Danilo Perez, Artistic Director of Berklee's Global Jazz Institute Will Open the Event with a Keynote Speech
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The AB MUSIC Working Group Report December 2015 - June 2016
The AB MUSIC Working Group Report December 2015 - June 2016 Creative The AB MUSIC Europe Working Group Report Table of content Foreword .............................................................................................................................................................................................................................................5 Music Working Group ...................................................................................................................................................................................................................7 Introduction ......................................................................................................................................................................................................................................8 Why should the European Union intervene to support the European music sector? ............................................................................8 What should and what can be done? .................................................................................................................................................................................8 What are the Commission’s plans for the short term?............................................................................................................................................8 A Successful brainstorming session ..................................................................................................................................................................................9 -
Codarts Research Festival, That Will Take Place on Thursday 11 March 2021
Dear reader, A wholehearted welcome to the fifth edition of the Codarts Research Festival, that will take place on Thursday 11 March 2021. Due to the continuing covid-19 pandemic this will be an online event, with live streamed presentations in ZOOM 1, and online presentations in ZOOM 2. This year's edition has a distinct RASL*) -flavor, as the theme is ‘Social engagement and the Arts.’ As the ‘traditional’ jobs in the arts are under increased pressure, and our society is faced by seemingly insurmountable problems, like climate change and pollution, but also social disintegration and loneliness, many artists feel the need to reposition themselves and look for ways to contribute. The covid-19 pandemic has made these problems even more acute. The Research Festival will address these issues, with (inter)national speakers from the world of dance, music and theater, next to a variety of research presentations from Codarts students and staff. And you are invited to caste your vote for the audience award during the annual Master research competition. *) RASL is the Rotterdam Arts and Science Lab. An intense collaboration between Codarts Rotterdam, Arts & Culture Studies (EUR), Erasmus University College (EUR) and Willem de Kooning Academy, with the aim to examine the relationship between the arts and society in a transdisciplinary way. If you haven’t done so already, we kindly request you to register for the Festival using this link: https://codarts.zoom.us/meeting/register/tJIoc-ytpz0tGt2-wNg97GnMHAcBsoMGKw6A Upon registration you will receive a confirmation and the ZOOM link plus password that gives you access to the Festival on the day itself. -
Activity Report 2018
ACTIVITY REPORT 2018 LIVE DMA EUROPEAN NETWORK FOR LIVE MUSIC ASSOCIATIONS NETWORK’S LIFE MEMBERS • In 2018, Live DMA counted 18 members in 14 countries currently represen- ting over 3000 music venues, clubs and festivals. • Live Fin, organisation running the common interests of different live music event organisers in Finland including venues, festivals and concert produ- cers joined the network in 2018 • Live DMA met several music actors during the year to discuss local, regional and national cooperation among the music venues and clubs of their area: Lithuania, Vilnius, LOFTAS - Live DMA Associate Member | Latvia, Riga, Hanzas Perons - Application to become a Live DMA Associate Member | MIL, Portugal - music venues meeting | Hungary, Budapest - meeting with dif- ferent actors from the music and nightlife scene in Budapest NETWORK EVOLUTIONS STAFF MEETINGS • Creation of a glossary • 2 full time employees • 2 board meetings • 1 intern (5 months) • 1 Survey meeting • General Assembly • Open Club Day meeting LIVE STYLE EUROPE APPLICATION • Live Style Europe (LSE) project started on 1st June 2017 for a 4 years period. • Annual application (January) and reporting (July) pro- cedure • Application for LSE year 2 in January 2018: total grant of 152 000 € approved ACTIVITIES IN 2018 • LSE WORLD - The Survey • LSE CONNEXIONS - The Open Club Day • LSE FOR EVERYBODY - Working Groups • LSE BASICS - Resource Platform THE SURVEY SURVEY ACTIVITY IN 2018 • Publication of the report The Survey. Facts & Figures of Music Venues in Europe in Januray 2018 -
Science and Art for Life's Sake
SCIENCE AND ART FOR LIFE’S SAKE How partnerships between artists and scientists can support the transformation toward sustainability International Institute for Applied Systems Analysis Schlossplatz 1, A-2361 Laxenburg, Austria The International Institute for Applied Systems Analysis (IIASA) is an Internationalindependent, international Institute for research Applied institute Systems with Analysis National Member SchlossplatzOrganizations 1, inA-2361 Africa, Laxenburg, the Americas, Austria Asia, and Europe. Through its research programs and initiatives, the Institute conducts policy- Theoriented International research Instituteinto issues for thatApplied are tooSystems large Analysisor complex (IIASA) to be is an independent,solved by a single international country researchor academic institute discipline. with NationalThis includes Member Organizationspressing concerns in Africa, that affectthe Americas, the future Asia, of alland of Europe. humanity, Through such as its researchclimateInternational change, programs Instituteenergy and initiatives, security, for Applied population the Institute Systems aging, conducts Analysis and sustainable policy- orienteddevelopment.Schlossplatz research 1, The A-2361 into results issues Laxenburg, of IIASAthat are Austriaresearch too large and or the complex expertise to be of its solvedresearchers by a single are made country available or academic to policymakers discipline. in This countries includes around pressingtheThe worldInternational concerns to help themInstitutethat affect produce for -
Members, Activities, Policies and Finances About the AEC Annual Report 2015 Table of Contents
Annual report 2016 Members, activities, policies and finances About the AEC Annual Report 2015 Table of Contents Each year, the AEC publishes an Annual Report in accordance with proper 1. Message from the President 3 5.3 Improvement of the Association’s organisational infrastructure accounting practice but, more specifically, with its Statutes, whose Article 28 11.4 states that ‘The report will include a balance sheet and a profit-and- 2. Executive Summary 5 5.3.1 The AEC Office loss statement. It will also provide a detailed account of the administrative 28 tasks performed in the preceding financial year’. In addition to fulfilling 3. Membership 7 5.3.2 Communication strategy this statutory requirement, this report aims to outline the different areas of 28 AEC’s work in 2016, explaining the Association’s financial position as well 4. The council 10 6. Financial Report by the Secretary General and General Manager 31 as its activities, discussions, developments and events. CONTENT: Nerea López de Vicuña, former AEC Office Manager 5. AEC Policy Development 11 7. Balance Sheet and Profit-and-Loss Statement 34 Full information on the Financial Situation of the AEC can be found in the AEC 2016 Annual Accounts. In this Annual Report, only the key elements ADDITIONAL TEXT: 5.1 Meetings and platforms 8. Acknowledgements 39 of the Annual Accounts are included, but members wishing to receive the Ángela Domínguez, AEC Project/Communication Manager 12 entire AEC 2016 Annual Accounts can do so by contacting the AEC Office at Stefan Gies, AEC Chief Executive 5.1.2 Projects Annex 1 [email protected]. -
The Role of Music in European Integration Discourses on Intellectual Europe
The Role of Music in European Integration Discourses on Intellectual Europe ALLEA ALLEuropean A cademies Published on behalf of ALLEA Series Editor: Günter Stock, President of ALLEA Volume 2 The Role of Music in European Integration Conciliating Eurocentrism and Multiculturalism Edited by Albrecht Riethmüller ISBN 978-3-11-047752-8 e-ISBN (PDF) 978-3-11-047959-1 e-ISBN (EPUB) 978-3-11-047755-9 ISSN 2364-1398 Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress. Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. © 2017 Walter de Gruyter GmbH, Berlin/Boston Cover: www.tagul.com Typesetting: Konvertus, Haarlem Printing: CPI books GmbH, Leck ♾ Printed on acid free paper Printed in Germany www.degruyter.com Foreword by the Series Editor There is a debate on the future of Europe that is currently in progress, and with it comes a perceived scepticism and lack of commitment towards the idea of European integration that increasingly manifests itself in politics, the media, culture and society. The question, however, remains as to what extent this report- ed scepticism truly reflects people’s opinions and feelings about Europe. We all consider it normal to cross borders within Europe, often while using the same money, as well as to take part in exchange programmes, invest in enterprises across Europe and appeal to European institutions if national regulations, for example, do not meet our expectations. -
Claiming a Front Row Seat for Music
Claiming a front row seat for Music “Music is at the centre of the well-being of our spirit, of our body and mind. It’s not only entertainment, it’s more than that!” Angélique Kidjo in her keynote at the 2021 European Forum on Music After more than 15 months of lockdowns, and hardly any concerts, festivals, collective singing, band or orchestra practice, clubbing and music education in or out of schools, the music sector in Europe and the world is at risk of turning into a stigmatised sector where only very few forms will survive. “In addition to the current health and economic crises, humanity faces nothing less than a potential global “cultural catastrophe”, with severe, long-lasting consequences for cultural rights – and other human rights – if necessary action is not taken immediately by all relevant actors. Karima Benoune, UN Special Rapporteur in the field of cultural rights We enjoy the recent re-opening of many parts of the music life and we hope that societies can start to recover from this unexpected pandemic. We welcome the “EU’s guidelines for the safe resumption of activities in the cultural and creative sector”1 and we can confirm that the music sector has always put health and safety first and will continue to do so. Nevertheless, infection rates may go up again, and therefore, we turn to you today with the request to take into account the societal relevance of the music sector in your political actions. We are grateful for the diverse and rapid support that the EU and national governments have provided as a reaction to the crisis.2 Now comes the time to think long-term and to fully acknowledge the artistic, social and economic value of the music sector. -
Activity Report Summary 2019
FACE – Annual Activity Report 2019 SUMMARY 2019 INTRODUCTION In July 2018, after 5 year of activities, on the occasion of the Assembly General Meeting in Gent (Belgium), members decided to validate the (r)evolution of the organisation and to take the time to review its focuses and fields/types of intervention in order to reposition it in today’s European cultural landscape, assess its activities and develop its sustainability. Members agreed 2019 should be an “année blanche”, a year without the usual activities proposed. Following the fruitful discussions, FACE decided to continue to deliver some activities, especially the ones the network already committed to towards different partners. The international association contributed to several capacity building programmes focusing on the internationalization of professional practices, on initiating formal and informal transnational collaboration. Finally, taking on board the first outcomes of the thorough analysis led during the “année blanche”, FACE joined forces with colleague European organisations to develop an Erasmus+ “strategic partnership” project. ACTIVITIES MEETINGS • 22-25 May 2019: General meeting of On the Move @ Arts and Theatre Institute in Prague (Czech Republic) • 15 October 2019: General meeting @ Kaaitheater, Brussels (Belgium) on the occasion of the workshop i-Portunus dedicated to the presentation of the preliminary study of this pilot European mobility scheme for artists and culture professionals. 14 WORKSHOPS & SEMINARS – 400+ PARTICIPANTS • 10-13 February 2019: Annual -
Music on Troubled Soils IMPRINT
music on troubled soils IMPRINT EDITOR EDITING European Music Council Simone Dudt, Rebekka Leibbrand, Isabelle Métrope Haus der Kultur Weberstr. 59a PROOF READING 53113 Bonn Anne Thomas Germany www.emc-imc.org | [email protected] LAYOUT Tel.: +49-228-96699664 | Fax.: +49-228-96699665 Simone Dudt CHAIRMAN PRINTING Timo Klemettinen Leppelt Grafik & Druck VICE-CHAIR Cover picture by EMC Christian Höppner Photographers as credited TREASURER Stef Coninx The European Music Council is supported by BOARD MEMBERS Erling Aksdal, Harald Huber, Petra Mohorcic, Ugis Praulins, Daphne Wassink SECRETARY GENERAL (Policy and Communication) © 2009 European Music Council. All rights reserved. Simone Dudt The views expressed in this publication are those of the authors and not SECRETARY GENERAL (Development and Finances) necessarily of the publisher or editor. No part of this publication may be Ruth Jakobi reproduced in any format without permission of the European Music Council. PROJECT ASSISTANT This communication reflects the views of the EMC only and the European Commission cannot be held responsible for any use made of the information Isabelle Métrope contained therein. Editorial In October 2008, the European Music A most popular Israeli song refers to Jerusalem, as “The lonely city with walls Council was invited by IMC Israel to take inside its heart”. The walls which during the past, served as safe havens or shelters, part in a conference on intercultural have become our current symbols of separation, distrust, hostility and lack of dialogue and on the power of music communication. to promote social empowerment Jerusalem was thus, a natural choice of location for a convention aimed at and conflict resolution. -
'Culture in EU External Relations' Centre for Fine Arts of Brussels
International conference: ‘Culture in EU External Relations‘ Centre for Fine Arts of Brussels – BOZAR 7-8 April 2014 – List of Speakers Markus APPENZELLER Born in Tubingen, Germany, 1972, Markus holds a professional degree in banking business. He studied law, architecture and urban planning in Konstanz, Stuttgart and Chicago. He graduated in 2003 from Stuttgart University. In his early career Markus worked for UnitA Architects (Stuttgart), Fink&Jocher Architects (Munich) and in the Office for Metropolitan Architecture (Rotterdam). Overall, Markus has been in charge of large scale architecture and urban planning projects in China and across Europe. Before founding MLA+ Markus was Director at KCAP Architects&Planners in Rotterdam (2006 – 2011), where he was design leader for the Olympic Legacy Masterplan for London and the masterplan for the Central Business District of Beijing. For the central area of Shenzhen, Markus headed a team to develop a regeneration strategy that sets an example for a new form of urban transformation in China. Also, he has been the project architect of OMA’s masterplan for White City in London. In 2011 he set up MLA+ with Gerard Maccreanor and Richard Lavington. Markus is a regular guest critic at the AA School of Architecture in London, has lectured at several schools across Europe and has been teaching at the Berlage Institute in Rotterdam. He also writes on various topics of contemporary urbanism and advises companies in how to operate in other countries and cultural environments. 1 Blanka BERKYOVÁ Blanka Berkyová, currently working for K13-Košice cultural center and is responsible for programming and leading one type the new cultural - community artistic infrastucture in the suburbs areas in the Košice city. -
Creative Europe Culture Music Projects
Creative Europe Culture Music Projects July 2020 Creative Europe NETWORKS - MUSIC More information on the European Union is available on the Internet (http://europa.eu). Luxembourg : Publications Office of the European Union, 2020 PRINT ISBN : 978-92-9484-121-6 doi : 10.2797/97142 EC-02-19-821-EN-C PDF ISBN : 978-92-9484-120-9 doi : 10.2797/746060 EC-02-19-821-EN-N © Education, Audiovisual and Culture Executive Agency, 2020 The Commission’s reuse policy is implemented by Commission Decision 2011/833/EU of 12 December 2011 on the reuse of Commission documents (OJ L 330, 14.12.2011, p. 39 – https://eur-lex.europa.eu/eli/ dec/2011/833/oj). Unless otherwise noted, the reuse of this document is authorised under the Creative Commons Attribution 4.0 International (CC BY 4.0) licence (https://creativecommons.org/licenses/by/4.0/). This means that reuse is allowed, provided appropriate credit is given and any changes are indicated. For any use or reproduction of elements that are not owned by the EU, permission may need to be sought directly from the respective rightholders. The EU does not own the copyright in relation to any images which do not carry the copyright indicator © European Union. CREDITS Cover photo : © Louise Mather. Creative Europe Culture Music Projects July 2020 TABLE OF CONTENTS TABLE OF CONTENTS FOREWORD 8 - 9 CREATIVE EUROPE PROGRAMME AND INFOGRAPHICS 10 - 11 MUSIC 12 - 77 CLASSICAL MUSIC 12 - 22 EEE - Emerging European Ensembles 12 ARDEA - International Classical Music Masterclasses ARDEA 13 Music Up Close Network - connecting -
Acting and Connecting by the European Music Council
Navigating your Music Professional Pathway in the 21st Century A Way Ahead for Music and Entrepreneurship An online training series of live webinars C. Finding your place in the European Cultural and political Landscape 7. Acting and connecting; The EMC case, Lessons for the cultural and creative sector around Europe By Ian Smith, Ruth Jakobi & Isabel Jordan, EMC 14/11/2017 Introduction • The political and sectoral context of the EMC • Strategies for advocacy • How to address conflicting issues on advocacy work? • The example of the process towards a European Agenda for Music • EU-funding European Music Council – EMC Umbrella organisation for music in Europe • European Regional Group of the International Music Council – IMC • Represents European music life • Membership organisation 75 member organisations 31 countries in Europe and beyond Outreach to 40 million people Our Members • National Music Councils (14) e.g. German Music Council, Czech Music Council, Finnish Music Council etc. • European and International Music Organisations (34) e.g. European Choral Association, Jeunesses Musicales International, EBU, International Association of Music Information Centres etc. • National/ Specialised organisations (27) e.g. Catalan Music Council, Cité de la musique, Scottish Music Centre etc. European Music Council of of Member Member Latvian Music Council European Choral Association Latvian Choir Association Member of Member of of Member Community Choir in Latvia Areas of Activity Information Exchange/ Networking Projects/ Research Policy Making/