The Nesting Season June 1 - July 31, 1976
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Selections from the Correspondence of The
.. SELECTIONS FROM THE CORRESPONDENCE OF THE FIRST LORD ACTON ~ 1 'I A FRIEND sends me La l·'lanare LibCrale of Ghent for August 21st, with this article marked in heavy blue pencil. I publish it without any comment whatever. ," "CATHOLIC TOLERANCE /~ / }' :?£, "The punishment of death for heretics. ' "Fr. Lcpicia, professor of theology at the College of Prop- . aganda in Rome, is the author of a text-book in common use by the future priests who study at Rome. The book is entitled: Ooncerning the Stability ana the Proorese 01 Dogma. It was reissued with augmentations in 1910. A new edition has just appeared, bearing the approbation of high Church authorities. And here is what one reads on page 103: "'Q. Can heretics be tolerated, and if so, on what condi- tions?' "'A. As soon as one proclaims in public a heretical doc- trine, and tries to corrupt others by words or example, he can not only be excommunicated (to speak abstractly) but he ought to be killed, in all justice, to the end that he may not corrupt I a very great number by contamination. For a bad man is worse than a wild beast, and he docs more harm, as Aristotle says t (Ethic8 I, vil, in fine). So as it is not evil to kill a noxious beast of the forest, it is good to take away the life of a heretic who denies divine truth and hinders the salvation of others.' "And on page 200 this sentence is to be found: "'To the Church returns, in truth, the right of pronouncing sentence of death against heretics.' Who then can say that the Roman Catholic Church is becoming more tolerant? Nunc erudimini/" '00.-- __ > _ i, ~-.... -
Michael Warren Powellis
WELCOME to the Fifteenth Annual Last Frontier Theatre Conference. We at Prince William Sound Community College are very proud of this event, and hopefully by the end of the week you will see why. I started coming to Valdez (for the Conference) in 1995, its third year, and it became an annual pilgrimage for me. I quit jobs to make it here. I ran up credit cards. I did whatever it took for me to get to spend the week here. I crashed on the floor at the college, survived off the food at receptions, and worked on whatever anyone asked me to. No one was more important to me in those early years than Michael Warren Powell, the first coordinator of the Play Lab. I remember being in awe of how insightful the responding panel was critiquing plays that were all (in my opinion) pretty problematic. Michael and the other panelists became my idols. Which made it all the more important to me when one day I was hanging out with friends at the picnic tables in the middle of the park strip and we saw Michael walking our direction. He came up and engaged us in conversation, and we became friends. He let us know that he considered us his peers. In the late 90s, I decided that, of all the people I had met, there was no one whose life I wanted to emulate more than Michael’s. I made producing new work and nurturing playwrights my focus, and the answer to most of my questions can be found in the answer to the question “What would Michael do?” I am very excited to have him back with us this year. -
The Reel Latina/O Soldier in American War Cinema
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 10-26-2012 12:00 AM The Reel Latina/o Soldier in American War Cinema Felipe Q. Quintanilla The University of Western Ontario Supervisor Dr. Rafael Montano The University of Western Ontario Graduate Program in Hispanic Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Felipe Q. Quintanilla 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Film and Media Studies Commons Recommended Citation Quintanilla, Felipe Q., "The Reel Latina/o Soldier in American War Cinema" (2012). Electronic Thesis and Dissertation Repository. 928. https://ir.lib.uwo.ca/etd/928 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. THE REEL LATINA/O SOLDIER IN AMERICAN WAR CINEMA (Thesis format: Monograph) by Felipe Quetzalcoatl Quintanilla Graduate Program in Hispanic Studies A thesis submitted in partial fulfillment of the requirements for the degree of PhD in Hispanic Studies The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Felipe Quetzalcoatl Quintanilla 2012 THE UNIVERSITY OF WESTERN ONTARIO School of Graduate and Postdoctoral Studies CERTIFICATE OF EXAMINATION Supervisor Examiners ______________________________ -
Dictionary of Westerns in Cinema
PERFORMING ARTS • FILM HISTORICAL DICTIONARY OF Historical Dictionaries of Literature and the Arts, No. 26 VARNER When early filmgoers watched The Great Train Robbery in 1903, many shrieked in terror at the very last clip, when one of the outlaws turned toward the camera and seemingly fired a gun directly at the audience. The puff of WESTERNS smoke was sudden and hand-colored, and it looked real. Today we can look back at that primitive movie and see all the elements of what would evolve HISTORICAL into the Western genre. Perhaps the Western’s early origins—The Great Train DICTIONARY OF Robbery was the first narrative, commercial movie—or its formulaic yet enter- WESTERNS in Cinema taining structure has made the genre so popular. And with the recent success of films like 3:10 to Yuma and The Assassination of Jesse James by the Coward Robert Ford, the Western appears to be in no danger of disappearing. The story of the Western is told in this Historical Dictionary of Westerns in Cinema through a chronology, a bibliography, an introductory essay, and hundreds of cross-referenced dictionary entries on cinematographers; com- posers; producers; films like Butch Cassidy and the Sundance Kid, Dances with Wolves, The Good, the Bad, and the Ugly, High Noon, The Magnificent Seven, The Searchers, Tombstone, and Unforgiven; actors such as Gene Autry, in Cinema Cinema Kirk Douglas, Clint Eastwood, Henry Fonda, Jimmy Stewart, and John Wayne; and directors like John Ford and Sergio Leone. PAUL VARNER is professor of English at Abilene Christian University in Abilene, Texas. -
OB 17.4 1991 Winter
$4.00 Volume 17, Number 4, Winter 1991 The Records of the Oregon Bird Records Committee, 1990-1991 99 Harry Nehls Oregon Bird Records Committee: You Be The Judge 104 Harry Nehls Record High Totals of Individuals on Oregon Christmas Bird Counts 105 Alan Contreras SITE GUIDE: Southern Curry County Coast 109 Dennis Rogers CBC Preview: Coquille Valley 110 Alan Contreras Oregon Birds Crossword Puzzle ....111 Karen Kearney Bustards on the South Oregon Coast? 112 Don Alan Hall and Roberta L. Hall News and Notes 113 Color-marked Birds in Oregon 116 The Pan-American Shorebird Program 118 Manomet Bird Observatory Information Wanted on Oregon's Birds 121 Aleutian Canada Goose Recovery .123 FIELDNOTES 124 Eastern Oregon, Spring 1991 124 Joe Evanich Western Oregon, Spring 1991 127 Jeff Gilligan Cover photo Philadelphia Vireo, 3 June 1991, Fields, Harney Co., first photographic record for Oregon. Photo / Jeff Gilligan. Oregon Birds is looking for Oregon Birds material in these categories: News Briefs on things of temporal The quarterly journal of Oregon field ornithology importance, such as meetings, birding trips, announcements, news items, etc. Articles are longer contributions dealing with identification, distribution, ecology, OREGON BIRDS is a quarterly publication of Oregon Field Ornithologists, management, conservation, taxonomy, an Oregon not-for-profit corporation. Membership in Oregon Field Ornithologists behavior, biology, and historical aspects includes a subscription to ISSN 0890-2313 Oregon Birds. of ornithology and birding in Oregon. Articles cite references (if any) at the end Editor Owen Schmidt of the text. Names and addresses of Associate Editor Jim Johnson authors typically appear at the beginning Assistant Editor Sharon K. -
Journalism 375/Communication 372 the Image of the Journalist in Popular Culture
JOURNALISM 375/COMMUNICATION 372 THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Journalism 375/Communication 372 Four Units – Tuesday-Thursday – 3:30 to 6 p.m. THH 301 – 47080R – Fall, 2000 JOUR 375/COMM 372 SYLLABUS – 2-2-2 © Joe Saltzman, 2000 JOURNALISM 375/COMMUNICATION 372 SYLLABUS THE IMAGE OF THE JOURNALIST IN POPULAR CULTURE Fall, 2000 – Tuesday-Thursday – 3:30 to 6 p.m. – THH 301 When did the men and women working for this nation’s media turn from good guys to bad guys in the eyes of the American public? When did the rascals of “The Front Page” turn into the scoundrels of “Absence of Malice”? Why did reporters stop being heroes played by Clark Gable, Bette Davis and Cary Grant and become bit actors playing rogues dogging at the heels of Bruce Willis and Goldie Hawn? It all happened in the dark as people watched movies and sat at home listening to radio and watching television. “The Image of the Journalist in Popular Culture” explores the continuing, evolving relationship between the American people and their media. It investigates the conflicting images of reporters in movies and television and demonstrates, decade by decade, their impact on the American public’s perception of newsgatherers in the 20th century. The class shows how it happened first on the big screen, then on the small screens in homes across the country. The class investigates the image of the cinematic newsgatherer from silent films to the 1990s, from Hildy Johnson of “The Front Page” and Charles Foster Kane of “Citizen Kane” to Jane Craig in “Broadcast News.” The reporter as the perfect movie hero. -
Snake Hells Canyon Subbasin Plan
Snake Hells Canyon Subbasin Assessment May 2004 Prepared for the Northwest Power and Conservation Council Subbasin Team Leader Nez Perce Tribe Writing Team Members Anne Davidson, Ecovista Tom Cichosz, Ecovista Angela Sondenaa, Nez Perce Tribe Darin Saul, Ecovista Snake Hells Canyon Subbasin Assessment Table of Contents 0 INTRODUCTION TO SNAKE HELLS CANYON SUBBASIN ASSESSMENT............ 1 1 SUBBASIN OVERVIEW....................................................................................................... 4 1.1 Subbasin Size and Location............................................................................................... 4 1.2 Topography, Geology, and Soils ....................................................................................... 6 1.3 Climate and Weather ......................................................................................................... 8 1.4 Land Cover and Wildlife Habitat Types.......................................................................... 14 1.4.1 Alpine Grassland and Shrublands....................................................................... 16 1.4.2 Interior Grasslands.............................................................................................. 17 1.4.3 Interior Mixed Conifer Forest ............................................................................. 19 1.4.4 Montane Mixed Conifer Forest ........................................................................... 21 1.4.5 Lodgepole Pine Forest and Woodlands.............................................................. -
\0-9\0 and X ... \0-9\0 Grad Nord ... \0-9\0013 ... \0-9\007 Car Chase ... \0-9\1 X 1 Kampf ... \0-9\1, 2, 3
... \0-9\0 and X ... \0-9\0 Grad Nord ... \0-9\0013 ... \0-9\007 Car Chase ... \0-9\1 x 1 Kampf ... \0-9\1, 2, 3 ... \0-9\1,000,000 ... \0-9\10 Pin ... \0-9\10... Knockout! ... \0-9\100 Meter Dash ... \0-9\100 Mile Race ... \0-9\100,000 Pyramid, The ... \0-9\1000 Miglia Volume I - 1927-1933 ... \0-9\1000 Miler ... \0-9\1000 Miler v2.0 ... \0-9\1000 Miles ... \0-9\10000 Meters ... \0-9\10-Pin Bowling ... \0-9\10th Frame_001 ... \0-9\10th Frame_002 ... \0-9\1-3-5-7 ... \0-9\14-15 Puzzle, The ... \0-9\15 Pietnastka ... \0-9\15 Solitaire ... \0-9\15-Puzzle, The ... \0-9\17 und 04 ... \0-9\17 und 4 ... \0-9\17+4_001 ... \0-9\17+4_002 ... \0-9\17+4_003 ... \0-9\17+4_004 ... \0-9\1789 ... \0-9\18 Uhren ... \0-9\180 ... \0-9\19 Part One - Boot Camp ... \0-9\1942_001 ... \0-9\1942_002 ... \0-9\1942_003 ... \0-9\1943 - One Year After ... \0-9\1943 - The Battle of Midway ... \0-9\1944 ... \0-9\1948 ... \0-9\1985 ... \0-9\1985 - The Day After ... \0-9\1991 World Cup Knockout, The ... \0-9\1994 - Ten Years After ... \0-9\1st Division Manager ... \0-9\2 Worms War ... \0-9\20 Tons ... \0-9\20.000 Meilen unter dem Meer ... \0-9\2001 ... \0-9\2010 ... \0-9\21 ... \0-9\2112 - The Battle for Planet Earth ... \0-9\221B Baker Street ... \0-9\23 Matches .. -
Keynote Address Reclaiming Our Rightful Place: Reviving the Hero Image of the Public Defender Jonathan A
A2_RAPPING.DOCX (DO NOT DELETE) 6/5/2014 6:09 AM Keynote Address Reclaiming Our Rightful Place: Reviving the Hero Image of the Public Defender Jonathan A. Rapping “There can be no equal justice where the kind of trial a man gets depends on the amount of money he has.”1 Justice Hugo Black wrote this in Griffin v. Illinois, seven years before he authored his groundbreaking opinion in Gideon v. Wainwright, establishing a Sixth Amendment right to counsel in state court prosecutions.2 In Gideon, the Court recognized that a lawyer is essential to ensuring a fair trial.3 While the Gideon Court did not lay out a standard for the type of lawyer to which a poor person is entitled, read in conjunction with the Court’s pronouncement in Griffin, the answer is obvious. He is entitled to a lawyer with the time, resources, experience, training, and commitment for which a person with means would pay. For if a poor defendant requires a comparable trial to his wealthier counterpart to ensure equal justice, and the quality of the lawyer dictates the quality of the trial, equal justice can only be guaranteed where the poor person has access to the same level of representation as the person who can afford to hire counsel. But, while Gideon made clear that counsel is the engine necessary to ensure equal justice, for fifty years lawyers for the poor have been deprived the fuel needed to drive this lofty aspiration. Over these five decades we have unfortunately come to accept an embarrassingly low standard of justice for poor people accused of crimes. -
Julia Ward Howe, 1819-1910
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com JuliaWardHowe,1819-1910 LauraElizabethHoweRichards,MaudElliott,FlorenceHall ? XL ;,. •aAJMCMt 1 Larffe=|)aper (BUttion JULIA WARD HOWE 1819-1910 IN TWO VOLUMES VOLUME II it^tTWe new v- *v ch^A^^ /r^^t^ (TLs-tstrt^ Mrs. Howe, 1895 JULIA WARD HOWE 1819-1910 BY LAURA E. RICHARDS and MAUD HOWE ELLIOTT ASSISTED BY FLORENCE HOWE HALL With Portraits and other Illustration* VOLUME n BOSTON AND, NEW YORJK ;*.'. / HOUGHTON MIFELttJ :V COMPANY 1915 THF. N -W YOP.K PUBLIC LIBRARY 73 1. H« 1 f * AST OR IR, LE NOX AND TILDE N FOUr.CjAl IONS I 1916 LJ COPYRiGHT, i9i5, BY LAURA E. RiCHARDS AND MAUD HOWE ELLiOTT ALL RiGHTS RESERVED Published December lt)lj CONTENTS I. EUROPE REVISITED. 1877 3 II. A ROMAN WINTER. 1878-1879 28 III. NEWPORT. 1879-1882 46 IV. 841 BEACON STREET: THE NEW ORLEANS EXPOSITION. 1883-1885 80 V. MORE CHANGES. 1886-1888 115 VI. SEVENTY YEARS YOUNG. 1889-1890 143 VH. A SUMMER ABROAD. 1892-1893 164 VDJ. "DIVERS GOOD CAUSES." 1890-1896 186 IX. IN THE HOUSE OF LABOR. 1896-1897 214 X. THE LAST ROMAN WINTER. 1897-1898 237 XI. EIGHTY YEARS. 1899-1900 258 XII. STEPPING WESTWARD. 1901-1902 282 XIII. LOOKING TOWARD SUNSET. 190S-1905 308 XIV. "THE SUNDOWN SPLENDID AND SERENE." 1906-1907 342 XV. "MINE EYES HAVE SEEN THE GLORY OF THE COMING OF THE LORD." 1908-1910 369 INDEX 415 ILLUSTRATIONS Mas. -
Pyx Mine Site Inspection Report Page I MSE TABLE of CONTENTS (Continued)
PYX MINE Wallowa-Whitman National Forest Grant County, Oregon SITE INSPECTION February 6, 2009 Prepared For: USDA Forest Service Gifford Pinchot National Forest 10600 NE 51st Circle Vancouver, WA 98682 MSE Millennium Science & Engineering, Inc. SITE INSPECTION REPORT Pyx Mine Wallowa-Whitman National Forest, Oregon February 2009 Principal Author: Michael J. Puett, P.E. Project Manager Reviewed By: Leslie Eldridge, P.E. Technical Reviewer Prepared For: USDA Forest Service Gifford Pinchot National Forest 10600 NE 51st Circle Vancouver, WA 98682 Prepared By: Millennium Science and Engineering, Inc. MSE 1555 Shoreline Drive, Suite 150 Boise, Idaho 83702 (208) 345-8292 TABLE OF CONTENTS Section Page ACRONYMS AND ABBREVIATIONS .................................................................................................iii EXECUTIVE SUMMARY ...................................................................................................................ES-i SITE INSPECTION DATA SUMMARY SHEET............................................................................ES-iii 1.0 INTRODUCTION ......................................................................................................................... 1 1.1 Purpose and Objectives....................................................................................................... 1 1.2 Site Description................................................................................................................... 1 1.2.1 Climate...................................................................................................................2 -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H.