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Artists' Books Denis Ozanne

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Artists' Books Denis Ozanne ARTISTS’ BOOKS DENIS OZANNE CHLOE & DENIS OZANNE 18 RUE DE PROVENCE 75009 PARIS ( sur rendez-vous) 33 (0)1 48 01 02 37 33 (0)1 48 01 06 29 [email protected] maquette (illusions) • couverture serge bilous • PH o t o s F r a n ç o i s D o u r Y 1. ALECHINSKY PIERRE MANSOUR JoYCE LE BLEU DES FONDs Paris, Le Soleil Noir, 1968 ; 2. ARMAN & CESAR 22x16x4cm et 27x6.5cm. (Exhibition Catalogue) Série A. 99 exemplaires sur vélin CHIMÉRIQUES d'Arches inclus dans un emboîtage en liège relié par un filin de POLYmÈRES Nice, Musée d’Art Moderne, 1996, chanvre à une eau-forte en cou- 255x215mm, 254pp., cartonnage leurs, numérotée et signée, tirée argent de l’éditeur. sur papier d'Auvergne, et noyée L’exposition, la plus importante sur dans un cylindre de polyester l’utilisation de la matière plastique transparent. L'ouvrage contient, en dans l’art du 20ème siècle présen- outre, deux eaux-fortes en cou- tait de nombreux artistes parmi leurs tirées dans les ateliers de lesquels Arman, César, Spoerri, Pierre Alechinsky, numérotées et Koons, Burri, Hesse, Oldenburg... signées. L'emboîtage en liège a été Entièrement illustré en couleurs. réalisé par les établissements Exemplaire du tirage de luxe (non précisé Duval. mais probablement de l’ordre d’une cen- Librairie Nicaise catalogue 15 n° 34, reproduit taine), inséré entre deux coques de plastique moulé spécialement créées pour l’occasion; l’une de César est une compression de bou- teille, l’autre d’Arman est une accumulation de jetons. 3. ASPEN #3 Warhol Issue new York, roaring Fork Press, 1966, 31x23x2cm Boîte imitant un paquet de lessive contenant : 12 cartes postales reproduisant des tableaux de la collection Thomas Powers, un flip-book d'après le film de Jack Smith "Buzzards over Bagdad" et "Kiss" de Andy Warhol, un carnet de tickets d'entré pour la conférence de Berkeley sur le LSD, 4. BALDESSARI JOHN Ingres and other Parables Londres, Studio International Publications Ltd, 1972, 27x30.7cm, 22 pages non paginées sous couverture souple, broché, présenté comme un calen- drier mural, un trou en bas de la couver- ture permettant de le suspendre, ouvert à la page désirée, à un clou planté au mur. 10 photographies pleine page accompa- gnées chacune d'un texte en quatre lan- gues. Premier livre d'artiste de l'auteur qui avait auparavant exposé ces "paraboles" à la galerie Konrad Fischer à Dusseldorf moeglin-Delcroix p.274-275, reproduit. grPc 203 5. BALDESSARI JOHN. Brutus Killed Cesar. Published by the Emily H. Davis Art gallery, university of akron, ohio, in coo- peration with sonnabend gallery, new York, and ohio state university, colombus, Ohio, sd (1976) 100x275mm, 30 planches photographiques reliure spirale. Moeglin-Delcroix p.275, reproduit. Coosje van Bruggen John Baldessari, Rizzoli 1990, p. 98-99, reproduit. 6. BOITE ALERTE. Paris, galerie Daniel cordier, 1959 Boîte: Carton recouvert de papier vert ; 180x65x285mm. Marques: Exposition inteRnatiOnale du Surréalisme (les majuscules forment le mot EROS)/Boîte Alerte/Missives Lascives. Numérotée dans le couvercle. Boîte conçue par Mimi Parent à la demande d’André Breton et Marcel Duchamp. Contenu: Catalogue: 144pp; 125x265mm, broché dos carré. Numéroté sur la dernière page. Textes de Benjamin Péret, André Breton, Bellmer, Pieyre de Mandiargues, Arp.; nombreuses reproduc- tions photographiques in-texte. six cartes postales en couleurs par bellmer, Dali, gorky, miro, svanberg et trouille. Quatre lithographies en couleurs par Miro, Toyen, Dax et Svanberg, numérotées et signées. Une eau forte de Maréchal (255x167mm), numérotée et signée. Un disque 45 tours 173mm, avec d’un coté Joyce Mansour et de l’autre Benjamin Péret, étiquettes de Mimi Parent et Jean Claude Silberman. Télégramme de Marcel Duchamp à André Breton. 165x210mm. (Schwarz p.598-599 n°127, reproduit.) Neuf missives lascives: Benayoun Robert, Mandiargues et Toyen, Joyce Mansour, Micheline Bounoure, Alain Joubert, Octavio Paz, Mimi Parent, et deux anonymes. 7. BEN (BEN VAUTIER) Boîte Mystère n°63 Boîte fermée 68x60x110, en bois peint noir, contenant des objets non identifiés. Etiquette imprimée sur l’une des faces verticales comportant les mentions : “ crÉATION nov. 1960/ boÎte mYstÈre n° 63 / ne Pas OUVRIR/ Cette boîte perd toute sa valeur et signification esthétique en tant qu’œuvre d’art (mystère) à l’instant même où elle est ouverte./FermÉe le 21/12/65 Par ben/ TOUT n°13. FLUXus ”. La date et le numéro sont manuscrits. Les Mystery Boxes, toutes différentes par la forme (l'idée étant que l’œuvre cesse d’exister dès que le contenu est révélé), apparaissent dans l'œuvre de Ben à partir de 1963, soit séparément, soit comme partie d’un ensemble comme le Fluxcabinet dont elle constitue un tiroir. silverman n°435 ; Fluxus codex p 512 reproduit en couleurs p 164 (autre version) ; Vente Breton n°4120 ; Boîtes Arc 76-77 exposé (autre version). Wye/Weitman p.119. 8. BOLTANSKI CHRISTIAN Livres Paris, association Française d'ac- tion Artistique 1991, coffret en car- ton et toile noire à rabat , 255x350x55mm , contenant : -Le catalogue raisonné " Christian Boltanski : Books, Printed Matter, Ephemera, 1966-1991 ", Verlag der Buchhandlung Walter König, Köln, Portikus, Frankfurt am main, 1992 -28 livres d’artiste de Christian Boltanski, la plupart illustrés de photographies, de présentations et formats divers. Tirage total de 900 exemplaires Un des 60 exemplaires de tête signé sur la couverture et compor- tant une photographie originale 9. BURROUGHs WILLIAMS / gYSIN BRION Electronic Revolution Cambridge, Blackmoor Head Press 30 octobre 1971 Texte : 305x225mm, 76 pages chiffrées de 1 à 76 et 4 pages de colophon non chiffrées, sous porte- feuille en carton rouge avec titre inclus dans une sérigraphie de brion gysin. Illustration : portefeuille de carton rouge 322x248mm contenant les deux sérigraphies de gysin numéro- tées et signées au verso. Le tout contenu dans un étui en carton noir, une étiquette collée portant le nom de l’auteur. Conception et mise en page de Henri Chopin pour la collection OU. Texte de Burroughs, ici en édition ori- ginale, en anglais et français (traduit par Jean Chopin), illustrations de brion gysin. Tirage total de 500 exemplaires. Un des 50 sur papier Hayle, numéroté et signé, présenté sous étui en papier noir de l’éditeur et contenant deux sérigraphies originales signées de brion gysin exécutées à l’aide de rou- leaux encreurs utilisés d’une manière semi aléatoire. Maynard & Miles A21. 10. DEBORD GUY ERNEST / JORN ASGER Mémoires. Structures portantes d’Asger Jorn Paris, l’Internationale Situationniste, 1959 (rédigé en décembre 1957 et paru en décembre 1958), 271x210mm, 64 pages non paginées sous couver- ture muette, broché, une seconde couverture en papier de verre recouvrant l’ensemble. Imprimé à Copenhague par Permild & Rosengreen. Jamais mis en vente. La plupart des photographies utilisées dans les montages sont dues à Ed Van der Elsken. " J’ai publié des Mémoires qui n’étaient franche- ment composées que de citations très variées, sans compter une seule phrase, même brève, qui soit de moi. J’ai offert ce livre à mes amis, sans plus. Personne d’autre n’a été avisé de son existence ” “leur célébrité est venue de n’avoir été répandus 11. HULTEN PONTUS DEN INRE OCH DEN Y t tre rYmDEN ; EN UTSTÄLLNING RÖRANDE EN UNIVERSELL KONST. THE INNER AND OUTER SPACE An exhibition devoted to universal art Stockholm. National museum. Moderna museet 26 décembre 1965-13 février 1966. 29x29cm, couverture en plastique blanc, pages de divers formats, assemblées par trois vis et écrous. Boîte originale en carton imprimé ou le titre de l’exposition est répété en plusieurs lan- gues sur la totalité de la surface, probablement en hommage au célèbre new York Dada.( new York, avril 1921, numéro unique.) Divisé en 4 sections : • Kasimir malevitch : 25x27cm, 30pp, 3pl., texte par troels andersen, très illustré • naum gabo : 27x27cm, 24pp texte par Pontus Hulten, illustré • Yves Klein : 26pp et une feuille monochrome dorée portant au verso imprimé au tam- pon une phrase de August Strindberg. Texte de Ulf Linde et Pierre Restany. Cette sec- tion est séparée de la précédente par une feuille monochrome bleue. • 35 konstnäre som utforskat rymdens bild : 38pp, texte de Pontus Hulten et présenta- tion d’œuvres de 35 artistes dont le travail s’inscrit dans le sens de l’investigation de l’espace : J.abers, max bill, lucio Fontana, sam Francis, Don Judd, mack, uecker, otto Piene, Manzoni, Robert Morris, Barnett Newman, Noland, Reinhardt, Rothko, Soto, stella, tobey, vantongerloo. texte de györgy ligetti précédemment publié dans “ 12. DUBUFFET JEAN / SEGHERS PIERRE L’homme du commun Description du livre: Éditions Poésie 44 (Pierre Seghers), Paris 5.10.1944. Broché 270x 200mm, broché, couverture illustrée rempliée, constituée de la lithographie originale "Cyclotourisme" titrée en rouge. Édition originale et premier livre illustré par Dubuffet N°13/140 exemplaires numérotés sur arches, après 10 Japon. 2 lithographies originales de Jean Dubuffet, la seconde en couleur en frontispice est intitulée "Départ à cheval". Elégante et rare plaquette d'aphorismes de l'auteur sur la peinture, dédiés à Jean Paulhan. Les deux images, de la meilleure veine de l'artiste, seront reprises dans "Matière et Mémoire" l’année suivante. Weber 48&49 ; Arenthon 1. 13. DUCHAMP MARCEL (1887-1968) PAZ OCTAVIO (1914-1998) Marcel Duchamp ou Le Château de la Pureté Paris, claude givaudan, 1967, 101 pages, 24x18cm, broché, portfo- lio de même format contenant la suite, l’ensemble sous emboîtage de l’éditeur. 12 reproductions, 14 pages de texte reproduit d’après La Boîte Verte, 16 sérigraphies des ombres for- mées par La Roue de Bicyclette et le Porte Bouteilles. Un des 100 exemplaires de luxe signés par Duchamp et Paz contenant une suite des sérigraphies dans un portfolio spécial. Schwarz 641 14.
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