Pittsburgh Applause December 2019
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Bull Dogs' Quintessential Team Player
BULL DOG OCT. 1 - NOV. 4, 2018 BULLETIN VOL. 8, ISSUE 3 NEWS AND INFORMATION ABOUT COLUMBUS NORTH HIGH SCHOOL ATHLETICS IN THIS ISSUE Fall Scoreboard ............. 2 Football .......................... 4 Boys Soccer .................. 9 Girls Soccer ................... 11 Cross Country ................ 15 Girls Golf ........................ 17 Boys Tennis ................... 19 Volleyball ....................... 23 Cheerleaders ................. 25 Booster Club .................. 29 Athletic Staff .................. 31 MR. INTENSITY: Kevin Lin displays ferocity while remaining analytical while competing for the Columbus North boys’ tennis team. The senior – a two-time team most valuable player – carries a 12-5 record this season at No. 1 singles entering regional competition. BULL DOGS’ QUINTESSENTIAL TEAM PLAYER FORE!: Sophomore Nathaly Munnicha earned Columbus North senior thrives on court, excels in leadership role for boys’ tennis team all-state honors girls golf in 2018. CN GIRLS ole model. Kevin Lin. Lin, who hopes for a career in sports medicine GOLF PLACES Kevin Lin. Role model. or as an orthopedic surgeon, said he strives to R The Columbus North senior boys’ bring proper focus and footwork to each match. SEVENTH AT tennis player and the concept go hand-in-hand, “I’m intense when I play,” said Lin, who is STATE MEET according to Bull Dogs coach Kendal Hammel. considering Indiana, Purdue, Columbia, Michigan Lin has been the epitome of a quality player and Duke as possible college choices. “I try to Sophomore Nathaly Munnicha shot throughout his career, compiling a 58-31 play 100 percent all the time and try not to be a 78 on Sept. 29 for a two-round total record in varsity matches as four-year varsity sloppy or lazy. -
Undercover Footage from Sydney Slaughterhouse Released As NSW & Federal Govt Seek to Criminalise Whistleblowing
MEDIA RELEASE – 29 AUGUST 2019 FOR IMMEDIATE RELEASE ‘Horrific but legal’ undercover footage from Sydney slaughterhouse released as NSW & Federal Govt seek to criminalise whistleblowing Animal rights organisations Aussie Farms and Animals Within have released new footage captured by a hidden body-worn camera at the Picton Meatworx (formerly Wollondilly Abattoir), a multi-species slaughterhouse south of Sydney, amid efforts by the NSW and Federal Governments to severely increase penalties for activists who expose animal cruelty. View the footage: 8 minute summary edit: https://www.aussiefarms.org.au/videos?id=yq7rtdnf07 25 minute full edit: https://www.aussiefarms.org.au/videos?id=pneynwbwc9 The footage includes: the use of excruciating carbon dioxide gas chambers on pigs, goats and sheep; repeated failure of captive bolt stunning, with one pig shot eight times while screaming in pain; twisting and breaking of cows’ tails to force them to walk into the knockbox; animals regularly witnessing those before them being killed and consequently trying to escape. It was recorded by a university student undertaking a placement at the facility as part of their animal science degree. Chris Delforce, Executive Director of Aussie Farms and director of Dominion: “This is some of the most damning Australian footage I’ve ever seen, and yet, it’s completely legal. There are very minimal laws in place to protect animals in facilities like these, which is the complete opposite to what most consumers are led to believe; while there’s a general offence for animal cruelty in the Prevention of Cruelty to Animals Act (POCTA) NSW, farms and slaughterhouses are exempt from this if they follow basic codes of practice which effectively legalise cruelty that regular citizens wouldn’t be able to get away with.” “The code of practice relating to slaughterhouses is only a model code, intended as non-enforceable guidelines for states and territories to develop their own legislation, but 18 years later none have done so. -
The Nesting Season June 1 - July 31, 1976
The Nesting Season June 1 - July 31, 1976 NORTHEASTERN MARITIME REGION SoA. /Davis W. Finch SeventeenNorth American reportstotaling 23 individuals of Black-browed and Yellow-nosed Mostof New Englandexperienced a hot, dry June-- it Albatrossprior to 1973have been carefullysum- was in fact the hottest and driest June in Massachusetts marized by McDaniel (Am. Birds 27:563-565), history.July was cooler and wetter,but theseconditions oneother convincing Gulf of Maine report(1968) seemedto have no detectableeffect on breedingbirds. being known to this editor. Sevensubsequent Writing of New Hampshire,Vera Hebert characterized reports appearingin Am. Birds involvedeight the periodquite succinctly: "Never has a nestingseason albatrossessighted from Maryland to Nova Sco- beenmore normal". Eventhe severalfirst statebreeding tia: five Black-broweds,two probable Black- recordsin NewEngland came only as gentle surprises. browedsand one positiveYellow-nosed, to which can be added this summer's Massachusetts birds. It mightbe notedthat of this overalltotal of 34 e. North American albatrosses (18, or more than half of them, in the Northeastern Maritime Region), 19 were identified as, and in five instancesproven to be, Yellow-nosed;that while Black-browedis the vagrant albatrossof the e. North Atlantic, North America'sonly provenone is still the 1935Greenland specimen; that aside fromthat bi•d all Black-broweds(11 plustwo "probables")have been reported since 1972; that consideringthe subtletiesof albatrossdiscrimina- tion curiouslyfew, in fact only two havenot been "identified" (see Warham, Bourne and Elliott, Albatross Identification in the North Atlantic-- Am. Birds28:585-603), and that consequentlyan unambiguousBIack-browed photograph would do wondersfor the persistentmalaise many feel regardingreports of this species. Happily, for the first time in over a year recordscam, OTHER TUBENOSES-- Followinga patternmore or fromalmost all partsof the Region,though in somecases less apparent in recent years, the withdrawal of N. -
The Reel Latina/O Soldier in American War Cinema
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 10-26-2012 12:00 AM The Reel Latina/o Soldier in American War Cinema Felipe Q. Quintanilla The University of Western Ontario Supervisor Dr. Rafael Montano The University of Western Ontario Graduate Program in Hispanic Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Felipe Q. Quintanilla 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Film and Media Studies Commons Recommended Citation Quintanilla, Felipe Q., "The Reel Latina/o Soldier in American War Cinema" (2012). Electronic Thesis and Dissertation Repository. 928. https://ir.lib.uwo.ca/etd/928 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. THE REEL LATINA/O SOLDIER IN AMERICAN WAR CINEMA (Thesis format: Monograph) by Felipe Quetzalcoatl Quintanilla Graduate Program in Hispanic Studies A thesis submitted in partial fulfillment of the requirements for the degree of PhD in Hispanic Studies The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Felipe Quetzalcoatl Quintanilla 2012 THE UNIVERSITY OF WESTERN ONTARIO School of Graduate and Postdoctoral Studies CERTIFICATE OF EXAMINATION Supervisor Examiners ______________________________ -
Los Nominados a La 24Ta Edición De Los Premios Del Sindicato De Actores De Cine Han Sido Anunciados
FOR IMMEDIATE RELEASE Contact: Rosalind Jarrett Sepulveda [email protected] (424) 309-1400 Los nominados a la 24ta edición de los Premios del Sindicato de Actores de Cine han sido anunciados. -------------------------------------------------------------------------------------------------------------- La ceremonia se transmitirá en vivo el domingo 21 de enero de 2017, en TNT y TBS a las 8pm (ET) 5pm (PT). LOS ÁNGELES (13 de diciembre de 2017) – Los nominados a la 24ta edición de los Premios del Sindicato de Actores de Cine por sus excepcionales actuaciones individuales y como elenco en cine y televisión en 2017, así como los nominados por sus excepcionales actuaciones como elencos de dobles de acción en cine y televisión fueron anunciados esta mañana en el SilverScreen Theater del Pacific Design Center en West Hollywood. La Presidenta de SAG-AFTRA, Gabrielle Carteris, presentó a Olivia Munn (X-Men Apocalypse, The Predator) y Niecy Nash (Claws, The Soul Man), quienes anunciaron los nominados para los Premios de este año, a transmitirse en vivo a través de TNT, TBS, truTV, sagawards.tntdrama.com, truTV.com y sagawards.org, en las aplicaciones móviles de TNT y TBS, y los canales en redes sociales de TNT y TBS en Facebook, Twitter y YouTube. Poco antes, la presidenta del Comité de los Premios SAG, JoBeth Williams, y la miembro del Comité, Elizabeth McLaughlin, anunciaron a los nominados como elencos de dobles de acción durante una transmisión en línea, en vivo a través de tntdrama.com/sagawards y sagawards.org. Repeticiones de ambos anuncios están disponibles para su visualización en tntndrama.com/sagawards y sagawards.org. La lista completa de los nominados a la 24ta edición anual de los Premios del Sindicato de Actores de Cine se encuentra a continuación de este aviso. -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
The Man Who Shot Liberty Valance 1962, Donovan’S Reef 1963, and Cheyenne Autumn 1964
March 12, 2002 (V:8) Conversations about great films with Diane Christian and Bruce Jackson JOHN FORD (Sean Aloysius O’Fearna, 1 February 1894, Cape Elizabeth, Maine – 31 August 1973, Palm Desert, California, cancer) directed 146 films, 54 of them westerns. He won four Academy Awards for Best Director (*), two more for best documentary (#), five new York Film Critics Best Director awards (+), the Directors’ Guild of America Life Achievement Award (1954), and the first American Film Institute Life Achievement Award (1973). Some of his films are: The Informer*+ 1935, The Prisoner of Shark Island 1936, Stagecoach 1939+, Drums Along the Mohawk 1939, The Long Voyage Home +1940, The Grapes of Wrath* + 1940, Tobacco Road 1941, How Green Was My Valley+ 1941,* The Battle of Midway # 1942 (which he also photographed and edited), December 7th # 1943, They Were Expendable 1945, My Darling Clementine 1946, Fort Apache 1948, She Wore a Yellow Ribbon 1949, Rio Grande 1950, What Price Glory? 1952, The Quiet Man* 1952, Mogambo 1953, Mister Roberts 1955, The Searchers 1956, The Rising of the Moon 1957, The Last Hurrah 1958, Sergeant Rutledge 1960, The Man Who Shot Liberty Valance 1962, Donovan’s Reef 1963, and Cheyenne Autumn 1964. His older brother Francis started in movies in 1907 and changed his name to Ford. Jack joined him in Hollywood in 1914, acted in a dozen serials T HE MAN WHO SHOT LIBERTY and features, and began directing in 1917. He did three films in 1939, all of them classics: Drums VALANCE (1962)123 minutes Along the Mohawk (starring Henry Fonda and Claudette Colbert), Young Mr. -
Keynote Address Reclaiming Our Rightful Place: Reviving the Hero Image of the Public Defender Jonathan A
A2_RAPPING.DOCX (DO NOT DELETE) 6/5/2014 6:09 AM Keynote Address Reclaiming Our Rightful Place: Reviving the Hero Image of the Public Defender Jonathan A. Rapping “There can be no equal justice where the kind of trial a man gets depends on the amount of money he has.”1 Justice Hugo Black wrote this in Griffin v. Illinois, seven years before he authored his groundbreaking opinion in Gideon v. Wainwright, establishing a Sixth Amendment right to counsel in state court prosecutions.2 In Gideon, the Court recognized that a lawyer is essential to ensuring a fair trial.3 While the Gideon Court did not lay out a standard for the type of lawyer to which a poor person is entitled, read in conjunction with the Court’s pronouncement in Griffin, the answer is obvious. He is entitled to a lawyer with the time, resources, experience, training, and commitment for which a person with means would pay. For if a poor defendant requires a comparable trial to his wealthier counterpart to ensure equal justice, and the quality of the lawyer dictates the quality of the trial, equal justice can only be guaranteed where the poor person has access to the same level of representation as the person who can afford to hire counsel. But, while Gideon made clear that counsel is the engine necessary to ensure equal justice, for fifty years lawyers for the poor have been deprived the fuel needed to drive this lofty aspiration. Over these five decades we have unfortunately come to accept an embarrassingly low standard of justice for poor people accused of crimes. -
Stranger Things | Dialogue Transcript | S2:E1
CREATED BY Matt Duffer | Ross Duffer EPISODE 2.01 “Chapter One: MADMAX” As the town preps for Halloween, a high-scoring rival shakes things up at the arcade, and a skeptical Hopper inspects a field of rotting pumpkins. WRITTEN BY: Matt Duffer | Ross Duffer DIRECTED BY: Matt Duffer | Ross Duffer ORIGINAL BROADCAST: October 27, 2017 NOTE: This is a transcription of the spoken dialogue and audio, with time-code reference, provided without cost by 8FLiX.com for your entertainment, convenience, and study. This version may not be exactly as written in the original script; however, the intellectual property is still reserved by the original source and may be subject to copyright. MAIN EPISODE CAST Winona Ryder ... Joyce Byers David Harbour ... Jim Hopper Finn Wolfhard ... Mike Wheeler Millie Bobby Brown ... Eleven Gaten Matarazzo ... Dustin Henderson Caleb McLaughlin ... Lucas Sinclair Noah Schnapp ... Will Byers Sadie Sink ... Max Mayfield Natalia Dyer ... Nancy Wheeler Charlie Heaton ... Jonathan Byers Joe Keery ... Steve Harrington Dacre Montgomery ... Billy Hargrove Cara Buono ... Karen Wheeler Sean Astin ... Bob Newby Paul Reiser ... Sam Owens Linnea Berthelsen ... Kali Joe Chrest ... Ted Wheeler Catherine Curtin ... Claudia Henderson Brett Gelman ... Murray Kai Greene ... Funshine Randy Havens ... Mr. Clarke James Landry Hébert ... Axel Anna Jacoby-Heron ... Dottie Gabrielle Maiden ... Mick Rob Morgan ... Officer Powell John Reynolds ... Officer Callahan Chelsea Talmadge ... Carol Glennellen Anderson ... Nicole Cynthia Barrett ... Mrs. Holland Alan Boell ... Adams Gilbert Glenn Brown ... Cop #4 Matty Cardarople ... Keith Madelyn Cline ... Tina Abigail Cowen ... Vicki Brian F. Durkin ... Cop #1 Joe Davison ... Nerdy Tech Lauren Halperin ... Dr. Owens' Assistant Christopher Johnson ... Cop #2 Fenton Lawless .. -
GUNSMOKE TV CAST and DETAILS Premiered
GUNSMOKE TV CAST AND DETAILS Premiered: September 10, 1955, on CBS Rating: TV-PG Premise: This landmark adult Western centered on Marshal Matt Dillon of Dodge City. John Wayne turned down the lead, suggesting James Arness (who remained for its entire run). Originating on radio (with William Conrad as Dillon), it moved to TV in September 1955. Its popularity spawned a number of copycats, but none would enjoy the longevity (and few the consistent quality) of this classic. Airing for 20 years, it's TV's longest running prime-time drama (a record that `Law & Order' is currently chasing). Gunsmoke Cast • James Arness : Marshal Matt Dillon • Milburn Stone : Dr. Galen `Doc' Adams • Amanda Blake : Kitty Russell • Dennis Weaver : Chester Goode • Ken Curtis : Festus Haggen • Burt Reynolds : Quint Asper • James Nusser : Louie Pheeters • Charles Seel : Barney Danches • Howard Culver : Howie Culver • Tom Brown : Ed O'Connor • John Harper : Percy Crump • Dabbs Greer : Mr. Jonus • George Selk : Moss Grimmick • Hank Patterson : Hank Miller • Glenn Strange : Sam • Sarah Selby : Ma Smalley • Ted Jordan : Nathan Burke • Roger Ewing : Clayton Thaddeus `Thad' Greenwood • Roy Roberts : Mr. Bodkin • Woody Chamblis : Mr. Lathrop • Buck Taylor : Newly O'Brien • Charles Wagenheim : Halligan • Pat Hingle : Dr. John Chapman • Fran Ryan : Miss Hannah Gunsmoke Credits • Sam Peckinpah : Screenwriter Gunsmoke Directors • Harry Horner : Director Gunsmoke Guest Cast • Aaron Saxon : Basset • Aaron Spelling : Weed Pindle • Abraham Sofaer : Harvey Easter • Adam West : Hall -
Harmony Inn Photo by by Niki Koscinskii
the SIREN In this edition: The Ghost of Lincoln Park (p. 3) LP Alum Levi Keller (p. 5) New Season of Stranger Things (p. 6) Harmony Inn photo by by Niki Koscinskii 1 James and the Giant Peach Rolls Into LP By Niki Koscinski and Sara Hamilton SIREN Editors Cameron Tino Photo credit: Sara Hamilton Lincoln Park’s second show of “Normally they’re written for and even though it’s only his the season, James and the Gi- afterschool programs or middle first year at Lincoln Park, he has ant Peach, is gearing up for its schools on a very cheap bud- a “strategy” for his time here. opening night Nov. 10. get, but we treat it like a full stage show,” said Mr. Raines. “Since I’m in seventh grade and It will star Theatre major Cam- I have an unchanged voice, it’s eron Tino as James, a young Tino recently played Michael more likely for me to get the boy who ends up living with his Banks in Mary Poppins, directed kid roles, so I’m going to try to horrible aunts after his parents by Lincoln Park Peforming Art audition for as much stuff as I are tragically killed by a rhinoc- Center’s Artistic Director, Jus- can,” Tino said. “And then in eros. tin Fortunato. eighth grade, my voice is going to change, and I really hope I “The audition process was su- “It’s really exciting,” Tino said, continue to get these amazing per fun...I got a callback for “but it also means I have a lot opportunities.” James and Earthworm,” said of work to prepare myself for.” Tino, a seventh-grader from James and the Giant Peach runs Pine Richland.