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Sexuality, Social Inequalities, and Sexual Vulnerability Among Low-Income Youth in the City of Ayacucho, Peru
SEXUALITY, SOCIAL INEQUALITIES, AND SEXUAL VULNERABILITY AMONG LOW-INCOME YOUTH IN THE CITY OF AYACUCHO, PERU CARMEN J. YON Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy under the Executive Committee of the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Carmen J. Yon All rights reserved ABSTRACT Sexuality, Social Inequalities, and Sexual Vulnerability among Low-Income Youth in the City of Ayacucho, Peru Carmen J. Yon This ethnographic study explores diverse ways in which sexuality and social hierarchies and inequalities interact in the lives of low-income youth who were trained as peer-educators and sexual health and rights advocates in Ayacucho, Peru. It examines three central questions: 1) How are meanings about sexuality related to social hierarchies and social prestige among these youth? 2) How do quotidian manifestations of social inequity shape vulnerability of youth to sexual abuse and sexual risks, and their sexual agency to face these situations? and 3) What are the possibilities and limitations of existent sexual rights educational programs to diminish sexual vulnerability of youth facing diverse forms of inequality, such as economic, gender, ethnic and inter-generational disparities? I analyze what may be termed as the political economy of sexual vulnerability among low-income youth, and show the concrete ways in which it operates in their everyday life. Likewise, this research studies sexuality as a domain of reproduction, resignification and critique of social inequality and social hierarchies. The context is an Andean city, which in recent decades has experienced incomplete processes of democratization, and also a greater penetration of consumerism and transnational ideas and images. -
THE UNIVERSITY of ARIZONA PRESS Celebrating 60 Years
THE UNIVERSITY OF ARIZONA PRESS FALL 2019 Celebrating 60 Years The University of Arizona Press is the premier publisher of academic, regional, and literary works in the state of Arizona. We disseminate ideas and knowledge of lasting value that enrich understanding, inspire curiosity, and enlighten readers. We advance the University of Arizona’s mission by connecting scholarship and creative expression to readers worldwide. CONTENTS AFRICAN AMERICAN STUDIES, 10 ANTHROPOLOGY, 18, 19, 21, 25, 26 ARCHAEOLOGY, 30 ARTS, 2–3 BORDER STUDIES, 9, 18, 19, 20, 29 ENVIRONMENTAL POLICY, 4–5 ENVIRONMENTAL STUDIES, 24, 26, 27 ETHNOBIOLOGY, 27 HISTORY, 2–3, 9, 16, 20, 29 INDIGNEOUS STUDIES, 6, 16, 17, 18, 21, 22, 23, 25, 28 LATIN AMERICAN STUDIES, 20, 21, 22, 23, 24, 25, 28, 29 LATINX STUDIES, 7, 8, 12, 13, 14, 15 LITERATURE, 7 POETRY, 6, 8 SOCIAL JUSTICE, 10, 13, 14, 15, 24 SPACE SCIENCE, 31 WATER, 4–5 RECENTLY PUBLISHED, 32–35 RECENT BEST SELLERS, 36–42 OPEN ARIZONA, 43 SALES INFORMATION, 44 CATALOG DESIGN BY LEIGH MCDONALD COVER PHOTO [FRONT] COMPOSITE BY LEIGH MCDONALD [INSIDE] BY NOSHA/FLICKR PRAISE FOR JAMES S. GRIFFITH TITLE OF THE BOOK SUBTITLE OF THE BOOK GOES HERE “Griffith recognizes the interdependence that has grown between the Tucsonese culture AUTHORand its folk NAME arts traditions.” —High Country News Keynote keynote keynote keynote keynote keynote keynote keynote Keynote keynote keynote keynote “Like a friend or relative who is eager to introduce visitors to the sights and sounds of his hometown, Griffith leads readers on a whirlwind tour celebrating Mexicano arts and crafts.” Repudant. -
Key West High Get
ART In L’Attitudes The Pulitzer Prize-winning play ‘August: Osage Photo by RICHARD WATHERWAX Cast of ‘August:Osage County,’ which opens Dec. 22 at the Waterfront Playhouse. County’ comes to the Waterfront Playhouse. Van Eno’s ‘Cleopatra.’ New Van Eno Pulitzer prize-winner retrospective comes to Waterfront Story, The play is also a Osage County’can be than two years on 5B opens Dec. 17 Broadway chance to showcase a heard echoes of other Broadway. winner has broad lineup of Key classic dramas about the Two preview perform- West’s talented actors. strangling grip of blood ances are scheduled for Eno’s iconic work was Weathers says it may ties - from Eugene Dec. 20-21 with reduced Customs House popularized in Key West in big opening very well be “one of the O’Neill’s ‘Long Day’s ticket prices of $25 per the 1970s and ‘80 and exhibit shows L’Attitudes Staff finest ensembles ever Journey Into Night’ to person. exhibited in the gathered on a Key West Sam Shepard’s ‘Buried Opening night is Gingerbread Square Gallery vibrant palette “August: Osage stage.” Child.’ Thursday, Dec. 22, and when Richard Heyman County” opens the winter The cast of 13 includes “But Mr. Letts infuses includes a catered post- L’Attitudes Staff owned the gallery and theater season at The John Wells (Beverly), Joy his dark drama with performance reception, before Heyman became Waterfront Playhouse. Hawkins (Violet), George potent energies derived sponsored by Bunnie Key West mayor. The Key West Art & Described by the New diBraud (Barbara), Bob from two more populist Smith, that will be held Work in theater costume l Society will pres- York Times as “flat-out, Bowersox (Bill), Jessica forms of American enter- in the sculpture garden in and set design broadened h no asterisks and without Miano Kruel (Jean), tainment. -
Adios Amor: the Search for Maria Moreno
Latino Public Broadcasting | VOCES Season 5 Outreach Guide for Adios Amor: The Search for Maria Moreno Thank you for taking the extra step to encourage viewers of Adios Amor: The Search for Maria Moreno to think critically about the film and its themes, and to share their thoughts with others in their community. According to U.S. Census projections, it is anticipated that the U.S. Latino population will grow by 167% between 2010 and 2050. As Latino Americans expand their impact economically, culturally and politically, they will contribute more and more to our ongoing national conversations about identity and empowerment. As the demographic landscape continues to shift, public media can play a significant role in building bridges of understanding by presenting audiences with trustworthy content and neutral spaces for meaningful dialogue. Community conversations hold tremendous potential to enrich our understanding of our unique and varied stories, as well as our shared values, forging a future as a nation whose strength lies in its diversity. This outreach guide offers themes to inspire conversation, as well as tips for planning events, suggestions for community partners and speakers, social media strategies and discussion questions, supplemental readings and free resources to accompany the film. Film Summary: Set in 1950s and 60s California, Adios Amor recaptures the forgotten yet epic struggle of Maria Moreno, a determined migrant mother who became an early outspoken leader in the movement for farmworker rights years before Dolores -
Chicano / Mexicano Movement
Chicano/Mexicano Freedom Movements 1. In the opening to the section in the film on the Chicano/Mexicano movements, the narrator gives a very brief summary of the taking of a large part of Mexico by the U.S. military during the U.S. Mexico war from 1846–1848, which followed the annexation of Texas by the U.S. in 1845. “Much of the Southwest, including Texas, California, Colorado and other states were part of Mexico until the Mexican-American war in the late 1840s. When the US military stole the land from Mexico. This history of conquest, the idea of an occupied land and a culture of resistance have played a central role in the ongoing struggles of Chicano/Mexicano peoples.” 2. Briefly explain the idea of “manifest destiny” as a justification used by the U.S government and press for US territorial expansion. In the 1840s the term sought to justify westward expansion into such areas such as Texas, Oregon, and California. It was used with the chauvinistic sense that of a divinely inspired mission and was later applied to American interests in the Caribbean and the Pacific, as an apologia for imperialism. Critics past and present see “manifest destiny” as a thinly veiled attempt to put an acceptable face on taking lands from other peoples. While the “mission” was often described as improving the lot of “backward peoples,” primary motivations were (and are) greed for natural resources, domination, and control. Optional: You could mention that some early anti-imperialists opposed the war—most famously Henry David Thoreau who refused to pay poll taxes, received a jail sentence, and wrote his famous essay "Civil Disobedience" in protest of the Mexican War. -
Curanderismo As Decolonization Therapy: the Acceptance of Mestizaje As a Remedio
San Jose State University SJSU ScholarWorks NACCS Annual Conference Proceedings 2012: 39th Annual: NACCS@40 - Chicago, IL Mar 17th, 3:00 AM - 4:00 AM Curanderismo as Decolonization Therapy: The Acceptance of Mestizaje as a Remedio Ramon Del Castillo Metropolitan State University, [email protected] Adriann Wycoff Metropolitan State College of Denver, [email protected] Steven Cantu Metropolitan State University, [email protected] Follow this and additional works at: https://scholarworks.sjsu.edu/naccs Part of the Gender and Sexuality Commons, and the Race and Ethnicity Commons Del Castillo, Ramon; Wycoff, Adriann; and Cantu, Steven, "Curanderismo as Decolonization Therapy: The Acceptance of Mestizaje as a Remedio" (2012). NACCS Annual Conference Proceedings. 7. https://scholarworks.sjsu.edu/naccs/2012/Proceedings/7 This Conference Proceeding is brought to you for free and open access by the National Association for Chicana and Chicano Studies Archive at SJSU ScholarWorks. It has been accepted for inclusion in NACCS Annual Conference Proceedings by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. Curanderismo as Decolonization Therapy: The Acceptance of Mestizaje as a Remedio Dr. Ramon Del Castillo, Dr. Adriann Wycoff and Steven Cantu, M.A. Chicana/o Studies Department Metropolitan State College of Denver 1 March 2012 2 Abstract “Curanderismo as Decolonization Therapy: The Acceptance of Mestizaje as a Remedio” explores Chicana/o identity and its many manifestations that reflect -
Afro-Descendants, Discrimination and Economic Exclusion in Latin America by Margarita Sanchez and Maurice Bryan, with MRG Partners
macro study Afro-descendants, Discrimination and Economic Exclusion in Latin America By Margarita Sanchez and Maurice Bryan, with MRG partners Executive summary Also, Afro-descendants do not have a significant voice in the This macro study addresses the economic exclusion of people planning, design or implementation of the policies and activi- of African descent (Afro-descendants) in Latin America. It ties that directly affect their lives and regions. This is an aims to examine how and why race and ethnicity contribute to important omission; while Afro-descendant populations may the disproportionately high levels of poverty and economic dis- be materially poor, they have a rich cultural heritage and access crimination in most Afro-descendant communities, and how to key natural resources. Development strategies need to recog- to promote change. nize the historical, social and cultural complexity of There are clear links between Afro-descendant communi- Afro-descendants’ poverty and consult them on the most cul- ties and poverty, however there is a need for disaggregated data turally appropriate means of achieving positive change. to provide a more precise picture, and to enable better plan- The views of Afro-descendants are central to much of the ning and financing of development programmes for this highly information used in this study, which uses a rights-based marginalized group. approach. The study explains some of the causes and conse- A prime cause for the lack of quantitative material, is that quences of Afro-descendants’ exclusion, and offers donors and governments have only recently begun to acknowl- recommendations for a more inclusive minority rights-based edge Afro-descendant populations’ existence. -
November 15 – 30, 1969 No. 16
2/EL MALCRIADO UFWOC TAKES A SECOND LOOK AT THE "BAN" "DDT BAN--A COLOSSAL FRAUDI" DELANO, November 21 -- "The lations do not even mention the dan nothing is being done about grapes federal ban on DDT as presently ger facing workers and consumers and other products now on the mar stated is a hoax," stated UFWOC alike from the use of pesticides kets which are saturated with DDT. general counsel, Jerome Cohen, re on field crops," said Cohen. "And "Te.sts by independent laboratories ferring to the U.S. Department of the California state regulations, is and by the supermarkets themselves Agriculture's much publicized "ban" sued earlier this year, call for have shown heavy residues of DDT on DDT. "phasing out" DDT on 47 crops, - on grapes. Yet the government After several weeks of advance not including grapes. Clearly the is doing nothing to protect the con publicity in which spokesmen for the federal and state officials Charged sumers," stated UFWOC Vice federal government reiterated the with protecting our health are more PreSident Dolores Huerta. "That evils of DDT, the Department of concerned with protecting the profits is Why we feel this whole thing Agriculture . yesterday officially of the DDT producers and the grape was a gigantic publicity stunt on the banned the use of DDT in only growers, than with protecting the part of the government and the four areas: in the home, on to consumers." growers to make the public think' bacco, in aquatic environments such UFW OC leaders also noted that that they were being protected. -
Chicana/Os Disarticulating Euromestizaje By
(Dis)Claiming Mestizofilia: Chicana/os Disarticulating Euromestizaje By Agustín Palacios A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Ethnic Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Laura E. Pérez, Chair Professor José Rabasa Professor Nelson Maldonado-Torres Universtiy of California, Berkeley Spring 2012 Copyright by Agustín Palacios, 2012 All Rights Reserved. Abstract (Dis)Claiming Mestizofilia: Chicana/os Disarticulating Euromestizaje by Agustín Palacios Doctor of Philosophy in Ethnic Studies University of California, Berkeley Professor Laura E. Pérez, Chair This dissertation investigates the development and contradictions of the discourse of mestizaje in its key Mexican ideologues and its revision by Mexican American or Chicana/o intellectuals. Great attention is given to tracing Mexico’s dominant conceptions of racial mixing, from Spanish colonization to Mexico’s post-Revolutionary period. Although mestizaje continues to be a constant point of reference in U.S. Latino/a discourse, not enough attention has been given to how this ideology has been complicit with white supremacy and the exclusion of indigenous people. Mestizofilia, the dominant mestizaje ideology formulated by white and mestizo elites after Mexico’s independence, proposed that racial mixing could be used as a way to “whiten” and homogenize the Mexican population, two characteristics deemed necessary for the creation of a strong national identity conducive to national progress. Mexican intellectuals like Vicente Riva Palacio, Andrés Molina Enríquez, José Vasconcelos and Manuel Gamio proposed the remaking of the Mexican population through state sponsored European immigration, racial mixing for indigenous people, and the implementation of public education as a way to assimilate the population into European culture. -
Puerto Rican Obituary
144 Off Campus: Seggau School of Thought 6 Monica Cristiana Irimia Repressed Culture and Otherness in “Yo Soy Joaquín” and “Puerto Rican Obituary” Abstract This paper provides an analysis of two poems, Yo Soy Joaquin and Puerto Rican Obituary, which stand as manifestos for two radically sociopolitical engagements, the Chicano/a movement and the Nuyorican movement. Both texts deal with the inferior status of minorities in the US and reflect upon issues such as racism, oppression, cultural survival, cultural pride, diversity, ethnic pluralism. This article explores the similarities between two texts that come from rather different cultural areas. The paper also analyzes the stylistic devices involved in the making of the poems. Both poems are elegies for asserting one's cultural heritage and acknowledging one's true identity. Suggested Citation: Irimia, Monica Cristiana. “Repressed Culture and Otherness in ‘Yo Soy Joaquín’ and ‘Puerto Rican Obituary’.” Radical (Dis)Engagement: State – Society – Religion (Off Campus: Seggau School of Thought 6), edited by Murray Forman, Erlis Laçej, Frederick Reinprecht, and Kim Sawchuk. 2020, pp. 145-153, DOI: 10.25364/25.6:2020.11. Keywords: hybridity, identity, oppression, manifesto, survival Peer Review: This article was reviewed by the volume’s editors and professors of the GUSEGG Summer School. Copyright: © 2020 Monica Cristiana Irimia. This is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CCBY 4.0), which allows for the unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Off Campus: Seggau School of Thought 6 145 Monica Cristiana Irimia Repressed Culture and Otherness in “Yo Soy Joaquín” and “Puerto Rican Obituary” The purpose of this essay is to discuss two poems, “Yo Soy Joaquín” and “Puerto Rican Obituary,” by establishing the similarities and differences between them from an ideological and a stylistic point of view. -
Faulkner & Yoknapatawpha Conference 2013
the the newsletter of the Center for the study of southern Culture • spring 2013 the university of mississippi Faulkner & Yoknapatawpha Conference 2013 “Faulkner and the Black Literatures of the Americas” An impressive response to the call for papers for “Faulkner tablists will join the four invited keynote speakers and the and the Black Literatures of the Americas” has yielded 12 new featured panel of African American poets (both detailed in sessions featuring nearly three dozen speakers for the confer- earlier issues of the Register) to place Faulkner’s life and work ence, which will take place July 21–25, 2013, on the campus in conversation with a distinguished gallery of writers, art- of the University of Mississippi. These panelists and round- ists, and intellectual figures from African American and Afro- Caribbean culture, including Charles Waddell Chesnutt, W.E.B. Du Bois, Jean Toomer, painter William H. Johnson, Claude McKay, Delta bluesman Charley Patton, Zora Neale Hurston, Richard Wright, C.L.R. James, Ralph Ellison, Frantz Fanon, James Baldwin, Édouard Glissant, Marie Vieux- Chauvet, Toni Morrison, Randall Kenan, Suzan-Lori Parks, Edwidge Danticat, Edward P. Jones, Olympia Vernon, Natasha Trethewey, the editors and readers of Ebony magazine, and the writers and characters of the HBO series The Wire. In addi- tion, a roundtable scheduled for the opening afternoon of the conference will reflect on the legacies of the late Noel E. Polk as a teacher, critic, editor, collaborator, and longtime friend of the Faulkner & Yoknapatawpha Conference. Also selected through the call for papers was keynote speaker Tim A. Ryan, associate professor of English at Northern Illinois University and author of Calls and Responses: The American Novel of Slavery since “Gone with the Wind.” Professor Ryan’s keynote address is entitled “‘Go to Jail about This Spoonful’: Narcotic Determinism and Human Agency in ‘That Evening Sun’ and the Delta Blues.” This will be Professor Ryan’s first appearance at Faulkner & Yoknapatawpha. -
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