European Spaces of Culture
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Culture Report Eunic Yearbook 2011 Culture Report Eunic Yearbook 2011
CULTURE REPORT EUNIC YEARBOOK 2011 CULTURE REPORT EUNIC YEARBOOK 2011 Cultural relations are the glue that holds alliances together. The geopolitics of the 21st century mean we need to see a revival of cultural diplomacy. China and India are already expanding their external cultural policies. Despite Europe‘s huge cultural diversity, the EU has still not developed an adequate cultural strategy for its foreign policy. The establishment of the European External Action Service (EEAS) provides an opportunity to tighten up and co-ordinate the EU‘s existing cultural foreign policy. In this edition of the Culture Report, 30 authors from 20 different countries examine what this all means. Foreword: Crisis and new awakenings by Sebastian Körber 4 CHAPTER 1: EXTERNAL PERSPECTIVES A Brave New World - Globalisation as Europe’s touchstone by Yang Lian 8 All talk and no action by Mai’a K. Davis Cross 20 Art at the heart of mainstream entertainment – an interview by Regis Debray with Frédéric Martel 28 Seizing the day by André Azoulay 38 The cultural revolution by Reem Kassem 45 A gateway to two worlds by Julie Chénot 48 Welcome to the real world by André Lemos 54 A union of double standards by Mahir Namur 60 2 Contents Moving the chairs in the global boardroom by Rajeef Balasubramanyam 64 Europe‘s forgotten fringes by Jurko Prochasko 70 Peeking through the open window by Hela Kamarou 78 CHAPTER 2: EUROPE IN THE WORLD THE WORLD IN EUROPE Now is the time by Robert Palmer 86 Common spaces by Gerhard Sabathil 96 A necessity, not a luxury by Marietje Schaake -
Mapping of Cultural and Creative Industry Export and Internationalisation Strategies in EU Member States
Mapping of Cultural and Creative Industry Export and Internationalisation Strategies in EU Member States by Judith Staines and Colin Mercer EENC Report, February 2013 Mapping of CCI Export and Internationalisation Strategies in EU Member States by Judith Staines and Colin Mercer EENC Report, February 2013 This document has been prepared by Judith Staines and Colin Mercer on behalf of the European Expert Network on Culture (EENC). Research support was provided by Jordi Baltà (Interarts), Additional support was provided by Leonid Yakon Abadzhev at Interarts in 2013. This paper reflects the views only of the EENC authors and the European Commission cannot be held responsible for any use which may be made of the information contained therein. The EENC was set up in 2010 at the initiative of Directorate-General for Education and Culture of the European Commission (DG EAC), with the aim of contributing to the improvement of policy development in Europe. It provides advice and support to DG EAC in the analysis of cultural policies and their implications at national, regional and European levels. The EENC involves 17 independent experts and is coordinated by Interarts and Culture Action Europe. The researchers would like to thank all those people who offered their invaluable opinions, content contributions and critique in support of this study. About the authors Judith Staines is an experienced researcher and writer on European and Asian cultural cooperation issues, mobility and cultural policy and has contributed to a number of EU studies. She is the author of the IFACCA Report No. 40: Supporting international arts activity and the EENC Report Mapping Existing Studies on EU-China Cultural Relations. -
New Directions in Cultural Diplomacy
This is an advance copy of an essay to be published in 2010 by Real Instituto Elcano, Madrid, in a collection entitled “Cultura y Proyección Exterior: Nuevos Valores y Estrategias de Acción”. It is not to be reproduced or circulated without the approval of the author. New Directions Steve Green1 William Gibson’s frequently quoted statement “the future is already here; it’s just not evenly distributed”, applies to cultural diplomacy. The new directions promise to usher in a transformation of cultural diplomacy. They will add new strands of activity, lead to a re-assessment of existing ways of operating and introduce new items to the cultural diplomacy toolkit. This essay surveys the new directions in global cultural diplomacy. A standard difficulty in surveys is the lack of an agreed terminology. Is the field to be referred to as “cultural diplomacy”, “cultural PR”, “public diplomacy”, “nation branding”? Different countries, different organizations, different authors use the terms almost interchangeably. This essay uses “cultural diplomacy” and returns to the terminology issue in its final section. It will be useful to start with a set of opening parameters in mind. Rod Fisher has a seven point list of the principal objectives of a country’s foreign cultural policy. They are: • to promote cultural diplomacy • to develop cultural relations • to support the export of a nation’s cultural products and creative industries • to underpin the development of beneficial new trading arrangements • to attract tourism and perhaps inward investment • to enhance programme aid in developing countries and • To create an informed and primarily favourable picture of a country to the “outside world”.2 1 Steve Green is Team Leader for the EUNIC presidency. -
Global Diaspora Strategies Toolkit
Diaspora Toolkit Folder_Diaspora Toolkit Folder 14/04/2011 18:01 Page 2 Additional Tools Global Diaspora Strategies Toolkit G l o Kingsley Aikins Sponsored by Diaspora Diaspora ———————————————————————————————————————————————————————— b matters Nicola White matters a l D the global Irish i making a difference a together s p o r a S t Global Diaspora r a t e g Strategies Toolkit i e s T o o Harnessing l k the power i t of global Valuable support was received from N K diasporas i i n c g ———————————————————————————————————————————————————————— o l s a l e W Mike and Lou Ann Corboy, Dallas Ken Gorman, New York y h A i i t k Joseph Corcoran, Boston Michael and Pepper Jackson, San Francisco e i n Kevin M. Curley, Dallas Deirdre and Thomas Lynch, Dublin s Patty Disney, Los Angeles Charles P. Reagan, Connecticut Stan Gold, Los Angeles John and Helen Sharkey, New York ‘Around the world, even as we pursue a Luanne Tierney, Dallas new era of engagement with other nations, D m we’re embracing a broader engagement – a i a t new partnerships between societies and t s e p citizens, community organizations, r o s business, faith based groups.’ Diaspora Diaspora Matters, Gateway House, E info.diasporamatters.com r a matters 133 Capel Street, Dublin 1, Ireland W www.diasporamatters.com President Barack Obama Project1 29/04/2011 12:43 Page 1 Diaspora matters ‘Around the world, even as we pursue a new era of engagement with other nations, we’re embracing a broader engagement – new partnerships between societies and citizens, community organizations, business, faith based groups.’ President Barack Obama Diaspora Toolkit Dividers_Philanthropy Toolkit Dividers 29/04/2011 11:42 Page 1 Diaspora matters Global Diaspora Strategies Toolkit Diaspora Toolkit Dividers_Philanthropy Toolkit Dividers 29/04/2011 11:42 Page 2 Contents Foreword i Introduction iii Acknowledgements vii The Authors xi First published 2011 Design by Identikit Design Consultants, Dublin Printed by Impress Printing Works, Dublin Diaspora Matters Gateway House, 133 Capel Street, All rights reserved. -
Short Shorts from Europe Film Festival
European Union National Institutes for Culture (EUNIC) European Union National Institutes for Culture (EUNIC) Dublin 4 November 2019 Irish Film Institute 6.30pm / Admission free Street, Temple Bar, Dublin 2 6 Eustace Booking: [email protected] 9 November 2019 Pálás Cinema 12pm / Admission free Road Lower, Galway 15 Merchants Booking: palas.ie Cork 11 November 2019 Cork Film Festival 6pm / Admission free Gate Cinema,Booking: North Main corkfilmfest.org Street, Cork Short Shorts 2019_poster.indd 1 02/09/2019 14:26:12 #1 #2 GOETHE-INSTITUT EMBASSY OF GREECE presents presents TUTORIAL FIG By Dennis Todorovic By Nicolas Kolovos Music Video – Germany – 2018– 7’38” – English subtitles Drama – Greece – 2015 – 13’ – English subtitles An actors’ tutorial about crying fake tears on camera. Ten Heleni asks for a fig on her death bed. Her husband Kostas women actors not only explain how to make oneself cry in goes to the nearest fig tree to pick one, but he breaks his leg. ten easy steps, they also do their best to demonstrate their Time is short and Kostas is old. With one fig in his hand, he skill. Among them, grand thespians like Corinna Harfouch struggles through the harsh nature to get home in time to (Downfall) and well-known comedians such as Petra Nadolny. fulfill his wife’s last wish. Dennis Todorovic is a German-Montenegrin-Czech writer, Nicolas Kolovos is a Swedish/Greek film director, playwright director and camera acting coach based in Cologne. He writes and screenwriter. Fig made him obtain the Golden Dionysos historical and fantasy stories and is keen to shoot music videos Award at the 38th Greek Short Film Festival in Drama and an with German band Erdmöbel. -
Balanç D'actuació 2019 Del Consell De Diplomàcia Pública De Catalunya
Consell de Diplomàcia Pública de Catalunya Diàleg internacional Connectem. Projectem. Capacitem. Balanç d’actuació 2019 Índex Presentació ..................................................................................................................................................... 1 El Consell de Diplomàcia Pública de Catalunya ............................................................................................. 2 Membres del consorci ..................................................................................................................................... 4 Memòria d’activitats ........................................................................................................................................ 5 Connectar 1.1. Escoltar el públic internacional ........................................................................................................... 6 1.2. Analitzar i intercanviar bones pràctiques i models d’excel·lència .................................................... 10 1.3. Potenciar la participació i contribució de les institucions i la societat civil en l’àmbit internacional .. 15 Projectar 2.1. Promoure els actius i valors de Catalunya de la mà de les entitats membres de Diplocat i de la societat civil ............................................................................................................. 19 2.2. Promoure el coneixement de Catalunya entre experts, institucions i generadors d’opinió ............. 25 2.3. Posicionar Catalunya als mitjans de comunicació internacionals -
From Danish Polder Model to French Decentralisation
From Danish polder model to French decentralisation Cultural policy in an internationally comparative per- spective Author: Robert Kieft From Danish polder model to French decentralization 1 From Danish polder model to French decentralisation Cultural policy in an internationally comparative perspective The new Dutch International Cultural Policy (2017-2020) has been in effect for almost a year now. A good time to stop and take a look at how the Netherlands’ international cultural policy compares to that of its neighbours. Meanwhile, a politically-driven discussion has been going on in the Netherlands about the need to invest more in culture at the regional and local level - a matter that also has recently been debated at length in the United Kingdom, for instance. There, as a consequence, the House of Commons is pre- paring a law stipulating that more than 75% of the cultural budget must be spent outside the London area. In the meantime, Arts Council England (the English branch of the former Arts Council of Great Britain) has already taken this into account in its National Portfolio 2018-2022 (comparable with the Dutch Basic Infrastructure for Culture, BIS). Is this discussion going on just as intensely in other coun- tries? In response to the above two current situations, DutchCulture examined a number of neighbouring countries for comparable international policies, based on the following questions: . Do all of them actually have a coordinated policy for international cultural cooperation? . Who is responsible; what priorities are given to strategies and how are these implemented? . Does increasing regionalisation undermine the international ambitions of the cultural field, or vice versa? . -
'Culture in EU External Relations' Centre for Fine Arts of Brussels
International conference: ‘Culture in EU External Relations‘ Centre for Fine Arts of Brussels – BOZAR 7-8 April 2014 – List of Speakers Markus APPENZELLER Born in Tubingen, Germany, 1972, Markus holds a professional degree in banking business. He studied law, architecture and urban planning in Konstanz, Stuttgart and Chicago. He graduated in 2003 from Stuttgart University. In his early career Markus worked for UnitA Architects (Stuttgart), Fink&Jocher Architects (Munich) and in the Office for Metropolitan Architecture (Rotterdam). Overall, Markus has been in charge of large scale architecture and urban planning projects in China and across Europe. Before founding MLA+ Markus was Director at KCAP Architects&Planners in Rotterdam (2006 – 2011), where he was design leader for the Olympic Legacy Masterplan for London and the masterplan for the Central Business District of Beijing. For the central area of Shenzhen, Markus headed a team to develop a regeneration strategy that sets an example for a new form of urban transformation in China. Also, he has been the project architect of OMA’s masterplan for White City in London. In 2011 he set up MLA+ with Gerard Maccreanor and Richard Lavington. Markus is a regular guest critic at the AA School of Architecture in London, has lectured at several schools across Europe and has been teaching at the Berlage Institute in Rotterdam. He also writes on various topics of contemporary urbanism and advises companies in how to operate in other countries and cultural environments. 1 Blanka BERKYOVÁ Blanka Berkyová, currently working for K13-Košice cultural center and is responsible for programming and leading one type the new cultural - community artistic infrastucture in the suburbs areas in the Košice city. -
Working Paper
Working Paper No. 34 / November 2012 Reviewing Member States’ Commitment to the European External Action Service Abstract Based on interviews with diplomats from a representative cross-section of nine member states and members of the EEAS itself, the research findings of this EPIN Working Paper confirm long-standing traditions and member state perceptions of cooperation with European institutions. The paper also reveals new aspects of the intergovernmental method of foreign policy shaping and making in the European Union; in particular how different national positions can positively or negatively affect the consolidation of the EEAS and the role of the EU as an international actor. As such, the Working Paper makes an original contribution to the existing literature on one of most discussed actors in the European Union’s post-Lisbon architecture in the domain of EU external action. EPIN Working Papers present analyses of key issues raised by the debate on the political integration of Europe. The European Policy Institutes Network (EPIN) is a network of think tanks and policy institutes based throughout Europe, which focuses on current EU political and policy debates (see back cover for more information). Unless otherwise indicated, the views expressed are attributable only to the authors in a personal capacity and not to any of the institutions with which they are associated. ISBN: 978-94-6138-245-0 Available for free downloading from the CEPS (http://www.ceps.eu) and EPIN (http://www.epin.org) websites © Copyright 2012, EPIN & CEPS Contents Preface ............................................................................................................................................ i Steven Blockmans Executive Summary ...................................................................................................................... ii Jackie West and Steven Blockmans France and the EEAS: A give-and-take relationship .................................................................... -
Performing Arts Advocacy in Australia
Performing arts advocacy in Australia John Daley About the author A discussion paper commissioned by the Australian John Daley is one of Australia’s leading policy thinkers. He was Chief Executive Major Performing Arts Group of the Grattan Institute for its rst 11 years, and led it to become the leading This discussion paper was commissioned by the Australian Major Performing domestic policy think tank in Australia, publishing extensively on government Arts Group as its last substantial project. The members of AMPAG were given priorities, institutional reform, budget policy, and tax reform. the opportunity to comment on a draft of the discussion paper, but the author is responsible for its contents, and all remaining errors or omissions. He has 30 years’ experience spanning academic, government and corporate roles at the University of Melbourne, the University of Oxford, the Victorian This discussion paper was written by John Daley in his personal capacity. Bel Department of Premier and Cabinet, consulting rm McKinsey and Co, and Matthews and Bethwyn Serow provided research assistance for some aspects of ANZ Bank. the discussion paper. John is currently the Chair of the Australian National Academy of Music, which The author thanks for their extremely helpful contributions numerous members is one of the Arts8 performance training and education institutions that receive of Australia’s arts and culture community, in organisations, peak bodies, funds from the Commonwealth government. He is also a Director of the Myer government agencies, universities, and their personal capacity. Foundation. Previously, he was the Deputy Chair of the Malthouse Theatre, Deputy Chair of the Next Wave Festival, and the Chair of the Strategy and The paper is based on information available in April 2021. -
CULTURE REPORT CULTURE EUNIC YEARBOOK 2016 YEARBOOK EUNIC a Global Game and Foreign Policy Foreign and Culture, Development Sport, –
Vol.: 8 CULTURE REPORT EUNIC YEARBOOK 2016 A Global Game – Sport, Culture, Development and Foreign Policy CULTURE REPORT EUNIC YEARBOOK 2016 CULTURE REPORT Contents EUNIC YEARBOOK 2016 Strong girls – strong communities By Heather Cameron 72 Can gold medals increase a country’s prestige? By Jan Haut 78 The rules of the global game By Ladislau Dowbor 82 CHAPTER 2: Sport around the world – Emancipation, fair play or curse? Sport is also war By Beqë Cufaj 92 Ukraine goes into extra time By Serhij Zhadan 104 Sport for communists By Dave Eggers 113 The taxpayers‘ burden and dribbling prejudices By Julia Haß 117 A healthy old age By Yongxian Li 124 A symbol of Spain’s internal battles By Julian Rieck 126 Building a nation, destroying a nation? By Dario Brentin 138 Swede of the year By Anders Ravn Sørensen 145 CHAPTER 3 The hand of God or part of our DNA? Sport is more than a cultural phenomenon A force for emancipation and discrimination By Andrei S. Markovits 152 Sport is man, sport is society By Umberto Eco 169 The integration of refugees, conflict resolution, human rights, emancipation and the fight against A stage for protests By Jürgen Mittag 180 racism – these are just some of the areas where sport can have a positive role to play. To what Significance in action By Thomas Alkemeyer 189 extent can global sport act as a strategic instrument of cultural diplomacy and a role model for Zest for life, creativity and less is more By Reinhold Messner 194 civil society? Can it help to achieve development policy goals? Does it still make any sense to use mega sports events for the purposes of nation branding? And what can we as normal citizens CHAPTER 4: EUNIC and the national institutes for culture – learn from an extreme mountaineer? These and other questions are addressed in the Culture Promoting trust and understanding worldwide Report and EUNIC Yearbook 2016 by authors as diverse as Umberto Eco, Reinhold Messner, Dave EUNIC – The first ten years 220 Eggers, Serhij Zhadan, Beqë Cufaj and Claus Leggewie. -
HE Alexander Sokolow Minister of Culture of the Russian Federation
H.E. Alexander Sokolow Minister of Culture of the Russian Federation 7, Kitaogorodsky proyezd Moscow Vienna, 12 December 2007 Excellency, I am sure that you will agree that open and unhindered possibilities for cultural exchange between Europe and Russia lie in the interest of all partners concerned. The Russian Government has announced that the offices of the British Council in St. Petersburg and Yekaterinburg will have to terminate their cultural activities by 1 January 2008. The announcement was reinforced today. This decision constitutes a cause for deep concern for all national institutes for culture from EU countries working in Russia and is a continuation of a series of obstacles which some of these institutes have to face. The decision of the Russian Government is also questionable in the light of the 1963 Vienna Convention on Consular Relations which provides the legal basis for the activities of the British Council in Russia and which includes “furthering the development of [...] cultural and scientific relations” (art. 5 lit. b). This Convention also outlaws discriminatory treatment among signatories. Under the 1994 UK/Russia Agreement on Co-operation in the Fields of Education, Science and Culture, a legally binding treaty between the UK and Russia, the British Council is fully entitled to operate in Russia, as the principal agent of the UK Government. The British Council is a founding member of the European Union National Institutes for Culture (EUNIC), established in May 2006. Currently, EUNIC includes 29 National Institutes for Culture in 25 EU countries. The purpose of EUNIC is to create effective partnerships and networks between the participating organisations, to improve and promote cultural diversity and understanding between European societies, and to strengthen international dialogue and co-operation with countries outside Europe.