, signed Ossman • Auction item: Bozo red pom-pom ears, signed Proctor • Auction item: -
David Ossman Tapes, 1960-1970, MSS-032
The Ward M. Canaday Center for Special Collections The University of Toledo Finding Aid David Ossman Tapes, 1960-1970 MSS-032 Size: 4 Linear Feet Provenance: The University of Toledo Libraries purchased this collection in 1977. Certain letters to Ossman from poets involved in "The Sullen Art" were removed by him prior to the sale of the collection. Literary rights to the items in this collection may be assumed to rest with the creators of those items. Mr. Ossman waived any copyright he possessed in favor of the University of Toledo. The researcher desiring to quote extensively from the materials in this collection should consult the staff of The Ward M. Canaday Center regarding copyright Issues. Access: open Collection Summary: Collection consists of tape recordings of interviews with 44 poets, mostly American, for the radio program "The Sullen Art" (1960-1961); correspondence from those poets and from listeners regarding the program; poetry readings by seven poets for the series "The Poet in New York"; and tapes of the Berkeley Poetry Conference (July 13-23, 1965), including lectures and poetry readings. Featured poets include Allen Ginsberg, Edward Dorn, Robert Edward Duncan, Robert Creeley, Imamu Amiri Baraka, Gilbert Sorrentino, and Paul Blackburn. Subject(s): Literature, Music, Art, Drama, and Theatre Related Collections: Processing Note: Copyright: The literary rights to this collection are assumed to rest with the person(s) responsible for the production of the particular items within the collection, or with their heirs or assigns. Researchers bear full legal responsibility for the acquisition to publish from any part of said collection per Title 17, United States Code. -
My Darling Broken Bride, the Brave and “Patient
“We must learn to live together as brothers or perish together as fools.“ ~ Martin Luther King, Jr. Ankles Away y darling broken bride, the brave and “patient” Melinda Peterson is healing heels over head from her ankle-replacement surgery on our new articulated beds. The steady Mstream of loving friends (from as far away as New Zealand) bearing edibles, pain-killers and laughs is unending; and her progress is so successful that after she was “recast” this week, she will soon be “getting the boot” – the so-called “Frankenstein Boot” – and will then be able to begin serious rehab sooner than we thought possible… Thanks to you all for your loving support and thoughtful messages; you have given Melinda and me many reasons to celebrate this Thanksgiving! “Hope is a projection of the imagination; so is despair. Despair all too readily embraces the ills it foresees…” ~ Thorton Wilder DRIVE, SHE SAID “Time will be up, when the humans forget!” y neighbor was “Living in the past is for working in his cowards.” ~ Football yard when he coach Mike Ditka Mwas startled by a late-model car that came crashing through his hedge and ended up in his front lawn. He rushed THANKS GIVE-ME to help an elderly lady driver out of the car and sat her down on a lawn chair. efore you start carving, He said with excitement, think about this: The “You appear quite elderly to wild turkey is the Bheaviest flying bird in the world be driving.” HOLD THE TURKEY that flies; and although eagles “Well, yes, I am,” she replied and geese are monogamous for proudly. -
Tuesday, March 7 Wednesday, March 8
7:30 THERAPY: The fifth of eight 12:15 FRENCH PRESS AND PERIODI- Tuesday, March 7 "actuality" group therapy sessions based CALS (Mar 7) 7:00 KPFK AM: This is National Despair on the TV series aired over KHJ, Los 12:30 HUMAN RIGHTS INTERVIEW Week. Angeles. The sessions are conducted by (Mar 7) 9:00 THE OPEN HOUR (Mar 6) Dr. Everett Shostrom and co-therapist, 12:45 OPINION: Marshall Windmiller 10:00 UNDER TWO FLAGS by Ouida: A Nancy Ferry of the institute of Therapeu- (Mar 7) serial for radio with Simon Lack as the tic Psychology, Santa Ana. Conceived, Hon. Bertie Cecil. (BBC) produced and hosted by Larry Schwab. 1:00 EVENINGS ON THE ROOF: 10:30 WILLIAM WALTON CONDUCTS (MAR 8) Fourth retrospective program of music for BELSHAZZAR'S FEAST: The BBC Cho- 8:00 CONTEMPORARY PIANO MUSIC: harpsichord and clavichord played by Wesley Kuhnle. ral Society and the BBC Symphony Or- BORIS KOUTZEN Concertino for Piano chestra. (BBC) and Strings. Robert Guralnik/solo; La- 2:00 THE WORD GALLERY (Mar 5) 11:15 WAR—INSTRUMENT OF CHANGE moureaux Orch/Leon Barzin. (SAS 3:00 THE OPEN I: With Judy Howard. OR INVITATION TO DISASTER — IX 12010) (15) 3:30 MUSIC FROM THE WARSAW (Mar 6) NICOLAS FLAGELLO Three Dances for FESTIVAL OF 1965 12:15 3 7 2 9 CAHUEN- Piano. Elizabeth Marshall/solo. (Sere- GAZYNA BACEWICZ Musics _Sonfonica GA (Mar 6) nus SRS 12003) (8) in Three Movements. 12:30 MISCELLANY VACLAV NELHYBEL Concertino for WOJCIECH KILAR Springfield Sonnet. 12:45 OPINION: Theodore Edwards (Mar 6) Chamber Orchestra and Piano. -
Firesign Theatre (1970) Added to the National Registry: 2005 Essay by Frederick C
“Don’t Crush That Dwarf, Hand Me the Pliers”—The Firesign Theatre (1970) Added to the National Registry: 2005 Essay by Frederick C. Wiebel, Jr. (guest post)* Original album Original label The Firesign Theatre Just mentioning the name The Firesign Theatre evokes many mental images. A nostalgic warmth for the good old days that never were. Of millions of Americans gathering around their citizen radios listening to FDR's weekly fireside chats. Zodiacal puns for the pot smoking patrons of the psychedelic sixties and seventies trying to escape from a club-swinging world gone mad with war and political upheaval. Guerrilla theater in the streets humorously deprogramming a populous from the narcotic of pop culture and authority. A put-on group of cohesive thought. A group that never was a group. A rock band without music, playing with words in rhythmical patterns on a major scale. A concern that puts out comedy albums but aren’t concerned about being comedians. College boy counter-culture humor from post graduates for students and non-students, adults and non-adults who remain forever young at heart. An indefinable outfit that produces an indefinable product for an indefinable market. Fighting clowns against the powers that be. Shakespearean comedy in a time of Orwellian tragedy. An aural Norman Rockwell painting on acid. A theater of the mind built with the bricks of politics and poetry on the solid foundation of the golden age of radio. The images pile on and on, and on, with double, triple, quadruple entendres and non-sequiturs, layering a baklava of subconscious surreality and blatantly silly humor acting as a political poultice for the open wounds of a sick society.