Balancing the Borough's Budget
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City Research Online
City Research Online City, University of London Institutional Repository Citation: Friedman, S. (2013). Les Dennis: Man Out of Time. Comedy Studies, 4(2), doi: 10.1386/cost.4.2.249_1 This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/2876/ Link to published version: http://dx.doi.org/10.1386/cost.4.2.249_1 Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] ‘Man Out of Time: An Interview with Les Dennis’, Comedy Studies, 4 (2) Les Dennis has been spotted. “Ye’ve been captured, Les”, slurs a bleary-eyed regular in The Strathmore Bar, a classic Leith boozer and one-time working men’s club tucked away near the bottom of Leith Walk. Idling up to our table with a finger pointed at the bemused entertainer, the man continues, “Aw the boys back there, they aw spied ye. -
Student Guide to Living in Liverpool
A STUDENT GUIDE TO LIVING IN LIVERPOOL www.hope.ac.uk 1 LIVERPOOL HOPE UNIVERSITY A STUDENT GUIDE TO LIVING IN LIVERPOOL CONTENTS THIS IS LIVERPOOL ........................................................ 4 LOCATION ....................................................................... 6 IN THE CITY .................................................................... 9 LIVERPOOL IN NUMBERS .............................................. 10 DID YOU KNOW? ............................................................. 11 OUR STUDENTS ............................................................. 12 HOW TO LIVE IN LIVERPOOL ......................................... 14 CULTURE ....................................................................... 17 FREE STUFF TO DO ........................................................ 20 FUN STUFF TO DO ......................................................... 23 NIGHTLIFE ..................................................................... 26 INDEPENDENT LIVERPOOL ......................................... 29 PLACES TO EAT .............................................................. 35 MUSIC IN LIVERPOOL .................................................... 40 PLACES TO SHOP ........................................................... 45 SPORT IN LIVERPOOL .................................................... 50 “LIFE GOES ON SPORT AT HOPE ............................................................. 52 DAY AFTER DAY...” LIVING ON CAMPUS ....................................................... 55 CONTACT -
Ben Johnson Bibliography August 2019
SELECTED PUBLICATIONS 2019 Atkinson, William “Flagrant Exhibitionism: The Royal Academy’s Summer Exhibition,” Cherwell, August 4 https://cherwell.org/2019.08.04/flagrant-exhibitionism-the-royal-academys-summer- exhibition/ 2018 “Insight - Finding Direction,” The British Museum Magazine Issue 92, Winter, p.5 2018 “Superstructures,” Icon, Architecture and Design Culture, April, pp.11, 76- 82 2018 “Reflections on Sacred Space by Ben Johnson,” Islamic Arts Magazine, January 7 http://islamicartsmagazine.com/magazine/view/reflections_on_sacred_space_by_ben_johnson/ 2017 Abdullah, Afkar. “Artists Unveil Authentic World of Contemporary Islamic Art,” Khaleej Times, Sharjah, December 14, p.6 2017 “Ben Johnson Southampton City Art Gallery,” Art Quarterly, Autumn, p.83 2017 "Architectural Reality Seen Through an Airbrush Painting," January 5 http://www.designstack.co/ 2016/01/architectural-reality-seen-through.html#.WG4lEIw8jZo. 2016 Finn, Pat. “More Detail Than the Eye Can See: The Superrealist Architectural Art of Ben Johnson,” Architizer, New York, April 25 http://architizer.com/blog/more-than- the-naked-eye-can- capture/ 2016 Rebane, Katariina. “The Artist Ben Johnson Doesn’t Sign His Work,” Eesti Päevaleht, Estonia, March 21, p.14 2016 “Hardly Distinguishable from a Photo: Hyper Realistic Paintings by Ben Johnson,” i-ref, Berlin, February 3 http://i-ref.de/iref-impuls/kaum-von-einem-foto-zu-unterscheiden-hyperrealistische-gemaelde-von- ben-johnson/ 2016 Spirou, Kiri. “The Superhuman Photorealism of Painter Ben Johnson,” Yatzer, January 11 https:// www.yatzer.com/ben-johnson 2016 Issue No.206 January 11 http://www.issueno206.com/ben-johnson-architectural-paintings/ 2016 “Pintura Arquitectónica,” Architectural Digest Mexico, January 8 http://www.admexico.mx/estilo-de-vida/editors-pick/articulos/pintura-arquitectura-diseno-color-arte- ben-johnson-cuadro/1704 2015 Szwarc, Eva. -
Li4j'lsl!=I 2 Leeds Student Ma Aj Rnutidoo ®~1 the Bulk of Landlords .Trc \.\Ith News Ump,.'11
THE REVOLT T F TH HT --FULL STORY PAGE NINE -----li4J'lSl!=I 2 www.leedsstudentorg.uk Leeds Student ma aJ rnutIDoo ®~1 the bulk of landlords .trc \.\ith News Ump,.'11. 20 per ce n1 uren ·1 and LIBERAL Democnil MP in the ..crabbl c 10 find holbm,1: S0%of Simon llu~ht-s has helped in LS6. .., ,uden~ forgc1 11t.11 kick-start a new student the) have nghl\." students have hou."iing crlCMJdc. Jame:; Blake, pre,;idenJ ot taken drugs lhc ·m1111 campaign . Ll'l I\ Lib Dem pan), said but they want wluch I\ be ing c;pearheadc<l h) ·-rm so plc:t5cd thut Simon the:" J~ll:, LT111vcr-.U) L1h rkm Hughe!. could launt:h th 1.:. stricter laws part). •~ .ummg In _maJ..i: c:1mpa1~.n· i1 ,hows YrC an• pt.-<1ple more aware. ol 1he1r ',C.."OOU!, nglu .. :L, IC/M Ii t.. Hu~hC!-i. \\ ho was narmwl} pages TennnL!- can dl!m.Jnd 1h i 11 w, hct11cn by Charles Kenned)- in like ',llltllu: de1cc1or... gu~ a le..ader.; lup contest. ~ id: {ee:-. for appl i,mcc\ and '"StuJcn1 .-. olten fc.el 1hat Uni of Leeds found wanting by aik-qualc 101.;b. filling,. becau~ they mm,e around 11 \ government watchdogs Greg Mulholland. a t.-01111 not '-"Onh \. Otmg. We wam 10 tell lhem lh:it ii I\, nnd lhat pages 6 · 7 cillur for l.ttJs ~fonh \\'1....,1 who i.. .il!.O baekm!! the wc · n: n:lc\'an1 ...chcme. ,,;md: ··1t\ the ... mall "If ~IUdent.,;. -
Programs £100 Patroq N Props Q£150 Costume Q£200
d Like Orson Welles, Dennis Potter (1935-94) politician who doesn’t would be negligent. This is a all but started at the top, acclaimed as one position which I suspect would find favor with Jack Hay, i of television’s greatest writers from his first yet for most of us this doesn’t seem a particularly desir - r year in the business. A BBC initiative, aimed able state of affairs. Could we ever trust a person who at developing new writers, saw four of his has spent their entire career bending the truth for what plays transmitted in 1965. These included they believe? It is surely a very slippery psychological e the two Nigel Barton plays: Stand Up Nigel slope – you might even end up believing in WMD. Barton, and VOTE VOTE VOTE For Nigel c Barton. Yet, as Barton realizes, this is not the fault of individu - als. In his final tirade it is not individual politicians he The screenplay for VOTE VOTE VOTE was criticizes, but the structural demands of politics itself. It t heavily influenced by Potter’s own experi - is the process of standing as a candidate which is cor - ence as a Labour party candidate in the rupting, irrespective of the individual. There is none of o 1964 election. Standing in the safe Tory the salvation we expect from the narrative of commer - heartland of rural Hertfordshire, Potter didn’t cial cinema. No honest man makes good in the face of stand a chance of winning. Yet his total a corrupt world. When faced with the realities of the r revulsion at the experience seems to have political machine, the honest man realizes that he must been caused by something much deeper necessarily be corrupted if he is to take part. -
British Media Coverage of the Press Reform Debate : Journalists Reporting Journalism
This is a repository copy of British media coverage of the press reform debate : journalists reporting journalism. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/165721/ Version: Published Version Book: Ogbebor, B. orcid.org/0000-0001-5117-9547 (2020) British media coverage of the press reform debate : journalists reporting journalism. Springer Nature , (227pp). ISBN 9783030372651 Reuse This article is distributed under the terms of the Creative Commons Attribution (CC BY) licence. This licence allows you to distribute, remix, tweak, and build upon the work, even commercially, as long as you credit the authors for the original work. More information and the full terms of the licence here: https://creativecommons.org/licenses/ Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ British Media Coverage of the Press Reform Debate Journalists Reporting Journalism Binakuromo Ogbebor British Media Coverage of the Press Reform Debate Binakuromo Ogbebor British Media Coverage of the Press Reform Debate Journalists Reporting Journalism Binakuromo Ogbebor Journalism Studies The University of Sheffield Sheffield, UK ISBN 978-3-030-37264-4 ISBN 978-3-030-37265-1 (eBook) https://doi.org/10.1007/978-3-030-37265-1 © The Editor(s) (if applicable) and The Author(s) 2020. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence and indicate if changes were made. -
Act Two Beginners' Call. All Cast to Stage...Soon
Summer 2020 | £3.90 Be inspired by amateur theatre Act Two Beginners’ call. All cast to stage...soon Download a copy on our website noda.org.uk NODA Today © 2020 National Operatic and Dramatic Association. Registered CIO 1171216 Registered Company no. 241572 Contents National Editor Rob Williams [email protected] Patron’s Message East Regional Editor Message from our Patron Julia Rymer Connie Fisher [email protected] 9 East Midlands Regional Editor Alex Wood [email protected] Act Two, Beginners’ call London Regional Editor 2020 has been a washout so far for live Position Vacant theatre. But what does the future hold [email protected] 11 for the industry? North Regional Editor Emma Scott [email protected] Supporting the NHS and Key Workers throughout the lockdown North East Regional Editor Tony Harris Societies have been getting creative [email protected] supporting the vital work by the NHS 23 and Key Workers throughout the UK. North West Regional Editor Rob Gemmell [email protected] Sound design 101 Scotland Regional Editor Dive into the world of sound design. Alan C. Jones From creation of soundscapes to mic [email protected] 28 positions. South East Regional Editor Gregory Gower [email protected] NODA is here for you South West Regional Editor Find out how NODA has been Matthew Heaton supporting its members throughout the [email protected] 40 lockdown. Wales & Ireland Regional Editor Dee McIlroy [email protected] Have you got my good side? West Midlands Regional Editor Top tips -
Annual Report Liverpool School of Tropical 2002-2003 Medicine
L IVERPOOL SCHOOL OF T IVERPOOL SCHOOL ROPICAL EDICINE ROPICAL ROPICAL L of T M M EDICINE ANNUAL REPORT LIVERPOOL SCHOOL OF TROPICAL 2002-2003 MEDICINE Affliliated to the University of Liverpool Pembroke Place Liverpool L3 5QA ANNUAL 2002 - 2003 REPORT Telephone: 0151 708 9393 Fax: 0151 705 3370 email: [email protected] http// www.liv.ac.uk VAT registration number 732 5378 31 Registered Charity number 222655 Mission Statement As a centre of excellence, the Liverpool School of Tropical Medicine, through the creation of effective links with governments, organisations and institutions and by responding to the health needs of communities, aims to promote improved health, particularly for people of the less developed countries in the tropics and sub-tropics by: • providing and promoting high quality education and training; • conducting first class research and disseminating the result of that research; • developing systems and technologies for health care and assisting in their transfer and management; • providing appropriate consultancy services; In fulfilling this mission the School also provides a clinical service of acknowledged excellence. LIVERPOOL SCHOOL OF TROPICAL MEDICINE Affliliated to the University of Liverpool Contents Page 2 Chairman’s Foreword 3 Director’s Report 4 Treasurer’s Report 5 Fundraising 6 Lymphatic Filariasis Support Centre 7 Effective Health Care Alliance Programme 8 EQUI TB 9 Malaria Knowledge Programme 10 HIV/AIDS & STI Knowledge Programme 11 Gates Malaria Partnership 12 Dengue 13 Qualitative Research 14 Vector Research -
Living in Liverpool
A STUDENT GUIDE TO LIVING IN LIVERPOOL www.hope.ac.uk 1 LIVERPOOL HOPE UNIVERSITY A STUDENT GUIDE TO LIVING IN LIVERPOOL CONTENTS THIS IS LIVERPOOL ........................................................ 4 LOCATION ....................................................................... 6 IN THE CITY .................................................................... 9 LIVERPOOL IN NUMBERS .............................................. 10 DID YOU KNOW? ............................................................. 11 OUR STUDENTS ............................................................. 12 HOW TO LIVE IN LIVERPOOL ......................................... 14 CULTURE ....................................................................... 17 FREE STUFF TO DO ........................................................ 20 FUN STUFF TO DO ......................................................... 23 NIGHTLIFE ..................................................................... 26 INDEPENDENT LIVERPOOL ......................................... 29 PLACES TO EAT .............................................................. 35 MUSIC IN LIVERPOOL .................................................... 40 PLACES TO SHOP ........................................................... 45 SPORT IN LIVERPOOL .................................................... 50 “LIFE GOES ON SPORT AT HOPE ............................................................. 52 DAY AFTER DAY...” LIVING ON CAMPUS ....................................................... 55 CONTACT -
Bfi Showcases a Haul of Missing Believed Wiped Tv Rediscoveries Plus Festive Fun at the Tv Panto
Left to Right: Dennis Potter Guardian Lecture 30/10/80, Patrick Troughton in Freedom in September (ITV 1962), Spitting Image: The Panto (ITV, 1993) BFI SHOWCASES A HAUL OF MISSING BELIEVED WIPED TV REDISCOVERIES PLUS FESTIVE FUN AT THE TV PANTO facebook.com/BritishFilmInstitute | twitter.com/bfi | www.bfi.org.uk FOR IMMEDIATE RELEASE: 12 November 2019, London Missing Believed Wiped returns to BFI Southbank on Sunday 8 December to present another thrilling programme of recent TV rediscoveries, with a focus on original TV dramas and single plays. BFI are excited to screen extracts from a previously unseen filmed interview with Dennis Potter as well as long lost single plays, Freedom in September, a Cold War era story starring a pre-Doctor Who Patrick Troughton, psychological hostage drama No Harm Done starring Coronation Street’s Helen Worth and missing sitcom pilot Porterhouse Private Eye starring Carry on... regulars Peter Butterworth and June Whitfield. As part of a BFI season of his work, the quintessential British TV dramatist Dennis Potter was interviewed by TV Critic Philip Purser for The Guardian Lecture series at the NFT (now BFI Southbank), on 30 October, 1980. When BBC editors at the time made a last minute decision not to film the event for broadcast, Potter and his producer Kenith Trodd filmed the lecture themselves with the idea of selling it to a broadcaster. Missing Believed Wiped offers an audience the first glimpse of the interview since the event almost 40 years ago. Kenith Trodd, who held the rushes in his personal archive, will introduce extracts from this revealing interview which captures a pivotal moment in Potter’s prodigious TV career. -
AMANDA EDWARDS Skills IMDB
AMANDA EDWARDS Skills IMDB. Languages spoken: English. Accents spoken: Australian, Irish, UK Cockney, UK English, UK Posh, French, Indian. BBC Driver approved Chaperone. Training & Education 2012 Utopia:Kudos- WPC Liverpool, UK 2012 Frankie:BBC- WPC Bristol, UK 2012 A Touch of Cloth:SKY 1HD- WPC London, UK 2012 Guardians Advert: Martin Brent Production- Catwoman Leicester 2012 Furniture Village Advert: Wordley Productions- Lady Modena Bristol 2012 Da Vinci’s Demons: David S Goyer Director- Demon Swansea, UK 2012 Run : CH4 Drama- Customs Police Officer Wright London, UK 2012 Casualty : BBC Drama- Patient Cardiff, UK 2012 Hollyoaks CH4- WPC Harris Liverpool, UK 2012 Midsomer Murders:ITV- WPC Jones London, UK 2012 Jolues clothing- Model Leicester, UK 2012 Trollied:SKY- Shopper physical Comedy Role Bristol, UK 2012 The Other Wife:BBC- Ballet guest Bath, UK 2012 Secret of Crickley Hall: BBC- WPC Sale Manchester,UK 2012 Midsomers Murders:ITV -WPC Taylor Winsor, UK 2012 Closed : Feature film- Bomb victim London, UK 2012 Sewing World Magazine -Model Featured & Cover Gloucester, UK 2012 Casualty : BBC Drama- Riot Police Officer Cardiff, UK 2012 Cadburys Advert- Main X Factor Judge Birmingham, UK 2012 Doctors : BBC1 Drama- A&E Nurse Crash Team Birmingham, UK 2012 Casualty : BBC Drama- Armed Desert Training Soldier Newport Wales, UK Office 6 Fournier House, 8 Tenby Street, Jewllery Quarter, Birmingham, B1 3AJ [email protected] 0121 212 0090 www.alansharmanagency.com 2012 Coup: CH4 Drama- Journalist Liverpool, UK 2012 Visit England : Commercial- -
Shonda Rhimes a Defining American Voice Davinci Resolve 12.5 Now with 1,000 Enhancements and 250 New Features for Faster Editing, Better Color and New E Ects!
January 2017 Shonda Rhimes A defining American voice DaVinci Resolve 12.5 now with 1,000 enhancements and 250 new features for faster editing, better color and new e ects! DaVinci Resolve 12.5 is a massive new update that gives professional New Eects editors and colorists a faster and more refined editing and grading DaVinci Resolve 12.5 introduces ResolveFX, an amazing collection of experience! You get professional editing with advanced color correction, high performance plug-ins such as blurs, light rays, mosaics, and more! plus incredible new eects so you can edit, color correct, add eects You also get more transitions, enhanced titles, keyframe animation and and deliver projects from start to finish, all in one single software tool! speed ramp eects, along with Fusion Connect, which lets you send shots to Fusion for visual eects! Faster Editing DaVinci Resolve 12.5 features dozens of new editing and trimming tools, DaVinci Resolve 12.5 Studio along with faster timeline performance! You get new ripple overwrite, When you need to work at resolutions higher than Ultra HD, like DCI 4K paste insert, revolutionary new audio waveform overlays that help you or even on stereoscopic 3D projects, then upgrade to DaVinci Resolve edit, and much more. DaVinci Resolve 12.5 now features virtually every 12.5 Studio. You get multi-user editing and color correction, network editing and trimming tool imaginable! rendering, 3D, advanced temporal and spatial noise reduction, optical quality blur eects, additional ResolveFX and much more! Better Color Now you can use the same tools Hollywood colorists use every day on DaVinci Resolve 12.5 Free Download blockbuster films and television shows! DaVinci Resolve 12.5 Studio DaVinci Resolve 12.5 Studio £785* gives you new HDR grading, faster node editing, new Resolve FX and more! You get color that goes far beyond any other editing system and DaVinci Resolve Advanced Panel £23,595* you can switch between editing and grading with a single click! Watch Video! www.blackmagicdesign.com/uk *SRP is Exclusive of VAT.