'Culture in EU External Relations' Centre for Fine Arts of Brussels
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Culture Report Eunic Yearbook 2011 Culture Report Eunic Yearbook 2011
CULTURE REPORT EUNIC YEARBOOK 2011 CULTURE REPORT EUNIC YEARBOOK 2011 Cultural relations are the glue that holds alliances together. The geopolitics of the 21st century mean we need to see a revival of cultural diplomacy. China and India are already expanding their external cultural policies. Despite Europe‘s huge cultural diversity, the EU has still not developed an adequate cultural strategy for its foreign policy. The establishment of the European External Action Service (EEAS) provides an opportunity to tighten up and co-ordinate the EU‘s existing cultural foreign policy. In this edition of the Culture Report, 30 authors from 20 different countries examine what this all means. Foreword: Crisis and new awakenings by Sebastian Körber 4 CHAPTER 1: EXTERNAL PERSPECTIVES A Brave New World - Globalisation as Europe’s touchstone by Yang Lian 8 All talk and no action by Mai’a K. Davis Cross 20 Art at the heart of mainstream entertainment – an interview by Regis Debray with Frédéric Martel 28 Seizing the day by André Azoulay 38 The cultural revolution by Reem Kassem 45 A gateway to two worlds by Julie Chénot 48 Welcome to the real world by André Lemos 54 A union of double standards by Mahir Namur 60 2 Contents Moving the chairs in the global boardroom by Rajeef Balasubramanyam 64 Europe‘s forgotten fringes by Jurko Prochasko 70 Peeking through the open window by Hela Kamarou 78 CHAPTER 2: EUROPE IN THE WORLD THE WORLD IN EUROPE Now is the time by Robert Palmer 86 Common spaces by Gerhard Sabathil 96 A necessity, not a luxury by Marietje Schaake -
The AB MUSIC Working Group Report December 2015 - June 2016
The AB MUSIC Working Group Report December 2015 - June 2016 Creative The AB MUSIC Europe Working Group Report Table of content Foreword .............................................................................................................................................................................................................................................5 Music Working Group ...................................................................................................................................................................................................................7 Introduction ......................................................................................................................................................................................................................................8 Why should the European Union intervene to support the European music sector? ............................................................................8 What should and what can be done? .................................................................................................................................................................................8 What are the Commission’s plans for the short term?............................................................................................................................................8 A Successful brainstorming session ..................................................................................................................................................................................9 -
Mapping of Cultural and Creative Industry Export and Internationalisation Strategies in EU Member States
Mapping of Cultural and Creative Industry Export and Internationalisation Strategies in EU Member States by Judith Staines and Colin Mercer EENC Report, February 2013 Mapping of CCI Export and Internationalisation Strategies in EU Member States by Judith Staines and Colin Mercer EENC Report, February 2013 This document has been prepared by Judith Staines and Colin Mercer on behalf of the European Expert Network on Culture (EENC). Research support was provided by Jordi Baltà (Interarts), Additional support was provided by Leonid Yakon Abadzhev at Interarts in 2013. This paper reflects the views only of the EENC authors and the European Commission cannot be held responsible for any use which may be made of the information contained therein. The EENC was set up in 2010 at the initiative of Directorate-General for Education and Culture of the European Commission (DG EAC), with the aim of contributing to the improvement of policy development in Europe. It provides advice and support to DG EAC in the analysis of cultural policies and their implications at national, regional and European levels. The EENC involves 17 independent experts and is coordinated by Interarts and Culture Action Europe. The researchers would like to thank all those people who offered their invaluable opinions, content contributions and critique in support of this study. About the authors Judith Staines is an experienced researcher and writer on European and Asian cultural cooperation issues, mobility and cultural policy and has contributed to a number of EU studies. She is the author of the IFACCA Report No. 40: Supporting international arts activity and the EENC Report Mapping Existing Studies on EU-China Cultural Relations. -
European Spaces of Culture
Co-funded by EUROPEAN SPACES OF CULTURE Frequently Asked Questions Call for Ideas 2021: what’s new? Increased project budget Phase 1 of the Preparatory Action (2019-2021) included a project budget of EUR 350,000, which could fund ten ideas and five pilot projects only. The new Call for Ideas has a budget of EUR 500,000 and aims to support around ten pilot projects. Number of projects more flexible Phase 1 of the Preparatory Action set out from the start to support ten ideas and five pilot projects. In the new Call, the selection will be made with more flexibility and be based on the amounts requested by the best ideas and projects. Mobility scheme The new Call for Ideas includes a dedicated budget for a new Mobility Scheme. The Call will be open to small mobility grants for prospective project partners, especially those with a focus on transnational and transregional projects, before submitting their idea. Mobility grants will be open to EUNIC members. More local partners required This Call has raised the minimum of key local cultural partners to three. Partners can be civil society organisations as well as public bodies. Exception possible when there are no 3 EUNIC members A minimum of three EUNIC members is still required with one of them administering the application. However, exceptions can be made in countries with limited EUNIC capacity and presence. In such cases it must be made clear why the threshold of 3 EUNIC members is impossible to achieve. Selection based on scores In the previous Call for Ideas, only the selection in the second step of the Call was made based on maximum scores per criterion. -
New Directions in Cultural Diplomacy
This is an advance copy of an essay to be published in 2010 by Real Instituto Elcano, Madrid, in a collection entitled “Cultura y Proyección Exterior: Nuevos Valores y Estrategias de Acción”. It is not to be reproduced or circulated without the approval of the author. New Directions Steve Green1 William Gibson’s frequently quoted statement “the future is already here; it’s just not evenly distributed”, applies to cultural diplomacy. The new directions promise to usher in a transformation of cultural diplomacy. They will add new strands of activity, lead to a re-assessment of existing ways of operating and introduce new items to the cultural diplomacy toolkit. This essay surveys the new directions in global cultural diplomacy. A standard difficulty in surveys is the lack of an agreed terminology. Is the field to be referred to as “cultural diplomacy”, “cultural PR”, “public diplomacy”, “nation branding”? Different countries, different organizations, different authors use the terms almost interchangeably. This essay uses “cultural diplomacy” and returns to the terminology issue in its final section. It will be useful to start with a set of opening parameters in mind. Rod Fisher has a seven point list of the principal objectives of a country’s foreign cultural policy. They are: • to promote cultural diplomacy • to develop cultural relations • to support the export of a nation’s cultural products and creative industries • to underpin the development of beneficial new trading arrangements • to attract tourism and perhaps inward investment • to enhance programme aid in developing countries and • To create an informed and primarily favourable picture of a country to the “outside world”.2 1 Steve Green is Team Leader for the EUNIC presidency. -
Activity Report 2018
ACTIVITY REPORT 2018 LIVE DMA EUROPEAN NETWORK FOR LIVE MUSIC ASSOCIATIONS NETWORK’S LIFE MEMBERS • In 2018, Live DMA counted 18 members in 14 countries currently represen- ting over 3000 music venues, clubs and festivals. • Live Fin, organisation running the common interests of different live music event organisers in Finland including venues, festivals and concert produ- cers joined the network in 2018 • Live DMA met several music actors during the year to discuss local, regional and national cooperation among the music venues and clubs of their area: Lithuania, Vilnius, LOFTAS - Live DMA Associate Member | Latvia, Riga, Hanzas Perons - Application to become a Live DMA Associate Member | MIL, Portugal - music venues meeting | Hungary, Budapest - meeting with dif- ferent actors from the music and nightlife scene in Budapest NETWORK EVOLUTIONS STAFF MEETINGS • Creation of a glossary • 2 full time employees • 2 board meetings • 1 intern (5 months) • 1 Survey meeting • General Assembly • Open Club Day meeting LIVE STYLE EUROPE APPLICATION • Live Style Europe (LSE) project started on 1st June 2017 for a 4 years period. • Annual application (January) and reporting (July) pro- cedure • Application for LSE year 2 in January 2018: total grant of 152 000 € approved ACTIVITIES IN 2018 • LSE WORLD - The Survey • LSE CONNEXIONS - The Open Club Day • LSE FOR EVERYBODY - Working Groups • LSE BASICS - Resource Platform THE SURVEY SURVEY ACTIVITY IN 2018 • Publication of the report The Survey. Facts & Figures of Music Venues in Europe in Januray 2018 -
Danilo Perez, Artistic Director of Berklee's Global Jazz Institute Will Open the Event with a Keynote Speech
Pop & Jazz Platform Meeting Valencia 2015 13-14 February Pop/Jazz and ME Developing diversity and identities amongst artists and audiences POP AND JAZZ PLATFORM Valencia 2015 The AEC would like to express deep gratitude to the Berklee College of Music in Valencia for hosting and co-organizing the PJP Meeting 2015. The AEC team would also like to express special thanks to the members of the PJP preparatory working group for their tremendous support in organizing the platform programme. POP AND JAZZ PLATFORM Valencia 2015 Contents INTRODUCTION ....................................................................................................................................... 4 STATEMENT OF PURPOSE FOR THE PJP .................................................................................................. 5 PROGRAMME .......................................................................................................................................... 6 BIOGRAPHIES AND ABSTRACTS ............................................................................................................. 10 Session I - Keynote Speaker .............................................................................................................. 10 Session II – Panel Discussion ............................................................................................................. 12 FULL SCORE ........................................................................................................................................... 15 AEC’s ‘FULL -
Members, Activities, Policies and Finances About the AEC Annual Report 2015 Table of Contents
Annual report 2016 Members, activities, policies and finances About the AEC Annual Report 2015 Table of Contents Each year, the AEC publishes an Annual Report in accordance with proper 1. Message from the President 3 5.3 Improvement of the Association’s organisational infrastructure accounting practice but, more specifically, with its Statutes, whose Article 28 11.4 states that ‘The report will include a balance sheet and a profit-and- 2. Executive Summary 5 5.3.1 The AEC Office loss statement. It will also provide a detailed account of the administrative 28 tasks performed in the preceding financial year’. In addition to fulfilling 3. Membership 7 5.3.2 Communication strategy this statutory requirement, this report aims to outline the different areas of 28 AEC’s work in 2016, explaining the Association’s financial position as well 4. The council 10 6. Financial Report by the Secretary General and General Manager 31 as its activities, discussions, developments and events. CONTENT: Nerea López de Vicuña, former AEC Office Manager 5. AEC Policy Development 11 7. Balance Sheet and Profit-and-Loss Statement 34 Full information on the Financial Situation of the AEC can be found in the AEC 2016 Annual Accounts. In this Annual Report, only the key elements ADDITIONAL TEXT: 5.1 Meetings and platforms 8. Acknowledgements 39 of the Annual Accounts are included, but members wishing to receive the Ángela Domínguez, AEC Project/Communication Manager 12 entire AEC 2016 Annual Accounts can do so by contacting the AEC Office at Stefan Gies, AEC Chief Executive 5.1.2 Projects Annex 1 [email protected]. -
The Role of Music in European Integration Discourses on Intellectual Europe
The Role of Music in European Integration Discourses on Intellectual Europe ALLEA ALLEuropean A cademies Published on behalf of ALLEA Series Editor: Günter Stock, President of ALLEA Volume 2 The Role of Music in European Integration Conciliating Eurocentrism and Multiculturalism Edited by Albrecht Riethmüller ISBN 978-3-11-047752-8 e-ISBN (PDF) 978-3-11-047959-1 e-ISBN (EPUB) 978-3-11-047755-9 ISSN 2364-1398 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. © 2017 Walter de Gruyter GmbH, Berlin/Boston Cover: www.tagul.com Typesetting: Konvertus, Haarlem Printing: CPI books GmbH, Leck ♾ Printed on acid free paper Printed in Germany www.degruyter.com Foreword by the Series Editor There is a debate on the future of Europe that is currently in progress, and with it comes a perceived scepticism and lack of commitment towards the idea of European integration that increasingly manifests itself in politics, the media, culture and society. The question, however, remains as to what extent this report- ed scepticism truly reflects people’s opinions and feelings about Europe. We all consider it normal to cross borders within Europe, often while using the same money, as well as to take part in exchange programmes, invest in enterprises across Europe and appeal to European institutions if national regulations, for example, do not meet our expectations. -
Global Diaspora Strategies Toolkit
Diaspora Toolkit Folder_Diaspora Toolkit Folder 14/04/2011 18:01 Page 2 Additional Tools Global Diaspora Strategies Toolkit G l o Kingsley Aikins Sponsored by Diaspora Diaspora ———————————————————————————————————————————————————————— b matters Nicola White matters a l D the global Irish i making a difference a together s p o r a S t Global Diaspora r a t e g Strategies Toolkit i e s T o o Harnessing l k the power i t of global Valuable support was received from N K diasporas i i n c g ———————————————————————————————————————————————————————— o l s a l e W Mike and Lou Ann Corboy, Dallas Ken Gorman, New York y h A i i t k Joseph Corcoran, Boston Michael and Pepper Jackson, San Francisco e i n Kevin M. Curley, Dallas Deirdre and Thomas Lynch, Dublin s Patty Disney, Los Angeles Charles P. Reagan, Connecticut Stan Gold, Los Angeles John and Helen Sharkey, New York ‘Around the world, even as we pursue a Luanne Tierney, Dallas new era of engagement with other nations, D m we’re embracing a broader engagement – a i a t new partnerships between societies and t s e p citizens, community organizations, r o s business, faith based groups.’ Diaspora Diaspora Matters, Gateway House, E info.diasporamatters.com r a matters 133 Capel Street, Dublin 1, Ireland W www.diasporamatters.com President Barack Obama Project1 29/04/2011 12:43 Page 1 Diaspora matters ‘Around the world, even as we pursue a new era of engagement with other nations, we’re embracing a broader engagement – new partnerships between societies and citizens, community organizations, business, faith based groups.’ President Barack Obama Diaspora Toolkit Dividers_Philanthropy Toolkit Dividers 29/04/2011 11:42 Page 1 Diaspora matters Global Diaspora Strategies Toolkit Diaspora Toolkit Dividers_Philanthropy Toolkit Dividers 29/04/2011 11:42 Page 2 Contents Foreword i Introduction iii Acknowledgements vii The Authors xi First published 2011 Design by Identikit Design Consultants, Dublin Printed by Impress Printing Works, Dublin Diaspora Matters Gateway House, 133 Capel Street, All rights reserved. -
Claiming a Front Row Seat for Music
Claiming a front row seat for Music “Music is at the centre of the well-being of our spirit, of our body and mind. It’s not only entertainment, it’s more than that!” Angélique Kidjo in her keynote at the 2021 European Forum on Music After more than 15 months of lockdowns, and hardly any concerts, festivals, collective singing, band or orchestra practice, clubbing and music education in or out of schools, the music sector in Europe and the world is at risk of turning into a stigmatised sector where only very few forms will survive. “In addition to the current health and economic crises, humanity faces nothing less than a potential global “cultural catastrophe”, with severe, long-lasting consequences for cultural rights – and other human rights – if necessary action is not taken immediately by all relevant actors. Karima Benoune, UN Special Rapporteur in the field of cultural rights We enjoy the recent re-opening of many parts of the music life and we hope that societies can start to recover from this unexpected pandemic. We welcome the “EU’s guidelines for the safe resumption of activities in the cultural and creative sector”1 and we can confirm that the music sector has always put health and safety first and will continue to do so. Nevertheless, infection rates may go up again, and therefore, we turn to you today with the request to take into account the societal relevance of the music sector in your political actions. We are grateful for the diverse and rapid support that the EU and national governments have provided as a reaction to the crisis.2 Now comes the time to think long-term and to fully acknowledge the artistic, social and economic value of the music sector. -
Activity Report Summary 2019
FACE – Annual Activity Report 2019 SUMMARY 2019 INTRODUCTION In July 2018, after 5 year of activities, on the occasion of the Assembly General Meeting in Gent (Belgium), members decided to validate the (r)evolution of the organisation and to take the time to review its focuses and fields/types of intervention in order to reposition it in today’s European cultural landscape, assess its activities and develop its sustainability. Members agreed 2019 should be an “année blanche”, a year without the usual activities proposed. Following the fruitful discussions, FACE decided to continue to deliver some activities, especially the ones the network already committed to towards different partners. The international association contributed to several capacity building programmes focusing on the internationalization of professional practices, on initiating formal and informal transnational collaboration. Finally, taking on board the first outcomes of the thorough analysis led during the “année blanche”, FACE joined forces with colleague European organisations to develop an Erasmus+ “strategic partnership” project. ACTIVITIES MEETINGS • 22-25 May 2019: General meeting of On the Move @ Arts and Theatre Institute in Prague (Czech Republic) • 15 October 2019: General meeting @ Kaaitheater, Brussels (Belgium) on the occasion of the workshop i-Portunus dedicated to the presentation of the preliminary study of this pilot European mobility scheme for artists and culture professionals. 14 WORKSHOPS & SEMINARS – 400+ PARTICIPANTS • 10-13 February 2019: Annual