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Audio Mobilité LOCUS SONUS Symposium #8 Audio mobilité Proceedings www.locusonus.org [Author Name] UTC LOCUS SONUS — 8th International Symposium — Audio Mobility — 16-18th of April 2014 Aix en Provence http://locusonus.org/ LOCUS SONUS 8th International Symposium AUDIO MOBILITY 16-18th of April 2014 Aix en Provence http://locusonus.org/ Scientific committee: Richard Kronland-Martinet (LMA - CNRS), Samuel Bordreuil (AMU/CNRS-LAMES), Jean- Paul Thibaud (CRESSON- CNRS), Jacques Sapiega (AMU - ASTRAM), Angus Carlyle (CRISAP), Jean Cristofol (ESAA), Peter Sinclair (ESAA - Locus Sonus), Jérôme Joy (ENSAB - Locus Sonus), Anne Roquigny (Locus Sonus), Elena Biserna, Marie Muller, Laurent Di Biase, Fabrice Métais. 3 LOCUS SONUS — 8th International Symposium — Audio Mobility — 16-18th of April 2014 Aix en Provence http://locusonus.org/ 4 LOCUS SONUS — 8th International Symposium — Audio Mobility — 16-18th of April 2014 Aix en Provence http://locusonus.org/ PROGRAMME Mercredi 16 Avril 2014 @ AMU/LAMES MMSH - Salle Duby 8h30 : Accueil 9h00 : Discours de bienvenue SESSION 1 : GPS, Geolocalisation and Soundwalks. Modérateurs : Elena Biserna & Marie Muller 9h15 Placed Sound(s). The Sound of Locative Media, Frauke Behrendt 9h45 Walking with Ghosts, François Parra 10h15 Mediated Listening Paths: Breaking the Auditory Bubble, Elena Biserna 10h45 Walking, Telling, Listening. Audio Walks, Justin Bennett 11h15 Pause 11h35 Mapping the Iceberg: An Attempt to Model the City of Aix-en-Provence as 3D Sound Mapped on a Real Space, Marie Muller 11h45 Perspectives on Sound Based Augmented Reality Theatre, Joel Cahen 12h15 De l'oreille à l'oeil. Des conditions d'une écriture située, Emmanuel Guez & Xavier Boissarie 12h45 Pause déjeuner SESSION 2 : Mobile Microphones and Remote Listening. Modérateurs : Laurent Di Biase & Jérôme Joy 14h30 Visiting, Weaving, and Modulating Sonic Expanses and Rythms -Tuning, Improvisation, and Environmental Aesthetics, Jérôme Joy 15h00 Ecotones, Eco-territories and the Sonic Relationality of Space: An audio investigation of Montreal’s ‘Falaise St. Jacques’, Owen Chapman 15h30 Public Ringtones / Sonneries Publiques, Matthieu Saladin 16h00 Sound Geofiction and Mobile Interaction: The Sound in the Environement as Support of Composition, Laurent Di Biase 16h20 Pause 16h30 Débat autour des thèmes abordés dans les sessions 1 & 2 5 LOCUS SONUS — 8th International Symposium — Audio Mobility — 16-18th of April 2014 Aix en Provence http://locusonus.org/ Jeudi 17 Avril 2014 @ ESAAix - Amphithéâtre 8h30 : Accueil SESSION 3 : Sounding Sensing and Sonification. Modérateur : Peter Sinclair 9h00 Inside Zeno’s Arrow: Mobile Capture and Sonification, Peter Sinclair 9h30 Augmented Topography By Sound, Aline Veillat 10h00 Navigating by sound in my SmartCity+, Romain Barthélémy 10h30 The Carry Principle: Strategies for Mobile Music Practice, Steve Jones 11h00 Acoustic Localisation Techniques for Interactive and Locative Audio Applications, Dom Schlienger 11h30 Pause 11h40 Mobile Sound and (Re)Making Place, Jessica Thompson 12h10 Débat autour des thèmes abordés dans la session 3 13h00 Pause déjeuner POSTERS : Performances, Démos, Installations @ Seconde Nature 14h00 POSTERS - The Carry Principle, Steve Jones - Murmures urbains, Emmanuel Guez & Xavier Boissarie - Four Mobiles Tracks - Aix en Provence (Field Fiction), Laurent Di Biase - AudioMobile: Locate, Listen, Share, Owen Chapman - Echolocation Headphones, Aisen Caro Chacin - Smart City +, Romain Barthélémy - Sonneries Publiques, Mathieu Saladin - One Missed Call / Un appel en absence, Fabrice Métais - Cartographier l'Iceberg, Marie Muller - Triangulation Device, Jessica Thompson - RoadMusic, Peter Sinclair - Augmented Topography, Aline Veillat 15h00 CIRCUIT (école d’art, centre ville, seconde nature) 19h30 Four Mobiles Tracks, concert-performance de Laurent Di Biase à Seconde Nature 6 LOCUS SONUS — 8th International Symposium — Audio Mobility — 16-18th of April 2014 Aix en Provence http://locusonus.org/ Vendredi 18 Avril 2014 @ ESAAix - Amphithéâtre 8h30 Accueil SESSION 4 Mobility and (Audio) Perception. Modérateur Fabrice Métais 9h00 Map and Probe in a Multidimensional Space, Jean Cristofol 9h30 Echolocation Headphones: Seeing Space with Sound, Aisen Caro Chacin 10h00 The Process of Sonification Design in the Case of Guiding Tasks, Gaëtan Parseihian 10h30 Of God’s Word Terrestrial Acoustics : A Missed Call, Fabrice Métais 11h00 «In Between Marching Band and Sound Walk» : Space, Mobility /Sonic Mobilization and their Concrete Coordinates, Samuel Bordreuil 11h30 Pause 11h40 Débat autour des thèmes abordés dans la session 4 13h00 Pause déjeuner PERFORMANCES, DEMOS, INSTALLATIONS @ ESAAix 14h00 Installations 18h00 Fin du Symposium Infos pratiques : AMU/LAMES MMSH - 5, rue du Château de l'Horloge, 13094 Aix-en-Provence http://lames.mmsh.univ-aix.fr/ Seconde Nature - 27 Rue du 11 Novembre, 13100 Aix-en-Provence http://www.secondenature.org/ ESAAix – rue Émile Tavan, 13100 Aix-en-Provence http://www.ecole-art-aix.fr/ 7 LOCUS SONUS — 8th International Symposium — Audio Mobility — 16-18th of April 2014 Aix en Provence http://locusonus.org/ 8 LOCUS SONUS — 8th International Symposium — Audio Mobility — 16-18th of April 2014 Aix en Provence http://locusonus.org/ TABLE OF CONTENTS INTRODUCTION 11 SESSION 1: GPS, Geolocalisation and Soundwalks. 15 Placed Sound(s) - The Sound of Locative Media, Frauke Behrendt 17 Walking with Ghosts, François Parra 18 Mediated Listening Paths: Breaking the Auditory Bubble, Elena Biserna 26 Walking, Telling, Listening. Audio Walks, Justin Bennett 39 Mapping the Iceberg: An Attempt to Model the City of Aix-en-Provence as 3D Sound Mapped on a Real Space, Marie Muller 54 Perspectives on Sound Based Augmented Reality Theatre, Joel Cahen 64 De l'oreille à l'oeil. Des conditions d'une écriture située, Emmanuel Guez & Xavier Boissarie 73 SESSION 2 : Mobile Microphones and Remote Listening 83 Visiting, Weaving, and Modulating Sonic Expanses and Rythms — Tuning, Improvisation, and Environmental Aesthetics, Jérôme Joy Error! Bookmark not defined. Ecotones, Eco-territories and the Sonic Relationality of Space: An audio investigation of Montreal’s “Falaise St. Jacques”, Owen Chapman 104 Public Ringtones, Matthieu Saladin 120 Sound Geofiction and Mobile Interaction: The Sound in the Environement as Support of Composition, Laurent Di Biase 126 SESSION 3: Sounding Sensing and Sonification 135 Inside Zeno’s Arrow: Mobile Captation and Sonification, Peter Sinclair 137 Augmented Topography By Sound, Aline Veillat 148 Navigating by Sound in my SmartCity+, Romain Barthélémy 158 The Carry Principle: Strategies for Mobile Music Practice, Steve Jones 173 Acoustic Localisation Techniques for Interactive and Locative Audio Applications, Dom Schlienger 183 Mobile Sound and (Re)Making Place, Jessica Thompson 193 SESSION 4: Perception and (Audio) Mobility 211 Probe and Chart in a Multidimensional Space, Jean Cristofol 213 Echolocation Headphones: Seeing Space with Sound, Aisen Caro Chacin 223 The process of sonification design in the case of guiding tasks, Gaëtan Parseihian 236 Of God’s Word Terrestrial Acoustics: A Missed Call, Fabrice Métais 238 « In Between Marching Band and Sound Walk » : Space, Mobility /Sonic Mobilization and their Concrete Coordinates, Samuel Bordreuil 251 9 LOCUS SONUS — 8th International Symposium — Audio Mobility — 16-18th of April 2014 Aix en Provence http://locusonus.org/ 10 LOCUS SONUS — 8th International Symposium — Audio Mobility — 16-18th of April 2014 Aix en Provence http://locusonus.org/ INTRODUCTION AUDIO MOBILITY The fact that computers have become truly portable (smart phones) while being powerful enough to perform complex calculations in real-time is a very recent phenomenon. If a system capable of generating and capturing audio can share a user’s mobility, is the status of that audio changed? Can there be new forms of audio art that result from mobility? We propose to consider mobile audio-technology from two points of view. These can be assimilated to maps and sounding. In the case of maps, we project space and trajectory through schematic representation while in the case of sounding, we activate the environment around us and in so doing collect information about it through feedback. A traditional way of considering these two approaches to audio mobility might be that of experiencing audio phenomena we encounter as we cross a landscape (insect sounds, running water, or a noisy bar and the sound of traffic) versus hearing the ever changing sound of our own footsteps as they encounter different surfaces (gravel, leaves or a polished floor) and activate different resonant spaces or reflective surfaces (an empty hall, a carpeted room, a forest or a cliff face). In terms of audio technology these two poles are epitomized by Locative Media on the one hand and sensor based computing on the other. In reality, the line we can draw between these two models is not so clear-cut: radar, a sounding-technology, is used to make projections or charts and we can ping the network from our laptops to see if we are present (as a node on the network) and hybridization of these approaches might offer considerable creative possibilities. However, we consider these two poles as significant in this research into an art of audio mobility. Mobile audio-device listening (ipods, smartphones) can be considered negatively since they tend to isolate the user from his or her naturally occurring sound environment. They can also be considered
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