DOCSLIB.ORG

Canada As a Model?

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Canada As a Model? th 10 annual Rebalancing Society Canada as a Model? LECTURER Henry Mintzberg Fri Nov 9 2012 7 pm River Run Centre Literary guest Eleanor Wachtel music Sarah Neufeld EVENT PRESENTER OF ARCADE FIRE & BELL ORCHESTRE presents welcome Karen Farbridge, Mayor of the City of Guelph emcee Andrew McPherson literary presentation Eleanor Wachtel musical performance Sarah Neufeld intermission – 20 minutes FSCFSC Label—FULL Label—FULL Version (LANDSCAPE)Version (LANDSCAPE) A minimum height of 12 mm MustA haveminimum an area of height clear space of (sho12 wnmm here in green) around the logo, the guelph lecture—on being canadian equivalentMust have to the heightan area of the of letters clear ‘FSC’ space (shown here in green) around the logo, The surrounding border is required Dr. Henry Mintzberg Labelsequivalent are provided to in black,the height white, and of green. the letters ‘FSC’ TheThe FSCFSC labelsurrounding Label—FULL statements areborder availableVersion is in required (LANDSCAPE)multiple languages question and answer opportunity LabelsA areminimum provided height ofin 12black, mm white, and green. Moderated by Dr. Frances Westley TheFSC FSC MustLabel—FULL label have anstatements area Version of clear (LANDSCAPE) arespace available (shown here in in multiple green) around languages the logo, Aequivalent minimum height to the of height 12 mm of the letters ‘FSC’ FSC Label—FULLMustThe havesurrounding Version an area (PORTRAIT) ofborder clear isspace required (shown here in green) around the logo, FSC Label—FULLA minimum VersionequivalentLabels width (LANDSCAPE) ofare 17 to provided mm.the height in ofblack, the letters white, ‘FSC’ and green. thanks to speakers A minimumMust height have ofThe an The12 area mmsurrounding FSC of label clear statementsspaceborder (sho is wnrequired are here available in green) inaround multiple the label,languages Must have equivalentan area ofLabels toclear the spaceare height provided (sho of thewn hereinletters black, in ‘FSC’green) white, around and green.the logo, Thomas Newby equivalentThe to thesurrounding heightThe FSCof border the label letters is statements required ‘FSC’ are available in multiple languages The surroundingFSCLabels Label—FULL borderare provided is required in black, Version white, and green. (PORTRAIT) receptions Labels areThe providedA FSCminimum label in black, statements white,width areand of available green. 17 mm. in multiple languages The FSC label statementsFSC Label—FULL are available inVersion multiple languages(PORTRAIT) Catered by University of Guelph, Hospitality Services Must haveA minimum an area width of of clear17 mm. space (shown here in green) around the label, equivalentFSC Label—FULL to the Versionheight (PORTRAIT)of the letters ‘FSC’ FSC Label—MINIMUMAMust minimum have REQUIREMENTS widthan area of 17of clearmm. space (shown here in green) around the label, our thanks to A minimumThe surroundingMustequivalent width have of 11mm.an toarea theborder of height clear is spaceof required the (sho letterswn here ‘FSC’ in green) around the label, Colley Insurance and Chubb Insurance FSC Label—FULLCanLabels be VersiondisplayedequivalentThe are surrounding (PORTRAIT) inprovided landscape to the height border or in portrait black,of is the required format letters white, ‘FSC’ and green. A minimumMust width have ofThe an17Labels area mm.surrounding ofare clear provided spaceborder (shoin is black, wnrequired here white, in green) and around green. the logo, for sponsoring the receptions Must have equivalentanThe area ofFSCLabels Thetoclear the label FSC spaceare height labelprovided statements(sho of statementsthewn hereinletters black, in ‘FSC’green) are arewhite, available aroundavailable and green.the in label,multiple in multiple languages languages equivalentLabels to the are heightThe provided FSCof the label in letters black, statements ‘FSC’ white, and are green.available in multiple languages The surrounding border is required Labels are provided in black, white, and green. The FSC label statements are available in multiple languages FSC Label—MINIMUM REQUIREMENTS FSC Label—MINIMUMFSC ALabel—MINIMUM minimum width of REQUIREMENTS 11mm.REQUIREMENTS A minimum width of 11mm. A minimumCan be displayedwidth of in 11mm.landscape or portrait formatFSC Trademark. FSC Label—MINIMUMCan MustREQUIREMENTS be have displayed an area in landscape of clear space or® portrait 1996 (sho FSCwn format A.C., here FSC-SECR-005 in green) around the logo, A minimum widthCan ofbeMust 11mm.equivalent displayed have an toarea the in of height landscapeclear spaceof the (sho letters orwn portrait here ‘FSC’ in green) format around the logo, Can be displayedMust in equivalentlandscapehaveLabels an are or toarea providedportrait the height of format inclear ofblack, the space letters white, ‘FSC’ (shoand green.wn here in green) around the logo, Must have an area ofLabels clear spaceare provided (shown herein black, in green) white, around and green.the logo, equivalent toequivalent the height of the to letters the height‘FSC’ of the letters ‘FSC’ Labels are providedLabels in areblack, provided white, and green. in black, white, and green. FSC Trademark.FSC Trademark. ® 1996® 1996 FSC FSCA.C., A.C., FSC-SECR-005 FSC-SECR-005 FSC Trademark. ® 1996 FSC A.C., FSC-SECR-005 FSC Trademark. ® 1996 FSC A.C., FSC-SECR-005 A message from the A message from the Mayor of Guelph university of Guelph On behalf of the City of Guelph and The Guelph Lecture — On Being its citizens, I am delighted to welcome Canadian provides a unique all in attendance at the 2012 Guelph opportunity for people with different Lecture — On Being Canadian. I’m perspectives and experiences to come particularly pleased to welcome this together and exchange ideas, work to year’s keynote speaker, Dr. Henry evoke change, and, above all, discuss Mintzberg. what it means to be Canadian. The Guelph Lecture — On Being Canadian culture — music, Canadian offers a unique forum for performance, literature and informed an insightful community conversation intellectual debate — helps us show the The Woolwich Arrow about our place in the world. This world that we are working to change 176 Woolwich Street conversation is particularly relevant lives and improve life as citizens of a (Yarmouth & Baker downtown) in light of the City of Guelph’s vision global community. “Serving up the best of locally of making a difference, both here at crafted foods and beverages” It’s all about community-building home and beyond our borders. Classic Victorian Home with Patio on different scales and bettering our 519-836-2875 21 Micro Brews on Tap! This evening would not be possible own contributions. The success of www.woolwicharrow.ca without the efforts of many dedicated “The Lecture” speaks to the strong volunteers. To them, and to the many relationship between the University sponsors, I’d like to express my thanks. and the community, and demonstrates how we are working together to make I am sure that tonight’s program will this a Better Planet. be a great inspiration to us all. Congratulations on your 10th Sincerely, TransCanada Institute is pleased to be a partner with the Eramosa Institute in presenting the 2012 Guelph anniversary, Lecture – On Being Canadian. This evening is an extension into the community of our campus effort to offer Karen Farbridge a live and intellectually stimulating environment that is ideal for research and collaboration. Alastair J. S. Summerlee, We are delighted that Eleanor Wachtel can join us this year. Mayor LLD, BSc, BVSc, PhD, MRCVS TransCanada Institute, established by Smaro Kamboureli through her tier 1 Canada Research Chair in President and Vice-Chancellor Critical Studies in Canadian Literature and a Canada Foundation for Innovation grant, is an interdisciplinary research environment whose primary goal is to initiate and facilitate, and produce collaborative research on University of Guelph the institutional and disciplinary structures, methodologies, pedagogies, and contexts that shape the production and study of Canadian literature and culture in Canada, as well as globally. Visit us at: www.transcanadas.ca The Guelph Lecture 10th Anniversary On Being Canadian 4 5 November 9, 2012 But other powers, not controlled by the West, are also getting A Decade of Ideas into this new, great game of imperial dynamics. China, Russia and Iran are attempting to reduce American control of the sea lanes. And since no one is interested in changing the root cause s I was writing this column, a month before tonight’s of the problem, warships have a perpetual job, perhaps an 10th Guelph Lecture — On Being Canadian, a message unspoken goal. popped up on my screen from Eramosa Institute A But, as The Guelph Lecture — On Being Canadian has President Valerie Hall, telling me that The National was on, demonstrated, the fields of politics and economy are not the featuring one of the Lecture’s previous guests. Well, two really, only ones that give birth to issues and ideas. The arts speak since Peter Mansbridge made a cameo appearance on stage to many of us. Music, literature, film, as Alexandre well in 2006. In a segment by Wendy Mesley, Alexandre Trudeau knows, all present us with ideas that we connect to our own (guest, 2004) was being interviewed on his new documentary, experiences, often seeing them in new called The New Great Game about shipping lanes in the Persian To watch The New ways. Guy Maddin’s (2008) films tease Gulf. It was timely to watch the footage and ponder a global Great Game, visit out seemingly forgotten memories
Load more

Recommended publications
  • Tenor Saxophone Mouthpiece When
    MAY 2014 U.K. £3.50 DOWNBEAT.COM MAY 2014 VOLUME 81 / NUMBER 5 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editors Ed Enright Kathleen Costanza Art Director LoriAnne Nelson Contributing Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter,
    [Show full text]
  • Economists Calling All Angels PERSPECTIVES
    PERSPECTIVES Todd Hirsch Economists calling all angels ack in the ‘90s, Canadian the past 50 years. He said they failed conference, we had brazenly referred songstresses Jane Siberry and — failed! — to predict what happened to low-income Canadians as “the bot- B k.d. lang sang a hauntingly in 2008, and offer little help in get- tom quintile” as if they were a scientif- beautiful duet about the beauty and ting the global economy out of this ic category. We needed a reminder that pain of life, and all its unanswerable current mess. Considering the audi- we are talking about the lives of questions. “Calling all angels, walk me ence, this is a serious statement. The Canadians and their families. through this one, don’t leave me average attendee was probably The tricky part, of course, is know- alone. Calling all angels: we’re trying, around 45 years old, which implies ing how to raise up the incomes, the we’re hoping…but we’re not sure how that most everyone in the room had skills and the literacy levels of those this goes.” either studied macroeconomic theory Canadians most vulnerable to falling Little did they know that they or worked under its assumptions for through the economic cracks. could have been singing about the about 25 years. With close to a hun- Handouts aren’t the solution, and gov- Canadian economy in 2010. dred economists in the room, that ernment programs have been hit-and- Near the end of August, close to a works out to 2,500 years of cumula- miss.
    [Show full text]
  • OMC | Data Export
    Aimee Hinds, "Entry on: Awful Sound (Oh Eurydice) by Arcade Fire ", peer-reviewed by Susan Deacy and Elżbieta Olechowska. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2020). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/1128. Entry version as of October 06, 2021. Arcade Fire Awful Sound (Oh Eurydice) Canada (2013) TAGS: Underworld We are still trying to obtain permission for posting the original cover. General information Title of the work Awful Sound (Oh Eurydice) Title of the Album(s) Reflektor Sonovox; Merge Records / Arcade Fire; Markus Dravs; James Studio/Production Company Murphy Country of the First Edition Canada Country/countries of popularity worldwide Original Language English, French First Edition Date 2013 Arcade Fire, Reflektor: Awful Sound (Oh Eurydice), Sonovox; First Edition Details Merge Records / Arcade Fire; Markus Dravs; James Murphy, October 28, 2013, 6:13 min. Running time 6:13 min. Format CD, Vinyl, Digital Official Website arcadefire.com (accessed: September 22, 2020) iTunes (accessed: September 22, 2020) Available Onllne Spotify (accessed: September 22, 2020) Genre Indie rock*, Narrative song* Target Audience Young adults Aimee Hinds, University of Roehampton, Author of the Entry [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood... The Reception of Classical Antiquity in Children’s and Young Adults’ Culture in Response to Regional and Global Challenges, ERC Consolidator Grant (2016–2021), led by Prof. Katarzyna Marciniak, Faculty of “Artes Liberales” of the University of Warsaw.
    [Show full text]
  • Until the End of the World Music Credits
    (Below are the credits for the music in the English version, followed by the credits, in German, for the extended restored version): English-language music credits: Musical Score Graeme Revell Musical Score Graeme Revell Solo Cello and Additional Improvisation David Darling Music Supervision Gary Goetzman and Sharon Boyle Picture and Music Editor Peter Przygodda MUSIC Music Coordinators Barklie K. Griggs Jennifer Quinn-Richardson Dana K. Sano Music Recording and Mixing Studios Tritonus Studios, Berlin Music Editor (Synch) Dick Bernstein (Offbeat Systems) Music Mixing Engineer Gareth Jones 2nd Sound Engineer Gerd Krüger Assistant Maro Birkner Additional Music Recordings Hansa Tonstudios, Berlin MUSIC TITLES IN ORDER OF APPEARANCE: "GALKAN" Appears on "Les Aborigènes, Chants et Danses de l'Australie du Nord" Phonogramme ARN 64056 Courtesy of Arion "SAX & VIOLINS" Performed by Talking Heads Lyrics and Music by David Byrne Music by Chris Frantz, Jerry Harrison, Tina Weymouth Producer Steve Lillywhite and Talking Heads Mixed by Kevin Killen Publisher Bleu Disque Music Co. Inc./ Index Music admin. by WB Music Corp./ASCAP Courtesy of Warner Bros. Records Inc./Sire Records Company/FLY Talking Heads Appear Courtesy of EMI Records Ltd. "SUMMER KISSES, WINTER TEARS" Performed by Elvis Presley Writers Jack Lloyd, Ben Weissman, Fred Wise Publisher WB Music Corp./Erica Music/ ASCAP Courtesy of RCA Records Label of BMG Music "MOVE WITH ME" Performed by Neneh Cherry Writers Neneh Cherry/Cameron Mcvey Producer Booga Bear/Jonny Dollar Publisher Virgin Music Ltd/Copyright Control/ BMI/PRS Courtesy of Circa Records, Ltd. "IT TAKES TIME" Performed by Patti Smith and Fred Smith Writers Fred Smith and Patti Smith Producer Fred Smith Publisher Druse Music Inc/Stratium Music, Inc./ASCAP Courtesy of Arista Records, Inc.
    [Show full text]
  • Gilité Passi U
    e m s i l a é e n t n r i o i l u s i RAPPORT ANNUEL s t b e f DE GESTION DE LA l a o r t u p p c é t a i SODEC a v d i t l i a t 2019-2020 é r é p t u m i o o c iv t p e a c c ré n n e r io a A s sp gi as n lité p ra t re rtu équité ouve Montréal, le 4 septembre 2020 Madame Nathalie Roy Ministre de la Culture et des Communications Ministère de la Culture et des Communications Édifice Guy-Frégault 225, Grande Allée Est, Bloc A, 1er étage Québec (Québec) G1R 5G5 Madame la Ministre, J’ai le plaisir de vous transmettre le rapport annuel de gestion de la Société de développement des entreprises culturelles (SODEC) pour l’exercice financier se terminant le 31 mars 2020. Ce rapport vous est remis pour dépôt à l’Assemblée nationale. Il a été produit conformément aux dispositions de la Loi sur la SODEC ainsi que de la Loi sur l’administration publique. Veuillez agréer, Madame la Ministre, l’expression de mes sentiments les meilleurs. La présidente et chef de la direction, Louise Lantagne 905, avenue De Lorimier, 4e étage, Montréal (Québec) H2K 3V9 | 514 841-2200 | 1 800 363-0401 | sodec.gouv.qc.ca Présentation d’Antigone au festival CINEMANIA De gauche à droite : Guilhem Caillard, Antoine Desrochers, Maidy Teitelbaum, Louise Lantagne, Sophie Deraspe, Nahéma Ricci et Nour Belkhiria Lou-Adriane Cassidy à la soirée Côte à Côte aux BIS de Nantes Naomi Fontaine au Salon du livre de l’Outaouais TABLE DES MATIÈRES Mot du président du conseil d’administration 6 4.
    [Show full text]
  • Cuff the Duke Youtube
    Cuff the duke youtube Paper Bag Records Purchase Cuff The Duke's new album 'Union': Paper Bag Records. 'Count On Me' is from the Cuff The Duke album, Morning Comes, out now in Canada. Cuff The Duke drop into Studio for a CBC Radio 2 Drive session performing music. From the CUFF THE DUKE album 'UNION' out Oct. 2, [CN] / Oct. 29, [UK] / Feb. 12th, [US. Paper Bag Records - Cuff The Duke Buy it from the online store here: Paper Bag Records - Cuff The Duke Buy it from the online store here. From the album 'Way Down Here', released (NOT MY SONG!). Cuff The Duke - Take My Money And Run performed live @ Piebird B&B d. 'Like' us on Facebook - Follow us on Twitter - Cuff The Duke's Wayne Petti and François Turenne perform an acoustic version of "You Were Right" - full. Live at Lee's Palace in Toronto on March 20, Great set. This was my first time getting to see these guys. A favourite of mine not represented on youtube. Label: Hardwood Off their album Sidelines of the City! Visit our channel or for more great. CUFF THE DUKE 'So Many Times Before' [Paper Bag Session / Pt.4] From the album 'Morning Comes. Music video by Cuff The Duke performing It's All A Blur. (C) Noble Recording Co./Universal Canada. Cuff The Duke - Failure to Some - Duration: UGottaHearThis 1, views · Joel Plaskett - On and. Stay Lyrics: In the summer that I met you / I was lost and in search of proof / Oh when the autumn leaves started falling / I've found a proof that was here with you.
    [Show full text]
  • R E G I O N a L C O M P E T I T I
    REGIONAL COMPETITION DENVER,CO 2017 Schedule of Competition - Denver, CO Thursday - Sunday February 9-12, 2017 Thursday February 9 Mini, Petite and Junior Small Group and High Point Awards (45 mins) (Buell Theatre) Doors Open At 5:00PM 01:48 PM Petite and Junior Large Group Competition Ages 6-11 5 Minute Intermission 05:15 PM Senior Solo Competition Ages 17-19 06:37 PM Pre-Senior Solo Competition Ages 15-16 5 Minute Intermission 5 Minute Intermission 03:54 PM Petite and Junior Large Group Awards and High Point Winners (40 mins) 04:34 PM Senior Duet/Trio Competition Ages 15 - 19 09:44 PM Adult Solo Competition Age 20 and Older 5 Minute Intermission Pre-Senior and Senior Solo Awards Announcement of Mr./Miss Showbiz, Costume, Photogenic, Icon and High Point Awards 05:48 PM Teen Solo Competition Ages 13 and 14 5 Minute Intermission Friday, February 10 (Ellie Caulkins Opera House) 5 Minute Intermission Doors Open At 9:00AM Teen Solo and Senior Duet/Trio Awards Announcement of Mr./Miss Showbiz, Costume, Photogenic, Icon and High Point Winners 09:48 AM Mini Solo Competition Ages 5 and Under 09:55 AM Petite Solo Competition Ages 6-7 Sunday, February 12 5 Minute Intermission Doors Open at 7:00AM 10:43 AM Pre-Junior Solo Competition Ages 8 and 9 08:00 AM Teen Duet/Trio Competition Ages 12-14 5 Minute Intermission 5 Minute Intermission Mini, Petite and Pre-Junior Solo Awards Announcement of Mr./Miss Showbiz, Costume, 09:55 AM Teen Duet/Trio and High Point Awards (35 mins) Photogenic, Icon and High Point Winners 10:30 AM Teen and Senior Small Group
    [Show full text]
  • Download of Kalle Mattson’S “Darkness” from the Ottawa Viral Sensation’S Doug Mclean (Pictured Here) Is Joined on the Cover New 7”
    Free. Weekly. 7 // Issue 68 // Volume Weekly. Free. o ctober 17 ctober THE reunion ISSUE The BONADUCES RETURN with their first new music since ‘98 LIKE TO KNIT? STITCh ‘N BITCH IS FOR YOU STUDENTS IN DEBT: YOUR PROBLEMS ARE (KINDA) S OLVED Michael Feuerstack anita Daher Mariachi Ghost The official s TudenT new spaper of The universiTy of winnipeg the uNIter // october 17, 2013 03 EVERYTHING OLD IS NEW AGAIN. When Winnipeg melodic-punk heroes The Bonaduces reunited a few years ago, there were no plans for anything big, other than just playing for fun. Now, for the first time since the band’s landmark 1998 record- ing The Democracy of Sleep, the beloved four piece is releasing something new. It’s just a digital single, something the band is attempting to sell short (how very Rob Gordon of them), but even still it’s exciting. Managing Editor Nicholas Friesen had a chat with the band’s Doug McLean and his label cohort Shad Bas- sett about their collective, Parliament of Trees, and all things Bonaduces. We’ve also got interviews with the art rock monster that is Mariachi Ghost, ex-Snailhouse troubadour Michael Feuerstack, reviews of Gravity and Casting By, as well as a piece about how knitting is bad ass. Stay cool, Winnipeg. online exclusives This week, check out The Next Reel, with a behind the scenes look at Greg Macpherson’s new video for “1995”, which was made by our own Nicholas Friesen and Daniel Crump. on the cover you can grab a free download of Kalle Mattson’s “Darkness” from the Ottawa viral sensation’s Doug McLean (pictured here) is joined on the cover new 7”.
    [Show full text]
  • Artsnews the FREDERICTON ARTS ALLIANCE November 29, 2012 Ÿ Volume 13, Issue 48 Serving the Arts in the Fredericton Region in This Issue
    ARTSnews THE FREDERICTON ARTS ALLIANCE November 29, 2012 Volume 13, Issue 48 Serving the Arts in the Fredericton Region In this issue Upcoming Events 1. Theatre UNB presents Comedy Double Bill Nov 28-Dec 1 2. Fredericton Folk Festival Shivering Songs Line up announced Nov 29 3. Coming up at the Fredericton Playhouse 4. Cinema Politica Fredericton presents Maxime, McDuff and McDo Nov 30 5. Double Book Launch and Readings with Carlos Morales & Aimée Bolaños Dec 1 6. NB Country Showcase Christmas Show at the Playhouse Dec 1 7. Halifax electro-folk artist Paper Beat Scissors at Cedar Tree Café Dec 1 8. Lintuhtine Music Academy annual The Christmas Story Dec 1 & 2 9. odd sundays at molly’s features Joan Clark and Jane Tims Dec 2 10. STU Singers Christmas Concert Dec 3 11. Monday Night Film Series presents Headhunters Dec 3 12. Fredericton Library presents Shalom Sesame’s The Missing Menorah Movie for Kids Dec 5 13. Mozart’s Opera Cosi Fan Tutte coming to Centre communautaire Sainte-Anne Dec 5 14. Annual Advent Carol Festival Dec 5 15. St. Thomas University Jazz Ensemble Concert Dec 5 16. TNB Presents The Holiday Classic It’s a Wonderful Life Dec 6-9 17. York Early Music Ensemble French Baroque Concert Dec 7 18. Bel Canto Singers Christmas Concert Dec 8 19. Au Royaume du Chœur de Soulanges Dec 8 & 9 20. Gerard Collins Paintings and Geoffrey Gammon Photographs Art Show Dec 8-9 21. UNB Christmas Choice Sale Dec 9 22. Dance Fredericton presents The Nutcracker at the Playhouse Dec 12 23.
    [Show full text]
  • Bell Orchestre Copenhagen Phil Dirigent / André De Ridder DJ / Rosa Lux No.15 SAMMEN MED Bell Orchestre
    Copenhagen Phil og 60 minutes of Frost præsenterer BELL NO.15 ORCHESTRE med ArcadE FIRE - medlemmer 5. februar 2015 Konservatoriets Koncertsal (tidl. Radiohuset) Bell Orchestre Copenhagen Phil Dirigent / André de Ridder DJ / Rosa Lux NO.15 SAMMEN MED BELL ORCHESTRE gælder det Bell Orchestre’s “Air Lines/Land Li- i hjembyen Montreal for at komponere musik nes”, “Elephants”, “Stripes” og “Icicles/ sammen. ”I sådan en proces ophører tid og Bicycles”. Dertil præsenterer Richard Reed Support: rum, alle elementære kræfter udenfor sættes 60 MINUTES OF Parry sin egen komposition “Music for Heart ud af spil – den energi, der eksisterer inde i and Breath”, ligesom Sarah Neufeld spiller Quiet River of Dust rummet, bliver fokus i en musikalsk proces, sin “Breathing Black Ground” sammen med – med bl.a. Richard Reed Parry (Arcade Fire) der aldrig vil kunne skabes af andre på noget BELL ORCHESTRE Copenhagen Phils mange musikere. Supporten andet tidspunkt i historien. Det bliver univer- består af bandet Quiet River of Dust, hvor selt og tidsløst”, har gruppen udtalt. bl.a. Richard Reed Parry medvirker – bandet Quiet River of Dust består af Laurel Sprengel- Copenhagen Phil og Frost præsenterer superligaen Bell Orchestre udgiver nyt materiale i 2015. meyer (aka Little Scream), Stefan Schneider At være publikum til Bell Orchestre kan om 60 minutes koncerten: fra den amerikanske indie-scene, når ARCADE (Bell Orchestre) og Richard Reed Parry. ”Quiet føles som et bombardement af sanseind- FIRE-medlemmerne Richard Reed Parry og Sarah Parry i samarbejde med The National- River of Dust er en gruppe af sange, og det tryk. Resultatet er en kollagelignende kon- Neufeld sammen med Bell Orchestre møder Copen- musiker er også navnet på os, der spiller dem – vil ”Bell Orchestre’s struktion af både lyd og visuelle indtryk.
    [Show full text]
  • Rebecca Foon Bio 2017
    REBECCA FOON BIOGRAPHY 2017 Cellist and composer Rebecca Foon has been a fixture of the Montréal music community for two decades, since moving to the city from her native Vancouver in the late 1990s. She co-founded the Juno Award- winning contemporary chamber group Esmerine in 2002 and was a core member of the celebrated cult post-punk band Thee Silver Mt. Zion Memorial Orchestra from 2001-2008 and the experimental instrumental collective Set Fire To Flames. Foon was also a founding member of the instrumental trios The Mile End Ladies String Auxiliary and Fifths of Seven. Alongside over a dozen albums as a composer and player with the aforementioned projects, Foon has a long list of recording and performing credits as a guest player, and several soundtrack projects under her belt (including the award-winning tar sands documentary H2Oil). Most recently, she has been a member of Colin Stetson’s acclaimed “Sorrow” orchestra (performing Gorecki’s 3rd Symphony) and part of the band for the live documentary performances of filmmakers Sam Green and Brent Green Saltland is Foon’s ‘solo’ project, the seeds of which were planted with a series of local Montréal performances under her own name in 2010- 2011. As a first album took shape in 2012, Foon wished to give the music its own moniker and identity, and to leave room for the project to take on various members and configurations. Saltland’s 2013 debut record I Thought It Was Us But It Was All Of Us was released to broad critical acclaim and featured a long list of Foon’s friends and past collaborators as guest musicians, including Jamie Thompson (The Unicorns, Islands), Richard Reed Parry and Sarah Neufeld (Arcade Fire), Mishka Stein (Patrick Watson) and Laurel Sprengelmeyer (Little Scream).
    [Show full text]
  • Constellation
    CONSTELLATION La critica musicale ha spesso identificato alcuni generi musicali con le città nelle quali si erano sviluppati, arrivando a far coincidere musica e toponomastica come nel caso del Canterbury sound o del Madchester. In realtà di solito si è trattato di un tentativo di semplificare la realtà per rendere intelligibili fenomeni la cui complessità sarebbe stata di difficile comprensione alla maggioranza dei lettori delle varie riviste del settore; basti pensare alla San Francisco psichedelica, al country di Nashville, all'elettronica berlinese, alla Seattle grunge o a Londra per il punk, ecc. Detto ciò, in pochi avrebbero immaginato che nel novero di queste “capitali” musicali sarebbe apparso il nome di Montreal, principale città del Quebec canadese. Eppure se dovessimo cercare una città con la quale identificare il post- rock degli anni Duemila non potremmo che guardare verso questa metropoli di più di un milione e mezzo di abitanti, se non altro per l’etichetta discografica indipendente Constellation records che vi ha sede. Nata nel 1997, la Constellation si è fin da subito caratterizzata per le “ostiche” scelte musicali e di marketing, dimostrando negli anni un'ammirevole coerenza che le ha permesso di intercettare le espressioni più avanzate e innovative del movimento post-rock canadese – ovvero il meglio del post-rock tout-court –, distinguendosi commercialmente dalle tante etichette indipendenti grazie a confezioni in digipack dominate da colori tenui e da un’originalità grafica e iconografica che diventa determinante nel trasmettere anche visivamente i contenuti musicali. Ma forse per comprendere il percorso qui proposto occorre partire dall’inizio, ovvero dalla definizione di Post-rock.
    [Show full text]