December 8, 1933 Number 10

Total Page:16

File Type:pdf, Size:1020Kb

December 8, 1933 Number 10 THE BREEZE XMAS VOL. XII HARRISONBURG, VIRGINIA, DECEMBER 8, 1933 NUMBER 10 Alumnae Drop Game STUDENTS CONFUSE College Glee Club CHRISTMAS HOLIDAYS Stratford Presents DATES FOLLOWING To Varsity Players HOLIDAY REVELS Give Joint Concert On Wednesday, December 20, Autumn Production six hundred and thirty-three H. T. 6-3 In Annual Clash Habits are funny things, always With W.&L Singers C. boarding students will swank Tonight In Wilson funny-peculiar, and sometimes home! Whether they wear fur funny-amusing; and once formed, The Glee Club of the Harrisonburg coats, polo coats, swagger suits or Spectacular Goal Scored by Julia "The Cassilis Engagement" Fea- they're hard to break. At least, if State Teachers College will join that what-not is beside the point—the Courier, Inner, in Last there is a day holiday on campus of Washington and Lee University in a thought uppermost in their minds is tures Billye Milnes as that the date for which they have Quarter Play everyone seems to think it has to sacred concert to be presented Sunday, "Leading Man" be Sunday. I wonder how many December 10, at 3:30 in the Lee Me- been marking off days on the calen- people took their bed linen last Fri- morial Chapel at Lexington. The joint dar for so long has at last arrived, A gallant alurnna: eleven lost its an- The Cassilis Engagement, a four-act day morning and threw it in the choir will be directed by John Graham, and that for fifteen glorious days nual game with the State Teachers comedy, featuring Billye Milnes, Rip- halls thinking it was Monday. Yes director of the Glee Club of Washing- they will have nothing to do but College varsity—team, 6-3, on the pon, West Virginia, in the leading male —some did! Some girls went to ton and Lee. have the best time possible. School Teachers College field Saturday after- role, will be presented by the Strat- their Monday classes—thinking Following the concert, the members is all right, everyone agrees on that, noon, although a short drive by Mary ford Dramatic Club to-night at 8:00 Thursday had been Sunday. Who of the Harrisonburg Glee Club will be but what is anything in comparison Haga, Danville, alumna; captain, gave in Wilson Hall. was the little girl who went up dinner guests of the Lexington Metho- to home! The important thing is her team the first goal. Miss Milnes, as Geoffrey Cassilis, will around four o'clock Thursday for dist Church and will sing at this December 20, and second to this is Julia Courter, Amelia, varsity inner, be supported by Gladys Farrar, Rust- her "Sunday Special"? Too bad church in the evening. 12:15, when the special train leaves. matched this goal almost immediately. burg; Mildred Simpson, Norfolk; and for the girl who prepared her Mon- The program for the concert in Lee As a parenthetical postscript this The varsity threatened the alumna: Madaline Newbill, Norfolk, who take day assignments! I wonder why so Chapel is divided into four parts, the writer wishes to state that she re- goal several other times during the the parts of principal women. The many begged to borrow the "funny third of which will be presented by the joices that for once a news-story first quarter, but Othelda Mitchell, play is under the direction of Miss papers" on Friday. Again too bad! Teachers College glee club alone. Miss can be written in which the "when" Norfolk, proved herself a steady, de- Ruth Hudson, instructor in dramatic Well, just remember that Sunday may be emphasized. pendable goalkeeper and each time Edna T. Shaeffer will direct. art. comes once a week and Thanksgiv- The complete program is as fol- blocked the varsity shots. The entire cast includes: Billye ing once a year and a holiday "once lows: At the beginning of the second Milnes, Geoffrey Cassilis; Gladys Far- a moon. I quarter Haga scored again and for the YEARBOOK ASSISTANTS rar, Ethel Borridge; Madaline Newbill, a. And the Glory of the Lord from second time Courter evened the score. NAMED—CLASS REPRE- Lady Mabel Venning; Mildred Simp- The Messiah—Handel Long runs by the wings and short, son, Mrs. Cassilis; Hilda Hisey, Edin- b. Joyous Christmas Song—Gaevert SENTATIVES CHOSEN quick passes near the goal enabled the MEMBERS OF FACULTY burg, Countess of Remenham; Eliza- varsity to score aagin. This third goal GIVE IMPRESSIONS OF II beth Maddox, Louisa, Lady March- was made by Eleanor Wilkins, Cape- a. Adoramus Te—Palestrina Ruth Schular, junior, and Albertina mont; Mary McCoy Baker, Hagers- b. Vere Languores—Lotti ville. Kitty Bowen, Weyers Cave, who MEETING AT RICHMOND Ravenhorst, sophomore, were chosen town, Md., Mrs. Herries; Ruth Beh- was varsity left wing here for three c. Hospodi Pamilui—Lvovsky last week by Madaline Newbill, editor- rens, TSmberville, Mrs. Borridge; Eliza- d. Done Foun' My Los' Sheep—Negro years, showed her old speed and dash "The new curriculum which is being in-chief of the Schoolma'am, to act as beth Carson, Lynchburg, The Rector; when by a long, fast run she brought tried and enthusiastically discussed Spiritual her assistants in the yearbook work. Janie Shaver, Harrisonburg, Major the ball within scoring distance of the everywhere," said Dr. W. J. Gifford, III Ruth Schular is from East Stone Warrington; Dorothy Williams, Nor- goal. Anna Sullivan, Harrisonburg, when asked what impressed him most a. Lo Howa Rose!—Praetorius Gap. She was prominent in her high folk, Watson, butler; and Gene Aver- took the ball from Bowen and made at the convention of the Virginia Edu- b. O Savior Sweet—Bach school, holding the office of class presi- ett, Lynchburg, Dorset, maid. the shot. cation Association which met in Rich- Lois Bishop, soloist dent during her freshman and junior The Cassilis Engagement by St. Marietta Melson, Machipongo, var- mond, November 28, 29, 30 and De- c. Virgin Slumber Song—Reger years and being secretary in her sopho- John Hankin is a four-act comedy of sity captain, broke this 3-3 tie, giving cember 1. Miss Frances Houck, soloist more year. She was a member of the life in the better class of present-day her team a lead which it maintained d. Slumber Song of the Madonna— He considered the high spot of the literary society and debating club of English society. It is the story of the the remainder of the game. Wilkins May Strong conference, however, the musical pro- her high school, and was valedictorian clever manipulations of Mrs. Cassilis ended the half with a shoulder-high IV gram given on Wednesday evening by of the senior class. When she entered to get her son out of the clutches of drive from outride the circle which, a. The Slumber Song of the Infant pupils from high schools all over the Harrisonburg she continued to be out- the young lady of slightly lower social surprisingly, made good. Jesus—Gaevert state. They had had only one previous standing. She belongs to Le Cercle standing to whom he has become en- Close playing, with ground contest- b. Pat-a-pan—Old French Carol rehearsal, and the way they played and Francais, Kappa Delta Pi, was for two gaged. By subtle and well-timed ed inch by inch, characterized the third c. Christmas Day: Fantasy on Christ- sang difficult pieces was remarkable. years a member of the nominating strokes she gradually shows her son the quarter. Play centered around the mas Carols—Hoist "This seems to indicate," Dr. Gifford committee, has been vice-president and crudeness of his fiancee and at the same alumna; goal, but Mitchell proved stated, "that the people in our schools chairman of the program committee of time has Lady Mable Venning always equal to the emergency and no goals are interested in something other than DR. DUKE DISCUSSES the Debating Club, and when a fresh- before him that he may compare her were made. Douglas MacDonald, the three r's, and that the belief that TEACHERS COLLEGES IN man belonged to the Choral Club and accomplished perfection with his fian- Scents, N. C. and Courter showed su- they are neglecting music is false." Alpha Literary Society. cee's repeated and embarrassing faux perior team work and brilliant playing WEDNESDAY CHAPEL An encouraging report brought Albertina Ravenhorst comes from pas. Never for once, however, is he on the varsity. allowed to see that he is being shown from the conference is that there seems Lexington High School where she held Play was slow during the fourth President Samuel P. Duke spoke at anything, but rather he is grateful to to be more hope for the adoption of the position of student librarian for quarter, but the alumna: were still the Wednesday morning shapel exer- his mother for her sweet and under- Dr. Hill's minimum education pro- four years. She served two years on fighting for victory. Courter, by a cises in defense of the teachers col- standing treatment of his fiancee. The gram. "Effects of the depression were the staff of the Echo, the high school long dribble from one end of the field lege of Virginia. Among other things situations thus created range from the heard of, and many who should have paper, and was elected its editor-in- to the other and by a drive from out- President Duke pointed out that the highly humorous to the intensely dra- attended the convention were financi- chief in her senior year. She was also continued on page 4) cost of maintaining the Harrisonburg matic. ally unable to do so, but the general salutatorian of her class.
Recommended publications
  • The Horror Film Series
    Ihe Museum of Modern Art No. 11 jest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart Saturday, February 6, I965 FOR IMMEDIATE RELEASE The Museum of Modern Art Film Library will present THE HORROR FILM, a series of 20 films, from February 7 through April, 18. Selected by Arthur L. Mayer, the series is planned as a representative sampling, not a comprehensive survey, of the horror genre. The pictures range from the early German fantasies and legends, THE CABINET OF DR. CALIGARI (I9I9), NOSFERATU (1922), to the recent Roger Corman-Vincent Price British series of adaptations of Edgar Allan Poe, represented here by THE MASQUE OF THE RED DEATH (I96IO. Milestones of American horror films, the Universal series in the 1950s, include THE PHANTOM OF THE OPERA (1925), FRANKENSTEIN (1951), his BRIDE (l$55), his SON (1929), and THE MUMMY (1953). The resurgence of the horror film in the 1940s, as seen in a series produced by Val Lewton at RR0, is represented by THE CAT PEOPLE (19^), THE CURSE OF THE CAT PEOPLE (19^4), I WALKED WITH A ZOMBIE (19*£), and THE BODY SNAT0HER (19^5). Richard Griffith, Director of the Film Library, and Mr. Mayer, in their book, The Movies, state that "In true horror films, the archcriminal becomes the archfiend the first and greatest of whom was undoubtedly Lon Chaney. ...The year Lon Chaney died [1951], his director, Tod Browning,filmed DRACULA and therewith launched the full vogue of horror films. What made DRACULA a turning-point was that it did not attempt to explain away its tale of vampirism and supernatural horrors.
    [Show full text]
  • A Comparison of the Spanish- and English-Language Versions Of
    Quiero chupar tu sangre: A Comparison of the Spanish- and English- language versions of Universal Studios’ Dracula (1931) Robert Harland [Dr. Harland teaches Spanish at Mississippi State University. In addition to research and teaching interests in Mexican and European Spanish Literature, he imparts a course in Spanish- language horror movies, one of which is Drácula.] While the English-language version of Dracula (Dir. Tod Browning) is the more famous, especially given its iconic performance by the charismatic Bela Lugosi, the Spanish version, directed by George Melford is in many ways superior. The Anglo adaptation has its place in cultural history assured. Bela Lugosi’s morbid charm, dark hair and genuinely exotic accent gave Dracula a touch of charisma and even authenticity in a film which is often more implausible than the fantastic novel from which it was drawn. Though the line “I want to suck your blood” is never spoken, Lugosi’s accent, his character’s noble lineage, and antiquated, cloaked wardrobe have formed the basic template for all subsequent vampires to follow or avoid. It was a theatre role that Lugosi had previously made his own and which was to haunt him for the rest of his life. Friedrich Wilhelm Murnau’s brilliant silent German adaptation of 1921, Nosferatu, is arguably the much better movie. Alas, Murnau’s film (whose Count Orlok was played by Max Schreck) did not shine in the full glare of the moonlight. Nosferatu was dogged by copyright problems; Lugosi and Browning won first place for their imprint on popular culture. That said, the English version is certainly a poor piece of filmic art on many levels.
    [Show full text]
  • The Dark Side of Hollywood
    TCM Presents: The Dark Side of Hollywood Side of The Dark Presents: TCM I New York I November 20, 2018 New York Bonhams 580 Madison Avenue New York, NY 10022 24838 Presents +1 212 644 9001 bonhams.com The Dark Side of Hollywood AUCTIONEERS SINCE 1793 New York | November 20, 2018 TCM Presents... The Dark Side of Hollywood Tuesday November 20, 2018 at 1pm New York BONHAMS Please note that bids must be ILLUSTRATIONS REGISTRATION 580 Madison Avenue submitted no later than 4pm on Front cover: lot 191 IMPORTANT NOTICE New York, New York 10022 the day prior to the auction. New Inside front cover: lot 191 Please note that all customers, bonhams.com bidders must also provide proof Table of Contents: lot 179 irrespective of any previous activity of identity and address when Session page 1: lot 102 with Bonhams, are required to PREVIEW submitting bids. Session page 2: lot 131 complete the Bidder Registration Los Angeles Session page 3: lot 168 Form in advance of the sale. The Friday November 2, Please contact client services with Session page 4: lot 192 form can be found at the back of 10am to 5pm any bidding inquiries. Session page 5: lot 267 every catalogue and on our Saturday November 3, Session page 6: lot 263 website at www.bonhams.com and 12pm to 5pm Please see pages 152 to 155 Session page 7: lot 398 should be returned by email or Sunday November 4, for bidder information including Session page 8: lot 416 post to the specialist department 12pm to 5pm Conditions of Sale, after-sale Session page 9: lot 466 or to the bids department at collection and shipment.
    [Show full text]
  • P-26 Motion Picture Collection Repository: Seaver Center For
    P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings.
    [Show full text]
  • British Nineteenth-Century Literature and the Hollywood Studio
    ADAPTATION AS AN INTERTEXTUAL MODE OF PRACTICE: British Nineteenth-Century Literature and the Hollywood Studio Era Penny Chalk BA (Hons), MA This thesis is submitted in partial fulfilment of the requirements for the award of the degree of Doctor of Philosophy of the University of Portsmouth April 2018 1 DECLARATION While registered as a candidate for the above degree, I have not been registered for any other research award. The results and conclusions embodied in the thesis are the work of the named candidate and have not been submitted for any other academic award. Signed……………………………………… Date…………………………………… Total word count 71,051 i ABSTRACT This thesis is an interdisciplinary study of adaptations produced in the Hollywood studio era, focussing on British nineteenth-century literature adapted between the years 1930 to 1949. Based on the critical fields of adaptation criticism and historical scholarship of film, it emphasizes adaptations in relation to production practices, examining how and why a range of British literary texts were adapted in this era. The study uses a specially-created dataset collected from the American Film Institute Catalog of Motion Pictures, and archival evidence from the Margaret Herrick library, New York Public Library and British Film Institute. The introductory chapter provides an overview of the period, considering the impact of economic constraints, censorship, and war. This chapter argues that adaptations were an integral part of the industry in this period, driving innovation and production trends. Following this overview of the period, five case studies are presented in order to consider the diverse range of strategies employed in the adaptation of literary texts.
    [Show full text]
  • Contents PROOF
    PROOF Contents List of Illustrations viii Acknowledgements ix Prologue: From Pinewood to Hollywood 1 Introduction: The British Connection: Themes and Theory 6 1 Early Invaders: The First British Wave 30 2 Sound and Vision: British Filmmakers and the Politics of Pre-War Hollywood 63 3 Movies for the Masses: The British in the Second World War 107 4 Post-War Directions: Ealing Escapism and the Menace of McCarthy 127 5 Atlantic Crossing 152 Notes 174 Select Bibliography 185 Index 189 vii July 22, 2010 7:29 MAC/PNL Page-vii 9780230_229235_01_prex PROOF 1 Early Invaders: The First British Wave “I went to Worthing to recover from Hollywood.” Playwright and screenwriter Edward Knoblock’s quote about wanting to get away from California after a spell in the film community appears to match much of the British reaction to Hollywood in the formative years Illustration 3 Edward Knoblock, 4th from left relaxing with friends. Photograph reproduced courtesy of the National Portrait Gallery, London. 30 July 22, 2010 7:50 MAC/PNL Page-30 9780230_229235_04_cha01 PROOF Early Invaders: The First British Wave 31 of film. What drove Knoblock to the Sussex seaside town after the expo- sure of Los Angeles is not entirely clear, but the impulse to retreat to a world of quintessential Englishness has often appeared to be the rai- son d’être for many British writers and directors of the era who were quickly appalled by the brash commercialism of the Hollywood film industry. In Knoblock’s case, it was an even more fascinating compunc- tion that took hold of him because he was American born (originally Edward Knoblauch of German parents in New York in 1874), but ended up residing in Britain for much of his life.
    [Show full text]
  • Med^El Used Electric Refrigerator, and a Phone 704 "~Joer M«C*EA Number of Small Ice Boxes
    IN TENSE MYSTERY DRAMA THREE FAVORITES CAST Automotive Merchandise 1 Rentals WHAT HAPPENS ■ ~) 4-ROOM unfurnished house 15 Garage & Serv. Station j with 54 For Sale • Miscel. Frigidaire. gas range and farage. 15th and Garfield. $20.00 a non in. TO GIRLS WHO Wrecker Service Call Emma Leonard at Mata- ‘ moros Cafe. QM Day or Night PRIVATE PHONE 1111 FIVE ROOM furnished cottage; SALE close in; modem conveniences. ARE REFORMED Night Phone 940 Phone 654. Q-14 Stevenson Motor Inc. Co., 6 ROOM famished home 14th St, Of Storm wrecked on Sth and Elisabeth, Brownsville property El Jardln. Electric store, hoi wa- Story Told in ‘Bed Of farm of W. I. Bays, 3t4 miles ter heater. Kelvlnator. Proa now to out old Point Isabel road, op- January 15th. Knquhro Rotes’ With Connie Chas. Lovlnger. Ktt posite Moss Store. Including Bennett Basinets Chancel live stock, farming implements and tools, 150 good chickens, hat happens to girls gone wrong MAKE MONEY in cotton and grain houehold and kitchen furniture, HOUSES r thev leave the reformatory? futures. Small investment. Write lumber, wire and many other FOR RENT for pamphlet “How to Trite." Do they take up their routes on the articles. Come promptly and SOUTHWEST COTTON AND 5 Rooms from which buy at right price. furnished, 300 Palm primrose path they GRAIN CO. 629 Gunter Bid*., Blvd. were San Antonio. forced to detour? Or are they Q24 4 Rooms unfurnished. lTth really contrite and resolved to be- and Harrison. come useful members of society? FRONTIER LUMBER C<X In “Bed of Roses", Constance Business Services [ I------ _’_ PHONE m Bennett's new starring romantic Scene from “The Secret of the Blue Roam", new mystery hit show- at the Brownsville.
    [Show full text]
  • Convergence 2021 Souvenir Guide
    In the time before time, within the murky mists of the ancient And so we are here, together, either live, enjoying a lands, the scryers foretold of an event that would come. A staycation, or joining online, and we want to say thank you culmination of experiences emerging from darkness and for bearing with us, supporting our collective community, months of takeout and sweatpants. A day that would rise and being a part of one of the greatest organizations from telecommuting, sourdough starts, and lots and lots of that is a home for every fan, every patron, every genre...a cat pictures. convergence of geekdom and nerdhood in all its forms. And when that day comes, the myths of old come forth to Thank you for being a member, for supporting us and each ring true as CONvergence: The Stuff of Legends. other during a time of uncertainty and upheaval, and for It has been two years since we have been able to be together your enduring commitment, love, and enthusiasm for the in person. Two years in which time itself seemed to get lost. geekdom that joins us all as a community. We come together, Years that included social upheaval, a global pandemic, a in interesting times, to create new stories to tell those who world changing movement on racial justice, an insurrection, come after us. You, our community, are the bringers of Brexit, the Night Elf Free Trade Agreement (NEFTA), and so lightning, the wielders of magic, the weavers of tales, both much more. Now, at long last, we have an opportunity to the characters and the storytellers.
    [Show full text]
  • Universal Pictures: WELCOME Celebrating 100 Years
    Curated by UCLA Film & Television Archive Presented by American Express CArL Laemmle ii 1 UnivErsAL PiCTUrEs: WELCOmE CELEbrating 100 YEArs or 100 years Universal Pictures has been in the business of making movies. “We hope you FUniversal films have touched the hearts of millions and fostered one of the enjoy the films world’s greatest shared love affairs of going to the movies. Along with our extensive film restoration commitment, as part of our year- and thank you for long Centennial Celebration, it was important to find ways to share our films with others. We are proud to be working with the UCLA Film & Television honoring our past Archive to bring you the “Universal Pictures: Celebrating 100 Years” film tour. We hope this event will introduce a new generation of filmgoers to Universal by celebrating classics. 100 years of Movies continue to touch our hearts, make us laugh, cry and unite us in the most amazing ways. We are proud to play a role in preserving and continuing Universal films the iconic legacy of our Studio. with us.” We hope you enjoy the films and thank you, and our corporate partner American Express, for honoring our past by celebrating 100 years of Universal films with us. Ron Meyer President and Chief Operating Officer, Universal Studios 2 mEssAgE FrOm THE DirECTOr t’s not often that we have the opportunity to celebrate the centenary of a Imajor motion picture company—and given its mission to collect, preserve and “…this opportunity showcase moving image culture, this opportunity has been a particularly rich and rewarding one for UCLA Film & Television Archive.
    [Show full text]
  • IN ORGANIZATIONS Test, Was Chosen Wednesday Night at Takes Place Between Midnight And
    .; ' '~ ' 1: / '',•·'·,.; I' ' :· · Coordinated· With· Member of ,k, ·College News Bur~au North Carolina Collegiate.· rn and Service Press Association m. d: <finlh. atW' i 11Jlnrh "'~- --=====11 DO Published Weekly by the Students of Walle Forest College· uk .' ·-~ DO Voi.·XIVi·No. 19 WAKE FOREST COLLEGE, S~TURDAY:", MARCH 7, 1931 r,.-1 Cents Per Copy .=DO::::::=.W~TIN=. -.. C=H==OS:::=:::::EN~C=a=· st=~=,;:==r =,,Me==. a::== .. r=ch=in=g=Mc=e=n=', =c.==r=r=EA=·TH=E=RE=D G=L=EE~i(..___=_=EX_E=CU:TIO=NER=!=-==r=JI C=OM=M=ON ):r:~ASURY N·EW SECRETARY Chosen; Compete At U.N. · · CLUB INCLINED SCHEME PROPOSED ~he cast for "Marching Men," Captain's sweetheart. This character OF A'LUMNl ASS'N ~:::~::.~:a~;:r~~:o:i:~~~~inc::~ :~~f::;:e::~~~:!~~~~~:~ i:~~ai!cit~o: TO SING BLUES 1 IN ORGANIZATIONS test, was chosen Wednesday night at takes place between midnight and . tryouts held in the· Law Building, dawn. The time is given as the pres- Mr. S. L. Blanton Unable with Dr. J .. Rice Quisenberry as ent, although the players have been J. B. Mitchell Shows His Dean ,Bryan Recom­ ·· · · · d dead some years, 'J:iut meet on the \ To. Tak~ the Position 'JU ge. other side of the grave. Wares In Process of mends South Dakota The male lead will be played by "M h' M " · To'ni.. Dysard as the Cap' tain Who is arc mg en IS a drama in one Because of Press of act by James O'Brian. It will be en- Dressing Fowls Plan of Student Or­ Oth W k almost worshiped by the men under tered in t~e State dramatic tourna- ganization Finance.
    [Show full text]
  • Contact: Kati Irons, [email protected] John Fossett, [email protected]
    ALA 2011 Two Thumbs Up: Genres, Directors and Films to Know for Great Viewer’s Advisory List of films discussed in presentation Comedy The Awful Truth (1937, Columbia) Directed by Leo McCarey, starring Cary Grant, Irene Dunne and Ralph Bellamy Some Like It Hot (1959, MGM) Directed by Billy Wilder, starring Tony Curtis, Jack Lemmon and Marilyn Monroe Soapdish (1991, Paramount) Directed by Michael Hoffman, starring Sally Field, Kevin Kline, Robert Downey Jr., Cathy Moriarty, Elisabeth Shue, Whoopi Goldberg and Teri Hatcher Shaun of the Dead (2004, Universal) Directed by Edgar Wright starring Simon Pegg and Nick Frost Kiss Kiss Bang Bang (2005, Warner Brothers) Directed by Shane Black starring Robert Downey Jr. and Val Kilmer Drama Captains Courageous (1937, MGM) Directed by Victor Fleming, starring Spencer Tracy, Freddie Bartholomew. Lionel Barrymore, Melvyn Douglas, Mickey Rooney The Best Years Of Our Lives (1946, MGM) Directed by William Wyler, starring Fredric March, Dana Andrews, Myrna Loy, Harold Russell. Touch of Evil (1958, Universal Pictures) Directed by Orson Welles, starring Orson Welles, Charlton Heston, Janet Leigh. Doctor Zhivago (1965, MGM) David Lean, starring Omar Sharif, Julie Christie, Alec Guinness, Rod Steiger. One Flew Over the Cuckoo’s Nest (1975, United Artists) Milos Foreman, starring Jack Nicholson, Louise Fletcher, Danny DeVito and Christopher Lloyd. GoodFellas (1990, Warner Brothers) Directed by Martin Scorsese, starring Ray Liotta, Robert DeNiro, Joe Pesci. Contact: Kati Irons, [email protected] John
    [Show full text]
  • Quiero Chupar Tu Sangre: a Comparison of the Spanish-And English-Language Versions of Universal Studios' Dracula (1931)
    Journal of Dracula Studies Volume 9 2007 Article 4 2007 Quiero chupar tu sangre: A Comparison of the Spanish-and English-language versions of Universal Studios' Dracula (1931) Robert Harland Mississippi State University Follow this and additional works at: https://research.library.kutztown.edu/dracula-studies Part of the English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons, and the Film and Media Studies Commons Recommended Citation Harland, Robert (2007) "Quiero chupar tu sangre: A Comparison of the Spanish-and English-language versions of Universal Studios' Dracula (1931)," Journal of Dracula Studies: Vol. 9 , Article 4. Available at: https://research.library.kutztown.edu/dracula-studies/vol9/iss1/4 This Article is brought to you for free and open access by Research Commons at Kutztown University. It has been accepted for inclusion in Journal of Dracula Studies by an authorized editor of Research Commons at Kutztown University. For more information, please contact [email protected],. Quiero chupar tu sangre: A Comparison of the Spanish-and English-language versions of Universal Studios' Dracula (1931) Cover Page Footnote Dr. Harland teaches Spanish at Mississippi State University. In addition to research and teaching interests in Mexican and European Spanish Literature, he imparts a course in Spanish-language horror movies, one of which is Drácula. This article is available in Journal of Dracula Studies: https://research.library.kutztown.edu/dracula-studies/vol9/ iss1/4 Quiero chupar tu sangre: A Comparison of the Spanish- and English- language versions of Universal Studios’ Dracula (1931) Robert Harland [Dr. Harland teaches Spanish at Mississippi State University. In addition to research and teaching interests in Mexican and European Spanish Literature, he imparts a course in Spanish- language horror movies, one of which is Drácula.] While the English-language version of Dracula (Dir.
    [Show full text]