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City Research Online
City Research Online City, University of London Institutional Repository Citation: Friedman, S. (2013). Les Dennis: Man Out of Time. Comedy Studies, 4(2), doi: 10.1386/cost.4.2.249_1 This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/2876/ Link to published version: http://dx.doi.org/10.1386/cost.4.2.249_1 Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] ‘Man Out of Time: An Interview with Les Dennis’, Comedy Studies, 4 (2) Les Dennis has been spotted. “Ye’ve been captured, Les”, slurs a bleary-eyed regular in The Strathmore Bar, a classic Leith boozer and one-time working men’s club tucked away near the bottom of Leith Walk. Idling up to our table with a finger pointed at the bemused entertainer, the man continues, “Aw the boys back there, they aw spied ye. -
Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business. -
Student Guide to Living in Liverpool
A STUDENT GUIDE TO LIVING IN LIVERPOOL www.hope.ac.uk 1 LIVERPOOL HOPE UNIVERSITY A STUDENT GUIDE TO LIVING IN LIVERPOOL CONTENTS THIS IS LIVERPOOL ........................................................ 4 LOCATION ....................................................................... 6 IN THE CITY .................................................................... 9 LIVERPOOL IN NUMBERS .............................................. 10 DID YOU KNOW? ............................................................. 11 OUR STUDENTS ............................................................. 12 HOW TO LIVE IN LIVERPOOL ......................................... 14 CULTURE ....................................................................... 17 FREE STUFF TO DO ........................................................ 20 FUN STUFF TO DO ......................................................... 23 NIGHTLIFE ..................................................................... 26 INDEPENDENT LIVERPOOL ......................................... 29 PLACES TO EAT .............................................................. 35 MUSIC IN LIVERPOOL .................................................... 40 PLACES TO SHOP ........................................................... 45 SPORT IN LIVERPOOL .................................................... 50 “LIFE GOES ON SPORT AT HOPE ............................................................. 52 DAY AFTER DAY...” LIVING ON CAMPUS ....................................................... 55 CONTACT -
Ben Johnson Bibliography August 2019
SELECTED PUBLICATIONS 2019 Atkinson, William “Flagrant Exhibitionism: The Royal Academy’s Summer Exhibition,” Cherwell, August 4 https://cherwell.org/2019.08.04/flagrant-exhibitionism-the-royal-academys-summer- exhibition/ 2018 “Insight - Finding Direction,” The British Museum Magazine Issue 92, Winter, p.5 2018 “Superstructures,” Icon, Architecture and Design Culture, April, pp.11, 76- 82 2018 “Reflections on Sacred Space by Ben Johnson,” Islamic Arts Magazine, January 7 http://islamicartsmagazine.com/magazine/view/reflections_on_sacred_space_by_ben_johnson/ 2017 Abdullah, Afkar. “Artists Unveil Authentic World of Contemporary Islamic Art,” Khaleej Times, Sharjah, December 14, p.6 2017 “Ben Johnson Southampton City Art Gallery,” Art Quarterly, Autumn, p.83 2017 "Architectural Reality Seen Through an Airbrush Painting," January 5 http://www.designstack.co/ 2016/01/architectural-reality-seen-through.html#.WG4lEIw8jZo. 2016 Finn, Pat. “More Detail Than the Eye Can See: The Superrealist Architectural Art of Ben Johnson,” Architizer, New York, April 25 http://architizer.com/blog/more-than- the-naked-eye-can- capture/ 2016 Rebane, Katariina. “The Artist Ben Johnson Doesn’t Sign His Work,” Eesti Päevaleht, Estonia, March 21, p.14 2016 “Hardly Distinguishable from a Photo: Hyper Realistic Paintings by Ben Johnson,” i-ref, Berlin, February 3 http://i-ref.de/iref-impuls/kaum-von-einem-foto-zu-unterscheiden-hyperrealistische-gemaelde-von- ben-johnson/ 2016 Spirou, Kiri. “The Superhuman Photorealism of Painter Ben Johnson,” Yatzer, January 11 https:// www.yatzer.com/ben-johnson 2016 Issue No.206 January 11 http://www.issueno206.com/ben-johnson-architectural-paintings/ 2016 “Pintura Arquitectónica,” Architectural Digest Mexico, January 8 http://www.admexico.mx/estilo-de-vida/editors-pick/articulos/pintura-arquitectura-diseno-color-arte- ben-johnson-cuadro/1704 2015 Szwarc, Eva. -
English 252: Theatre in England 2006-2007 * [Optional Events
English 252: Theatre in England 2006-2007 * [Optional events — seen by some] Wednesday December 27 *2:30 p.m. Guys and Dolls (1950). Dir. Michael Grandage. Music & lyrics by Frank Loesser, Book by Jo Swerling and Abe Burrows. Based on a story and characters of Damon Runyon. Designer: Christopher Oram. Choreographer: Rob Ashford. Cast: Alex Ferns (Nathan Detroit), Samantha Janus (Miss Adelaide), Amy Nuttal (Sarah Brown), Norman Bowman (Sky Masterson), Steve Elias (Nicely Nicely Johnson), Nick Cavaliere (Big Julie), John Conroy (Arvide Abernathy), Gaye Brown (General Cartwright), Jo Servi (Lt. Brannigan), Sebastien Torkia (Benny Southstreet), Andrew Playfoot (Rusty Charlie/ Joey Biltmore), Denise Pitter (Agatha), Richard Costello (Calvin/The Greek), Keisha Atwell (Martha/Waitress), Robbie Scotcher (Harry the Horse), Dominic Watson (Angie the Ox/MC), Matt Flint (Society Max), Spencer Stafford (Brandy Bottle Bates), Darren Carnall (Scranton Slim), Taylor James (Liverlips Louis/Havana Boy), Louise Albright (Hot Box Girl Mary-Lou Albright), Louise Bearman (Hot Box Girl Mimi), Anna Woodside (Hot Box Girl Tallulha Bloom), Verity Bentham (Hotbox Girl Dolly Devine), Ashley Hale (Hotbox Girl Cutie Singleton/Havana Girl), Claire Taylor (Hot Box Girl Ruby Simmons). Dance Captain: Darren Carnall. Swing: Kate Alexander, Christopher Bennett, Vivien Carter, Rory Locke, Wayne Fitzsimmons. Thursday December 28 *2:30 p.m. George Gershwin. Porgy and Bess (1935). Lyrics by DuBose Heyward and Ira Gershwin. Book by Dubose and Dorothy Heyward. Dir. Trevor Nunn. Design by John Gunter. New Orchestrations by Gareth Valentine. Choreography by Kate Champion. Lighting by David Hersey. Costumes by Sue Blane. Cast: Clarke Peters (Porgy), Nicola Hughes (Bess), Cornell S. John (Crown), Dawn Hope (Serena), O-T Fagbenie (Sporting Life), Melanie E. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Performing Corpo-Realities in Shakespeare's Late Romances 2017
Action Bodies / Acting Bodies: Performing Corpo-Realities in Shakespeare's Late Romances Von der Philosophischen Fakultät der Gottfried Wilhelm Leibniz Universität Hannover zur Erlangung des Grades einer Doktorin der Philosophie (Dr. phil.) genehmigte Dissertation von Eve-Marie Oesterlen geboren am 24. April 1974 in München 2017 Referentin: Prof. Dr. Liselotte Glage Korreferent: Prof. Dr. Rainer Emig Tag der Promotion: 24. November 2016 Zusammenfassung Ausgangspunkt dieser Arbeit ist die Annahme, dass das Spätwerk Shakespeares sich durchgängig und intensiv damit auseinandersetzt, „was es heißt zu wissen, dass andere, dass wir Körper haben“ (Stanley Cavell). Untersucht wird die Bedeutung, die ein solcher corporeal turn für die Rezeption von drei der von der Shakespeare-Forschung bisher eher vernachlässigten Romanzen hat: Pericles, The Winter’s Tale und Cymbeline. Das Augenmerk der Analyse richtet sich hierbei insbesondere auf die Art und Weise, in der sich Repräsentationen des handelnden Körpers im doppelten Sinne (action body/acting body) zur dichten textuellen und theatralischen Selbstreflexion der Stücke verhalten. Hierbei rekurriert die Analyse auf kritische Ansätze, die sich aus der neueren kulturwissenschaftlichen Diskurswende in Bezug auf Körper und Performanz ergeben. Shakespeare, Körper, Performanz Abstract Proceeding from the premise that in his late plays Shakespeare continuously engages with the question of “what it is to know that others, that we, have bodies” (Stanley Cavell), this thesis examines the significance of such a ‘corporeal turn’ for the dramatic analysis of three of Shakespeare’s late romances: Pericles, The Winter's Tale, and Cymbeline. Following in the wake of critical approaches that have emerged from a new focus of interest in the body and performance, this thesis supplements a reading of the playtext with a reading of the text in performance to illustrate how representations of the performing body are bound up with and shaped by the plays’ intense textual and theatrical self-reflection. -
Li4j'lsl!=I 2 Leeds Student Ma Aj Rnutidoo ®~1 the Bulk of Landlords .Trc \.\Ith News Ump,.'11
THE REVOLT T F TH HT --FULL STORY PAGE NINE -----li4J'lSl!=I 2 www.leedsstudentorg.uk Leeds Student ma aJ rnutIDoo ®~1 the bulk of landlords .trc \.\ith News Ump,.'11. 20 per ce n1 uren ·1 and LIBERAL Democnil MP in the ..crabbl c 10 find holbm,1: S0%of Simon llu~ht-s has helped in LS6. .., ,uden~ forgc1 11t.11 kick-start a new student the) have nghl\." students have hou."iing crlCMJdc. Jame:; Blake, pre,;idenJ ot taken drugs lhc ·m1111 campaign . Ll'l I\ Lib Dem pan), said but they want wluch I\ be ing c;pearheadc<l h) ·-rm so plc:t5cd thut Simon the:" J~ll:, LT111vcr-.U) L1h rkm Hughe!. could launt:h th 1.:. stricter laws part). •~ .ummg In _maJ..i: c:1mpa1~.n· i1 ,hows YrC an• pt.-<1ple more aware. ol 1he1r ',C.."OOU!, nglu .. :L, IC/M Ii t.. Hu~hC!-i. \\ ho was narmwl} pages TennnL!- can dl!m.Jnd 1h i 11 w, hct11cn by Charles Kenned)- in like ',llltllu: de1cc1or... gu~ a le..ader.; lup contest. ~ id: {ee:-. for appl i,mcc\ and '"StuJcn1 .-. olten fc.el 1hat Uni of Leeds found wanting by aik-qualc 101.;b. filling,. becau~ they mm,e around 11 \ government watchdogs Greg Mulholland. a t.-01111 not '-"Onh \. Otmg. We wam 10 tell lhem lh:it ii I\, nnd lhat pages 6 · 7 cillur for l.ttJs ~fonh \\'1....,1 who i.. .il!.O baekm!! the wc · n: n:lc\'an1 ...chcme. ,,;md: ··1t\ the ... mall "If ~IUdent.,;. -
IRAN Ambassador to Remain in Kuwait AS Ties Downgraded
SUBSCRIPTION TUESDAY, JULY 25, 2017 THULQADA 2, 1438 AH www.kuwaittimes.net Consumption Blast kills Kushner says ‘Trapped’ of water in at least 25, met Russians Tomic says he Kuwait hits injures dozens four times, has no love record rate3 in Lahore6 denies11 collusion for16 the game Iran ambassador to remain in Min 31º Kuwait as ties downgraded Max 49º High Tide 01:40 & 12:25 Low Tide MP proposes tough penalties for Hezbollah supporters 07:03 & 19:59 32 PAGES NO: 17288 150 FILS By B Izzak and Agencies TEHRAN/KUWAIT: Iran said yesterday it was disap- Qatar, Turkey praise Kuwait mediation pointed at Kuwait’s decision to reduce the number of Iranian diplomats in the country, but said its ambassa- DOHA: Turkish President Recep Tayyip Erdogan dor would remain. Kuwait announced last week that 15 arrived in Doha yesterday as part of a Gulf tour Iranian diplomats would have to leave within six weeks aimed at defusing a dispute between Turkey’s ally in response to the conviction of a “terror” cell with Qatar and a bloc of Saudi-led Arab states. Erdogan alleged links to the Iranian Revolutionary Guards. “We was greeted by Qatari ruler Emir Sheikh Tamim bin did not expect this from Kuwait,” foreign ministry Hamad Al-Thani ahead of their first face-to-face talks spokesman Bahram Ghasemi said, according to the on the Gulf crisis, state news agency QNA reported. IRNA news agency. Sheikh Tamim and Erdogan both backed Kuwait’s “We have always maintained positive relations with mediation efforts to resolve the dispute during the Kuwait in the...Gulf region. -
Programs £100 Patroq N Props Q£150 Costume Q£200
d Like Orson Welles, Dennis Potter (1935-94) politician who doesn’t would be negligent. This is a all but started at the top, acclaimed as one position which I suspect would find favor with Jack Hay, i of television’s greatest writers from his first yet for most of us this doesn’t seem a particularly desir - r year in the business. A BBC initiative, aimed able state of affairs. Could we ever trust a person who at developing new writers, saw four of his has spent their entire career bending the truth for what plays transmitted in 1965. These included they believe? It is surely a very slippery psychological e the two Nigel Barton plays: Stand Up Nigel slope – you might even end up believing in WMD. Barton, and VOTE VOTE VOTE For Nigel c Barton. Yet, as Barton realizes, this is not the fault of individu - als. In his final tirade it is not individual politicians he The screenplay for VOTE VOTE VOTE was criticizes, but the structural demands of politics itself. It t heavily influenced by Potter’s own experi - is the process of standing as a candidate which is cor - ence as a Labour party candidate in the rupting, irrespective of the individual. There is none of o 1964 election. Standing in the safe Tory the salvation we expect from the narrative of commer - heartland of rural Hertfordshire, Potter didn’t cial cinema. No honest man makes good in the face of stand a chance of winning. Yet his total a corrupt world. When faced with the realities of the r revulsion at the experience seems to have political machine, the honest man realizes that he must been caused by something much deeper necessarily be corrupted if he is to take part. -
How True Is the Queen's Gambit?
ARTS November 13 | 2020 How true is The Queen’s Gambit? The UK women’s chess champion on the hit Netflix show Anya Taylor-Joy as Beth Harmon 2 1GT Friday November 13 2020 | the times times2 Caitlin 6 4 DOWN UP Moran Demi Lovato Quote of It’s hard being a former Disney child the Weekk star. Eventually you have to grow Celebrity Watch up, despite the whole world loving And in New!! and remembering you as a cute magazine child, and the route to adulthood the Love for many former child stars is Island star paved with peril. All too often the Priscilla way that young female stars show Anyabu they are “all grown up” is by Going revealed her Sexy: a couple of fruity pop videos; preferred breakfast, 10 a photoshoot in PVC or lingerie. which possibly 8 “I have lost the power of qualifies as “the most adorableness, but I have gained the unpleasant breakfast yet invented DOWN UP power of hotness!” is the message. by humankind”. Mary Dougie from Unfortunately, the next stage in “Breakfast is usually a bagel with this trajectory is usually “gaining cheese spread, then an egg with grated Wollstonecraft McFly the power of being in your cheese on top served with ketchup,” This week the long- There are those who say that men mid-thirties and putting on 2st”, she said, madly admitting with that awaited statue of can’t be feminists and that they cannot a power that sadly still goes “usually” that this is something that Mary Wollstonecraft help with the Struggle. -
Balancing the Borough's Budget
ISSUE 69 SPRING 2017 Win four tickets to see Footloose at NewTheatre Wimbledon Balancing the borough’s budget The latest on Future Merton regeneration plans Children walking their Daily Mile in Merton 2 The Leader of Merton Council, Councillor Stephen Alambritis, writes for My Merton There’s been to make some difficult decisions about Merton doing a lot in the where we spend our money. This is the right thing newspapers made more and more difficult as the recently about government has cut council budgets by for children children from more than 40% since 2010. Imagine if Merton has recently taken in 22 Syria and your boss cut your pay by 40%! children under the age of 17 who are other war torn However, I’m a businessman so from countries affected by violence countries who I’ve made sure we stretch every penny and war, such as Syria, Iraq and are stuck in we have so that we can continue to Iran. The government gives us some refugee camps provide the services you value the most. money to cover the cost of care and with no family to look after them. I This year we’ve put £9m more into adult housing for these children but we don’t think any of us can imagine how social care to look after older and disabled have to cover a lot of the costs scary that must be for a child, and I people in the borough and we’ve also ourselves. However, in Merton we know that the community in Merton is invested more in children’s services.