DOCSLIB.ORG

ISME News JULI

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
ISME News JULI o c t o b e r / 2001 International Society for Music Education ISME newsletter Presidential letter and administration for ISME as ISME Message from Professor John Drummond, President of ISME we move forward with our plans for growth. We are working hard is moving to move our membership num- bers forward. Our conferencing on continues with successful and ex- International Society for Kia ora! citing regional conferences in Music Education Greetings to all ISME members, colleagues and friends New Zealand and Argentina over recent weeks. Plans for next year’s The last weeks have been dark- minds us of the potential for World Conference in Bergen are New Address ened by the tragic events in Ameri- good we all possess; it puts us in looking very good indeed, and if of the: ca. Our thoughts and love are touch with eternal things. As you haven’t yet booked the dates ISME International Office with all those who have been music educators we have the in your diary, do so now. Your P.O. box 909 touched by the consequences of Nedlands 6909,WA this terrible violence, and we Australia have special sympathy for our T ++ 61 (0)8 - 93 86 2654 music education colleagues. We F ++ 61 (0)8 - 93 86 2658 encourage them to seek the sol- E [email protected] ace of music and the consolation W http://www.isme.org to the spirit it can offer. These events have reminded me of the incredible work carried out CONTENT in Palestine by a group of music educators who have been work- Mar del Plata 2 ing tirelessly to use music-mak- Report on ISME’s regional ing and other creative arts work conference in Argentina to help young Palestinians find ways to deal with a lifetime envi- Scandinavia 2002 2 ronment of violence and tragedy. ISME Conference and Violence, of any kind, dehuman- Commissions izes both victims and perpetra- Board members at work, ISME Board Meeting in Voss, Norway, June 2001 tors, and it so easily breeds more Elections 2002 4 violence. In a time of violence, privilege of being able to bring Board is active and hard-working, President-Elect and Members whether it is a constant presence this wonderful gift to others, and and our recent meeting in Nor- of the Board of Directors or impacts on us for just one we are always needed, in bad way was very productive. dreadful moment, we need the times maybe even more than in We stride forward with confi- ISME’s New Secretary humanizing power of music. We the good times. dence, knowing we are on track General 8 need to be reminded of our to create the kind of ISME you Judy Thönell fragility, of our need for each For ISME, the times are always want. And if you have ideas about other, of the treasure-house good! You will see in this what else you would like ISME to which is each human mind, of the Newsletter that we have a new do for you, please contact me at power-house which is each Secretary General, Judy Thönell, [email protected], or human spirit, and music is able to and that we are moving our In- Judy Thönell at our new email ad- remind us of all these. It affirms ternational Office to Perth, in dress [email protected]. our individuality and our commu- Australia, which is where Judy nality; it reassures us of the lives. This promises a well-inte- John Drummond magic of the imagination; it re- grated and effective organization President 1 ISME Confer One of the great advantages of being an ISME member is the op- portunity to attend the Society’s World Conference every two years. Since 1953 tens of thousands of music educators have met in countries as diverse as Finland, South Africa and Poland, and cities with populations as differ- ent as Seoul and Canberra. Varia- ISME Information session tions in climate from the hot af- ternoon thunderstorms of Third Latin American Regional Tampa, Florida to the sunny win- ter days of Pretoria have given Conference (isme/sadem) Conference delegates a close en- counter of our varied world, an Mar del Plata, Argentina, pants were all Latin American professional musician: perform- added bonus to the pleasure and 11-15 September 2001 music educators actively involved ers, composers, musicologists and excitement of attending an inter- in ISME such as Board members other technical options; c) Spe- national gathering of like-minds. The Third Latin American Region- Liane Hentschke (Brazil) and Dina cial music education: music ther- al Conference organized by the Grätzer (Argentina). The panel apy and special relations among Bergen, the host city for the 2002 Argentine Society for Music Edu- also included Commission mem- music and medicine and d) Infor- World Conference, is another cation (SADEM), under the um- bers Liliana Acuña (Argentina) mal or community music educa- place that will long be remem- brella of ISME, was successfully from Music Therapy and Orlando tion. bered by delegates, and for a vari- held in Mar de Plata City, a sum- Musumeci (Argentina) from Edu- ety of reasons. Situated on the mer resort located 400 km from cation of the Professional Musi- Seventy papers and workshops west coast of Norway, it is an en- the capital city, Buenos Aires. cian. Also taking part was Ana were presented in four parallel chanting city to visit with its ‘Action and Research in Music Ed- Lucia Frega, a former ISME Presi- sessions with the variety of charming harbour, narrow streets ucation’ was the reason to call to- dent and, of course, the current themes and focuses the most lined with delightful old wooden gether people from different ISME President, John Drummond. challenging and enriching aspect houses dating back centuries, countries including Brazil, Chile, of this conference. Evening con- and surrounding mountains. Colombia, Israel, Australia, Mexi- Papers were categorized as re- certs were given as well as a love- The city was founded a thousand co, Venezuela, and Argentina. search and communications, and ly, informal ‘Latin American feast’ years ago and, with its proximity Delegates presented papers in embraced four main areas: a) where people shared their tradi- to the fjords of Norway and other the two official languages, Span- Music education at all three tional music and dances in a re- spectacular sightseeing trips, it ish and Portuguese. school levels; b) Training of the laxed atmosphere. will undoubtedly prove to be a memorable place for a conference. People had the privilege to share To help delegates enjoy as much this experience with ISME Presi- of the area as possible, the Confer- dent John Drummond, who in ence organisers have allocated a turn had the chance to learn day mid-week in the program for more about life and Music Educa- visitors to tour the city and region. tion in another area of the south- ern hemisphere than his own. One of the not-to-be-missed visits for delegates will be Troldhaugen, Plenary sessions were distin- the home of Nina and Edvard guished, among others, by the Grieg. Only 15 minutes by car presence of Ramon Santos (The from Bergen, Troldhaugen is visit- Philippines), Eugenia Costa-Giomi ed by some 130,000 people a year (Canada), Alda Oliveira (Brazil) and is one of the most delightful and Ana Lucia Frega (Argentina). places for anyone interested in music. The estate consists of the One plenary session, under the house where the Griegs spent headline of ‘All about ISME’, was every summer from 1885 to 1907 designed for the audience to (the year of Edvard’s death), the learn more about ISME. Partici- Delegates enjoy a Conference activity composer’s hut with its glorious 2 The closing date for applications to present papers at most of the SCANDANAVIA 2002 commissions has now closed, however, the Commission for Music in ence and Commissions Special Education is now inviting contributions. Details are as follows: views on the edge of a lake, a 200 The ISME Commission on Music in Special Education, Music Therapy, seat concert hall, a simple tomb and Music Medicine invites contributions related to the Seminar by the lake containing the ashes theme, Community, Creativity, and Culture: Connections in Music in of Edvard and Nina, and the Mu- Special Education, Music Therapy and Music Medicine. seum itself, housing a permanent The Commission wishes to encourage proposals of participation in exhibition, multimedia room and the Seminar to be held in Scandinavia, August 6-11, 2002 and in the café. In the multimedia room, vis- Special Session of the 25th ISME World Conference to be held Au- itors can view a presentation in a gust 11-16, 2002. variety of languages, where Grieg’s own writings have been Submissions for consideration must comply with the following conditions: used as the commentary, inter- 1 The presentation may be an oral summary of a research paper, a spersed with his music. demonstration with slides or videotapes, a workshop, a panel dis- Early Childhood Music cussion or a poster session. Each presentation should be 30-45 There are many websites devoted Education minutes in length followed by a question and answer period. PRO- to Bergen, but one of the most in- Danish University of Education, POSAL DEADLINE is 1 December 2001. (Please indicate the type of teresting is: Copenhagen, Denmark, equipment needed.) http://www.my-guide-bergen.com August 5-9,2002 Theme: Children’s Musical 2 Papers (not exceeding 2000 words and accompanied by an ab- Visitors to this site can have a ‘vir- Connections stract not exceeding 200 words) and detailed descriptions of tual’tour of the city by opening the demonstrations and presentations should be submitted in three page,then clicking on Destinations Music in Schools and Teacher copies in English, typed in double-space format, and on computer - Virtual Bergen.
Load more

Recommended publications
  • NORDIC COOL 2013 Feb. 19–Mar. 17
    NORDIC COOL 2013 DENMARK FINLAND Feb. 19–MAR. 17 ICELAND NorwAY SWEDEN THE KENNEDY CENTER GREENLAND THE FAroE ISLANDS WASHINGTON, D.C. THE ÅLAND ISLANDS Nordic Cool 2013 is presented in cooperation with the Nordic Council of Ministers and Denmark, Finland, Iceland, Norway, and Sweden. Presenting Underwriter HRH Foundation Festival Co-Chairs The Honorable Bonnie McElveen-Hunter, Marilyn Carlson Nelson, and Barbro Osher Major support is provided by the Honorable Bonnie McElveen-Hunter, Mrs. Marilyn Carlson Nelson and Dr. Glen Nelson, the Barbro Osher Pro Suecia Foundation, David M. Rubenstein, and the State Plaza Hotel. International Programming at the Kennedy Center is made possible through the generosity of the Kennedy Center International Committee on the Arts. NORDIC COOL 2013 Perhaps more so than any other international the Faroe Islands… whether attending a performance festival we’ve created, Nordic Cool 2013 manifests at Sweden’s Royal Dramatic Theatre (where Ingmar the intersection of life and nature, art and culture. Bergman once presided), marveling at the exhibitions in Appreciation of and respect for the natural environment the Nobel Prize Museum, or touring the National Design are reflected throughout the Nordic countries—and Museum in Helsinki (and being excited and surprised at they’re deeply rooted in the arts there, too. seeing objects from my personal collection on exhibit there)… I began to form ideas and a picture of the The impact of the region’s long, dark, and cold winters remarkable cultural wealth these countries all possess. (sometimes brightened by the amazing light of the , photo by Sören Vilks Sören , photo by aurora borealis).
    [Show full text]
  • Trollfågeln the Magic Bird
    EMILIA AMPER Trollfågeln The Magic Bird BIS-2013 2013_f-b.indd 1 2012-10-02 11.28 Trollfågeln 1. Till Maria 5'00 2. G-mollpolska efter Anders Gustaf Jernberg 3'25 3. Ut i mörka natten 4'55 4. Isadoras land 3'50 5. Trollfuglen 2'25 6. Polska fra Hoffsmyran 4'02 7. Herr Lager och skön fager 3'08 8. Brännvinslåt från Torsås 2'40 9. Pigopolskan / Den glömda polskan 5'08 10. När som flickorna de gifta sig 4'05 11. Kapad 4'44 12. Bredals Näckapolska 3'01 13. Galatea Creek 3'19 14. Vals från Valsebo 8'56 TT: 59'42 Emilia Amper nyckelharpa, sång Johan Hedin nyckelharpa Anders Löfberg cello Dan Svensson slagverk, gitarr, sång Olle Linder slagverk, gitarr Helge Andreas Norbakken slagverk Stråkar ur TrondheimSolistene: Johannes Rusten och Daniel Turcina violin Frøydis Tøsse viola, Marit Aspaas cello Rolf Hoff Baltzersen kontrabas 2 Trollfågeln innehåller 14 spår som på många sätt illustrerar mig som person och mitt liv som musiker och kompositör. Här är musiken som jag brinner för, en brokig skara låtar där traditionella svenska polskor möter nykomponerad musik inspirerad av andra länders folk- musik, och av pop, rock och kammarmusik. Jag spelar och sjunger solo eller tillsammans med goda vänner från både folkmusik och klassiskt. Som 10-åring förälskade jag mig i nyckelharpan vid första ögonkastet! Barndomens direkta glädje av instrument och melodier övergick efterhand i ett växande intresse för folkmusiken som genre. Jag mötte musik och människor från hela världen, och för mig var det liksom samma språk vi alla talade, ett språk där kopplingen mellan musik och dans är direkt och självklar.
    [Show full text]
  • Mindekirken COMMUNICATOR No
    Mindekirken COMMUNICATOR No. 146 February 2016 Newsletter of the Norwegian Lutheran Memorial Church - ELCA Family Fun Event Feb. 21 at 1:00 p.m. Come make pretzels! Come celebrate Lent with us and make pretzels! Pretzels were commonly made during Lent because while many people were fasting from certain foods, such as milk, butter, cheese, eggs, and meat, they would make pretzels out of water, flour and salt to remind themselves that Lent was a time to fast. The pretzels were shaped in the form of crossed arms to symbolize prayer. Come join me in making pretzels on Sunday Feb. 21st! All are welcome. Location: Oslo/Bergen Room Please contact Rachel Maxwell, Youth Ministry Director with any questions Laura Ellestad, Hardanger fiddle player 608-790-6462 [email protected] to perform at Mindekirken on Sun., Feb. 7 11:00 am Norwegian Worship Service 1:00 pm Gathering of Hardanger fiddle players Open to the Public Laura Ellestad plays traditional Hardanger fiddle music from Val- dres, Norway. She holds a bachelor’s degree in Traditional Music Performance from the Ole Bull Academy in Voss (2008–2012) and a master's degree in Performance with Thesis from the Norwegian Academy of Music in Oslo (2012–2014). She has studied with some of the foremost Hardanger fiddlers and tradition bearers in Norway, including Tore Bolstad, Jan Beit- ohaugen Granli, Leif Rygg, and Håkon Høgemo. Laura grew up in Calgary, Alberta, Canada. She received the Hardanger Fiddle Association of America’s Ole Bull Scholarship in 2005. In 2009 she received Torleiv Bolstads minnestipend, a me- morial scholarship awarded to young fiddlers who play in the Valdres tradition.
    [Show full text]
  • 2001-2002 Season Schedule
    Press Release FOR IMMEDIATE RELEASE: March 6, 2012 The John F. Kennedy Center for the Performing Arts announces Nordic Cool 2013 International Festival of Theater, Dance, Music, Visual Arts, Literature, Design, and Film To Highlight Culture of Denmark, Finland, Iceland, Norway, and Sweden As Well as Territories of Greenland, the Faroe and Åland Islands In Ticketed and Free Events Throughout the Kennedy Center February 19 – March 17, 2013 (WASHINGTON, D.C.)—From February 19 to March 17, 2013, the John F. Kennedy Center for the Performing Arts presents an unprecedented festival highlighting the culture of the Nordic countries— Denmark, Finland, Iceland, Norway, Sweden—and the territories of Greenland, the Faroe, and Åland Islands. Continuing the Center’s tradition of producing renowned international celebrations by curating traditional and contemporary expressions of theater, dance, music, visual arts, literature, design, and film, this Festival will also explore the interplay of themes central to Nordic life, such as nature, technological innovation, environmental sustainability, entrepreneurial spirit, and youth culture. Seeking to answer the question of what is “Nordic,” this Festival aspires to offer clarity on a region of the world whose dynamic culture and creative economy have seemed elusive to many, particularly in America. By exploring the region’s cultural diversity, the Kennedy Center aims to foster an appreciation of the Nordic heritage, and an understanding of the region’s emerging global influence. In addition to the performing arts, New Nordic Cuisine will be highlighted in the Kennedy Center’s restaurants and demonstrations by the region’s renowned chefs will be featured on the Millennium Stage.
    [Show full text]
  • The Concert Era’ – Innovation in Hardanger Fiddling Around 1900 Håkon Asheim
    studying culture in context ‘The concert era’ – innovation in Hardanger fiddling around 1900 Håkon Asheim Excerpted from: Ón gCos go Cluas From Dancing to Listening Fiddle and Dance Studies from around the North Atlantic 5 Edited by Liz Doherty and Fintan Vallely First published in 2019 by The Elphinstone Institute, University of Aberdeen, MacRobert Building, King’s College, Aberdeen, AB24 5UA ISBN: 978-1-85752-073-6 About the author: Håkon Asheim is an associate professor and coordinator of performance studies in traditional music at the Ole Bull Academy in Voss, Norway, and plays the Hardanger fiddle. His book Ole Bull og folkemusikken [Ole Bull and Folk Music] (2010), written in collaboration with Gunnar Stubseid, explores the history of Hardanger fiddling during the transition to modern times, particularly in the context of concert playing. In 1992 Asheim recorded Ulrik, an album of fiddle tunes based on old transcriptions. He has also contributed to a number of other recordings and has held concerts, workshops, and lectures in Norway and abroad. Copyright © 2019 the Elphinstone Institute and the contributors While copyright in the volume as a whole is vested in the Elphinstone Institute, copyright in individual contributions remains with the contributors. The moral rights of the contributors to be identified as the authors of their work have been asserted in accordance with the Copyright, Designs and Patents Act 1988. This work is licensed under the Creative Commons Attribution- NonCommercial-NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/. 2 ‘The concert era’: innovation in Hardanger fiddling around 1900 HÅKON ASHEIM In pre-industrial rural Norwegian communities, the role of the fiddler or spelemann was clearly defined.
    [Show full text]
  • NORDIC MASTER (Mmus) in Folk Music
    NORDIC MASTER (MMus) in Folk Music Curriculum Nordic Master in Folk Music (MMus) 1 Godkendt af Studienævnet 11.06. 2013. Godkendt af Skolerådet 12.06. 2013. Contents 1. Preface 3 2. Description of the Programme 3 3. The 4 Participating Institutions 4 3.1. The Sibelius Academy 4 3.2. The Danish National Academy of Music 5 3.3. The Ole Bull Academy 5 3.4. The Royal College of Music, Stockholm 6 4. The Programme Title 7 5. The Accredition of the Study Programme 7 6. Admission 7 6.1. Entrance Requirements 7 6.2. Entrance Procedure 7 7. The Structure of the Study Programme 9 7.1. Sheet (ECTS and Teaching) 9 8. Evaluation and Completion 9 8.1. Assessment 9 8.2. Rules on Completion 9 8.3. Registration of Examination 10 9. Exemption 10 10. Course description 11 10.1 Main Subjects 12 10.1.1. Ensemble Playing 12 10.1.2. Artistic Research 14 10.1.3. Instrumental/Vocal Studies 15 10.2. Educational subjects 16 10.2.1. Composition/Arrangement 16 10.2.2. Folk Music Analysis and Seminars 17 10.2.3. Music Management 18 3. Elective module 19 Nordic Master in Folk Music (MMus) 2 Godkendt af Studienævnet 11.06. 2013. Godkendt af Skolerådet 12.06. 2013. 1. Preface The curriculum is the Academy's overall description of the goals, content and examination regulations applicable to the Academy's study programmes. The curriculum has been laid down with authority in Danish Ministry of Culture Executive Order no. 1245 of 11 December 2009 on Study Programmes at the Academies of Music and the Opera Academy, which sets out the general guidelines governing the curriculum.
    [Show full text]
  • 2016 Programme Bergen International Festival
    BERGEN MAY 25 — JUNE 08 2016 2016 PROGRAMME BERGEN INTERNATIONAL FESTIVAL WWW.FIB.NO PREFACE FESTSPILLENE I BERGEN 003 2016 PROUD SPONSOR Challenge your OF DIVERSITY barriers Our world view is changing dramatically, and the in return you meet the festival’s many offerings Nordic spirit and our fundamental beliefs are with curiosity and an open mind. We disrupt the being increasingly challenged – both favourably town and offer a substantial and diverse pro- and adversely. This is reflected in this year’s gramme of music, theatre, dance, performance, festival programme. debate, and much more. The festival creates a breathing space to inhale fresh air and think We are experiencing a world at our doorstep new thoughts. as people cross borders both voluntarily and involuntarily. Barriers have been broken down We challenge you to confront your personal bar- and rebuilt. The dream of a great European fel- riers, defy accepted rules, and expose yourself lowship has been replaced by chaos, both on to a renewed perception of our wonderful world. our maps and in our minds. Welcome! Art has an inherent wish to be without limita- tions. It has a desire to break down barriers and create an understanding of the unexpected in order to craft a narrative for people in today’s world. This year’s festival uses the theme “Barriers”: A theme clearly visible in art that defies global challenges, and if you dare to open your ears and eyes to discovery, you will see the theme unfold in a number of areas of our varied pro- gramme. The American composer and pianist DNB values its partnership with Norwegian cultural institutions, sports Philip Glass is one such artist, who gathers musical inspiration from all cultures of the world associations and other non-profit organisations, both locally and on a to create music without artificial limitations.
    [Show full text]
  • Final Programme: Researching Music Practices
    Researching music practices – methodological approaches Grieg Research School in Interdisciplinary Music Studies and Bergen University College by Center for Arts, Culture and CommunicationMonday, June invite 18. 201 to2 an intensive specialization course in research methods. Programme Programme Monday, June 18, 2012 Time Activity Presenter Comments/specifications 11.00–12.00 Registration Chair: Tiri B. Schei Bergen University College Campus 11.00–12.30 Lunch (buy your own lunch in the student canteen) Student Canteen 12.30–13.00 Welcome in A 016 Vice-Dean Nina Grieg Viig, BUC, and local hosts A016, Campus 13.00–14.00 Keynote 1: Professor Brynjulf Stige A016, Campus Toward an agenda for evaluation of qualitative The Grieg Academy, GAMUT, Bergen University research 14.00–14.30 Plenary discussion A016, Campus Coffee and fruit included 14.30–15.00 Music/drama performance The double monologue “Nothing is as simple as a “Skram”, Campus square” with master students Ingeborg Marie Stige and Christian Samuelsen 1500–15.30 Break – Coffee & fruit 15.30–16.30 Keynote 2: Professor David Hargreaves A016, Campus Researching musical imagination: Roehampton University, UK Overcoming the curse of creativity 16.30–17.30 Plenary discussions with questions from the keynote A016, Campus Rolls, coffee and fruit included 17.30–18.00 Plenary sum up A016, Campus 18.00–18.30 Music/drama performance The double monologue “Pierre Bourdieu” with “Skram”, Campus master students Solfrid Drivenes and Øyvind Solheim 18.30– Reception at campus – Drinks & Snacks Informal music jam session 1 Tuesday, June 19, 2012 Time Activity Presenter Comments/specifications 08.30–09.30 Keynote 3: Presenting the Past in Music Professor Marie McCarthy Chair: Tiri B.
    [Show full text]
  • Emilia Amper
    Emilia Amper LUX LUX 1 | Spelpuma 4'20 2 | Halling etter Bråta Per 3'10 3 | Ljus i mörkrets tid 4'17 4 | Johanna’s bike ride 3'20 5 | Den melancoliska pollonessen 4'31 6 | Lux 7'10 7 | Elden 4'36 8 | Polska efter Sven Donat 4'44 9 | Näckens polska från gamla tider 3'37 10 | Trueman 4'50 11 | Sälen 5'32 12 | Butterfly bazaar 9'20 TT: 60′20 Emilia Amper nyckelharpa, sång & samtliga arrangemang Bridget Marsden fiol Emma Ahlberg Ek femsträngad fiol Anders Löfberg cello & kör Olle Linder kontrabas & kör Dan Svensson slagverk & sång Fredrik Gille slagverk 2 The nyckelharpa (‘keyed fiddle’) is a type of fiddle that uses ‘keys’ to shorten the strings and thus create different notes. As well as the strings that are bowed, there are sympathetic strings which are set in motion by the vibrations in the body of the instrument. These fea- tures and the design of the body all contribute to the characteristic silvery, yet warm and resonant tone of the nyckelharpa. With its roots stretching back to medieval Europe, the nyckel- harpa that we know today was most common in Swedish Uppland, north of Stockholm. It developed from a simple modal instrument, with a single melodic string and two drone strings, and with twelve keys and an arched bow, into models with several melodic strings and a single drone or no drone at all, but with sympathetic strings and a straighter bow. Created in 1929 by August Bohlin, the modern chromatic nyckel- harpa began to be widely accepted thanks to the efforts of master nyckelharpa player, builder and composer Eric Sahlström.
    [Show full text]
  • Tidsreise I Domkirken
    WWW.FIB.NO FESTSPILLENE PROGRAM I BERGEN KR 20 DOMKIRKEN 30. MAI Tidsreise i Domkirken Time Travel in the Cathedral BERGEN 21. MAI — 04. JUNI INTERNATIONAL 2014 Redaksjon: Festspillene i Bergen / Design og konsept: ANTI Bergen, www.anti.as / FESTIVAL Trykkeri: Bodoni // Formgiving:Formgiving: Anna-Julia Anna-Julia Granberg Granberg / /Foto Foto forside: forside: Oddleiv ?? Apneseth FESTSPILLENE I BERGEN 7 Festspillene 2014 Samarbeidspartnere i kulturlivet Arrangement Tjenester takker Austevoll kommune Barratt Due musikkinstitutt Bekkjarvik Gjestgiveri Festspillene i Bergen er Bekkjarvik Torg avhengig av mange og ulike Bergen Backline Bergen Dansesenter støttespillere for å avvikle Bergen Filharmoniske Orkester vårens store eventyr. Disse Bergen kulturskole er med på å gjøre opplev- Bergen Kunsthall elsen større. Bergen Nasjonale Opera BIT20 Ensemble Festspillambassadører Bright Yvonne og Bjarne Rieber Buekorpsenes dag Grieg Foundation Bymuseet i Bergen Trond Mohn Carte Blanche – Norges nasjonale kompani for samtidsdans Hovedsamarbeidspartnere Collegiûm Mûsicûm DNB Cornerteateret Statoil Columbi Egg Radisson Blu Hotel Norge Det felles innvandrerråd, Hordaland DagensTidsreise Næringsliv Bergen Internasjonale Kultursenter Den Nationale Scene Prosjektpartnerei Domkirken Det Norske Teatret Stiftelsen Kristian Gerhard Jebsen Dramatikkens Hus Kavlifondet Dukkenikkerverkstedet SparebankenBERGEN DOMKIRKE Vest Edvard Grieg Kor – allmennyttige midler Ervingen kulturhus, Gimle H. Westfal-Larsen og hustru Anna Fargespill FredagWestfal-Larsens 30. mai
    [Show full text]
  • *!0E1I8I-Fbejcd! 2L-068-SABD Made in Norway 20©10 Lindberg Lyd AS Suite “From Holberg’S Time” Op
    TRONDHEIMSOLISTENE Øyvind Gimse & Geir Inge Lotsberg – in folk style In Nordic Melodies we find Grieg in passionate play with folk songs. The work sparkles with harmonies and expression, developing a whole story from just a few short stanzas. The Holberg Suite, loved for its beauty and feared for its challenges, is a fusion of European musical tradition and a genuine Norwegian sound palette. The Trondheim Soloists follow up with two brilliant soloists in newly commissioned music characterized by the same energy and tenderness. Wild nature and Nordic light are essential elements of the folk style. This lies at the core of the Trondheim Soloist’s soul, a meeting between the musical playfulness and passion. 1-5 Suite “From Holberg’s Time” op. 40 Edvard Grieg (1843–1907) 6-7 Two Nordic Melodies op. 63 Edvard Grieg (1843–1907) 8-12 ABRÉGÉ – folk suite for nyckelharpa and string orchestra Emilia Amper (1981–) 13-15 DIPLOM – folk suite for fiddle and string orchestra Gjermund Larsen (1981–) Recorded in DXD 24/352.8kHz 5.1 DTS HD MA 24/192kHz 7.1 DTS HD MA 24/96kHz Exclusive Pure Audio Blu-ray 2.0 LPCM 24/192kHz – hybrid SACD included + mShuttle MP3 and FLAC EAN13: 7041888514923 e q 68 *!0E1I8I-fbejcd! 2L-068-SABD made in Norway 20©10 Lindberg Lyd AS Suite “From Holberg’s Time” op. 40 Edvard Grieg (1843-1907) TRONDHEIMSOLISTENE Øyvind Gimse & Geir Inge Lotsberg 1 Prelude 2:39 2 Sarabande 3:38 3 Gavotte 3:17 4 Air 5:48 – in folk style 5 Rigaudon 3:54 Two Nordic Melodies op.
    [Show full text]
  • BOOK of ABSTRACTS the Study of Musical Practices: GRS AUTUMN
    BOOK OF ABSTRACTS The study of musical practices: Methods in practice-led research/ research-led practice GRS AUTUMN COURSE 2015 University of Bergen, November 24th—27th 2015 Contents Welcome to the Autumn Course 2015 Welcome to the Autumn Course 2015 p 2 Course schedule at a glance p 3 Invited speakers - abstracts Jostein Gundersen p4 A warm welcome to a new academic year with the GRS. Gary Ansdell p 5 The autumn 2015 course will focus on the study of musical practices. We have keynote Nanette Nielsen p6 presentations from the fields of music therapy, musicology, artistic research and music edu- cation. The keynote papers will focus on a range of relevant and thought provoking issues Practitioner Knowledge Research Program p 7 including case study as a method of socio-musical research, methods for understanding di- Pamela Burnard p 8 verse musical creativities, historically informed performance as a method, the concept of practitioner knowledge across disciplines and the ethics of listening. Invited speakers - biographies p 9 - 10 General course info p 11 The two first days of the course will focus on candidate work. Candidates can participate and gain credits via written submissions and oral presentations that focus on their own pro- Candidate presentations & abstracts - Tuesday ject or related key texts. All presentations receive feedback from both senior researchers Elizabeth Oltedal p 12-13 and peers. In addition, førstelektor candidates are invited to participate in a seminar spe- Øystein Kvinge p 14--15 cially focusing on their work. Oded Ben-Horin p 16-17 We continue to work to make the GRS as relevant as possible to its members.
    [Show full text]