THE TUFTS DAILY NEWS | FEATURES Thursday, November 3, 2005 POLICE BRIEFS U.S

Total Page:16

File Type:pdf, Size:1020Kb

THE TUFTS DAILY NEWS | FEATURES Thursday, November 3, 2005 POLICE BRIEFS U.S THE TUFTS Where You Read It First VOLUME L, NUMBER 39 DAILY THURSDAY,NOVEMBER 3, 2005 Hotel Rwanda tickets Two thousand too many all gone before noon BY KELLY MCANERNEY said. She arrived at Aidekman at AND MARC RAIFMAN 10:00 and got her ticket at 11:15. Daily Editorial Board Rusesabagina’s lecture will be the first in the Merrin All 800 tickets to hear Paul Distinguished Lecture Series, Rusesabagina, the man whose presented by Tufts Hillel and story was told in the film Hotel made possible by a gift from Seth Rwanda, disappeared in under Merrin (LA ‘82), a member of the and hour and a half Wednesday. Board of Trustees. Tickets began being distrib- According to junior and Hillel uted at 10 a.m. for the Nov. 15 lec- intern Amanda Mendel, 800 ture in Cohen Auditorium. seats were available in Cohen According to Joanne Barnett, the and Jackson combined. Of these theatre manager at the seats, 200 were reserved for spe- Aidekman Arts Center, the tickets cific members of the Tufts com- for seating in Cohen were gone munity, including the students by 11:15 a.m. and community members who Half an hour later, tickets for worked to bring Rusesabagina to overflow seating in Jackson Gym campus. were all claimed as well. “At 9 When tickets for Salman a.m., there were 20 people wait- Rushdie’s Sept. 27 speech were ing for tickets,” Barnett said. “The distributed, they were all passed line was out the door at 10 am.” out in about 30 minutes. Tickets were given on a first- Organizers opened up the Balch come, first-serve basis at the Arena Theater for a simulcast of JAMES HARRIS/TUFTS DAILY Aidekman ticket booth. Tickets the lecture, and these tickets History graduate student Dan DiMaggio speaks at a rally held by the Tufts Coalition to Oppose War on Iraq were free, but students were became available about a week Wednesday in front of Tisch Library. About 14 people participated, chanting slogans such as “Bush lies, thou- required to bring their Tufts ID after the first batch was released. sands died, troops home now.” card to claim one. Students could As manager of the Hotel Mille claim a second ticket if they Collines, Rusesabagina sheltered brought another person’s ID. over a thousand people during Students were also allowed to call the 1994 Rwandan genocide. Coming out safe at Tufts, not so elsewhere ahead and reserve tickets. About 800,000 Tutsi and moder- “I had to wait in line forever,” ate Hutu tribe members were BY SARAH FELDBERG violent crimes committed ly the only public lesbian organ- sophomore Rachel O’ Donnell killed. Contributing Writer against women — and particu- ization in Guatemala. In 2004, larly women who identify them- Lesbiradas — along with other When Claudia Acevedo selves as lesbians — are, in fact, civil rights groups — launched a entered the Rabb Room of the increasing, despite the official campaign to encourage the gov- Writing novels, getting fit Lincoln Filene Center on end of the civil conflict. ernment to take action to pro- Tuesday, she did not look like BY BRIAN MCPARTLAND Japanese Professor Hosea Hirata “Last year, 590 women were tect all of its citizens from dis- Senior Staff Writer speaking with Murakami about the stereotypical activist. assassinated,” said Acevado, crimination and violence, and his life. The two previously knew Dressed casually in blue jeans whose talk at Tufts was spon- to publicize the issue of diverse Former Tufts professor and each other from time they spent and a white blouse and looking sored by the Association of Latin sexual orientations. renowned Japanese author together at Princeton University slightly embarrassed, she American Students, the Latino “Guatemala is a society where Haruki Murakami returned to 15 years ago. immediately apologized for her Center and the Arts, Sciences sexuality is not talked about,” campus Wednesday to speak Murakami spoke as if it were tardiness and expressed her and Engineering Diversity Fund. Acevedo said. “We’re trying to about his new life as a writer. easy to become an author. “I appreciation for the small crowd “This year,” she added, “there get the theme of sexuality on the The event was set up as a sort went out and bought paper and that had gathered to hear her have been 580 deaths.” table.” of public interview, with pen and I wrote [my first novel],” speak. The government, Acevado Here at Tufts, the issue is Murakami said about his first A native of Guatemala, said, is quick to blame the vio- more than on the table; it’s in book, “Hear the Wind Sing,” pub- Acevedo joined the Tufts com- lence on gangs, domestic abuse the Tufts Community Union lished in 1979. “I didn’t even try munity to speak on the gender- and prostitution related crimes, (TCU) Senate. “I’m the commu- to write anything before.” based violence and homopho- but Acevedo sees other explana- nity representative for the Hirata showed a slideshow bia that have become common tions for the killings. “Fifteen to Queer Straight Alliance [QSA] to presentation of Murakami’s within her home country: The 20 percent of the victims are the TCU Senate,” said sopho- works and asked the author to past nine years have been a found in pairs,” she said. “When more Jonathan Fichman about elaborate on the works. One of period of transition after a civil the newspaper reports the his participation in the gay the first things the audience war that battered the killings, it says that the women community at Tufts. “I’m basi- learned is that the reserved Guatemalan people for 36 years, may have been involved in an cally a liaison between the Murakami believes the first step and violence remains a fact of intimate relationship.” Senate and QSA, so our interests toward successful writing is life. In response to continuing and concerns are represented.” proper physical fitness. According to Acevedo, “a cul- prejudice against people of QSA, formerly known as the “First train your body. Then, ture of violence and terror” has diverse sexual orientations, Tufts Transgender, Lesbian, Gay, developed in Guatemala that Acevedo founded a group called JAMES HARRIS/TUFTS DAILY persists to this day. She said that Lesbiradas in 1999. It is current- see LGBT, page 2 Haruki Murakami see AUTHOR, page 2 INSIDE Just how much candy can a Lego bulldozer really carry? Wars continue to heppen in the stars. BY JUDY WEXLER dents into area classrooms to run helps to move girls towards the activities. At the weekly executive see WEEKENDER, page 5 Daily Editorial Board hands-on activities that teach sciences.” board meetings, members basic principles of engineering. Much of the Lego technology bounce ideas off of each other It is the Friday afternoon Some of these activities involve STOMP uses was developed by and discuss which activities work before Halloween, and the kids in Legos and Lego Robotics. another of the center’s educa- better than others. Mimi Fong’s fifth grade class are “Our mission is to get engi- tional outreach programs, the Weidenbach and Zamarripa anxious to get their candy. To get neering into K-12,” said Robolab. came up with the bulldozer activ- it, though, they must build bull- Portsmore. “It’s obviously really STOMP’s programs are not ity to bring some Halloween spir- dozers out of Legos. hard for these teachers to do limited to Lego Robotics, though. it into their classroom. They con- With the supervision of two these amazing hands-on activi- “At a younger age, we teach ‘What structed a two-by-two foot Tufts students, kids at the Josiah ties with one teacher to 30 kids.” are sturdy structures?’” senior square of blue electric tape on the Quincy Elementary School in In addition, to Josiah Quicy, Kaitlyn Conroy, a senior and tiled floor and scattered approxi- Boston are constructing motor- STOMP sends students to member of STOMP’s student mately fifty Jolly Ranchers inside ized bulldozers with which they between eight and 12 other ele- executive board, said. “Then we the tape. will scoop up as much candy as mentary schools each year, move into more advanced topics The students got to keep as INDEX possible from a small pile on the including ones in Medford and like gear ratios.” much candy as their bulldozer floor. Somerville. STOMP activities also incorpo- plowed from the square but had News | Features 1 The students — juniors Joe STOMP specifically wants to rate subjects other than engi- to forfeit one quarter of that loot Weekender 5 Editorial | Letters 10 Weidenbach and Nate Zamarripa encourage young girls to get neering. One lesson plan ties if their machine fell apart while National 13 — are part of the Student Teacher interested in engineering. Fong social studies into science by crossing the floor. The elemen- International 17 Outreach Mentorship Program said that goal is certainly being explaining the engineering prin- tary school students worked in Comics 20 (STOMP), run by Tufts’ Center for accomplished. “There are always ciples behind the pyramids of pairs of two to construct the bull- Classifieds 21 Engineering Education Outreach. a handful of girls who are intimi- Egypt. dozers. Sports Back page Started four years ago by Tufts dated by building, and by the end Each STOMP team, usually “We’re trying to make the plow alumna Merredith Portsmore (LA of the program, they’re not,” she made up of two Tufts students, ‘98, G ‘99), STOMP sends stu- said. “I think that this program designs their own classroom see STOMP, page 4 tuftsdaily.com 2 THE TUFTS DAILY NEWS | FEATURES Thursday, November 3, 2005 POLICE BRIEFS U.S.
Recommended publications
  • Bell Orchestre Copenhagen Phil Dirigent / André De Ridder DJ / Rosa Lux No.15 SAMMEN MED Bell Orchestre
    Copenhagen Phil og 60 minutes of Frost præsenterer BELL NO.15 ORCHESTRE med ArcadE FIRE - medlemmer 5. februar 2015 Konservatoriets Koncertsal (tidl. Radiohuset) Bell Orchestre Copenhagen Phil Dirigent / André de Ridder DJ / Rosa Lux NO.15 SAMMEN MED BELL ORCHESTRE gælder det Bell Orchestre’s “Air Lines/Land Li- i hjembyen Montreal for at komponere musik nes”, “Elephants”, “Stripes” og “Icicles/ sammen. ”I sådan en proces ophører tid og Bicycles”. Dertil præsenterer Richard Reed Support: rum, alle elementære kræfter udenfor sættes 60 MINUTES OF Parry sin egen komposition “Music for Heart ud af spil – den energi, der eksisterer inde i and Breath”, ligesom Sarah Neufeld spiller Quiet River of Dust rummet, bliver fokus i en musikalsk proces, sin “Breathing Black Ground” sammen med – med bl.a. Richard Reed Parry (Arcade Fire) der aldrig vil kunne skabes af andre på noget BELL ORCHESTRE Copenhagen Phils mange musikere. Supporten andet tidspunkt i historien. Det bliver univer- består af bandet Quiet River of Dust, hvor selt og tidsløst”, har gruppen udtalt. bl.a. Richard Reed Parry medvirker – bandet Quiet River of Dust består af Laurel Sprengel- Copenhagen Phil og Frost præsenterer superligaen Bell Orchestre udgiver nyt materiale i 2015. meyer (aka Little Scream), Stefan Schneider At være publikum til Bell Orchestre kan om 60 minutes koncerten: fra den amerikanske indie-scene, når ARCADE (Bell Orchestre) og Richard Reed Parry. ”Quiet føles som et bombardement af sanseind- FIRE-medlemmerne Richard Reed Parry og Sarah Parry i samarbejde med The National- River of Dust er en gruppe af sange, og det tryk. Resultatet er en kollagelignende kon- Neufeld sammen med Bell Orchestre møder Copen- musiker er også navnet på os, der spiller dem – vil ”Bell Orchestre’s struktion af både lyd og visuelle indtryk.
    [Show full text]
  • 2015 NDP Mpi.Indd
    NATIONAL DANCE PROJECT august 2015 the new england foundation for the arts (nefa) launched the national dance Project (NDP) in 1996 to support the creation and touring of new dance works throughout the United States. NDP has distributed more than $28 million in funding to enhance partnerships between artists and presenters and engage and expand audiences for dance. To date, NDP has supported the creation of over 350 new choreographic works that have toured to all 50 states, Washington, DC, and the U.S. Virgin Islands, reaching over 3.6 2 million audience members. Alongside grantmaking for creation and touring, NDP works through specific initiatives to 3 develop a strong infrastructure for dance. Currently these focus on production residencies that prepare work for tour, international exchange, a network of contemporary art centers 4 working at the intersection of performing and visual arts, and professional development for dance artists and presenters in regions across the United States through the Regional 5 Dance Development Initiative. NDP is approaching its 20th anniversary. This provides a timely opportunity to both 6 reflect on the program’s impact and to consider how NDP can best support artistic and presentation practices in the years to come. Over the next year, we are working with 7 Metris Arts Consulting and RMC Research to evaluate the comprehensive impact of NDP on the dance landscape in the United States. 8 This publication features 18 new projects awarded Production Grants in 2015 to support creation and touring over the next three years; one-third of these artists are receiving 9 NDP support for the first time.
    [Show full text]
  • Press Release Southbank Centre's Inside out : New Events Announced
    Press Release Date: Monday 15 February 2021, 11.00am Contact: p [email protected] Press images: available H ERE Southbank Centre’s Inside Out : new events announced ● Bell Orchestre (13 Mar) including Arcade Fire members Sarah Neufeld and Richard Reed Parry, are added to the series as the band gets set to release its new album with Erased Tapes. L eading vocal groups VOCES8 and A pollo5 c omplete t he lineup for the London Contemporary Orchestra global stream, alongside music by Hildur Guðnadóttir and Ólafur Arnalds. ● Exclusive talks with Kazuo and Naomi Ishiguro (5 Apr), O livia Laing ( 30 Apr) and J humpa Lahiri (6 May). ● The events will join a number of previously announced events viewable online. ● Plus K aleidoscope and DYSCO – two virtual half term events for families (20 Feb). Credit lines: Naomi Ishiguro (Rosie Powell), Bell Orchestre (Nicolas Canniccioni), Jhumpa Lahiri (Elena Seibert) The Southbank Centre today announces new events for Inside Out, an online season of music and literature extended until 6 May. The new events include B ell Orchestre (13 Mar), authors K azuo and Naomi Ishiguro (5 Apr), O livia Laing (30 Apr) and J humpa Lahiri (6 May). The return of Inside Out k icked off in January 2021 with the hugely popular T .S Eliot Prize event (24 Jan), which saw Bhanu Kapil crowned the 2021 prize winner. Since then, a stellar performance and spell-binding talks have been streamed featuring The Cinematic Orchestra (29 Jan), F earne Cotton (4 Feb) and E than Hawke (8 Feb). Previously announced events yet to be streamed globally include R aven Leilani (25 Feb) Skin (4 Mar), B lack Country, New Road (6 Mar), London Contemporary Orchestra (19 Mar), H anif Abdurraquib (25 Mar) and O ut-Spoken (28 Mar).
    [Show full text]
  • Music of the Spheres
    Music of the spheres: it’s a term that refers to the universal harmony generated by celestial bodies in orbit, but it means something different to Arcade Fire’s Richard Reed Parry. His musical spheres are floating worlds, 360° embodiments of memory, VR renditions of old family photos. These spheres not only served as metaphorical inspiration for the lyrics of his new project, Quiet River of Dust, but appear throughout the album artwork and, most strikingly, in the films Parry made to be projected in planetarium-style domes to accompany live performances of this music. “It was an idea of a floating world of memory and of a time that only exists insofar as you’re able to revisit it in your memory,” he explains. “But when you do, it becomes so all-encompassing and immersive that it’s like you’re stepping into this other world every time.” That’s as true of his music as it is of any of its visual representations. The first volume of Quiet River of Dust was released on the autumn equinox of 2018; this second volume, out on the summer solstice of 2019, was created at the same time. (It was supposed to come out on the spring equinox, but got bumped because Parry and designer Tracey Maurice had to wait for salt crystals to grow on the artwork to create wave caps and mountaintops—do not underestimate Parry’s attention to detail.) Both volumes bleed into one another, by design. “It feels like a multi-sided window to me,” says Parry, “a different view into this prismatic song world.” Japanese folk myths, death poems and British folk music are tributaries flowing into a river of late-20th century avant-garde composition and traditional song craft, written and performed by a member of a Grammy-winning rock band.
    [Show full text]
  • Bill T. Jones, Car Seat Headrest, and High Mud Comedy Festival With
    For Immediate Release 4 December 2019 Contact: Jodi Joseph Director of Communications 413.664.4481 x8113 [email protected] Bill T. Jones, Car Seat Headrest, and High Mud Comedy Festival with John Early return along with live music from Liz Phair for a winter/spring lineup packed with new art, live music, dance, comedy, and film All-new virtual reality from Laurie Anderson, contemporary artists explore translation in Kissing Through a Curtain, a 60-ft landscape from Gamaliel Rodríguez, and Ad Minoliti’s first solo museum show in the U.S. fill the galleries Sam Evian, Bell Orchestre, and Michael Daves grace the Club B10 stage, while artist residencies include Ian Chang, Raga Maqam, and more NORTH ADAMS, MASSACHUSETTS — A new year of art and music is on the horizon, but before we tempt you with all that, MASS MoCA ends its 20th year on a high note, offering FREE admission to all Berkshire County residents December 6 – 23. To further celebrate all things local, on December 6, MASS MoCA presents Gina Coleman and Misty Blues in a festive (ticketed) concert to mark 20 years of making blues music in the Berkshires. MASS MoCA’s annual Community Day falls on January 25, when the museum throws open its doors to all visitors free of charge. It’s a day to delight in old favorites like Sol LeWitt, immerse in James Turrell experiences, and check out brand new art including an all-new virtual reality installation from Laurie Anderson and new work in the big gallery by Ledelle Moe, and it’s the day when thousands will be introduced to Big Bling, the 40-foot sculpture by Martin Puryear that now sits at the southernmost perimeter of MASS MoCA’s downtown North Adams campus.
    [Show full text]
  • 2019 08 25 Hamburger Abendblatt
    HAMBURGER ABENDBLATT (AUGUST 25, 2019) THE LAST BIG WORLD PREMIERE IS ONCE AGAIN GREAT DANCE Summer Festival: Two Projects at Kampnagel and in the Elbphilharmonie Hamburg. The International Summer Festival 2019 at Kampnagel already counts around 35,000 visitors before the final concert on Sunday evening, roughly as many as in 2018. The last big world premiere will once again be great dance. In eight weeks of rehearsal work, "#WTF Where There‘s Form“ was created by Canadian choreographer Aszure Barton and Düsseldorf musician Hauschka in Hamburg. Green and white ribbons are stretched in zigzag through the large Kampnagel hall. The stage seems open and bright as seldom. In the foreground the musician Volker Bertelmann, aka Hauschka, sets the beat on the prepared grand piano. He conjures up hypnotic rhythms from the instrument peppered with metal parts, supplemented by electronic samples and Insa Schirmer‘s cello playing. Too beautiful, too harmonious In this pointed spinning top of tones, the dancers - at first dressed in white with dark socks, later a little more in color - also appear a little like astronauts. They take up the bars in the tradition of minimal music, grouping themselves into ever new geometric forms. Their movements have their roots in classical ballet, but in addition each individual adds an individual note to their dance, sometimes it is more of an overflowing hip-hop, sometimes more of a classical modern dance. This has something of very formal, austere and yet incredibly beautiful. Sometimes it is perhaps already too beautiful, too harmonious. No merciless disturbance breaks through the soft flow of the arms and the accurately stretched legs, the swaying rhythm of the shoulders.
    [Show full text]
  • Selected Snailhouse Press Lies on the Prize Is the Best Representation
    Selected Snailhouse Press Lies on the Prize is the best representation of Feuerstack’s songwriting gifts. He composes slyly earnest lyrics, where sincere romanticism mingles effectively with playful black humour, and he marries these to unique soundtracks on what is ultimately an intricate guitar/voice record. - from a feature in Eye Weekly, by Vish Khanna, July 2008. Mike Feuerstack is the type of songwriter whose gentle lullabies hold hooks so subtle and layered they almost seem to hit and stick by osmosis. - From a review of The Silence Show in FFWD Weekly (Calgary), by Mark Hamilton , August 2005. Avec Lies on the Prize, Feuerstack accomplit un de ses plus beaux disques à ce jour avec un album oscillant entre la pop, le folk-rock et le country. Sa voix émotive et passionnée est réconfortante, douce et apaisante. Malgré le petit côté mélancolique de la musique country/folk, le jeune musicien respire l’amour et la joie de vivre. - From a review of Lies on the Prize in Emoragei, by Jean-François Rioux, January 2009. The lyrics on their own are lovely but they attain sublime status due to how the music envelops and caresses them, framing them perfectly. On “Fire Alarm,” the lyric “Don’t be afraid/You’ve got your youth, though that will fade/Does it keep us safe from harm if the kettle whistles along with the fire alarm?” is melancholy enough but add in the weeping strings, the plaintive guitar and Feuerstack’s pining voice and you’ve got perfection. Forget lies, the hidden truth makes this music the real winner.
    [Show full text]
  • SARAH NEUFELD Hero Brother CD / 180Glp / DL STREET DATE: 20 AUGUST 2013
    SARAH NEUFELD Hero Brother CD / 180gLP / DL STREET DATE: 20 AUGUST 2013 • DEBUT SOLO RECORD BY THE VIOLINIST FROM ARCADE FIRE & BELL ORCHESTRE • RECORDED IN BERLIN BY ACCLAIMED PRODUCER AND PIANIST NILS FRAHM, WHO ALSO PLAYS ON TWO SONGS Sarah Neufeld is a violinist and composer based in Montréal, Canada. CONSTELLATION CST095 Best known as a member of Arcade Fire, she is also a founding member of the acclaimed contemporary instrumental ensemble Bell Orchestre and has performed and recorded with many other groups, including The Luyas, Esmerine and Little Scream. ARTIST: SARAH NEUFELD TITLE: Hero Brother Neufeld began developing pieces for solo violin in a more formal and focused sense in 2011, counting Bela Bartok, Steve Reich, Iva Bittova and 1. Tower Arthur Russell among the formative influences for her solo work, in tandem 2. Hero Brother with an ear for the textures and sensibilities of indie rock, avant-folk and 3. Dirt contemporary electro-acoustic music. Neufeld’s debut solo album Hero 4. You Are The Field Brother channels all of the above, flowing through shifting atmospheres 5. Breathing Black Ground and oscillating between stately ambience, restrained emotive études, and 6. They Live On raw kinetic energy. 7. Wrong Thought 8. Right Thought Hero Brother was recorded in Berlin by pianist and producer Nils Frahm, 9. Sprinter Fire documenting Neufeld's performances in a number of locations with site- 10. Forcelessness specific acoustics, including an abandoned geodesic dome, a parking 11. Below garage, and the legendary Studio P4 orchestral recording hall at the broadcast complex of the former GDR.
    [Show full text]
  • Ecstatic Music® Bell Orchestre – a Performance Film
    KAUFMAN MUSIC CENTER PRESENTS ® Ecstatic Music Bell Orchestre – A Performance Film 2020-21 MERKIN HALL Online Performance Merkin Hall at Kaufman Music Center Streamed Thursday, February 18, 2021 at 7 pm ET Kaufman Music Center presents Ecstatic Music® Bell Orchestre – A Performance Film House Music Album/Film Segments I: Opening II: House III: Dark Steel IV: What You’re Thinking V: Movement VI: All the Time VII: Colour Fields VIII: Making Time IX: Nature That’s It That’s All. X: Closing This concert is generously underwritten by the Arthur F. & Alice E. Adams Charitable Foundation. All 2020-21 Kaufman Music Center performances are online, filmed in safe, socially distanced locations observing health and safety protocols, and streamed to the safety of your home. Steinway is the official piano of Merkin Hall KaufmanMusicCenter.org/MH | 212 501 3330 About the Artists Montreal’s fabled avant-garde outfit Bell Orchestre comes together in the beautiful Canadian woodlands to create a unique performance film. The group consists of six musical mavericks, including Arcade Fire members Sarah Neufeld and Richard Reed Parry, who continue to shift the boundaries of instrumental music with their highly anticipated new record House Music — an immersive ecosystem of an album to be released March 19 on Erased Tapes. With the legacies of improvisation-exploring greats like Talk Talk, The Orb, Bitches Brew-era Miles Davis and the late Ennio Morricone in mind, on House Music, Bell Orchestre captures the impulsive, connective, mysterious poetics of musical invention happening in real-time. Both the album and this visual counterpart, directed by band member Kaveh Nabatian, unfold as one long piece, a recorded-then-sculpted improvisation that vastly expands their work, coalescing classical and electronic instrumentation in the creation of genre-defying musical worlds.
    [Show full text]
  • LAVENDER Production Notes
    LAVENDER Production Notes Starring: Abbie Cornish, Diego Klattenhoff, Justin Long and Dermot Mulroney Directed by: Ed Gass-Donnelly Written by: Colin Frizzell, Ed Gass-Donnelly Dish Exclusive: February 3, 2017 In Theaters, on VOD and Digital HD: March 3, 2017 Running Time: 92 Minutes Rated: Not rated Publicity Materials: https://www.dropbox.com/sh/0ywwhznh4ia8zzv/AABk6mJpAF02NgEBHsrP Q0XQa?dl=0 Facebook: https://www.facebook.com/lavenderthemovie Instagram: https://www.instagram.com/lavenderthemovie Website: www.lavenderthemovie.com PRESS CONTACTS: NY: Katrina Wan / [email protected] / 323-240-9996 ONLINE /LA: Camelia Adibi / [email protected] / 310-968-5735 SYNOPSIS When a photographer (Abbie Cornish) suffers severe memory loss after a traumatic accident, strange clues amongst her photos suggest she may be responsible for the deaths of family members she never knew she had. Justin Long plays a psychiatrist who helps her recover lost memories. DIRECTOR’S STATEMENT I love movies that make you sit forward and actively engage, that beg you to participate. The more grounded and authentic, the more they get beneath my skin. I grew up watching STAR WARS as much as Michael Haneke so I’d like to think I have pretty diverse tastes, but I find nothing more satisfying than a movie that can lure you in with the promise of genre then blow your mind with surprise, like a cinematic Trojan Horse. I see LAVENDER as a puzzle without a box; a protagonist blindly struggling to piece together a picture she cannot see. And we, the audience, stumbling through the dark, trying to solve the mystery alongside her.
    [Show full text]
  • Philharmonic Music01recror Michael Christie
    -- -- , BROOKLYNphilharmonic Music01RecroR michael christie i Thursday, February 26, 2009 at 8 PM BAM Howard Gilman Opera House J!PJl~l!IU!!I GRIZZLY& FINAL BEAR FANTASY Saturday, February 28, 2009 at 8 PM BAM Howard Gilman Opera House THURSDAY, FEBRUARY 26, 2009 Brook lyn Philharmo nic aim s to make mu sic availabl e to all of th e eRooKLYNphilharmonic chi ldren of Brook lyn. Music01RecroR mlchael chrlstle We provide mu sic education for over 75 school s, offering presents opport uniti es for childr en to play and SHUFFLE MODE: listen to classical mu sic. BP, BELL ORCHESTRE , & CLOGS Thursday, February 26, 2009 at 8 PM BAM Howard Gilman Opera House Michael Christie,conductor ~ The Brooklyn Philharmonic ii ·tenter for Music, now in Bell Orchestre J the design and planning RichardReed Parry, upright bass, keyboard, percussion ~ ,phase, will be located in the Sarah Neufeld, violin ;I ·. ~ecom~issionedftrehouse Stefan Schneider, drums, percussion l · · at 299OeGraw Street in Pietro Amato, french horn, electronics •-.Cooole Hill. Once renovated, the Center will serve as a Kaveh Nabatian, trumpet, melodica I permanent home for the Mike Feuerstack, lap steel guitar Brooklyn Philharmonic and with its Education and Commu­ Colin Stetson,clarinets, french horn, trumpet, bass saxophone nity programs. The building Clogs will hou se the administrative - I Bryce Dessner,guitar offices, as well as a space for -.- j . ~ . "1 performances, music classes, RachaelElliot , bassoon and community events. : fir •f ' / ___=:; • Thomas Kozumplik,percussion ' ------~- ..- t' Padma Newsome, viola The Brookl yn Philharmonic is supported by a dedicated Board of Director s chaired by J.
    [Show full text]
  • Musicians for Palestine Final 245Pm
    Musicians For Palestine In Solidarity and Empathy, As musicians, we cannot be silent. Today it is essential that we stand with Palestine. We are calling on our peers to publicly assert their solidarity with the Palestinian people. Complicity with Israeli war crimes is found in silence, and today silence is not an option. Silence is not an option as the brutal Israeli bombardment of besieged Gaza claimed more than 245 lives in the last weeks. Silence is not an option as residents of Sheikh Jarrah in occupied Jerusalem are continuously forced out of their homes. Silence is not an option as millions of Palestinian refugees are denied their collective right of return. The Israeli government operates a settler-colonial project committed to the ethnic cleansing of the Palestinian population. The legacies of systemic violence, racism and dispossession shaped by colonialism must stop. We call on all governments to stop funding all resources and technologies that back the Israeli state and their war crimes. Today, we speak together and demand justice, dignity and the right to self- determination for the Palestinian people and all who are fighting colonial dispossession and violence across the planet. We call for you to join us with your name in refusing to perform at Israel’s complicit cultural institutions, and by standing firm in your support of the Palestinian people and their human right to sovereignty and freedom. We believe this is crucial to one day live in a world without segregation and apartheid. FREE PALESTINE Musiciens pour la Palestine En solidarité et en empathie, En tant que musiciens, nous ne pouvons pas rester silencieux.
    [Show full text]