The Demosthenic Βαζηιεύο: a Phantom in the Ath. Pol.?
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THE EPONYMOUS OFFICIALS of GREEK CITIES: I Aus: Zeitschrift Für Papyrologie Und Epigraphik 83 (1990) 249–288
ROBERT K. SHERK THE EPONYMOUS OFFICIALS OF GREEK CITIES: I aus: Zeitschrift für Papyrologie und Epigraphik 83 (1990) 249–288 © Dr. Rudolf Habelt GmbH, Bonn 249 The Eponymous Officials of Greek Cities: I (A) Introduction The eponymous official or magistrate after whom the year was named in Greek cities or as- sociations is well known to all epigraphists under various titles: archon, prytanis, stephanepho- ros, priest, etc. Some details about them have appeared in many articles and in scattered pas- sages of scholarly books. However, not since the publication of Clemens Gnaedinger, De Graecorum magistratibus eponymis quaestiones epigraphicae selectae (Diss. Strassburg 1892) has there been a treatment of the subject as a whole, although the growth of the material in this regard has been enormous.1 What is missing, however, is an attempt to bring the material up to date in a comprehensive survey covering the whole Greek world, at least as far as possible. The present article, of which this is only the first part, will present that material in a geographically organized manner: mainland Greece and the adjacent islands, then the Aegean islands, Asia Minor and Thrace, Syria, Egypt, Cyrene, Sicily, and southern Italy. All the epi- graphic remains of that area have been examined and catalogued. General observations and conclusions will be presented after the evidence as a whole has been given. I. Earliest Examples of Eponymity The earliest form of writing appeared in Sumer and Assyria sometime within the last half of the fourth millennium BC, and from there it spread westward. Thus, it is not at all surpris- ing that the Mesopotamian civilizations also made the earliest use of assigning names or events to years in dating historical records. -
The Ependytes in Classical Athens
THE EPENDYTES IN CLASSICAL ATHENS (PLATES 51-55) To the memoryof Richard D. Sullivan T HE FEW REFERENCES to the ependytes in Classical Greek literature occur in three fragments of Attic drama preserved by Pollux (VII.45): XLTWV EpELSSXLTCTVLOTKOS' XLTCeJVLOV, LaTLOV. ETEL E KaL 0 E(XEV8VVT7)S- EOTLV EV T7 TCV 7OXX XP7OEL, OOTLS' /3OVXOLTO KaL TOVTC TO ovo4LalTL /07)OE^LV .avIX() OVTL, XA7pTTEOvavro EK TCeV 1o00OK\EOVS1 IXvvTpLCOV (TrGF, F 439): 7rE-atXOVSTE v77oaL XLVOYEVE^LST' E'JTEv8VTas. KaL ?EOT7LS UE 7TOVO')TLV EV T^ HEvOEZL(TrGF, I, F 1 c): 'pyq( VOMLJ'EVE/3PL' EXELTEV 3VT7_VV. aVTLKPVS'86E OKELTO E'VTi- NLKOXacpovs,'HpaKXEL X0PopYW (I, p. 771.5 Kock): 4pEPEVVZV TaXECos, XLTCvJa TOVO E7XEV8VTflV Tf VVVXP/3VVXEL EL LV. The lines are disappointingly undescriptive,indicating only that an ependytes can be of linen and is somehow associatedwith the chiton, and that at an earlier period (?) it had a more general meaning, closer to the root of the word, as "thatwhich is put on over."1 Works frequently cited are abbreviatedas follows: Add = L. Burn and R. Glynn, Beazley Addenda,Oxford 1982 Bieber = M. Bieber, History of the Greekand Roman Theater,2nd ed., Princeton 1981 Burn = L. Burn, The Meidias Painter, Oxford 1987 Laskares = N. Laskares, Mop4aL LEpE'(V (X;r'LapXaLov MV7JEfLV?>>, AE?\T 8, 1923 (1925), pp. 103-116 LSAM = F. Sokolowski,Lois sacre'esde l'Asie Mineure, Paris 1955 LSCG = F. Sokolowski,Lois sacreesdes cite'sgrecques, Paris 1969 LSCG-S = F. Sokolowski,Lois sacre'esdes cite'sgrecques. Supple'ment, Paris 1962 Mantes = A. G. -
Sviatoslav Dmitriev the Theoric Fund, the Athenian Finance in the 330S
Sviatoslav Dmitriev The Theoric Fund, the Athenian fi nance in the 330s, and Apollodorus Abstract This article examines the history and role of the Theoric Fund in Athens, focusing on evidence and arguments in the long-running debate about whether a legal prohibition existed against channeling the surplus budget money designated for the Theoric Fund to military purposes. The argument here is that Libanius’ reference to this prohibition as being enforced by the death penalty for at least some time in the 340s cannot simply be rejected by adducing the evidence about either the proposal to have a public vote on diverting this money for military purposes, as was moved by Apollodorus in the early 340s, or the way in which the Theoric Fund operated in the 330s and 320s. Quite a lot has been written about the Theoric Fund, whose main declared purpose was to distribute money for public entertainment to qualifi ed Athe- nians, primarily for two reasons: the contested dating of its establishment, and the uncertainty about whether there existed a prohibition on diverting its money for other purposes. The foundation of the Theoric Fund is variously attributed to Pericles, to Agyrrhius in the early fourth century, or, according to the ma- jority opinion, to Diophantus and Eubulus in the mid-350s.1 Pinpointing the exact date of its establishment might not be as important as some think, since it is likely that the Fund, and the very idea of fi nancing public entertainment, evolved over time, paralleling the progress of Athenian democracy, which is 1 Pericles: Schol. -
The Athenian Prytaneion Discovered? 35
HESPERIA 75 (2006) THE ATHENIAN Pages 33-81 PRYTANEION DISCOVERED? ABSTRACT The author proposes that the Athenian Prytaneion, one of the city's most important civic buildings, was located in the peristyle complex beneath Agia Aikaterini Square, near the ancient Street of the Tripods and theMonument of Lysikrates in the modern Plaka. This thesis, which is consistent with Pausa s nias topographical account of ancient Athens, is supported by archaeological and epigraphical evidence. The identification of the Prytaneion at the eastern foot of the Acropolis helps to reconstruct the map of Archaic and Classical Athens and illuminates the testimony of Herodotos and Thucydides. most The Prytaneion is the oldest and important of the civic buildings in to us ancient Athens that have remained lost until the present.1 For the or Athenians the Prytaneion, town hall, the office of the city's chief official, as a symbolized the foundation of Athens city-state, its construction form ing an integral part of Theseus's legendary synoecism of Attica (Thuc. 2.15.2; Plut. Thes. 24.3). Like other prytaneia throughout the Greek world, the Athenian Prytaneion represented what has been termed the very "life common of the polis," housing the hearth of the city, the "inextinguishable and immovable flame" of the goddess Hestia.2 As the ceremonial center was of Athens, the Prytaneion the site of both public entertainment for 1.1 am to the to a excellent for greatly indebted express my heartfelt thanks number suggestions improving this 1st Ephoreia of Prehistoric and Classi of scholars who have given generously article. -
Sacred Mushrooms of the Goddess and the Secrets of Eleusis
In memory of Blaise Daniel Staples, my companion and soul mate. He is dearly missed. PREFACE by Huston Smith WHEN I WAS ABOUT TO PUBLISH Cleansing the Doors of Perception: The Religious Significance of Entheogenic Plants and Chemicals, there were those who advised me not to do so, saying that it would destroy my reputation. Time has proved them wrong. As the religious significance of these substances comes to be increasingly accepted—the glaring exception being the Food and Drug Administration—the sales of that book (favorably reviewed from the beginning) continue to rise. As does my conviction of the importance of the issue, and I will say why. The great achievement of the linguist Noam Chomsky, who was my colleague during the fifteen years I taught at MIT, was to discover the universal grammar that every spoken language–– English, Chinese, French, whatever––must conform to, for it seems to be imprinted into the human brain. I, for my part, have worked out the universal grammar of religion to which authentic religions conform. Reduced to a single sentence, that grammar concludes that Reality is Perfect, and that human beings should do their best to conform their lives to that perfection. Reality’s perfection seems to be contradicted by perception of the world, but this is not surprising, for Reality is Infinite and our minds are not. Out minds must expand if they are to receive even glimpses of the Infinite Perfection. Thus the question is: how can they do this? Perfect Reality has provided a way. Through the entheogens, to be sure, but here we come to a point that has been under-noticed in the discussion of this important subject. -
The Making of a Prostitute: Apollodoros's Portrait Of
Apollodoros’s Portrait of Neaira 161 THE MAKING OF A PROSTITUTE: APOLLODOROS’S PORTRAIT OF NEAIRA1 ALLISON GLAZEBROOK Apollodoros’s account of the life of Neaira ([Demosthenes] 59.16–49) is the most extensive narrative extant on a historical woman from the classical period. The recent publication of Debra Hamel’s book, Trying Neaira: The True Story of a Courtesan’s Scandalous Life in Ancient Greece (2003), has made the famous speech against Neaira and its recent scholarship accessible to a popular audience. The strength of Hamel’s work lies in the political, legal, and social context she provides for the speech, along with her ques- tioning of the various claims Apollodoros makes about Neaira’s “children” and her conclusion that he never proves beyond a doubt that Neaira has been acting as Stephanos’s wife. But does Apollodoros offer “the true story” of Neaira’s life as a courtesan, as Hamel’s title so boldly claims?2 The narrative detail of the speech and the testimony of witnesses convince Hamel (2003.156) that Apollodoros accurately portrays the events of Neaira’s early life. While one function of such witnesses was to attest to the veracity of a speaker’s comments, as in the modern day, their second 1A version of this paper was originally presented at the APA annual meeting in San Diego (2001). I would like to thank the audience for their lively discussion and helpful response, as well as Susan Cole, for her many suggestions, and my anonymous readers whose comments proved most fruitful. 2There is an assumption that oratory is a more objective source of evidence on women than other genres (Pomeroy 1975.x–xi). -
Mystery Cults and the Polis of Athens Amended
Mystery Cults and the Polis of Athens: A Reading of Bakchai and Frogs [Volume One of One] Submitted by Luigi Barzini to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Classics. [May 2019] This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signed: 1 Abstract This work is dedicated to a comparative study of Euripides’ Bakchai and Aristophanes’ Frogs (also “the plays”) in their religious, historical and political context and in particular in their connection with mystery cults. Aristophanes had his comedy Frogs performed at the Lenaia festival in the winter of 405. The son of Euripides had his father’s tragedy Bakchai produced at the Great Dionysia at some point after Euripides’ death, possibly in the spring of the same year 405. The two plays have several points in common: the protagonist, the god Dionysos; they are both rich in themes, motifs and images connected with the initiation cults of Dionysos (in Bakchai) and those of Demeter (in Frogs); the choruses have the same role on stage as they have in their cultic reality in the theatre, worshippers of the deity; the two plays were awarded the first prize. This thesis is dedicated to exploring the plays in their Athenian religious and socio-political context, a theme largely ignored by classical scholars. -
Space in Aristophanes: Portraying the Civic and Domestic Worlds in Acharnians, Knights, and Wasps
Space in Aristophanes: Portraying the Civic and Domestic Worlds in Acharnians, Knights, and Wasps Nina Papathanasopoulou Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 ©2013 Nina Papathanasopoulou All rights reserved ABSTRACT Space in Aristophanes: Portraying the Civic and Domestic Worlds in Acharnians, Knights, and Wasps Nina Papathanasopoulou This dissertation explores the treatment of the scenic and diegetic space in Aristophanes’ Acharnians, Knights, and Wasps, and the comedies’ attitude towards a variety of domestic and civic spaces, taking into consideration the cultural context in which the plays were composed. I argue that by using visual creativity and the available staging resources, Aristophanes calls attention to the consequences of the Peloponnesian war on the Athenians’ civic and domestic life. Acharnians, Knights, and Wasps all literalize in an imaginative way the impact of the dysfunction of the polis – the assembly, the agora, the boule, the lawcourts – on the oikos and the householder. The plays not only explore what happens to the oikos itself, but also the implications for a polis in which the oikos loses its place of prominence. Acharnians displays an example of the polis’ dysfunction in an assembly meeting at the Pnyx, and traces an individual’s frustration with this polis and his journey back to his oikos. We witness the reactions of Dikaiopolis and the Acharnians, both of whom have been forced out of their oikoi, have had their properties ravaged, and experience their estrangement with nostalgia or anger. I argue that through a private peace treaty Dikaiopolis is able to return to his oikos, and then expand his domestic space in order to be reintegrated into a functional community. -
Designing Women: Aristophanes' Lysistrata
Aristophanes’ Lysistrata 37 DESIGNING WOMEN: ARISTOPHANES’ LYSISTRATA AND THE “HETAIRIZATION” OF THE GREEK WIFE* SARAH CULPEPPER STROUP INTRODUCTION Aristophanes’ Lysistrata is a comedy of political and sexual negotiation and of what happens when complementary but distinct spheres of social interaction—the polis and the oikos, the public and the private—are torn apart and turned inside-out by protracted and seemingly ineluctable warfare. Produced, most probably, at the Lenaia of 411,1 this unusually topical drama offers an alluring reversal of the more standard comic representation of female sexuality as implicitly destructive to the civic body, forging in its place a fantasy world in which strictly proscribed sexual negotiation might * Various drafts of this article have benefited greatly from the criticisms and advice of numerous readers. I am indebted to, among others, Ruby Blondell, Mary LeBlanc, and two especially helpful anonymous readers for Arethusa. Thanks are due also to Jeffrey Henderson and Christopher Faraone, who forwarded to me manuscript versions of their own work on the topic, and to Andrew Stewart and Christopher Hallet, for their generous help with my use of the visual material. Any errors that remain are my own and should not be credited to my kind and conscientious readers. 1 A secure dating for this drama is difficult. As Henderson 1987.xv–xviii argues, however, the internal evidence of the play—the attitudes, assumptions, and arguments of the characters—in addition to the evidence given in the eighth book of Thukydides (though admittedly problematic in chronology at some places) will support a date of 411. For fuller discussions of dating, see Sommerstein 1977 and Westlake 1980. -
Archon - Wikipedia, the Free Encyclopedia
Archon - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Archon#Gnostic_archons Archon From Wikipedia, the free encyclopedia Archon (Gr. ἄρχων, pl. ἄρχοντες) is a Greek word that means "ruler" or "lord", frequently used as the title of a specific public office. It is the masculine present participle of the verb stem ἀρχ-, meaning "to rule", derived from the same root as monarch, hierarchy and anarchy. Contents 1 Ancient Greece 2 Byzantine Empire 3 Archons of the Ecumenical Patriarchate of Constantinople 4 Gnostic Archons 4.1 The Hebdomad 4.2 Mandaean Archons 4.3 Manichaean Archons 4.4 Origins 4.4.1 As planets 4.4.2 In Zoroastrianism 4.5 Usage 4.5.1 In Judaism and Christianity 4.5.2 In Greek theology 5 Other uses 5.1 Real life 5.2 Books 5.3 Movies and television 5.4 Role-playing games 5.5 Video games 5.6 Music 5.7 Others 6 References 6.1 Bibliography Ancient Greece In the early literary period of ancient Greece the chief magistrate in various Greek city states was called Archon.[1] The term was also used throughout Greek history in a more general sense, ranging from "club leader" to "master of the tables" at syssitia to "Roman governor". 1 of 14 03/12/2010 07:27 PM Archon - Wikipedia, the free encyclopedia http://en.wikipedia.org/wiki/Archon#Gnostic_archons [citation needed] In Roman terms, the board of archontes ruled by potestas, whereas the Basileus ("King") had auctoritas. In Athens a system of nine concurrent Archons evolved, led by three respective remits over the civic, military, and religious affairs of the state: the three office holders being known as the Eponymous archon (Ἐπώνυμος ἄρχων; the "name" ruler, who gave his name to the year in which he held office), the Polemarch ("war ruler"), and the Archon Basileus ("king ruler").[2] Originally these offices were filled from the aristocracy by elections every ten years. -
Sozial Versus Politisch: Divergierende Rollenbilder Citizenship in Action
Sozial versus Politisch: divergierende Rollenbilder Citizenship in Action: „Reading“ Sacrifice in Classical Athens* Josine H. Blok „It was we, men of Athens, who made Charidemos a citizen, and by that gift bestowed upon him a share in our hiera kai hosia, in our legal traditions, and in everything in which we ourselves participate.“ With these words, Demosthenes summarised what it meant to be a citizen of Athens. „A share in the hiera and hosia“ was no wording of his own, but a stock phrase, used frequently in discourse about citizenship. Being an Athenaios or Athenaia, a citizen of Athens, entitled one to participation in the hiera and hosia of the city. And one could only be a citizen if born in an Athenian oikos, unless one was literally naturalised – changed to the condition as if one was born an Athenian and thus made a citizen (dêmopoiêtos). Considering that birth from two Athenian parents was the normal prerequisite for citizenship, it should come as no surprise that both men and women were counted as citizens, even if their respective roles in public and private life were different. Participation in the hiera and hosia of the polis concomitantly applied to male and female citizens alike. Conversely, by participating in the hiera and hosia, a citizen could demonstrate that he or she was a citizen. In this way, membership of the polis was put into practice. * I am grateful to Christian Mann for inviting me to the conference at Freiburg i. Br. in Novem- ber 006, and to Stephen Lambert for continuous discussions, in particular for his comments on a concise version of this essay for the Festschrift for Herman Brijder (Blok 008, in press). -
A Survey of Greek History
A Survey of Greek History © 2003 Prof. David C. Mirhady Department of Humanities, Simon Fraser University http://www.sfu.ca/classics 750 Invention of the Hoplite Phalanx Spartan conquest of Messenia - Sparta subjects the inhabitants of the neighboring area of Messenia to slave status, calling them helots War of the Lelantine Plain - many of the fledgling poleis from throughout the Greek world take sides in a war between Chalkis and Eritrea over the Lelantine plain, which separates them 650 Second Messenian War - Sparta reacts to a Messenian resurgence by imposing a strict military regime on its own citizens 650-550 Rise of Tyranny at Sicyon, Corinth, and Miletus - individual aristocrats, with popular support, seize power from other aristocrats by unconventional means 633 Conspiracy of Cylon - an attempt to seize power by a would-be tyrant in Athens is brutally suppressed 622 Lawcode of Draco - Athens' first law code, which is known for the severity of its punishments 594 Reforms of Solon - an Athenian moderate brings in wide-ranging reforms in order to defuse strife between Athens' rich and poor 566-511 Tyranny of Peisistratus and his sons - Peisistratus seizes power three times and promotes Athenian unity and commerce 508 Reforms of Cleisthenes - constitutional changes relieve regional tensions in Athens and form the basis of Athens' democracy 490 Battle of Marathon - without Spartan help, Athenian hoplites repulse a Persian invasion 480 Battle of Salamis - led by the genius of the Athenian Themistocles, the Greek fleet defeats its much