Ben Johnson Bibliography August 2019
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City Research Online
City Research Online City, University of London Institutional Repository Citation: Friedman, S. (2013). Les Dennis: Man Out of Time. Comedy Studies, 4(2), doi: 10.1386/cost.4.2.249_1 This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/2876/ Link to published version: http://dx.doi.org/10.1386/cost.4.2.249_1 Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] ‘Man Out of Time: An Interview with Les Dennis’, Comedy Studies, 4 (2) Les Dennis has been spotted. “Ye’ve been captured, Les”, slurs a bleary-eyed regular in The Strathmore Bar, a classic Leith boozer and one-time working men’s club tucked away near the bottom of Leith Walk. Idling up to our table with a finger pointed at the bemused entertainer, the man continues, “Aw the boys back there, they aw spied ye. -
Student Guide to Living in Liverpool
A STUDENT GUIDE TO LIVING IN LIVERPOOL www.hope.ac.uk 1 LIVERPOOL HOPE UNIVERSITY A STUDENT GUIDE TO LIVING IN LIVERPOOL CONTENTS THIS IS LIVERPOOL ........................................................ 4 LOCATION ....................................................................... 6 IN THE CITY .................................................................... 9 LIVERPOOL IN NUMBERS .............................................. 10 DID YOU KNOW? ............................................................. 11 OUR STUDENTS ............................................................. 12 HOW TO LIVE IN LIVERPOOL ......................................... 14 CULTURE ....................................................................... 17 FREE STUFF TO DO ........................................................ 20 FUN STUFF TO DO ......................................................... 23 NIGHTLIFE ..................................................................... 26 INDEPENDENT LIVERPOOL ......................................... 29 PLACES TO EAT .............................................................. 35 MUSIC IN LIVERPOOL .................................................... 40 PLACES TO SHOP ........................................................... 45 SPORT IN LIVERPOOL .................................................... 50 “LIFE GOES ON SPORT AT HOPE ............................................................. 52 DAY AFTER DAY...” LIVING ON CAMPUS ....................................................... 55 CONTACT -
Li4j'lsl!=I 2 Leeds Student Ma Aj Rnutidoo ®~1 the Bulk of Landlords .Trc \.\Ith News Ump,.'11
THE REVOLT T F TH HT --FULL STORY PAGE NINE -----li4J'lSl!=I 2 www.leedsstudentorg.uk Leeds Student ma aJ rnutIDoo ®~1 the bulk of landlords .trc \.\ith News Ump,.'11. 20 per ce n1 uren ·1 and LIBERAL Democnil MP in the ..crabbl c 10 find holbm,1: S0%of Simon llu~ht-s has helped in LS6. .., ,uden~ forgc1 11t.11 kick-start a new student the) have nghl\." students have hou."iing crlCMJdc. Jame:; Blake, pre,;idenJ ot taken drugs lhc ·m1111 campaign . Ll'l I\ Lib Dem pan), said but they want wluch I\ be ing c;pearheadc<l h) ·-rm so plc:t5cd thut Simon the:" J~ll:, LT111vcr-.U) L1h rkm Hughe!. could launt:h th 1.:. stricter laws part). •~ .ummg In _maJ..i: c:1mpa1~.n· i1 ,hows YrC an• pt.-<1ple more aware. ol 1he1r ',C.."OOU!, nglu .. :L, IC/M Ii t.. Hu~hC!-i. \\ ho was narmwl} pages TennnL!- can dl!m.Jnd 1h i 11 w, hct11cn by Charles Kenned)- in like ',llltllu: de1cc1or... gu~ a le..ader.; lup contest. ~ id: {ee:-. for appl i,mcc\ and '"StuJcn1 .-. olten fc.el 1hat Uni of Leeds found wanting by aik-qualc 101.;b. filling,. becau~ they mm,e around 11 \ government watchdogs Greg Mulholland. a t.-01111 not '-"Onh \. Otmg. We wam 10 tell lhem lh:it ii I\, nnd lhat pages 6 · 7 cillur for l.ttJs ~fonh \\'1....,1 who i.. .il!.O baekm!! the wc · n: n:lc\'an1 ...chcme. ,,;md: ··1t\ the ... mall "If ~IUdent.,;. -
Programs £100 Patroq N Props Q£150 Costume Q£200
d Like Orson Welles, Dennis Potter (1935-94) politician who doesn’t would be negligent. This is a all but started at the top, acclaimed as one position which I suspect would find favor with Jack Hay, i of television’s greatest writers from his first yet for most of us this doesn’t seem a particularly desir - r year in the business. A BBC initiative, aimed able state of affairs. Could we ever trust a person who at developing new writers, saw four of his has spent their entire career bending the truth for what plays transmitted in 1965. These included they believe? It is surely a very slippery psychological e the two Nigel Barton plays: Stand Up Nigel slope – you might even end up believing in WMD. Barton, and VOTE VOTE VOTE For Nigel c Barton. Yet, as Barton realizes, this is not the fault of individu - als. In his final tirade it is not individual politicians he The screenplay for VOTE VOTE VOTE was criticizes, but the structural demands of politics itself. It t heavily influenced by Potter’s own experi - is the process of standing as a candidate which is cor - ence as a Labour party candidate in the rupting, irrespective of the individual. There is none of o 1964 election. Standing in the safe Tory the salvation we expect from the narrative of commer - heartland of rural Hertfordshire, Potter didn’t cial cinema. No honest man makes good in the face of stand a chance of winning. Yet his total a corrupt world. When faced with the realities of the r revulsion at the experience seems to have political machine, the honest man realizes that he must been caused by something much deeper necessarily be corrupted if he is to take part. -
Museum of London Annual Report 2004-05
MUSEUM OF LONDON – ANNUAL REPORT 2004/05 London Inspiring MUSEUM OFLONDON-ANNUALREPORT2004/05 Contents Chairman’s Introduction 02 Directors Review 06 Corporate Mandate 14 Development 20 Commercial Performance 21 People Management 22 Valuing Equality and Diversity 22 Exhibitions 24 Access and Learning 34 Collaborations 38 Information and Communication Technologies 39 Collections 40 Facilities and Asset Management 44 Communications 45 Archaeology 48 Scholarship and Research 51 Publications 53 Finance 56 List of Governors 58 Committee Membership 59 Staff List 60 Harcourt Group Members 63 Donors and Supporters 64 MUSEUM OF LONDON – ANNUAL REPORT 2004/05 01 CHAIRMAN’S INTRODUCTION CHAIRMAN’S INTRODUCTION On behalf of the Board of Governors I am pleased to report that the Museum of London has had another excellent year. On behalf of the Board of Governors I am pleased to report that the Museum of London has had another excellent year. My fellow Governors and I pay tribute to the leadership and support shown by Mr Rupert Hambro, Chairman of the Board of Governors from 1998 to 2005. There were many significant achievements during this period, in particular the refurbishment of galleries at London Wall, the first stage of the major redevelopment of the London Wall site, the opening of the Museum in Docklands and the establishment and opening of the London Archaeological Archive and Research Centre at Mortimer Wheeler House.The first stage of the London Wall site redevelopment included a new entrance, foyer and the Linbury gallery, substantially funded by the Linbury Trust.The Museum is grateful to Lord Sainsbury for his continuing support.There were also some spectacular acquisitions such as the Henry Nelson O’Neil’s paintings purchased with the help of the Heritage Lottery Fund, the Introduction National Art Collections Fund and the V&A Purchase Fund. -
Balancing the Borough's Budget
ISSUE 69 SPRING 2017 Win four tickets to see Footloose at NewTheatre Wimbledon Balancing the borough’s budget The latest on Future Merton regeneration plans Children walking their Daily Mile in Merton 2 The Leader of Merton Council, Councillor Stephen Alambritis, writes for My Merton There’s been to make some difficult decisions about Merton doing a lot in the where we spend our money. This is the right thing newspapers made more and more difficult as the recently about government has cut council budgets by for children children from more than 40% since 2010. Imagine if Merton has recently taken in 22 Syria and your boss cut your pay by 40%! children under the age of 17 who are other war torn However, I’m a businessman so from countries affected by violence countries who I’ve made sure we stretch every penny and war, such as Syria, Iraq and are stuck in we have so that we can continue to Iran. The government gives us some refugee camps provide the services you value the most. money to cover the cost of care and with no family to look after them. I This year we’ve put £9m more into adult housing for these children but we don’t think any of us can imagine how social care to look after older and disabled have to cover a lot of the costs scary that must be for a child, and I people in the borough and we’ve also ourselves. However, in Merton we know that the community in Merton is invested more in children’s services. -
Review of the Year 2010–2011
TH E April – March NATIONAL GALLEY TH E NATIONAL GALLEY April – March Contents Introduction 5 Director’s Foreword 6 Acquisition 8 Loans 10 Conservation 16 Framing 20 Exhibitions and Display 26 Education 42 Scientifi c Research 46 Research and Publications 50 Private Support of the Gallery 54 Financial Information 58 National Gallery Company Ltd 60 Trustees and Committees of the National Gallery Board 62 Figurative Architectural Decoration inside and outside the National Gallery 63 For a full list of loans, staff publications and external commitments between April 2010 and March 2011, see www.nationalgallery.org.uk/about-us/organisation/ annual-review – The Trustees and Director of the National Gallery da Vinci), increased corporate membership and have spent much of the year just past in making sponsorship, income from donations or otherwise. plans to enable us to deal with the implications of The Government has made it clear that it cuts to our income Grant in Aid, the government wishes to encourage cultural institutions such as funding on which we, to a large extent, depend the National Gallery to place greater reliance on to provide our services to the public. private philanthropic support, and has this year At an early stage in the fi nancial year our income taken some fi rst steps to encourage such support, Grant in Aid was cut by %; and in the autumn we through relatively modest fi scal changes and other were told that we would, in the period to March initiatives. We hope that further incentives to , be faced with further cumulative cuts to our giving will follow, and we continue to ask for the income amounting to % in real terms. -
British Media Coverage of the Press Reform Debate : Journalists Reporting Journalism
This is a repository copy of British media coverage of the press reform debate : journalists reporting journalism. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/165721/ Version: Published Version Book: Ogbebor, B. orcid.org/0000-0001-5117-9547 (2020) British media coverage of the press reform debate : journalists reporting journalism. Springer Nature , (227pp). ISBN 9783030372651 Reuse This article is distributed under the terms of the Creative Commons Attribution (CC BY) licence. This licence allows you to distribute, remix, tweak, and build upon the work, even commercially, as long as you credit the authors for the original work. More information and the full terms of the licence here: https://creativecommons.org/licenses/ Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ British Media Coverage of the Press Reform Debate Journalists Reporting Journalism Binakuromo Ogbebor British Media Coverage of the Press Reform Debate Binakuromo Ogbebor British Media Coverage of the Press Reform Debate Journalists Reporting Journalism Binakuromo Ogbebor Journalism Studies The University of Sheffield Sheffield, UK ISBN 978-3-030-37264-4 ISBN 978-3-030-37265-1 (eBook) https://doi.org/10.1007/978-3-030-37265-1 © The Editor(s) (if applicable) and The Author(s) 2020. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence and indicate if changes were made. -
REALISMO REV 5.Pdf
Centro Cultural Banco do Brasil Ministério da Cultura apresenta Banco do Brasil apresenta e patrocina SP_ 07 nov_18 14 jan_19 DF_ 04 fev 28 abr_19 RJ_ 14 mai 29 jul_19 50 Years of Realism _ From Photo-Realism to Virtual Reality Curadoria _ Tereza de Arruda Curator O Banco do Brasil apresenta a exposição 50 anos de Banco do Brasil presents the exhibition 50 Years of realismo – Do fotorrealismo à realidade virtual, que traça Realism – From Photo-Realism to Virtual Reality, offering um panorama da representação da realidade na arte visitors a panorama of reality as represented in contempo- contemporânea, nesse período. rary art during those five decades. Com obras desde a primeira geração de artistas With a selection that begins from early works of these dessas tendências, a mostra traz pintores do foto trends, the show features photo-realist and hyperrealist e hiper-realismo, pioneiros em proporcionar visibilidade painters who first made this art movement visible inter- para esse movimento artístico em um contexto inter- nationally, through to its expansion for experimentation in nacional, até sua expansão para a experimentação na virtual reality. realidade virtual. The artworks rendered in various supports, including Em suportes diversos, inclusive multimídia e tridimen- multimedia and tridimensional pieces, portray everyday sionais, representam a vida e objetos do cotidiano que life and its objects that in themselves pose a reflection— oferecem, em si, uma reflexão, não como um espelho da not as mirrors of reality, but as images of an individual’s realidade, mas da percepção do indivíduo em relação a ela. perception of it. -
20. Yüzyilda Sanatin Üretim, Tüketim Ve Eylem Alani Olarak Sokak
TC YILDIZ TEKNİK ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ SANAT VE TASARIM ANA SANAT DALI SANAT VE TASARIM YÜKSEK LİSANS PROGRAMI YÜKSEK LİSANS TEZİ 20. YÜZYILDA SANATIN ÜRETİM, TÜKETİM VE EYLEM ALANI OLARAK SOKAK EREN GÜLBEY 09715004 TEZ DANIŞMANI PROF. RIFAT ŞAHİNER İSTANBUL 2012 ÖZ 20. YÜZYILDA SANATIN ÜRETİM, TÜKETİM VE EYLEM ALANI OLARAK SOKAK Eren Gülbey Eylül, 2012 Burjuva Devrimi’nin, Aydınlanma’nın ve Sanayileşme’nin tüm getiri ve götürüleri ile girilen 20. yüzyılda, kapitalist endüstrinin hızlı gelişimiyle ortaya çıkan tüm toplumsal, ekonomik, kültürel ve siyasi dönüşümler; hem sokağı hem sanatı hem de sokak ve sanat arasındaki ilişkiyi doğrudan etkilemiştir. Sokak, bu anlamda salt fiziksel bir mekan olmanın ötesinde toplumsal, kentsel ve gündelik hayat içindeki her türlü gelişmenin ve dinamiğin merkezinde olmuştur. Sanat ise tüm bu dönüşümlerin bir aracı ya da bir aktörü olarak, başka bir deyişle tüm bu gelişmelerin bizzat öznesi ya da nesnesi olarak, öyle ya da böyle yüzyıl boyunca etkin rol almıştır. Sanat alanı için 20. yüzyıl, geçmiş on dokuz yüzyılı ile her anlamda hesaplaştığı bir dönem olmuştur. Bu sorgulamaya sebep olan ise bahsi geçen dönüşümlerdir: Yani eski sistemlerin yerine gelen yeni sistemler, yeni üretim teknik ve biçimleri, yeni toplumsal ve kültürel yapılardır. Sanatçı, bu bağlamda gerek tüm bu yenilikleri yerinde keşfetmek üzere, gerek tüm bu yeni sistemle iktidar ve özgürlük mücadelesine girmek üzere, gerekse de tüm bu yeni sistem içinde yaşamını sürdürebilmek ve kendine bir rol, bir alan ya da bir kazanç sağlayabilmek üzere sokakta yer alabilmiştir. Bu çalışma, 20. yüzyıl boyunca sanatsal alanın ilgili tüm aktör ve araçlarının sokakta yer alma nedenlerini, süreçlerini ve sonuçlarını irdeleyerek ilgili kavram, yaklaşım, akım ve uygulamaları biraraya getirmeye çalışmaktadır. -
Act Two Beginners' Call. All Cast to Stage...Soon
Summer 2020 | £3.90 Be inspired by amateur theatre Act Two Beginners’ call. All cast to stage...soon Download a copy on our website noda.org.uk NODA Today © 2020 National Operatic and Dramatic Association. Registered CIO 1171216 Registered Company no. 241572 Contents National Editor Rob Williams [email protected] Patron’s Message East Regional Editor Message from our Patron Julia Rymer Connie Fisher [email protected] 9 East Midlands Regional Editor Alex Wood [email protected] Act Two, Beginners’ call London Regional Editor 2020 has been a washout so far for live Position Vacant theatre. But what does the future hold [email protected] 11 for the industry? North Regional Editor Emma Scott [email protected] Supporting the NHS and Key Workers throughout the lockdown North East Regional Editor Tony Harris Societies have been getting creative [email protected] supporting the vital work by the NHS 23 and Key Workers throughout the UK. North West Regional Editor Rob Gemmell [email protected] Sound design 101 Scotland Regional Editor Dive into the world of sound design. Alan C. Jones From creation of soundscapes to mic [email protected] 28 positions. South East Regional Editor Gregory Gower [email protected] NODA is here for you South West Regional Editor Find out how NODA has been Matthew Heaton supporting its members throughout the [email protected] 40 lockdown. Wales & Ireland Regional Editor Dee McIlroy [email protected] Have you got my good side? West Midlands Regional Editor Top tips -
Cambridge Students Storm London
Essay p17 Arts p20 Magazine p14 Chinua Achebe on “Bring back the porn and V Good versus V Bad. his British-infl uenced pickled sharks.” A lament This week, Her Maj’s education on the Turner Prize presence on Facebook gets a thumbs up FRIDAY 12TH NOVEMBER 2010 THE INDEPENDENT STUDENT NEWSPAPER SINCE 1947 ISSUE NO 729 | VARSITY.CO.UK JU SHARDLOW/BILL PAUL ROUSSEAU Burglar caught Cambridge students by student storm London KIRSTY GRAY A 30-year-old male was arrested last on at the gathering crowds outside weekend in St John’s when a stu- NATASHA PESARAN the building, were quickly evacuated dent caught him trying to steal from Students from the University of once students began smashing win- unlocked rooms. Cambridge clashed with police at dows with sticks and rocks. The intruder had to be forcibly Conservative Party headquar- A line of approximately 20 police- restrained with the assistance of a ters in London, after a national men formed to defend the building, porter and another passing under- demonstration against university but were unable to prevent the graduate until police arrived. funding cuts and fees turned violent hundreds of students from surging The incident took place at 7.30am on Wednesday. forward into the foyer. on 30th October after the student Nearly 400 Cambridge students Protestors occupied the building recognised his trainers in the hands took part in the march through for around an hour, during which of an unfamiliar man passing him on central London, which saw tens of time crowds of students gathered the stairwell.