DOCSLIB.ORG

Shocicingwzf*'I£?;

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Shocicingwzf*'I£?; 12:56, 2:40, 4:30, 8:15, 8:05 and Trsns-Lux—“l Am a Camera”; C-6 THE EVENING STAR, Washington, D. C. pjn. ajn., 12:50, 2:40, 4:35, 6:26, Wednesday, October it, uss « 8:65 11 WHERE Plaaa “The Virgin Queen”; 8:20 and 10:10 pjn. AKTCntau passing 12:25, 3:20, 4:16, 8:10 (sneak Warner—" Cinerama Holiday"; m f»fc*n* the show AND WHEN preview, 8) and 9:50 pjn. 2 and 8:30 p.m. Current Theater Attractions When the Redhead and Time of Showing p ¦¦ f ¦ | Stage ACAiIMY 4 i|| ACAPEMY 4 National “Anastasia"; 2:30 fAi mKI AWAta J and 8:30 pjn. f mM 14 Moira, W9mMl * wmi|,sb| Is Why Not Shobert—"Deadfall”; 2:10 and *35 A] 8:30 pm. k By JAY CARMODY I W AUDREY WIUAM HOUWI Terence Rat tigan comes up with an amusing and beguiling Screen HB!MM comedy idea in “The Man Who Loved Redheads," which opened Ambaacador "Blood Alley"; today at the Playhouse theater. 1, 3:08, 8:10, 7:20 and 9:30 pjn. Noiran Houmr itmb it*] , The producers, bless them, i come up with an even more at- Capitol "The Tell Men": tractive notion in choosing Moilra Shearer to play the entire lot 10:48 a.m., 12:58, 2:08, 6:20, 7:30 of readheads with whom the and 9:80 pjn. man in the case falls in love. 'TKX MANWHO LOVED REDHEADS," Colony "The Oredn Scarf”; a London FUms-Losort roIMM. pro- L dlllllj As the lovely, lissome, titian duced bj Josef Somlo. directed bj Harold 8:15, 8:08 and 9:60 p.m. stressed bevy French. screenplay by Terence AatUaan, in the film. Miss with musical (core by Beniamin Frankel Columbia "Trial”; II am, Shearer is likely to leave a host At the Playhouse Theater. 1:05, 3:15, 8:25, 7:40 and 9:60 of males giving a hard second The Coat P thought affection they Sylvia. Daphne. Olsa. to the Colette -L-‘_. Moira Shearer Dupont—'“Summertiine”; 1:30. have squandered on blonds and Mark John Justin 3:36, 8:36, 7:40 and pjn. Oscar Boland Culver 9:40 CLAM. JANE .ROBERT brunettes. Carolina Gladys Cooper Keith's—“To Hell end Back"; Denis Denholm Elliott • 1:68, 8:85, 6:88, 7:55 J CABLE RUSSELL RYAR The star who made her debut 1 y'.i #, mJ 11:55 ajn., IBr “The and 9:58 pjn. in Red Shoes" has devel- Ethel Mom Fraser oped into quite a comedienne in Sr reel .John Hart Little “Angela"; 6:26, 8:10 -^f|| Shloe Jean Benham pjn. the years between but the more Toune Mark Jeremy Speneer and 9:55 important thing about her is Sidney Melvyp Hayea Mac Arthur “The Divided that she has grown more seduc- Heart"; 6:15, 8 and 9:58 pjn. Carol Channing’s musical from Metropolitan Alley”; tive. She is surrounded in this “Blood ' nimble, knowing jest about the "Delilah” to "The Vamp." 11:30 ajn., 2:08, 4:35, 7:10 end * love life of the male by a prop- j The change, If you are tardy 9:45 p.m. llli Jeanne CcdcL I erly deft cast. jin getting into the controversy, Ontario—“We’re No Angels”; The group is quite helpful, as •is based upon the fact that some 1:30, 3:40, 6:45, 7:4 p and 9:40 1 is also Gladys Cooper, get- Detroit theatergoers were con- pjn. in might ting the last small shadow of fused that Miss Chanping Palace “Gentlemen Marry jbe appearing a biblical, lisas merriment out of Mr. Rattigan’s in saw. Brunettes”; 11:25 a.m., 1:30, doubt, a._ little fable. comedy. This, no the 3:35, 5:40, 7:45 end 9:50 pjn. * * OF ** result of the DeMille influence A STALKER SOULS Playhouse “The Man Who and a memory of Victor Mature homicidal traveling preacher The premise of the Playhouse's Robert Mitchum who plays the Loved Redheads”; 11:10 a.m., comedy as Samson. in of the Hunter," which opens tomorrow at the -romantic is by no means group fretful, “Night •startling. A local that is if picture represents Charles Laughton’s ; It is. simply, that in Ontario Theater. The CONCERTS youth not contentious, about the PATRICK HAVES the male fails in love change Auxiliary debut as a film director and that of Paul Gregory as a and, provided is* the Woman’s with a face prop- of the District Medical Society. producer. erly encouraging circumstance, £? sponsoring Vamp’s” likely keep It is "The is to on doing so the opening night as a benefit and PHILHARMONIA rest of his life. any happy par- SHOCICINGWZf*' does not want i Mr. Rattigan has written a ticipant befuddled about “Deli- ORCHESTRA gay case history in proof of his lah.” the production’s name quite delightful understanding when the tickets were being sold. HOLLYWOOD v—U-J \ \ \ f St. at I2fk—tfc. 7-1000 of this human weakness. He These latter are just to turn OF LONDON tells the story of a British diplo- up next Tuesday night at the By CiMnMhr mat who is both handsome and National to see Carol play a SHCILAH GRAHAM rich enough to gratify his character named Delilah, an old Herbert Von Karajan weakness for redheads. Starting type movie siren, in a musical Two Different Program* in boyhood and continuing to called “The Vamp." the remotest boundary of mor- Any questions? Diana Sets the Date SUN.. OCT. 23—3:00 P.M. tality, this fortunate man keeps ** * * Their friends reports that off to Denver to open the mus- meeting face he first encoun- BULLETIN BOARD: Teams, Srauk.ar, a Lynn Andy McLaglen cular dystrophy drive. “Fantastic ters in a linen closet during a one might say, tops in local Diana and are have aet the date for their walk Jack Webb is looking for an- game of hide-and-seek. night club entertainment . Peggy Lee, . other movie for but The contents of these meet- And they could hardly represent down the aisle. Perry Como SAT. OCT. 29-8:30 P.M. his writer, Goodman Ace, he will not be her costar —just alaefrlcally exciting ings vary naturally but each has a wider variety in periods what and Preenm: Header. “WaUr M«.l.”l feuding. Perry keeps : the picture. Says he Symph.oy Bartak melodramaP^K charm, are direct Beetkevca N». Si its aura of invincible with Blossom Seeley and Benny rewrit-i "C.nr.rto far Orekntra.” . from I sweetness and wistfulness. Mr. Fields ing the show. Ava Gardner i learned lots of lessons Prim Back Conrl: IIM MS due at the Old New Or- “Pete Kelly’s Blues.", *.75. 8.30 SmS. 4JM. Rattigan is no dramatist to sully leans on Friday and Ray Mac- turned down $15,000 plus ex- j 99 slightest penses to fly to Florida from* i Barbara Rulck advises: “My “‘TRIAL*it a ‘MUST* pictures his fantasies with the 1 Donald and Peggy Ryan head- CONCERT BUREAU \/ Spain, to hostess a Miami cock- name rhymes with Buick, in case HATER shadow of the sordid. lining the Staffer show for the you (la Cia.sk.lT>) ÜBS O S*. N.W. ** * * tail party. can’t pronounce it.” Bar- KAUeaal 0-7151 suiavar Plaaa ;next fortnight . Last Satur- Hollywood bara gets her divorce from Bob redheads, four day—we’re snly getting sick call: Richard Miss Shearer’s now a Horton after the finishes “Ca- “Will be a powerful candidate far a entirely plaus- saying—was big- Widmark is bedded with touch in number, are an around to the Paget of flu. Debra is down rousel.” host of tap ible group in keeping a man ex- gest single day in Cinerama's ** * * awards!” with a bad cold. And her moth'er Wy citedly off balance for life- local history . Which has set a just of hospital after Grace Kelly returns East after From the radiant child of the management busy special out the time. j i on GRAHAM, Page C-7 closet, goes to morning surgery. See »«•*« the linen she on matinees for Govern- *** * ! An be ever so logically, an office; ment employe and other SHOW* groups Margaret’s Play- Century-Fox. they’re 2 girl, a Russian ballet dancer, j I ... St. At 20th MTIONALeUSTS TIMES! Met 1.-00-lv* *i3o and a high fashion model. Each ers will present two perform- laughing at Sheree North’s new TKiff,. of these, of course, wears the ances of Noel Coward’s “Blithe snooty attitude. Well. Iprefer it JrrrJte same young face and flaming Spirit," on Friday and Saturday to the borinßbop talk. Dick POUT HAAS nights Haymes. reading the Rita-Aly MMCNK hair but the resemblance ends of this week ... The ftfOMVOVMH headlines, still says Rita will jqUI taodoora there. place, Parish Hall, Connecticut star tMKt young girl wide-eyed in a picture he is going to pro- The is avenue and Bancroft place, the aj|U j • 191 MMMIK mmm and assured that first love is time, 8:30 p m. A short dis- duce. ... Marge and Gower eternal, typist full of Champion are auditioning sing- Him the the tance down October, the Mount ers night-ciub sense of adventure, the dancer Vernon Players will be offering for their new act. tomcat st tmsmm A hum* win mi-am. m> Dorothy . FORD Benny pm. [ MUkk* A Miw.aa McGUIRE security Steve Allen and Good- \6lenn aware of the repre- j their first play of Its OnasQo— M Ut«»t M the autumn man ¦ MMiMemW sented by a rich and handsome season, "I Remember are now being mistaken for U4M,kn,l.lk, j man, and each other.
Load more

Recommended publications
  • The Representation of Reality and Fantasy in the Films of Powell and Pressburger: 1939-1946
    The Representation of Reality and Fantasy In the Films of Powell and Pressburger 1939-1946 Valerie Wilson University College London PhD May 2001 ProQuest Number: U642581 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest U642581 Published by ProQuest LLC(2015). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Representation of Reality and Fantasy In the Films of Powell and Pressburger: 1939-1946 This thesis will examine the films planned or made by Powell and Pressburger in this period, with these aims: to demonstrate the way the contemporary realities of wartime Britain (political, social, cultural, economic) are represented in these films, and how the realities of British history (together with information supplied by the Ministry of Information and other government ministries) form the basis of much of their propaganda. to chart the changes in the stylistic combination of realism, naturalism, expressionism and surrealism, to show that all of these films are neither purely realist nor seamless products of artifice but carefully constructed narratives which use fantasy genres (spy stories, rural myths, futuristic utopias, dreams and hallucinations) to convey their message.
    [Show full text]
  • HP0221 Teddy Darvas
    BECTU History Project - Interview No. 221 [Copyright BECTU] Transcription Date: Interview Dates: 8 November 1991 Interviewer: John Legard Interviewee: Teddy Darvas, Editor Tape 1 Side A (Side 1) John Legard: Teddy, let us start with your early days. Can you tell us where you were born and who your parents were and perhaps a little about that part of your life? The beginning. Teddy Darvas: My father was a very poor Jewish boy who was the oldest of, I have forgotten how many brothers and sisters. His father, my grandfather, was a shoemaker or a cobbler who, I think, preferred being in the cafe having a drink and seeing friends. So he never had much money and my father was the one brilliant person who went to school and eventually to university. He won all the prizes at Gymnasium, which is the secondary school, like a grammar school. John Legard: Now, tell me, what part or the world are we talking about? Teddy Darvas: This is Budapest. He was born in Budapest and whenever he won any prizes which were gold sovereigns, all that money went on clothes and things for brothers and sisters. And it was in this Gymnasium that he met Alexander Korda who was in a parallel form. My father was standing for Student's Union and he found somebody was working against him and that turned out to be Alexander Korda, of course the family name was Kelner. They became the very, very greatest of friends. Alex was always known as Laci which is Ladislav really - I don't know why.
    [Show full text]
  • September 2006
    The Old Radio Times The Official Publication of the Old-Time Radio Researchers September 2006 Over 1,450 Subscribers Number 10 Contents How Groucho and his Brothers Left Their Marx on Network Radio Special Features Robert Jennings and Wayne Boenig Marx & Co. 1 The Marx Brothers, and especially the best Bobby Benson 5 known Marx brother, Groucho, had a long and Lost Movies, Pt. 2 7 distinguished career in show business that Researchers Hub 11 spanned two thirds of the Twentieth Century, Aces High 14 and left an indelible mark on the worlds of vaudeville, Broadway theater, movies, radio, Radio Junkie 18 and television. Radio in 1943 20 In addition to being stars together or singly Ex-Lax 23 in all those varied formats, the Marx Brothers Claybourne 26 also exerted an enormous influence thruout the whole of show business during the years they Regular Features were active. Their original vaudeville appearance was shaped by legendary Treasury Report 22 vaudevillian Al Shean of “Gallagher and Crossword 25 Shean.” They were close personal friends with Librarian’s Shelf 27 personalities as varied as Jack Benny, Bob Hope, George S. Kaufman, George Jessell, isn’t exactly the Medici Family for show Buy-Sell-Trade 30 Irving Thalberg, George Burns and Eddie business, at least it is a considerably Letters to the Editor Cantor. In addition Marx family ties were interlinked legacy whose show business 30 interwoven throughout the world of influences are still being felt on down into this Sushi Bar 33 entertainment. Sadye Marx, a cousin, married new century. Jack Benny and became Mary Livingstone.
    [Show full text]
  • Hughes' Budget Up
    -.-T Wettiier Distribution 7 *au femysfctat » Oe»*> to*»y *** Mtgbt:*)!)! MUM. Today It* mta. M*.*, kw t. tte 21,800 . Us, tomorrov, cloudy with • nigh to the SM. Wednesday, fair- DIAL SH I-0010 and cold. See Weather, page t ««Ur. Unit anon* rrUw. B««md «ut »MUP RED BANK, N. J., MONDAY, FEBRUARY 11, 1863 VOL. 85, NO. 163 it ill Btlt ui U. MdlUontl MlUlo* Olfleu. 7c PER COPY PAGE ONE City Manager Fired Bowen to Demand Hearing LONG BRANCH- City Manager Richard J. left the city yesterday for a two-week business Bowen was to be in his office at the city hail trip. And Mr. Jones couldn't be reached for annex today. But it may be his last visit there comment. la ait official capacity. '.'".".• ' • One thing that will be held up, undoubtedly, • i He was fired by IU vote of City Council by jytr, Bowen's firing will be introduction of Saturday. Though he will demand a public the 1963 city budget. Council completed work hearing and another vote by the council with-, on Mr. Bowen's recommended budget last week in 30 days, he is not hopeful of returning to: and the manager planned to put all Informs-. the $13,000-a-year job he assumed 18 months ' tion on paper over the weekend and present it ago. ' •'••••••• ^ •... : . • -•:,. for formal drafting by City Auditor Armour His visit today will be merely to pick up- Hulsart. personal belongings. In removing Mm -from "But I've been suspended," Mr. Bowen office, council made" no arrangements- for a pointed, out.
    [Show full text]
  • Jack Benny to Howard Stern
    An A-1 Guide to Radio from Jack Benny to Howard Stern RON LACKIUN THE ENCYCLOPEDIA Of AMERICAN RADIO llizdated Edition NELLIE McCLUNG OCT - 4 2001 GRESTE":.. PLI3LIC LIBRARY L 1 tc5914-833 Updated Edition TAE EN(Y(LOPEDIA Of AKER! RAD' An A-1 Guide to Radio from Jack Benny to Howard Stern RON LACKMANN NEL UF- McCLUNG C T- 4 2001 CREATE? PJ3LIL LARK'. Checkmark Books An imprint of Facts On File, Inc. The Encyclopedia of American Radio, Updated Edition Copyright © 1996, 2000 by Ron Lackmann All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage or retrieval systems, without permission in writing from the publisher. For information contact: Checkmark Books An imprint of Facts On File, Inc. 11 Penn Plaza New York, NY 10001 Library of Congress Cataloging -in -Publication Data Lackmann, Ronald W. The encyclopedia of American radio : an a -z guide to radio from Jack Benny to Howard Stem / Ron Lackmann-Updated ed. p.cm. Rev. ed. of: Same time, same station. c1996. Includes bibliographical references and index. ISBN 0-8160-4137-7.-ISBN 0-8160-4077-X (pbk. : alk. paper) 1. Radio prograins-United States Encyclopedias.2. Radio programs-Canada Encyclopedias.3. Radio broadcasters-United States Encyclopedias.4. Radio broadcasters-Canada-Encyclopedias. I. Lackmann, Ronald W. Same time, same station.II. Title. PN1991.3.U6L321999 791.44'75'0973-dc21 99-35263 Checkmark Books are available at special discounts when purchased in bulk quantities for businesses, associations, institutions, or sales promotions.
    [Show full text]
  • Proposition 187 and the Ghost of James Bradley Thayer
    UCLA Chicana/o Latina/o Law Review Title Proposition 187 and the Ghost of James Bradley Thayer Permalink https://escholarship.org/uc/item/3k34813c Journal Chicana/o Latina/o Law Review, 17(1) ISSN 1061-8899 Author Sklanksy, David A. Publication Date 1995 DOI 10.5070/C7171021065 Peer reviewed eScholarship.org Powered by the California Digital Library University of California PROPOSITION 187 AND THE GHOST OF JAMES BRADLEY THAYER DA vID A. SKLANSKJy Provoked by the ugliness of Proposition 187 - California's recent anti-immigration initiative - the ghosts of at least three fully documented Americans could be excused for returning briefly to say "I told you so." One is James Madison, who fa- mously warned against forms of democracy that fail to check popular prejudices and resentments.' A second is Fred Allen, who somewhat less famously dismissed California as "a wonder- ful place to live - if you happen to be an orange."'2 The third is James Bradley Thayer, the least familiar of the three today, but arguably the most influential law professor in American history. His grounds for claiming vindication are the subject of this essay. I. But first some background. Thayer taught at Harvard Law School from 1874 until his death in 1902.3 This was a formative period in American legal education. Thayer's colleagues at Harvard included Christopher Columbus Langdell, John Chip- man Gray, James Barr Ames, and, briefly, Oliver Wendell Holmes, Jr.;4 in the words of a later, not atypical admirer, Thayer "was one of the giants at the Harvard Law School during its t Acting Professor of Law, UCLA School of Law.
    [Show full text]
  • America Radio Archive Broadcasting Books
    ARA Broadcasting Books EXHIBIT A-1 COLLECTION LISTING CALL # AUTHOR TITLE Description Local Note MBookT TYPELocation Second copy location 001.901 K91b [Broadcasting Collection] Krauss, Lawrence Beyond Star Trek : physics from alien xii, 190 p.; 22 cm. Book Reading Room Maxwell. invasions to the end of time / Lawrence M. Krauss. 011.502 M976c [Broadcasting Collection] Murgio, Matthew P. Communications graphics Matthew P. 240 p. : ill. (part Book Reading Room Murgio. col.) ; 29 cm. 016.38454 P976g [Broadcasting Collection] Public Archives of Guide to CBC sources at the Public viii, 125, 141, viii p. Book Reading Room Canada. Archives / Ernest J. Dick. ; 28 cm. 016.7817296073 S628b [Broadcasting Skowronski, JoAnn. Black music in America : a ix, 723 p. ; 23 cm. Book Reading Room Collection] bibliography / by JoAnn Skowronski. 016.791 M498m [Broadcasting Collection] Mehr, Linda Harris. Motion pictures, television and radio : a xxvii, 201 p. ; 25 Book Reading Room union catalogue of manuscript and cm. special collections in the Western United States / compiled and edited by Linda Harris Mehr ; sponsored by the Film and Television Study Center, inc. 016.7914 R797r [Broadcasting Collection] Rose, Oscar. Radio broadcasting and television, an 120 p. 24 cm. Book Reading Room annotated bibliography / edited by Oscar Rose ... 016.79145 J17t [Broadcasting Collection] Television research : a directory of vi, 138 p. ; 23 cm. Book Reading Room conceptual categories, topic suggestions, and selected sources / compiled by Ronald L. Jacobson. 051 [Broadcasting Collection] TV guide index. 3 copies Book Archive Bldg 070.1 B583n [Broadcasting Collection] Bickel, Karl A. (Karl New empires : the newspaper and the 112 p.
    [Show full text]
  • Image to PDF Conversion Tools
    J U L Y Grf!la Garbo I.as sia",'" "onp 10 I,i"cf!s! 11 nd it "8 "I' '0 "fllI 10 sel I... r ri"h'• • Can Vou Solve This MOVIE MIX-UP? HERE'S real fun­ Mlx·Up today- at the MOVIE MIX'UP, a nearest S. H. Kress fascinating new kind Store or Newsstand. of jig.saw puzzle! It's only lO¢. If you're a movie If you can't get the fan, you'll love it. If MOVIE Mlx·Up you you're a jig.saw fan. want at your Kress you'll get a big kick store or newsstand. out of it. If you're fill out tt:e coupon and Dell PulJli 8 hi n~ Co., Inc. send it with 1O¢ in 100 Fifth Ave., ~ ew York City, N. Y. both (and who isn't?). Please send me the MOI'I K :\1I C't· UI' whi ch 1 hav e cherked below. I am en­ you'll get a double stamps or coin (l5¢ dosing 10¢ in slamps or ('oin for each one desired (IS¢ apie<:e for C D Tladian ~~ break! in Canada. coin only) coin only), for each MovlE MIX. o NORMA SHEAltER Try it tonight! And o GARY COOPER Up desired. o GRETA GARBO see how long it takes o CLAItK GAI\LE you to put your star Prinl N AME here .•.. ••. •• . .. ......•.. _. together. Get a MOVIE MOVIE MIX-UP.' STREET A onKESS • • •••••••••• .. ••••••••• • CITl' •• • ••• .••••••••••• ••• STATI': , • • •••• • • RADIO STARS THESCOTT~: RADIO delivers such Clear. Consisfent Year 'Round WOR ION ~1lTmI1.
    [Show full text]
  • King Kong and the Human Fly Meaghan Morris
    Sexuality & Space Beatriz Colomina, editor Jennifer Bloomer Victor Burgin Elizabeth Grosz Catherine Ingraham Meaghan Morris Laura Mulvey Molly Nesbit Alessandra Ponte Lynn Spigel Patricia White Mark Wigley PRINCETON PAPERS ON ARCHITECTURE Sexuality and Space is the first volume in the series Princeton Papers on Architecture Princeton University School of Architecture Princeton, New Jersey 08544-5264 Editor: Beatriz Colomina Copy Editor: Phil Mariani Designer: Ken Botnick Project Coordinator: Lisa A. Simpson Published by Princeton Architectural Press 37 East 7th Street New York, New York 10003 212.995.9620 © 1992 Princeton Architectural Press All rights reserved 95 94 93 4 3 Printed and bound in Mexico No part of this book may be used or reproduced in any manner without written permission from the publisher, except in the context of reviews Library of Congress Cataloging-in-Publication Data Sexuality & space I Beatriz Colomina, editor. p. em. -(Princeton papers on architecture: 1) Proceedings of a symposium, held at Princeton University School of Architecture March 10-11, 1990. ISBN 1-878271-o8-3 (paper) : $14.95 1. Space (Art)-Congresses. 2. Space (Architecture)-Congresses. 3. Sexuality in art-Congresses. 4· Arts, Modern-2oth century-Congresses. I. Colomina, Beatriz. II. Title: Sexuality and space. III. Series. NX65o.S8S48 1992 720'. 1-dczo Contents Meaghan Morris I Great Moments in Social Climbing: King Kong and the Human Fly Laura Mulvey 53 Pandora: Topographies of the Mask and Curiosity Beatriz Colomina 73 The Split Wall: Domestic Voyeurism
    [Show full text]
  • Cinema at the End of Empire: a Politics of Transition
    cinema at the end of empire CINEMA AT duke university press * Durham and London * 2006 priya jaikumar THE END OF EMPIRE A Politics of Transition in Britain and India © 2006 Duke University Press * All rights reserved Printed in the United States of America on acid-free paper Designed by Amy Ruth Buchanan Typeset in Quadraat by Tseng Information Systems, Inc. Library of Congress Cataloging-in-Publication Data and permissions information appear on the last printed page of this book. For my parents malati and jaikumar * * As we look back at the cultural archive, we begin to reread it not univocally but contrapuntally, with a simultaneous awareness both of the metropolitan history that is narrated and of those other histories against which (and together with which) the dominating discourse acts. —Edward Said, Culture and Imperialism CONTENTS List of Illustrations xi Acknowledgments xiii Introduction 1 1. Film Policy and Film Aesthetics as Cultural Archives 13 part one * imperial governmentality 2. Acts of Transition: The British Cinematograph Films Acts of 1927 and 1938 41 3. Empire and Embarrassment: Colonial Forms of Knowledge about Cinema 65 part two * imperial redemption 4. Realism and Empire 107 5. Romance and Empire 135 6. Modernism and Empire 165 part three * colonial autonomy 7. Historical Romances and Modernist Myths in Indian Cinema 195 Notes 239 Bibliography 289 Index of Films 309 General Index 313 ILLUSTRATIONS 1. Reproduction of ‘‘Following the E.M.B.’s Lead,’’ The Bioscope Service Supplement (11 August 1927) 24 2. ‘‘Of cource [sic] it is unjust, but what can we do before the authority.’’ Intertitles from Ghulami nu Patan (Agarwal, 1931) 32 3.
    [Show full text]
  • From Scat to Satire
    FROM SCAT TO SATIRE: TOWARD A TAXONOMY OF HUMOR IN TWENTIETH CENTURY AMERICAN MEDIA A THESIS SUBMITTED TO THE GRADUATE SCHOOL IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS BY BRIAN BOSWELL JOSEPH MISIEWICZ BALL STATE UNIVERSITY MUNCIE, INDIANA JULY 13, 2009 From Scat to Satire 2 Title Page 1 Table of Contents 2 List of Tables 3 Dedication 4 Acknowledgement 5 Abstract 6 Chapter I: Introduction 7 Chapter II: Review of Literature 18 Chapter III: Methods 28 Chapter IV: Analysis of Results 38 Chapter V: Discussion 53 Bibliography 59 Appendix A. Humor Instances in Some Like It Hot 61 Appendix B. Humor Instances in Dr. Strangelove 91 Appendix C. Humor Instances in Annie Hall 109 Appendix D. Humor Instances in Tootsie 128 Appendix E. Humor Instances in There’s Something About Mary 153 From Scat to Satire 3 List of Tables and Charts Table 1 – List of Zero Points 36 Table 2 – Terminology Used in the Analysis of the Films 51 Table 3 – Quantitative Results of the Films 52 Chart 1 – Result of Limiting the Nomadic Traits of Personality Comedians 32 From Scat to Satire 4 Dedication I would like to dedicate this volume to my wife Jennifer, the child we are expecting in September, and my daughter Molly, (who enjoys telling the joke: ―What tree can you hold in your hand? It‘s a palm tree.‖) Their encouragement, patience and inspiration have enabled me to persevere in both this thesis and my graduate studies overall. From Scat to Satire 5 Acknowledgements I would like to gratefully acknowledge Dr.
    [Show full text]
  • Imperalist Cinema: the Drum (Zoltan Korda, 1938); Gunga Din (George Stevens, 1939); the Thief of Bagdad (Michael Powell, Ludwig Berger, Tim Whelan Et
    1 Imperalist cinema: The Drum (Zoltan Korda, 1938); Gunga Din (George Stevens, 1939); The Thief of Bagdad (Michael Powell, Ludwig Berger, Tim Whelan et. al ., 1940) and Black Narcissus (Michael Powell and Emeric Pressburger, 1947); Gandhi (Richard Attenborough, 1982); A Passage to India (David Lean, 1984); Heat and Dust (James Ivory, 1983) My main contact with India is a daily phone-call from a call-centre somewhere in the Subcontinent. Whoever it is, has never heard of my name, and can’t pronounce it – (Peter Sellers voice ): “Hello. Can I speak to Mr Coach-run, please?” I don’t know how they’re proposing to get money out of me, because I always hang up on them at once. In 2007, the Raj and its discontents seem a long way away. —————————— The Drum shows why the Brits were such successful imperialists – it was because of the public school dramsoc tradition. A fellow who could do Brutus or Hamlet, Bottom or Dogberry, would have no problem impersonating a starving mendicant on the North-West Frontier, which is what stalwart Roger Livesey is seen doing in the first reel here. Getting under the skin of the wily Pathan – more, getting into the chap’s clothes, learning his lingo, and experiencing his lice: what else did Eton or Charterhouse train you to do? What else did it prepare you for? Under cover of being a native, Livesey (whose character’s name really is Carruthers), is collecting intelligence; and half the pilgrims and travellers he meets seem to be fellow- Englishmen in native drag, too.
    [Show full text]