Clive Head in Conversation with Michael Paraskos Into the Unknown
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Ben Johnson Bibliography August 2019
SELECTED PUBLICATIONS 2019 Atkinson, William “Flagrant Exhibitionism: The Royal Academy’s Summer Exhibition,” Cherwell, August 4 https://cherwell.org/2019.08.04/flagrant-exhibitionism-the-royal-academys-summer- exhibition/ 2018 “Insight - Finding Direction,” The British Museum Magazine Issue 92, Winter, p.5 2018 “Superstructures,” Icon, Architecture and Design Culture, April, pp.11, 76- 82 2018 “Reflections on Sacred Space by Ben Johnson,” Islamic Arts Magazine, January 7 http://islamicartsmagazine.com/magazine/view/reflections_on_sacred_space_by_ben_johnson/ 2017 Abdullah, Afkar. “Artists Unveil Authentic World of Contemporary Islamic Art,” Khaleej Times, Sharjah, December 14, p.6 2017 “Ben Johnson Southampton City Art Gallery,” Art Quarterly, Autumn, p.83 2017 "Architectural Reality Seen Through an Airbrush Painting," January 5 http://www.designstack.co/ 2016/01/architectural-reality-seen-through.html#.WG4lEIw8jZo. 2016 Finn, Pat. “More Detail Than the Eye Can See: The Superrealist Architectural Art of Ben Johnson,” Architizer, New York, April 25 http://architizer.com/blog/more-than- the-naked-eye-can- capture/ 2016 Rebane, Katariina. “The Artist Ben Johnson Doesn’t Sign His Work,” Eesti Päevaleht, Estonia, March 21, p.14 2016 “Hardly Distinguishable from a Photo: Hyper Realistic Paintings by Ben Johnson,” i-ref, Berlin, February 3 http://i-ref.de/iref-impuls/kaum-von-einem-foto-zu-unterscheiden-hyperrealistische-gemaelde-von- ben-johnson/ 2016 Spirou, Kiri. “The Superhuman Photorealism of Painter Ben Johnson,” Yatzer, January 11 https:// www.yatzer.com/ben-johnson 2016 Issue No.206 January 11 http://www.issueno206.com/ben-johnson-architectural-paintings/ 2016 “Pintura Arquitectónica,” Architectural Digest Mexico, January 8 http://www.admexico.mx/estilo-de-vida/editors-pick/articulos/pintura-arquitectura-diseno-color-arte- ben-johnson-cuadro/1704 2015 Szwarc, Eva. -
Contemporary Art Society Annual Report 1967-68
Front Cover: Henry Moore Knife Edge-Two Piece. Presented to the Nation by the Contemporary Art Society and the artist, 1967. Chairman's Report June 27th 1968 Foundation Collection. Our most recent Patron I have pleasure in presenting my report which covers the Society's activities party at the Tate was held on May 16th to mark the close of the Barbara Her Majesty Queen Elizabeth The Queen Mother from June last year until today. Peter Meyer, whom we were very pleased to Hepworth Exhibition. Dame Barbara welcome back on the Committee as was the Guest of Honour, first at a Executive Committee Honorary Treasurer at last year's buffet supper in the restaurant, and later Whitney Straight CBE MC DFC Chairman Annual Meeting, will be dealing with at a party in the Gallery, where Anthony Lousada Vice-Chairman the Society's financial affairs in his hundreds of our members were able to Peter Meyer Honorary Treasurer speech which follows mine and deals meet Dame Barbara and have a last The Hon John Sainsbury Honorary Secretary with our financial year which ended on look at the wonderful exhibition. This G. L. Conran was such a successful evening that we Derek Hill December 31st 1967. As well as welcoming Peter Meyer are very much hoping to repeat one on Bryan Robertson OBE similar lines at the end of the Henry The Hon Michael Astor back to the Committee we were very The Lord Croft happy to elect Joanna Drew, whose Moore Exhibition in September. We are, Alan Bowness knowledge will I am sure be of great as always, most grateful to the Trustees James Melvin value. -
Museum of London Annual Report 2004-05
MUSEUM OF LONDON – ANNUAL REPORT 2004/05 London Inspiring MUSEUM OFLONDON-ANNUALREPORT2004/05 Contents Chairman’s Introduction 02 Directors Review 06 Corporate Mandate 14 Development 20 Commercial Performance 21 People Management 22 Valuing Equality and Diversity 22 Exhibitions 24 Access and Learning 34 Collaborations 38 Information and Communication Technologies 39 Collections 40 Facilities and Asset Management 44 Communications 45 Archaeology 48 Scholarship and Research 51 Publications 53 Finance 56 List of Governors 58 Committee Membership 59 Staff List 60 Harcourt Group Members 63 Donors and Supporters 64 MUSEUM OF LONDON – ANNUAL REPORT 2004/05 01 CHAIRMAN’S INTRODUCTION CHAIRMAN’S INTRODUCTION On behalf of the Board of Governors I am pleased to report that the Museum of London has had another excellent year. On behalf of the Board of Governors I am pleased to report that the Museum of London has had another excellent year. My fellow Governors and I pay tribute to the leadership and support shown by Mr Rupert Hambro, Chairman of the Board of Governors from 1998 to 2005. There were many significant achievements during this period, in particular the refurbishment of galleries at London Wall, the first stage of the major redevelopment of the London Wall site, the opening of the Museum in Docklands and the establishment and opening of the London Archaeological Archive and Research Centre at Mortimer Wheeler House.The first stage of the London Wall site redevelopment included a new entrance, foyer and the Linbury gallery, substantially funded by the Linbury Trust.The Museum is grateful to Lord Sainsbury for his continuing support.There were also some spectacular acquisitions such as the Henry Nelson O’Neil’s paintings purchased with the help of the Heritage Lottery Fund, the Introduction National Art Collections Fund and the V&A Purchase Fund. -
CFP: 5Th Annual Multi-Disciplinary Conference on Medieval, Renaissance and Early Modern Studies
H-EarlySlavic CFP: 5th Annual Multi-Disciplinary Conference on Medieval, Renaissance and Early Modern Studies Discussion published by Clare Griffin on Friday, August 12, 2016 Forwarded CFP: CALL FOR PAPERS 5th Annual Multi-Disciplinary Conference on Medieval, Renaissance and Early Modern Studies We wish to invite you, your colleagues and your research students to submit proposals for papers to present at the 5th Annual Multi-Disciplinary Conference on Medieval, Renaissance and Early Modern Studies, taking place in Nicosia, Cyprus, next April (2017). The deadline for proposals is 31 December 2016. Officially entitled "Othello's Island", the conference is a truely multi-disciplinary event, looking at all aspects of the Medieval, Renaissance and Early Modern periods, including art, literature, history, culture etc. Beging located in Nicosia, our delegates also have an opportunity to explore the medieval sites of this fascinating city, from the stunning Byzantine Museum to the richly carved sculptures of the French gothic cathedral, and we will also be taking a trip out of town to visit other medieval and renaissance sites of beauty and interest in Cyprus. The conference is held at the Centre for Visual Arts and Research (CVAR) in the heart of Nicosia's medieval Old Town, and is organised as a collaboration between academics from CVAR, Northern Arizona University, Sheffield Hallam University, SOAS University of London, the University of Kent, and the University of Leeds. For research students and early career academics, we are able to offer a limited amount of free accommodation for the duration of the conference to speakers aged 35 or under. -
Review of the Year 2010–2011
TH E April – March NATIONAL GALLEY TH E NATIONAL GALLEY April – March Contents Introduction 5 Director’s Foreword 6 Acquisition 8 Loans 10 Conservation 16 Framing 20 Exhibitions and Display 26 Education 42 Scientifi c Research 46 Research and Publications 50 Private Support of the Gallery 54 Financial Information 58 National Gallery Company Ltd 60 Trustees and Committees of the National Gallery Board 62 Figurative Architectural Decoration inside and outside the National Gallery 63 For a full list of loans, staff publications and external commitments between April 2010 and March 2011, see www.nationalgallery.org.uk/about-us/organisation/ annual-review – The Trustees and Director of the National Gallery da Vinci), increased corporate membership and have spent much of the year just past in making sponsorship, income from donations or otherwise. plans to enable us to deal with the implications of The Government has made it clear that it cuts to our income Grant in Aid, the government wishes to encourage cultural institutions such as funding on which we, to a large extent, depend the National Gallery to place greater reliance on to provide our services to the public. private philanthropic support, and has this year At an early stage in the fi nancial year our income taken some fi rst steps to encourage such support, Grant in Aid was cut by %; and in the autumn we through relatively modest fi scal changes and other were told that we would, in the period to March initiatives. We hope that further incentives to , be faced with further cumulative cuts to our giving will follow, and we continue to ask for the income amounting to % in real terms. -
Health and Well-Being
NOVEMBER/DECEMBER 2019 FITNESS THERAPY SOLACE + HEALING Health and Well-Being Cover_ND19_V1.indd 1 10/14/19 3:35 PM IFC-005 TOC_Pres Message.indd 2 10/14/19 3:24 PM GETTING PEOPLE IN THE DOOR IS HARD WORK. THESE STUDIES CAN HELP. Taking Out the Guesswork: A Guide to Using Research to Build Arts Audiences Learn about three tasks key to successful audience building: understanding potential audiences, creating effective promotional materials, and tracking and assessing progress. The Road to Results: Effective Practices for Building Arts Audiences Ten arts organizations that took on ambitious audience-building projects. This guide identifies nine practices their most successful efforts had in common. Download these reports and many more free resources to help build audiences: Wallacefoundation.org IFC-005 TOC_Pres Message.indd 1 10/14/19 3:25 PM NOVEMBER DECEMBER 2019 ISSUE CONTENTS PROTECT. SURROUND. KEEP A LOW PROFILE. DEPARTMENTS 5 From the President and CEO 6 By the Numbers 8 First Look FEATURES 14 Point of View Museums as 22 Fitness Never Looked So Fun Public Health The Children’s Museum of Indianapolis Assets has worked with the local children’s 18 Point of View hospital to create an engaging health Becoming and fitness experience. OutGoing By Alli Stitle and Kimberly Harms 46 Tributes and 28 Museum Therapy Transitions The Montreal Museum of Fine Arts 48 Reflection nurtures resilience and renewal through its programs and practices. By Marilyn Lajeunesse and Stephen Legari 34 Sites of Healing The Michigan State University Cover: © Bedelgeuse “master Museum turned to community of the mind,” mixed media collage co-curation to tell survivors’ stories of sexual violence. -
REALISMO REV 5.Pdf
Centro Cultural Banco do Brasil Ministério da Cultura apresenta Banco do Brasil apresenta e patrocina SP_ 07 nov_18 14 jan_19 DF_ 04 fev 28 abr_19 RJ_ 14 mai 29 jul_19 50 Years of Realism _ From Photo-Realism to Virtual Reality Curadoria _ Tereza de Arruda Curator O Banco do Brasil apresenta a exposição 50 anos de Banco do Brasil presents the exhibition 50 Years of realismo – Do fotorrealismo à realidade virtual, que traça Realism – From Photo-Realism to Virtual Reality, offering um panorama da representação da realidade na arte visitors a panorama of reality as represented in contempo- contemporânea, nesse período. rary art during those five decades. Com obras desde a primeira geração de artistas With a selection that begins from early works of these dessas tendências, a mostra traz pintores do foto trends, the show features photo-realist and hyperrealist e hiper-realismo, pioneiros em proporcionar visibilidade painters who first made this art movement visible inter- para esse movimento artístico em um contexto inter- nationally, through to its expansion for experimentation in nacional, até sua expansão para a experimentação na virtual reality. realidade virtual. The artworks rendered in various supports, including Em suportes diversos, inclusive multimídia e tridimen- multimedia and tridimensional pieces, portray everyday sionais, representam a vida e objetos do cotidiano que life and its objects that in themselves pose a reflection— oferecem, em si, uma reflexão, não como um espelho da not as mirrors of reality, but as images of an individual’s realidade, mas da percepção do indivíduo em relação a ela. perception of it. -
20. Yüzyilda Sanatin Üretim, Tüketim Ve Eylem Alani Olarak Sokak
TC YILDIZ TEKNİK ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ SANAT VE TASARIM ANA SANAT DALI SANAT VE TASARIM YÜKSEK LİSANS PROGRAMI YÜKSEK LİSANS TEZİ 20. YÜZYILDA SANATIN ÜRETİM, TÜKETİM VE EYLEM ALANI OLARAK SOKAK EREN GÜLBEY 09715004 TEZ DANIŞMANI PROF. RIFAT ŞAHİNER İSTANBUL 2012 ÖZ 20. YÜZYILDA SANATIN ÜRETİM, TÜKETİM VE EYLEM ALANI OLARAK SOKAK Eren Gülbey Eylül, 2012 Burjuva Devrimi’nin, Aydınlanma’nın ve Sanayileşme’nin tüm getiri ve götürüleri ile girilen 20. yüzyılda, kapitalist endüstrinin hızlı gelişimiyle ortaya çıkan tüm toplumsal, ekonomik, kültürel ve siyasi dönüşümler; hem sokağı hem sanatı hem de sokak ve sanat arasındaki ilişkiyi doğrudan etkilemiştir. Sokak, bu anlamda salt fiziksel bir mekan olmanın ötesinde toplumsal, kentsel ve gündelik hayat içindeki her türlü gelişmenin ve dinamiğin merkezinde olmuştur. Sanat ise tüm bu dönüşümlerin bir aracı ya da bir aktörü olarak, başka bir deyişle tüm bu gelişmelerin bizzat öznesi ya da nesnesi olarak, öyle ya da böyle yüzyıl boyunca etkin rol almıştır. Sanat alanı için 20. yüzyıl, geçmiş on dokuz yüzyılı ile her anlamda hesaplaştığı bir dönem olmuştur. Bu sorgulamaya sebep olan ise bahsi geçen dönüşümlerdir: Yani eski sistemlerin yerine gelen yeni sistemler, yeni üretim teknik ve biçimleri, yeni toplumsal ve kültürel yapılardır. Sanatçı, bu bağlamda gerek tüm bu yenilikleri yerinde keşfetmek üzere, gerek tüm bu yeni sistemle iktidar ve özgürlük mücadelesine girmek üzere, gerekse de tüm bu yeni sistem içinde yaşamını sürdürebilmek ve kendine bir rol, bir alan ya da bir kazanç sağlayabilmek üzere sokakta yer alabilmiştir. Bu çalışma, 20. yüzyıl boyunca sanatsal alanın ilgili tüm aktör ve araçlarının sokakta yer alma nedenlerini, süreçlerini ve sonuçlarını irdeleyerek ilgili kavram, yaklaşım, akım ve uygulamaları biraraya getirmeye çalışmaktadır. -
CV-2021V4-New Path
DAVID J. GETSY [email protected] // http://davidgetsy.com // pronouns: he/him Department of Art; University of Virginia; Fayerweather Hall 205; P.O. Box 400130; Charlottesville, VA 22904-4130 EDUCATION Ph.D., 2002, Department of Art History, Northwestern University M.A., 1996, Department of Art History, Northwestern University B.A. with Highest Honors, 1995, Oberlin College ACADEMIC AND PROFESSIONAL APPOINTMENTS University of Virginia 2021-present Eleanor Shea Professor of Art History, Department of Art, College and Graduate School of Arts and Sciences School of the Art Institute of Chicago 2011-2021 Goldabelle McComb Finn Distinguished Professor of Art History 2018-2019 Interim Director, Low-Residency MFA in Studio Program 2015-2016 Interim Dean of Graduate Studies 2013-2015 Chair of the Department of Art History, Theory, and Criticism 2008 named to Goldabelle McComb Finn Chair in Art History 2008-2011 Associate Professor, Department of Art History, Theory, and Criticism 2005-2008 Assistant Professor, Department of Art History, Theory, and Criticism Dartmouth College 2002-2004 Mellon Postdoctoral Fellow in the Humanities, Department of Art History Visiting professorships and appointments Freie Universität Berlin, John F. Kennedy Institute for North American Studies 2020-2021 Terra Foundation Visiting Professor of American Art University of York, Department of History of Art 2017 Honorary Visiting Professor of History of Art 2010 Honorary Visiting Professor of History of Art Ox-Bow School of Art 2014 Critic-in-Residence FELLOWSHIPS, GRANTS, -
Autumn Newsletter 2011
DATS Dress and Textile Specialists Autumn Newsletter 2011 Contents Page Committee 3 Conference 2011 4 News & Events 7 Exhibitions 9 New Books 13 Front cover image: Fashion & Textile Gallery, The Bowes Museum, image courtesy of The Bowes Museum 2 DATS Committee 2011 Chair Secretary Christine Stevens Rebecca Quinton e-mail [email protected] Curator, European Costume and Textiles Glasgow Museums Tel: 0141 287 0509 Email: [email protected] Treasurer Membership Secretary Danielle Sprecher Ruth Battersby Tooke Leeds Museums and Galleries Norfolk Museums and Archaeology Service, Discovery Centre Shirehall, Market Avenue, Carlisle Road, Norwich, NR1 3JQ Leeds, Tel: 01603 223873 Tue-Fri) LS10 1LB email: [email protected] Tel: 0113 214 1557 e-mail: [email protected] Newsletter Editor Web Editor Alex Ward Kate Reeder Assistant Keeper, Social History Curator Art and Industrial Division, Beamish North of England Open Air Museum, National Museum of Ireland, Beamish, Collins Barracks, Co. Durham, DH9 0RG Dublin 7, Ireland Tel: 0191 370 4009 Tel: 00 353 1 6486469 e-mail: [email protected] e-mail: [email protected] SSN Officer (Acting) National Museums Representative Cassie Davies-Strodder Currently vacant Assistant Curator, Department of Furniture, Textiles and Fashion, Victoria & Albert Museum, South Kensington, London, SW7 2RL Tel: 020 7942 2290 e-mail: [email protected] Conservation Representative South East England Representative Janet Wood Fiona Woolley Conservation and Collections Care, Keeper of Fine and Applied Art, Apt 37, Maidstone Museum and Bentlif Art Gallery, Hampton Court Palace, St. Faith‟s Street, Surrey, KT8 9AU Maidstone, Tel: 020 3166 646 Kent, ME14 1LH e-mail: [email protected] Tel: 01622 602850 e-mail: [email protected] South West England Representative North of England Representative Paula Martin Caroline Whitehead Assistant Curator of Costume and Textiles, Email: [email protected] Royal Albert Memorial Museum, Queen Street, Exeter, EX4 3RX Tel. -
Introduction
Notes Introduction 1. Herbert Read to T.S. Eliot: 1 October 1949: Herbert Read Archive, University of Victoria (hereafter HRAUV), HR/TSE-170. 2. Herbert Read, The Contrary Experience: Autobiographies (London, 1963), 353, 350. 3. Isaiah Berlin, The Roots of Romanticism (London, [1965] 2000), 97. 4. For a useful discussion, see: Peter Ryley, Making Another World Possible: Anar- chism, Anti-capitalism and Ecology in Late 19th and Early 20th Century Britain (New York, 2013); Mark Bevir, The Making of British Socialism (Princeton, 2011), 256–277. 5. Martin A. Miller, Kropotkin (Chicago, 1976), 166–167; Rodney Barker, Political Ideas in Modern Britain (London, 1978), 42 passim. 6. H. Oliver, The International Anarchist Movement in Late Victorian London (London, 1983), 136; see also: 92, 132–137. For a discussion of the signifi- cance of the Congress, see: Davide Turcato, Making Sense of Anarchism: Errico Malatesta’s Experiments with Revolution (Basingstoke, 2012), 136–139. 7. W. Tcherkesoff, Let Us Be Just: (An Open Letter to Liebknecht) (London, 1896), 7. 8. The report offered short biographies of Francesco Merlino, Gustav Landauer, Louise Michel, Amilcare Cipriani, Augustin Hamon, Élisée Reclus, Ferdinand Domela Nieuwenhuis, Bernard Lazare, and Peter Kropotkin. N.A., Full Report of the Proceedings of the International Workers’ Congress, London, July and August, 1896 (London, 1896), 67–72. 9. N.A., Full Report of the Proceedings, 21, 17. 10. Matthew S. Adams, ‘Herbert Read and the fluid memory of the First World War: Poetry, Prose, and Polemic’, Historical Research (2014), 1–22; Janet S.K. Watson, Fighting Different Wars: Experience, Memory, and the First World War in Britain (Cambridge, 2004), 226. -
Cambridge Students Storm London
Essay p17 Arts p20 Magazine p14 Chinua Achebe on “Bring back the porn and V Good versus V Bad. his British-infl uenced pickled sharks.” A lament This week, Her Maj’s education on the Turner Prize presence on Facebook gets a thumbs up FRIDAY 12TH NOVEMBER 2010 THE INDEPENDENT STUDENT NEWSPAPER SINCE 1947 ISSUE NO 729 | VARSITY.CO.UK JU SHARDLOW/BILL PAUL ROUSSEAU Burglar caught Cambridge students by student storm London KIRSTY GRAY A 30-year-old male was arrested last on at the gathering crowds outside weekend in St John’s when a stu- NATASHA PESARAN the building, were quickly evacuated dent caught him trying to steal from Students from the University of once students began smashing win- unlocked rooms. Cambridge clashed with police at dows with sticks and rocks. The intruder had to be forcibly Conservative Party headquar- A line of approximately 20 police- restrained with the assistance of a ters in London, after a national men formed to defend the building, porter and another passing under- demonstration against university but were unable to prevent the graduate until police arrived. funding cuts and fees turned violent hundreds of students from surging The incident took place at 7.30am on Wednesday. forward into the foyer. on 30th October after the student Nearly 400 Cambridge students Protestors occupied the building recognised his trainers in the hands took part in the march through for around an hour, during which of an unfamiliar man passing him on central London, which saw tens of time crowds of students gathered the stairwell.