DOCSLIB.ORG

Ancient British Rock Art: a Guide to Indigenous Stone Carvings Free

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Ancient British Rock Art: a Guide to Indigenous Stone Carvings Free FREE ANCIENT BRITISH ROCK ART: A GUIDE TO INDIGENOUS STONE CARVINGS PDF Chris Mansell | 64 pages | 16 Oct 2007 | Wooden Books | 9781904263562 | English | Powys, United Kingdom Petroglyphs, Prehistoric Rock Carvings: Definition, Characteristics But in between lies a land as anonymous as a drifter. It is not designated wilderness. It is not parkland or monument. It is just big, empty and quiet. In places, these canyons seem to whisper, their walls speaking in verse. Silent stories in stone, and we have come here to listen. The desert varnish becomes reestablished with time and, consequently, petroglyphs darken as they age, offering a gross, relative indication of the dates of their creation. The paint was then applied with brushes made out of animal hair or yucca leaf fibers, or smeared on with fingers. Because pictographs are extremely fragile, fewer Ancient British Rock Art: A Guide to Indigenous Stone Carvings the prehistoric drawings remain for us to see. Some of the canyon country rock art is thought to be several millennia old, made by people of the so-called Mesquite Flat Culture, who lived from about 3, BC until 1 AD. The majority of rock art in the region was created by the people of the Anasazi and Fremont cultures. Through carbon dating techniques and cultural associations, it appears that much of the art was produced from about AD toalthough much older examples certainly exist. The more elaborate petroglyphs took many perfectly placed hits to create and required untold hours to complete. Hunting and gathering societies survived on a fine edge in a difficult landscape. Members of such societies had little time for idle doodling. Rock art is also not a crude attempt at an alphabet or a universal language. It was not writing in the modern sense of the word. Panels of rock art cannot be read from left to right like the pages of a book. Still, rock art, like writing, may have served as storytelling symbols. It was a tangible attempt to portray human hopes and fears and beliefs in something more lasting than the spoken word. Each piece of rock art is like a verse in the long poem of our attempt to come to grips with the elements of both the physical and Ancient British Rock Art: A Guide to Indigenous Stone Carvings landscape in which we live. Rock art creates those verses in stone. The images, like hieroglyphs, may represent interactions with the spirit world, display familiar icons, recount stories, record events, or mark trails, territorial boundaries, or locations where water could be found. There are an infinite number of things one could think of that the symbols might mean. For example, there Ancient British Rock Art: A Guide to Indigenous Stone Carvings at least five separate interpretations of a circle: That it represents the universe; a shield the bird of prey was often associated with warrior societies ; the sun; nearby water; or an eye the all-seeing power of the bird-man. We have found no Rosetta Stone. Clearly, however, rock art is an Ancient British Rock Art: A Guide to Indigenous Stone Carvings of humanity, symbols of a culture that have persisted for millennia. The symbols have lasted, while the society that made them possible has not. Rock art images transmit the spirit of their creator into an uncomprehending age. The most prominent region to see rock art in the United States is the American Southwest. Sandstone and basalt serve as viable media. The dry climate preserves sites, and the lack of vegetation makes the art easier to find. Because the area was for so long deemed worthless and uninhabitable, rock-art sites have not been destroyed by development and vandals as rapidly as elsewhere. Prehistoric humans in the Death Valley region, for instance, left evidence of their lives in engravings and paintings preserved on rock surfaces. In Greenwater Canyon both petroglyphs and pictographs can be found. Although much of the artwork consists of strange patterns and designs, numerous forms can be recognized, including lizards, snakes, scorpions, deer, bighorn sheep and dancing humans. No matter where they are, the centuries-old petroglyphs and pictographs are oftentimes difficult for untrained eyes to see. Running a fingertip along a timeworn groove, shining a flashlight across a stone surface or skimming a wet sponge over a dry rock face may help bring an ancient design back to life. One of the most resilient figures in Southwestern rock art is the human image, even if the body may be represented by no more a stick figure with what appear to be talons in the places of hands and feet. This is an ideogram that has survived for thousands of years. Then there are the animals. That so many of the figures represent animals is not surprising in cultures where hunting lay at the core of survival, deeply entwined in myth. Close to traditional hunting grounds, the art may have played a part in pre-hunt ceremonies, the drawings being, perhaps, an offering to animals before the kill. The even more numerous geometric images probably hold meaning only to those who carved or painted them. Rock art sites are fragile outdoor museums left by prehistoric man. Because they can be easily damaged:. Bring binoculars or a camera with a telephoto lens. This will help you get close-up views and photos without having to climb up to precipitous cliff ledges, where many rock art sites are located. Keep in mind that many western rock art sites have rattlesnakes nearby, warming themselves on rocks in the sun in the early morning or late afternoon. Ancient drawings, carvings and paintings on rock provide inspiration for the mind, limited only by the farthest boundaries of our imagination. Rock art is wonder, magic, inspiration, a window on our past and, most of all, a marvelous mystery captured on cliffs and rocks throughout the American Southwest. DesertUSA Newsletter -- We send articles on hiking, camping and places to explore, as well as animals, wildflower reports, plant information and much more. Sign up below or read more about the DesertUSA newsletter here. It's Free. Enter E-Mail address:. Enter Email:. Stone Age Artifacts Pictures and Descriptions A computer science professor and a computer engineer are working to bring it back to life. They were discovered within a group of other petroglyphs that are believed to date sometime between the Pleistocene and Holocene periods approximately 13, to 12, years ago. The Ancient British Rock Art: A Guide to Indigenous Stone Carvings at right click for short article shows my brother Bob Bostrom, who discovered the Bostrom siteand two Clovis points that were found by me Pete Bostrom on the site. The only problem is there were to many to post a monthly article. We'll see what January brings. The image at right is a picture of me and a favorite old film camera Pete Bostrom 11 Just a note: and a couple of pictures to show one of the projects I've been working on these last two months. Other projects involved resurfacing work tables, replacing ceiling tiles, re-shelving hundreds of books and lots of cleaning and reorganizing. It illustrates some of the most skillfully crafted flint knapped art that has been made in recent years. Stone reported fourteen stone balls associated with one mound. Referred to as stone spheres, stone balls, petro-spheres, and locally as los bolas. Found on DeMoss burial site in Idaho. George is known for his Ancient British Rock Art: A Guide to Indigenous Stone Carvings to finish points quickly. In fact, some flintknappers call him "the rock monster" because he "devours rock" so quickly. George is credited, by some, as the inventor of copper billets. They have been connected to powerful myths around the world for thousands of years. This Mayan eccentric obviously represents a spider. Sawmill points most striking feature is edge sharpening with fine parallel oblique pressure flaking. The stems are thinned from the base in a way that Kelly described as "flake scars that are indistinguishable from flute scars. They also have sharply defined, massive and widely angled barbs. Plant starch residue has been identified on grinding stones that date to as early as 30, years ago. Old taboos and Folkloric beliefs, concerning grinding stones, are still respected in some areas. People have been creating images and mythic stories about owls for tens of thousands of years. They have been portrayed in every imaginable form. It was discovered in Virginia and identified, with considerable effort, as a Lower Paleolithic tool from Europe. Another unique artifact form, that also has an outer cortex grip handle, are Kerrville knives from central Texas. But they also illustrate how variable the design of stone axes have been. This projectile point may have been intended for use against caribou. Their level of importance varies widely from minor themes in myths, tales and folklore to great and powerful gods. It was broken during manufacture and it has a very unique break pattern in the form of a reverse channel flake struck from the break edge. Earliest evidence for use found on the bones of Period II burials that show forearm fractures called parry fractures and skull depression fractures. This is the first fluted point reported from a northeastern Ancient British Rock Art: A Guide to Indigenous Stone Carvings or rockshelter. Most were made from jadeite, the hardest form of jade. Owners of axe gods were members of wealthy and powerful families. Oldest worked jade in Costa Rica is an axe god. This point was broken from a bend-brake type of fracture. The Findley site is recorded as the type site for Eden points.
Load more

Recommended publications
  • Assessing Relationships Between Human Adaptive Responses and Ecology Via Eco-Cultural Niche Modeling William E
    Assessing relationships between human adaptive responses and ecology via eco-cultural niche modeling William E. Banks To cite this version: William E. Banks. Assessing relationships between human adaptive responses and ecology via eco- cultural niche modeling. Archaeology and Prehistory. Universite Bordeaux 1, 2013. hal-01840898 HAL Id: hal-01840898 https://hal.archives-ouvertes.fr/hal-01840898 Submitted on 11 Nov 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Thèse d'Habilitation à Diriger des Recherches Université de Bordeaux 1 William E. BANKS UMR 5199 PACEA – De la Préhistoire à l'Actuel : Culture, Environnement et Anthropologie Assessing Relationships between Human Adaptive Responses and Ecology via Eco-Cultural Niche Modeling Soutenue le 14 novembre 2013 devant un jury composé de: Michel CRUCIFIX, Chargé de Cours à l'Université catholique de Louvain, Belgique Francesco D'ERRICO, Directeur de Recherche au CRNS, Talence Jacques JAUBERT, Professeur à l'Université de Bordeaux 1, Talence Rémy PETIT, Directeur de Recherche à l'INRA, Cestas Pierre SEPULCHRE, Chargé de Recherche au CNRS, Gif-sur-Yvette Jean-Denis VIGNE, Directeur de Recherche au CNRS, Paris Table of Contents Summary of Past Research Introduction ..................................................................................................................
    [Show full text]
  • Raccolta Novembre 2018
    Scintilena - Raccolta Novembre 2018 Raccolta Articoli La Scintilena Anno 16 numero 11 Raccolta mensile degli articoli pubblicati sul sito http://www.scintilena.com a cura di Bruno Martini. Direttore Responsabile Valeria Carbone Basile File salvato come: 2018_11_Raccolta_Scintilena_Novembre.pdf Scintilena - Raccolta Novembre 2018 Sommario MINIERE SOTTERRANEE ABRUZZESI - CHIETI - 12 NOVEMBRE 2018 ............................................................ 5 FRANCIA: Congrès national de Spéléologie 2019 à La Ciotat ........................................................................ 6 Speleofotocontest proroga di una settimana per l'iscrizione! ...................................................................... 7 Chiude la Grotta di Rio Martino a Crissolo, per tutelare il... "sonno" dei pipistrelli ..................................... 8 Corso SSI a Treviso sulla riforma del terzo settore (associazionismo) .......................................................... 9 Hovermap: Il drone speleologo che fa rilievi sotterranei e costa 2,5 milioni di dollari .............................. 10 Sopra e sotto il Carso - n.10 ottobre 2018 .................................................................................................. 11 Comune di Oliena (NU) - Ordinanza fruizione turistica del territorio ......................................................... 11 SpeleoFotoContest 2018 Web Award ......................................................................................................... 12 Corso basico di immersione in grotta
    [Show full text]
  • Working Together to Preserve the Past
    CUOURAL RESOURCE MANAGEMENT information for Parks, Federal Agencies, Trtoian Tribes, States, Local Governments, and %he Privale Sector <yt CRM TotLUME 18 NO. 7 1995 Working Together to Preserve the Past U.S. DEPARTMENT OF THE INTERIOR National Park Service Cultural Resources PUBLISHED BY THE VOLUME 18 NO. 7 1995 NATIONAL PARK SERVICE Contents ISSN 1068-4999 To promote and maintain high standards for preserving and managing cultural resources Working Together DIRECTOR to Preserve the Past Roger G. Kennedy ASSOCIATE DIRECTOR Katherine H. Stevenson The Historic Contact in the Northeast EDITOR National Historic Landmark Theme Study Ronald M. Greenberg An Overview 3 PRODUCTION MANAGER Robert S. Grumet Karlota M. Koester A National Perspective 4 GUEST EDITOR Carol D. Shull Robert S. Grumet ADVISORS The Most Important Things We Can Do 5 David Andrews Lloyd N. Chapman Editor, NPS Joan Bacharach Museum Registrar, NPS The NHL Archeological Initiative 7 Randall J. Biallas Veletta Canouts Historical Architect, NPS John A. Bums Architect, NPS Harry A. Butowsky Shantok: A Tale of Two Sites 8 Historian, NPS Melissa Jayne Fawcett Pratt Cassity Executive Director, National Alliance of Preservation Commissions Pemaquid National Historic Landmark 11 Muriel Crespi Cultural Anthropologist, NPS Robert L. Bradley Craig W. Davis Archeologist, NPS Mark R. Edwards The Fort Orange and Schuyler Flatts NHL 15 Director, Historic Preservation Division, Paul R. Huey State Historic Preservation Officer, Georgia Bruce W Fry Chief of Research Publications National Historic Sites, Parks Canada The Rescue of Fort Massapeag 20 John Hnedak Ralph S. Solecki Architectural Historian, NPS Roger E. Kelly Archeologist, NPS Historic Contact at Camden NHL 25 Antoinette J.
    [Show full text]
  • Evaluación De Las Capacidades Cognitivas De Homo Neanderthalensis E Implicaciones En La Transición Paleolítico Medio-Paleotíco Superior En Eurasia
    UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE GEOGRAFÍA E HISTORIA DEPARTAMENTO DE PREHISTORIA TESIS DOCTORAL Evaluación de las capacidades cognitivas de Homo Neanderthalensis e implicaciones en la transición Paleolítico Medio-Paleotíco Superior en Eurasia MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Carlos Burguete Prieto DIRECTOR José Yravedra Sainz de Terreros Madrid Ed. electrónica 2019 © Carlos Burguete Prieto, 2018 UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE GEOGRAFÍA E HISTORIA Departamento de Prehistoria EVALUACIÓN DE LAS CAPACIDADES COGNITIVAS DE HOMO NEANDERTHALENSIS E IMPLICACIONES EN LA TRANSICIÓN PALEOLÍTICO MEDIO – PALEOLÍTICO SUPERIOR EN EURASIA MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Carlos Burguete Prieto Bajo la dirección del doctor José Yravedra Sainz de Terreros MADRID, 2018 ©Carlos Burguete Prieto, 2018 UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE GEOGRAFÍA E HISTORIA Departamento de Prehistoria EVALUACIÓN DE LAS CAPACIDADES COGNITIVAS DE HOMO NEANDERTHALENSIS E IMPLICACIONES EN LA TRANSICIÓN PALEOLÍTICO MEDIO – PALEOLÍTICO SUPERIOR EN EURASIA TESIS DOCTORAL Presentada por Carlos Burguete Prieto Dirigida Por Dr. José Yravedra Sainz De Terreros MADRID, 2018 A Álvaro, mi hermano. AGRADECIMIENTOS (en orden alfabético): A Abel Amón por facilitarme documentación gráfica de difícil acceso referente a varios sitios arqueológicos de Rusia y Cáucaso. A Eva Barriocanal (Servicio de depósito del Museo Arqueológico de Bilbao) por su amable atención y disposición a permitirme analizar piezas procedentes del abrigo de Axlor. A Francesco d’Errico (Université de Bordeaux) por compartir sus opiniones y facilitarme información sobre piezas procedentes de la Grotte de Peyrere, Francia. A Luis de Miguel (Director del Museo Arqueológico de Murcia) por facilitarme amablemente el acceso a los restos humanos hallados en la Sima de las Palomas, Murcia.
    [Show full text]
  • Archeology Inventory Table of Contents
    National Historic Landmarks--Archaeology Inventory Theresa E. Solury, 1999 Updated and Revised, 2003 Caridad de la Vega National Historic Landmarks-Archeology Inventory Table of Contents Review Methods and Processes Property Name ..........................................................1 Cultural Affiliation .......................................................1 Time Period .......................................................... 1-2 Property Type ...........................................................2 Significance .......................................................... 2-3 Theme ................................................................3 Restricted Address .......................................................3 Format Explanation .................................................... 3-4 Key to the Data Table ........................................................ 4-6 Data Set Alabama ...............................................................7 Alaska .............................................................. 7-9 Arizona ............................................................. 9-10 Arkansas ..............................................................10 California .............................................................11 Colorado ..............................................................11 Connecticut ........................................................ 11-12 District of Columbia ....................................................12 Florida ...........................................................
    [Show full text]
  • National Register of Historic Places Multiple Property Documentation
    NPS Form 10-900-b OMB .vo ion-0018 (Jan 1987) United States Department of the Interior National Park Service National Register of Historic Places JUH151990' Multiple Property Documentation Form NATIONAL REGISTER This form is for use in documenting multiple property groups relating to one or several historic contexts. See instructions in Guidelines for Completing National Register Forms (National Register Bulletin 16). Complete each item by marking "x" in the appropriate box or by entering the requested information. For additional space use continuation sheets (Form 10-900-a). Type all entries. A. Name of Multiple Property Listing___________________________________________ Prehistoric Paleo-Indian Cultures of the Colorado Plains, ca. 11,500-7500 BP B. Associated Historic Contexts_____________________________________________ Sub-context; Clovis Culture; 11,500-11,000 B.P.____________ sub-context: Folsom Culture; 11,000-10,000 B.P. Sub-context; Piano Culture: 10,000-7500 B.P. C. Geographical Data___________________________________________________ The Plains Region of Colorado is that area of the state within the Great Plains Physiographic Province, comprising most of the eastern half of the state (Figure 1). The Colorado Plains is bounded on the north, east and south by the Colorado State Line. On the west, it is bounded by the foothills of the Rocky Mountains. [_]See continuation sheet D. Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this documentation form meets the National Register documentation standards and sets forth requirements for the listing of relaje«kproperties consistent with the National Register criteria. This submission meets the procedural and professional renuirifiaejits set forth in 36 CFSKPaV 60 and.
    [Show full text]
  • Non-Figurative Cave Art in Northern Spain
    THE CAVES OF CANTABRIA: NON-FIGURATIVE CAVE ART IN NORTHERN SPAIN by Dustin Riley A thesis submitted To the School of Graduate Studies in partial fulfllment of the requirments for the degree of Master of Arts, Department of Archaeology Memorial University of Newfoundland January, 2017 St. John’s Newfoundland and Labrador Abstract This project focuses on non-figurative cave art in Cantabrian (Spain) from the Upper Palaeolithic (ca. 40,000-10,000). With more than 30 decorated caves in the region, it is one of the world’s richest areas in Palaeolithic artwork. My project explores the social and cultural dimensions associated with non-figurative cave images. Non-figurative artwork accounts for any image that does not represent real world objects. My primary objectives are: (1) To produce the first detailed account of non-figurative cave art in Cantabria; (2) To examine the relationships between figurative and non-figurative images; and (3) To analyse the many cultural and symbolic meanings associated to non- figurative images. To do so, I construct a database documenting the various features of non-figurative imagery in Cantabria. The third objective will be accomplished by examining the cultural and social values of non-figurative art through the lens of cognitive archaeology. ii Acknowledgements I would like to thank and express my gratitude to the members of the Department of Archaeology at Memorial University of Newfoundland and Labrador for giving me the opportunity to conduct research and achieve an advanced degree. In particular I would like to express my upmost appreciation to Dr. Oscar Moro Abadía, whose guidance, critiques, and continued support and confidence in me aided my development as a student and as a person.
    [Show full text]
  • Title Author Publisher Date in V. Iss. # C. Key Words Call Number
    Title Author Publisher Date In V. Iss. # C. Key Words Call Number Field Manual for Avocational Archaeologists Adams, Nick The Ontario 1994 1 Archaeology, Methodology CC75.5 .A32 1994 in Ontario Archaeological Society Inc. Prehistoric Mesoamerica Adams, Richard E. Little, Brown and 1977 1 Archaeology, Aztec, Olmec, Maya, Teotihuacan F1219 .A22 1991 W. Company Lithic Illustration: Drawing Flaked Stone Addington, Lucile R. The University of 1986 Archaeology 000Unavailable Artifacts for Publication Chicago Press The Bark Canoes and Skin Boats of North Adney, Edwin Tappan Smithsonian Institution 1983 1 Form, Construction, Maritime, Central Canada, E98 .B6 A46 1983 America and Howard I. Press Northwestern Canada, Arctic Chappelle The Knife River Flint Quarries: Excavations Ahler, Stanley A. State Historical Society 1986 1 Archaeology, Lithic, Quarry E78 .N75 A28 1986 at Site 32DU508 of North Dakota The Prehistoric Rock Paintings of Tassili N' Mazonowicz, Douglas Douglas Mazonowicz 1970 1 Archaeology, Rock Art, Sahara, Sandstone N5310.5 .T3 M39 1970 Ajjer The Archeology of Beaver Creek Shelter Alex, Lynn Marie Rocky Mountain Region 1991 Selections form the 3 1 Archaeology, South Dakota, Excavation E78 .S63 A38 1991 (39CU779): A Preliminary Statement National Park Service Division of Cultural Resources People of the Willows: The Prehistory and Ahler, Stanley A., University of North 1991 1 Archaeology, Mandan, North Dakota E99 .H6 A36 1991 Early History of the Hidatsa Indians Thomas D. Thiessen, Dakota Press Michael K. Trimble Archaeological Chemistry
    [Show full text]
  • The Interpretation of Upper Palaeolithic Parietal
    UNIVERSITY OF MALTA THE INTERPRETATION OF UPPER PALAEOLITHIC PARIETAL PAINTINGS BY: SARAH BUSUTTIL APRIL 2002 DISSERTATION SUBMITTED TO THE DEPARTMENT OF CLASSICS AND ARCHAEOLOGY, FACULTY OF ARTS IN PART FULFILLMENT OF A B.A. (Hons.) DEGREE IN ARCHAEOLOGY I PREFACE. Aii is one of the factors of human life that fall under the category of symbolism. In my study I will focus on the paintings of Upper Palaeolithic Western Europe that are found in the Franco-Cantabrian caves. My interest in this study was triggered off in my search for the first tangible and intensely manifested fonn of art that the Homo Sapiens Sapiens has produced. In fact, the Franco-Cantabrian caves attest to the grandest form of symbolism of our human ancestors. It is through this same symbolism that man has managed to pass on some of his intrinsic beliefs in a simplified pictorial way. Yet, it is these 'simplified' messages that have proved so difficult for scholars to read what our primitive ancestors wanted to say. This has all resulted from the fact that we are studying a stage from prehistory. Since the time of the first discoveries of these paintings, controversies have been rampant as to how we could interpret such a heritage. In order to try and get a good stronghold on the wide picture, my aim was to follow the development of the theories that have been proposed up to now, together with a concise resume of the paintings themselves. The biggest question ever that continues to elude scholars is the meaning of these widely acclaimed painted canvases.
    [Show full text]
  • Late Paleoindian Land Tenure in Southwest Wyoming: Towards
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Anthropology Department Theses and Dissertations Anthropology, Department of 2019 Late Paleoindian Land Tenure in Southwest Wyoming: Towards Integrating Method and Theory in an Analysis of Taphochronometric Indicators of Time-Averaged Deposits in the Wyoming Basin, Wyoming USA Cynthia D. Highland University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/anthrotheses Part of the Anthropology Commons Highland, Cynthia D., "Late Paleoindian Land Tenure in Southwest Wyoming: Towards Integrating Method and Theory in an Analysis of Taphochronometric Indicators of Time-Averaged Deposits in the Wyoming Basin, Wyoming USA" (2019). Anthropology Department Theses and Dissertations. 61. https://digitalcommons.unl.edu/anthrotheses/61 This Article is brought to you for free and open access by the Anthropology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Anthropology Department Theses and Dissertations by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. LATE PALEOINDIAN LAND TENURE IN SOUTHWEST WYOMING: TOWARDS INTEGRATING METHOD AND THEORY IN AN ANALYSIS OF TAPHOCHRONOMETRIC INDICATORS OF TIME-AVERAGED DEPOSITS IN THE WYOMING BASIN, WYOMING USA by CYNTHIA D. HIGHLAND A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Master of Arts Major: Anthropology Under the Supervision of Professor LuAnn Wandsnider Lincoln, Nebraska December 2019 LATE PALEOINDIAN LAND TENURE IN SOUTHWEST WYOMING: TOWARDS INTEGRATING METHOD AND THEORY IN AN ANALYSIS OF TAPHOCHRONOMETRIC INDICATORS OF TIME-AVERAGED DEPOSITS IN THE WYOMING BASIN, WYOMING USA Cynthia D.
    [Show full text]
  • An Assessment of the Impact of Resharpening on Paleoindian Projectile Point Blade Shape Using Geometric Morphometric Techniques
    Chapter 11 An Assessment of the Impact of Resharpening on Paleoindian Projectile Point Blade Shape Using Geometric Morphometric Techniques Briggs Buchanan and Mark Collard Abstract Paleoindian archaeologists have long recognized that resharpening has the potential to affect the shape of projectile points. So far, however, the impact of resharpening on the distinctiveness of the blades of Paleoindian projectile points has not been investigated quantitatively. With this in mind, we used geometric morphometric techniques to compare the blades of Clovis, Folsom, and Plainview projectile points from the Southern Plains of North America. We evaluated two hypotheses. The first was that blade shape distinguishes the three types. We found that blade shape distinguished Clovis points from both Folsom and Plainview points, but did not distinguish Folsom points from Plainview points. The second hypothesis we tested was that resharpening eliminates blade shape differences among the types. To test this hypothesis, we used size as a proxy for resharpening. The results of this analysis were similar to those obtained in the first analysis. Thus, our study suggests that, contrary to what is often assumed, resharpening does not automatically undermine the use of blade shape in Paleoindian projectile point typologies. Introduction The assignment of projectile points to types is critical for research on the Paleoindian period in North America. Paleoindian specialists rely on projectile point typology to situate assemblages in time when directly dateable material is not recovered. Furthermore, because Paleoindian points are found in such high numbers in mixed or isolated surface contexts, many studies concerning changes in technology and land use have relied on typed specimens (e.g., Anderson and Faught 2000).
    [Show full text]
  • Lithic Technology at the Below Forks Site, Fhng-25: Strategems of Stone Tool Manufacture
    Lithic Technology at The Below Forks Site, FhNg-25: Strategems of Stone Tool Manufacture. A Thesis Submitted to the College of Graduate Studies and Research In Partial Fulfillment of the Requirements For the Degree of Master of Arts in the Department of Archaeology University of Saskatchewan Saskatoon, Saskatchewan. By Steven C. Kasstan March 2004. © 2004 (Copyright Steven C. Kasstan. All Rights Reserved.) PERMISSION TO USE In presenting this thesis in partial fulfillment of the requirements for a Postgraduate degree from the University of Saskatchewan, I agree that the Libraries of this University may make it freely available for inspection. I further agree that permission for copying of this thesis in any manner, in whole or in part, for scholarly purposes may be granted by the professor or professors who supervised my thesis work or, in their absence, by the Head of the Department or the Dean of the College in which my thesis work was done. It is understood that any copying or publication or use of this thesis or parts thereof for financial gain shall not be allowed without my written permission. It is also understood that due recognition shall be given to me and to the University of Saskatchewan in any scholarly use which may be made of any material in my thesis. Requests for permission to copy or make other use of material in this thesis in whole or in part should be addressed to: Head of the Department of Archaeology, University of Saskatchewan Saskatoon, Saskatchewan. S7N 2A5. i ABSTRACT The Below Forks site is a deeply stratified multicomponent archaeological site situated two kilometres downstream from the confluence of the North and South Saskatchewan Rivers.
    [Show full text]