In the Opening Segment, ER and Elliott Roosevelt Respond to a Listener's Question About US Relations with Communist Yugoslavia

Total Page:16

File Type:pdf, Size:1020Kb

In the Opening Segment, ER and Elliott Roosevelt Respond to a Listener's Question About US Relations with Communist Yugoslavia THE ELEANOR ROOSEVELT PROGRAM January 22nd, 1951 Description: In the opening segment, ER and Elliott Roosevelt respond to a listener's question about US relations with communist Yugoslavia. In the interview segment, ER's guest is producer and director Arch Oboler. Participants: ER, Elliott Roosevelt, Arch Oboler [ER:] What have you today? [Elliott Roosevelt:] Well, I think I have a very interesting question today which I'd like to hear you discuss. Do you think the United States should be helping countries apparently friendly to us, and yet communist? Yugoslavia, for example. Particularly when there are so many others who fought with us who need the same help? [ER:] Well um, that question and-and the evident slant is that we should not be helping Yugoslavia. I think uh, that the person who wrote it was not taking into account the situation as it faces us in Europe today. Eh you have to remember when you are deciding a policy, uh just exactly what the whole situation you face is. Now, there are many people in Europe who fought with us and many people in Europe whom we fought against, all of them need help both those who fought with us and those who fought against us. Uh we are helping those who fought against us because we feel that um it's better to have free nations in the central part of Europe. They voted not to arm Germany, eh and I, personally, think that may be a wise uh thing. And--but I think they must be free and able to stand on their own feet um otherwise they're always a prey to communist ideas. Now, in the case of Yugoslavia, we have a communist nation, a nation that did not start with communism, but uh during the war the communists were always very well organized underground, but the ones who retreated into the mountains and emerged as the defenders of independence in Yugoslavia, and they were on our side uh because [ER and Elliott Roosevelt overlap] they were fighting. [Elliott Roosevelt:] Yes, that's a point that I'd like to point up that I think it is-is a mistake in principle in this whole question, and that is that Yugoslavia fought against us. Yugoslavia and the communists in Yugoslavia fought on the same side that we did [ER: Of course they did.] during the war [ER: During the war] so did the Russians [ER: So did the Russians.] [Elliott Roosevelt laughs]. [ER:] Um, at that time we all fought together against Nazism [Elliott Roosevelt: Mhm] and fascism [Elliott Roosevelt: Mhm] against Hitler, and they were the communists. And we have to remember that it was communists in France in the underground who were the best organized and who did the most, and that's why today they still have considerable influence because in many European countries it was that small nucleus of well-trained communists that helped the other freedom-loving people, and frequently they were great friends. There were men together who had different ideas, but who became fast friends through their work in the underground together. [Elliott Roosevelt: Yes.] You had to trust each other, you had to live in the fear of death practically every minute. Now, um we find um Yugoslavia, at the end of the war, drifting away from the democracies and being with um the Soviets. [Elliott Roosevelt: Mhm]Then there comes a difference because the people of Yugoslavia are very independent and Tito finds that he is unable to put over some things in the same way that they are put over in the USSR, and we finally have a country that is communist, but has certain differences, is perhaps first nationalist. Um, though economically and ideologically eh they are communist, [Elliott Roosevelt: Mhm] and um the question arises whether it isn't vastly to our advantage to have a nation uh in that very troubled spot of the Balkans that is growing closer to the democracies, because of its love of freedom even though it is communist, and whether it is wise for us to encourage that nation on the side of freedom not on the side of the belief of communism. Um if they stick to that forever and if they believe in it, well that's because it suits them and there's nothing--we're proving there that we can live in the same world with people who do believe in communism, um but they must be free. [Elliott Roosevelt: Yeah um] They must be free people, there must be, and it's interesting it may be that it will become um the same kind of despotic regime um because it is a police state, but there seems to be at present a chance to encourage freedom, and perhaps that's the thing to do. In any case, it's the thing to do to strengthen even a communist state which is not willing to be completely subservient to the type of communism that exists in the USSR and particularly in that area of the world, where we have always had um an unrest, and where at present uh the-the question of how much will be turning to communism and how much will not um is of very burning importance. So that um I suppose you could say that one finds one's self um making allies of um people of different ideas, but that's because one has to meet each situation that arises and take the point of view that looks at the whole situation and sees on the whole what is the best thing to do. (6:45) [Elliott Roosevelt:] All right. Well now, how would you feel uh what is implied here is that we should not help--spend much money, for instance, to uh support the Germans? Uh what do you feel uh-uh [ER and Elliott Roosevelt overlap] in that case? [ER:] Well now, I-I feel, of course, that um much of the later money, the money that we've just been giving to Yugoslavia, is given because of the drought, it's given for humanitarian purposes. It will help in their military uh buildup, but um I think in any case where people starve because of um a situation that has arisen in their country on account of drought or flood or anything like that, uh your humanitarian instincts would make you want to save the children, if you could, the hardships that that means, even if you can't save the whole nation from those hardships. Older people are better able to stand them. Now, as far as Germany is concerned, I think it vital that we help the German people, who now seem to have a desire not to be built up as a military nation, to get back on their feet economically, eh to live decent and satisfied lives because in that way they will help us to combat the ideas that lie back of the type of police communist state that the Soviets are at present. (8:25) [Elliott Roosevelt:] Mhm All right. Well now, uh you just said that that you thought that the money that we were sending--the goods and supplies and so forth that we were sending to Yugoslavia of late was mostly to--uh for humanitarian purposes. [ER:] Well it's not all, but I said that to--in great part [ER and Elliott Roosevelt overlap] it was to alleviate- [Elliott Roosevelt:] Well what about--what about uh Red China where they have uh a great famine uh threatening [ER and Elliott Roosevelt overlap] the population today? [ER:] Well, at the present moment as long as Red China is actively fighting against us, I don't think we should do anything for Red China. Um it's unfortunate--because I hate to see um this country not aid when there is a-a real um uh catastrophe which affects the people of a country, but as long as they are actual aggressors I don't think we can, but the minute aggression stops I think we should. (9:26) [Elliott Roosevelt:] Well, what would you do with regards to the Soviet Union if they had uh a drought there and uh the population was in dire straits? [ER:] I would help the population without any question because we are not at war with the Soviet Union at present, except in a surreptitious way which is their way of going to war. But, that is the Kremlin's work and not the people, and if there was a catastrophe which threatened the people, I would feel that we would gain by showing them um how democracy feels about the individual and the individual's rights. (10:08) [Elliott Roosevelt:] Well, of course, I feel that if we gave help to the Soviet Union or we gave it to Red China uh when there was no actual aggression going on that those governments would just take those supplies and use them for their own propaganda purposes. [ER:] That might well be and there might be a way eh of um changing the propaganda, um of-of making it a condition, I mean of sending in certain people and-and being able to do things. I remember very well that when we uh sent things at another time to Byelorussia, one of our people who was distributing them said that "nobody could change the knowledge of the people, that those cans of food had USA on them." [Elliott Roosevelt:] Mhm.
Recommended publications
  • Conyers Old Time Radio Presents the Scariest Episodes of OTR
    Conyers Old Time Radio Presents the Scariest Episodes of OTR Horror! Playlist runs from ~6:15pm EDT October 31st through November 4th (playing twice through) War of the Worlds should play around 8pm on October 31st!! _____________________________________________________________________________ 1. OTR Horror ‐ The Scariest Episodes Of Old Time Radio! Fear You Can Hear!! (1:00) 2. Arch Oboler's Drop Dead LP ‐ 1962 Introduction To Horror (2:01) 3. Arch Oboler's Drop Dead LP ‐ 1962 The Dark (8:33) 4. Arch Oboler's Drop Dead LP ‐ 1962 Chicken Heart (7:47) 5. Quiet Please ‐ 480809 (060) The Thing On The Fourble Board (23:34) 6. Escape ‐ 491115 (085) Three Skeleton Key starring Elliott Reid, William Conrad, and Harry Bartell (28:50) 7. Suspense ‐ 461205 (222) House In Cypress Canyon starring Robert Taylor and Cathy Lewis (30:15) 8. The Mercury Theatre On The Air ‐ 381030 (17) The War Of The Worlds starring Orson Welles (59:19) 9. Fear on Four ‐ 880103 (01) The Snowman Killing (28:41) 10. Macabre ‐ 620108 (008) The Edge of Evil (29:47) 11. Nightfall ‐ 800926 (13) The Repossession (30:49) 12. CBS Radio Mystery Theater ‐ 740502 (0085) Dracula starring Mercedes McCambridge (44:09) 13. Suspense ‐ 550607 (601) Mary Shelley's Frankenstein starring Stacy Harris and Herb Butterfield (24:27) 14. Mystery In The Air ‐ 470814 (03) The Horla starring Peter Lorre (29:49) 15. The Weird Circle ‐ 450429 (74) Dr. Jekyll And Mr. Hyde (27:20) 16. The Shadow ‐ 430926 (277) The Gibbering Things starring Bret Morrison and Marjorie Anderson (28:24) 17. Lights Out ‐ 470716 (002) Death Robbery starring Boris Karloff (29:16) 18.
    [Show full text]
  • AN ILLUSTRATED HISTORY by ANTHONY TOLLIN Horrorbookletrevise:Horrorb.Qxd 7/28/2008 1:38 PM Page 3
    horrorbookletREVISE:horrorb.qxd 7/28/2008 1:38 PM Page 1 Who’s Who in HORROR IN THE AIR ERNEST CHAPPELL (Quiet Please) began his broadcasting career at Syracuse’s WFBI. His deep tones introduced Orson Welles’ Campbell Playhouse broadcasts and Edward R. Murrow’s wartime newscasts, and Chappell also served as Pall Mall’s commercial spokesman for 17 years . WYLLIS COOPER (Lights Out and Quiet Please) created radio’s premier horror series, and later wrote the screenplay for the classic 1939 horror film Son of Frankenstein, several Mr. Moto movies and the final season of Orson Welles’ Campbell Playhouse. Cooper returned to radio in 1947 to create the critially-acclaimed Quiet Please. WALTER GIBSON (Strange) was one of the most prolific authors of the 20th Century. The creator of The Shadow authored some 30 million words during his long career, including 283 Shadow novels, 300 syndicated newspaper features, more than 500 magazine stories and articles, hundreds of radio and comic scripts, and dozens of books on the occult and psychic phenomena. A ghost-writer and publicist for such famous magicians as Houdini, Blackstone and Thurston, Gibson made his radio debut over Philadelphia’s WIP in 1923, and later plotted many popular radio series including Nick Carter –Master Detective, Chick Carter, The Adventures of Frank Merriwell, The Avenger and Blackstone, Magic Detective. RAYMOND EDWARD JOHNSON (Inner Sanctum) began his career in Chicago radio where he voiced a variety of character roles on Lights Out . After moving to New York, he was heard in dozens of series including Crime Club and Arch Oboler’s Plays.
    [Show full text]
  • T-86 1959 Heart Foundation with Jack Benny 15 Ex Syn T
    T-86 1959 HEART FOUNDATION WITH JACK BENNY 15 EX SYN T-198 ABBOTT AND COSTELLO #103 WITH RUDY VALLEE 2/15/1945 AFRS 30 VG-EX AFRS T-258 ADVENTURE TRAIL #1 STAMPED ON THE CHISUM TRAIL 3/22/1946 15 EX SYN T-147 ADVENTURES OF MARCEL 9/28/1950 NBC 30 EX SYN T-121 ALDRICH FAMILY, THE #64 (VERY SCRATCHY) 5/11/1944 AFRS 30 AFRS T-293 AMERICAN RED CROSS 1948 WITH DICK HAYMES 15 EX T-294 AMERICAN RED CROSS 1948 WITH FRANK SINATRA 15 EX T-315 AMOS AND ANDY #5 THE BEAUTY CONTEST AFRS 30 EX AFRS T-316 AMOS AND ANDY THE LORDS PRAYER 5 EX SYN T-199 ARCH OBOLER'S PLAYS THE PARADE 8/2/1945 MUT. 30 EX SYN T-241 AVENGER. THE HIGH SPEED MURDER 12/9/1941 30 EX SYN T-242 BABY SNOOKS #76 PICKING HORSES 2/3/1946 AFRS 30 EX SYN T-140 BABY SNOOKS #133 VACATION 4/28/1946 AFRS 30 VG+ AFRS T-112 BEULAH NEICE 5/18/1954 CBS 15 EX SYN T-113 BEULAH NEICE IS STILL VISITING 5/19/1954 CBS 15 EX SYN T-104 BEULAH FLOWER CONTEST 5/24/1954 CBS 15 EX SYN T-105 BEULAH FLOWER CONTEST 5/25/1954 CBS 15 EX SYN T-106 BEULAH FLOWER CONTEST 5/28/1954 CBS 15 EX SYN T-107 BEULAH PICNIC 5/31/1954 CBS 15 EX SYN T-110 BEULAH TOWN STAGE SHOW (DISC SKIP AT FIRST) 6/1/1954 CBS 15 EX SYN T-111 BEULAH PTA FUND RAISING SHOW 6/2/1954 CBS 15 EX SYN T-108 BEULAH MOVIE DIRECTOR 1954 CBS 15 EX SYN T-109 BEULAH APRIL SHOWERS 1954 CBS 15 EX COM T-114 BEULAH THE LODGE 1952 CBS 15 EX SYN T-115 BEULAH SUMMER VACATION 1952 CBS 15 EX SYN T-317 BEURAU OF AERONAUTICS, U.S.
    [Show full text]
  • Film Noir Database
    www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H.
    [Show full text]
  • August 2020 1 Matthew Anthony Killmeier Curriculum Vitae
    1 August 2020 Matthew Anthony Killmeier Curriculum Vitae Department of Communication and Theatre 115 Lookout Ridge Road Auburn University at Montgomery Montgomery, AL 36109 P.O. Box 244023 (334) 544-1968 (home) Montgomery, AL 36124-4023 (207) 317-7693 (mobile) (334) 244-3950 [email protected] EDUCATION 2003 Ph.D., Mass Communications, University of Iowa 1994 M.A., Journalism, University of Iowa 1992 B.A., Communication, University of Louisville EXPERIENCE 2016-present Chair and Associate Professor, Department of Communication and Theatre, Auburn University at Montgomery 2014-2016 Chair and Associate Professor, Department of Communication and Media Studies, University of Southern Maine 2011-2016 Associate Professor, Department of Communication and Media Studies, University of Southern Maine 2005-2011 Assistant Professor, Department of Communication and Media Studies, University of Southern Maine 2002-2005 Assistant Professor, Department of Communication, Truman State University SCHOLARSHIP Refereed Journal Articles 2018 “The Family Nagashi: Anti-racist Radio and the Japanese Internment.” The Radio Journal: International Studies in Broadcast and Audio Media 16, no. 2 (2018): 185-205. 2018 “Fantastic Antifascist Radio Drama: Cultural Politics in Arch Oboler’s Lights Out.” Journal of Radio and Audio Media 25, no. 1 (2018): 156-172. 2015 “The (Radio) Adventures of Mark Twain: Arch Oboler’s Adaptations of Warners’ picture.” Journal of Adaptation in Film and Performance 8, no. 1 (2015): 5-21. 2013 “More than Monsters: Dark Fantasy, the Mystery-Thriller and Horror’s Heterogeneous History.” Journal of Radio and Audio Media 20, no. 1 (2013): 165-180. 2012 “Aural Atavism: The Witch’s Tale and Gothic Horror Radio.” Journal of Radio and Audio Media 19, no.
    [Show full text]
  • Gregbellmedia.Com Feb
    SHOW TIME RadioClassics (Ch. 148 on Sirius & XM) gregbellmedia.com Feb 1st - Feb 7th, 2021 SHOW TIME PT ET MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY PT ET 9pm 12mid Clarence Mulford's B-Day This Is Your FBI 4/6/51 Eddie Bracken in Bennett Kilpack As Mr. Mr. District Attorney 4/12/53 Chase & Sanborn Hour Dangerous AssignMent's 9pm 12mid Prev Two Hopalong Cassidy This Is Your FBI 5/4/45 FaMily Theatre 6/25/49 Keen, Tracer Of Lost Bulldog Drummond 9/28/41 Bergen & McCarthy 71st Anniv. Two Episodes Prev Night Night From 6/4/50 & 6/5/51 Dragnet Big Joke 5/10/53 Suspense Visitor 5/11/44 Persons 2/17/44 & 3/16/50 Dragnet Big Lilly 6/14/53 with Sonja Henie 6/27/37 US & Australian Version Escape (New) 8/25/50 Let George Do It (8/15/49) Bob Hope & Zsa Zsa 1/21/53 Escape 8/23/53 Dragnet Big Revolt 6/21/53 Richard Diamond 9/3/49 Philo Vance 8/16/49 CBS Radio Workshop 5/19/57 Starring Bob Bailey Abbott & Costello 10/15/42 Gunsmoke 12/2/56 Suspense 6/25/61 Sherlock Holmes 3/14/48 11pm 2am Janet Waldo Birthday First & Finale Special Dr. Sixgun 11/28/54 Bob Hope Show 4/15/41 Bill Johnstone Birthday Fort LaraMie 9/16/56 John Lund Birthday 11pm 2am Prev Great Gildersleeve 4/2/47 Night Beat Debut 2/6/50 Gunsmoke 12/11/55 Fred Allen Show 3/10/46 The Lineup 5/27/50 Gunsmoke 11/25/56 Johnny Dollar 1/2/53 Prev Night Night Great Gildersleeve 4/9/47 Night Beat Final 9/25/52 Glenn Langan as Philip Marlowe 1/8/49 The Lineup 12/28/50 The Falcon 2/18/51 Johnny Dollar 4/7/53 Harris & Faye Show 2/12/50 Arch Oboler's Plays(N) 9/9/39 Barton Drake in Two From Suspense 4/3/56 Pursuit 12/11/51 Nero Wolfe 12/8/50 Suspense 6/9/49 Jack Benny Prgm 4/1/45 Frontier Fighters 1935 Mystery Is My Hobby 1945 Calling All Detect..11/22/48 Have Gun, Will Trav 3/13/59 1am 4am Gigi Perreau's 80th Nigel Bruce Birthday Clark Gable's Birthday 2 Charles Dickens Birthday RoMance Of The Ranchos 2 FroM Broadway's My Beat Eddie Bracken in 1am 4am FaMily Theatre 1/5/49 Sherlock HolMes 10/29/45 Lux's "Farewell To ArMs" Mystery..Edwin Drood From Oct.
    [Show full text]
  • Transcript of Theater for the Mind
    1 You’re listening to Imaginary Worlds, a show about how we create them and why we suspend our disbelief, I’m Eric Molinsky. When Emory Braswell was growing up, he used to love listening to radio drama serials. EMORY: I listened to The Shadow and The Lone Ranger, Jack Armstrong, the All American Boy. Now Emory’s parents restricted the amount of radio he could listen to – especially at night -- but they always made exceptions if Joe Louis was boxing, or if Franklin Roosevelt was on the radio. One night in October 1938, Emory heard his father’s Model-A Ford pull up to the house, and he thought he heard the President addressing the nation. CLIP: WAR OF THE WORLDS EMORY: So I ran down and got in the car and my mother was sitting there too. I said, "What's happening?" He said, "Well, there's some kind of story going on about an invasion. We're being invaded by Mars or something." My father sounded skeptical. So I listened to it, and sure enough there was somebody supposedly from either the state department or the guv-mint, as my family would say, talking about a meteor that had crashed in New Jersey and there were beings coming out of it and they were destroying all the local militia and stuff. One of the fascinating parts about the program was it was a music program and they would interrupt the music for many bulletins coming from Jersey. ME: You said your father was skeptical. Was he skeptical throughout the whole thing and were you skeptical throughout the whole thing? EMORY: No, I was just wide eyed listening to it, trying to decide, is this all happening or not? My father was kind of skeptical because when it was over with, he says, "I think it's a hoax." As I said, the business about the music going on and bulletins coming made it seem much more real.
    [Show full text]
  • POPULAR AMERICAN RADIO DRAMAS by Joanna Maureen
    POPULAR AMERICAN RADIO DRAMAS by Joanna Maureen Redfern B.Ed., University of Alberta, 2000 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of Theatre, Film and Creative Writing) We accept this thesis as conforming To Jjie required standard THE UNIVERSITY OF BRITISH COLUMBIA April 2004 © Joanna Maureen Redfern. 2004 Library Authorization In presenting this thesis in partial fulfillment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. OofN^tOfi tofe^ 5.^/04 ^on^j Name of Author (please print) Date (dd/mm/yyyy) Title of Thesis: Vopo,u*\R_ ArAfiilvCftro eAVvo ^^AKAS Degree: frATV5>T&g A^TS Year: aOW Department of -^\*LfVr€_e. p v L^ ^ c egrerrv 0 £ ^ ^T~i ^ The University of British Columbia Vancouver, BC Canada ABSTRACT This thesis concerns itself with the popular radio dramas of America in the early days of radio (1920s - 1950s). Popular radio dramas were heard during the peak hours of American radio. They appealed to the largest audience with their social and moral relevance and were sponsored by a variety of companies and products. The distinction is made between these radio dramas and those that were considered "serious".
    [Show full text]
  • A Study of the Motion Picture Relief Fund's Screen Guild Radio Program 1939-1952. Carol Isaacs Pratt Louisiana State University and Agricultural & Mechanical College
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1976 A Study of the Motion Picture Relief Fund's Screen Guild Radio Program 1939-1952. Carol Isaacs Pratt Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Pratt, Carol Isaacs, "A Study of the Motion Picture Relief Fund's Screen Guild Radio Program 1939-1952." (1976). LSU Historical Dissertations and Theses. 3043. https://digitalcommons.lsu.edu/gradschool_disstheses/3043 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image.
    [Show full text]
  • Finn Troops Launch Drive Against Foes
    Atinwd Newsboys *' Edition S T O R E O P E N U N T I L 9KX> T O N I G H T A N D A ven ge Daily Circulation The Weather For the MoaUi November. IBSU Foreoaat of C. S. Weather garoau SATURDAY EVENING 6,335 Fair, rontinued cold today; Boa- FREE PARKING IN REAR OF STORE day cloudy, allghtly warmer; rain Member •• Mw AeAt or snow at night. Bnreae of OIrealathma ilanrljFBtfr lEuFtting ’ SANTA CLAUS IS IN TOTLAND MancheKter— A Eity of Village Charm THIS EVENING AND SATURDAY 2:S0 TO 6:00 — 7:00 TO 9:00. M.An CHESTER. c o n n ,, SATURDAY, DECEMBER 23, 1939 (FOURTEEN PAGES) PRICE THREE CEN1N VOL. LIX., NO. 71 (Claaaifled Aeraitialng oo Page 1S> Fight in Congress Children Sing Christmas Greetings to President Finn Troops Launch 72” X 90” Chenffle Seen on Boosting Lace Tablecloths Drive Against Foes;" Bath Mat and Defense Program $L79 Lid C over Sets lyegislators Tretlicl Pren- Supposedly Dead Dove Defenses Halt Blow other Lace Tablecloths To ^6.98. $1.98 set iilent Will Emphasize Flies Out of Ice Box Hand Blocked. Pure Linen Report Cirriilalen (>eiie- Dok on Guard In Stolen: Planes Attark RuMian Purs Linen Subject Strongly in Hii* Tampa. F’la.. Dec. 23.— 1‘nckaRe.H Left Behind Colored Border Hand Embroidered Mrs. Jo^phine Lazzara placed rul Relieved of l*oHt hm Forces, Supply Centers ‘Stale of Nation’ Mew- seven supposedly dead doves In Guest Towels Coiiiniaiider of Caiii- Br(x)kllne. Mass.. Dec. 23.— , I And Transportation sage; Naval Hearings an Ice box one night.
    [Show full text]
  • *5.98 $16.75Up
    B^itlat Band nf Hartford will tfay ovanteff e t naxt wash. Tha tn U m united Avarago Dally drcalatidR The various priaos that havo States and Ouuda< -sea effSred by tha Manchaotor joMrtat and will taka part la tha meal win ba sarvad at fi:S0 tmOar Stetes, Canada and otlM r tfoun- For the Month af Heptaiubar, 16B Mrs. Floyd Hitt Sunday afternoon arnica. Rav. tba dlractlaa of Mra. Horld Rich­ Our Hospital trlM concluded on October 1 the ly anaouncad oa " l U t T o ^ Ooon and Fox club will be drawn October 16, nt tba at the F. T. Bllah Hardware Com­ Mentua will ba aocompanlad by mond, and will consist of fresh hospital aunray which annually hla wlfs. Othara expected art bam, ' insshstL potetoas, apple aalacta tha number one hoapitala 22nd Annual Hospt'J 6,2?0 pany oUm at nine o'clock tomor­ Guest Speaker In Class One aatlon GoafSraiica ' row nlghU Mlaa Tyma ClilByk. an axcallent sauea, carrots, aauatkraut, roUa, of tba country ragardlaaa of clas- •Member of the Aodit _’ mwldanB, is aong leader, Mlaa Halan Semenya coffea and cboeolata laysr eaka. Blftcatlon. Burean of Clronlntleas Bights St ths Mancheeter "jitterhuga" wUl be To Addfess Local dub emd William Saplln. Mrs. Bm tst Koster will racaiva Baapa V p t e Date !■ JUmsntle. lb sd- interested to know that a cham­ reservations for tha supper. Her Again Given T op Rank* 'Hia Mancbeatar Memorial boa- FOOD Manchenter-^A City of Village Charm : tbs Hotel Hook- pionship "Jitterbug" dance will be Of Republican Women telephone number ts 7071, and the pltal has constantly attained firat affair la open not only to people ing by American Col* HALITS __ ^ cbotcs drinks held In the New Haven Arena on Gleaners’ Group claaa poaitton sinoa th e early year* VOL.
    [Show full text]
  • Lights out Free
    FREE LIGHTS OUT PDF James Patterson | 272 pages | 19 May 2016 | Cornerstone | 9780099567325 | English | London, United Kingdom Why Lights Out 2 Still Hasn't Happened | Screen Rant In the world of movies, Lights Out films are generally king, with most people not really giving Lights Out thought to short films outside of using them as a brief bit of entertainment online. Yet, anyone who thinks short films aren't important needs to have a conversation with director David F. Sandberg, who owes his currently healthy Hollywood career to a short he made that went viral. Lights Out, the short film, was released online in lateand was directed, produced, written, composed, and shot by Sandberg. Starring in the short was actress Lotta Losten, who also happened to be Sandberg's wife. This was truly Sandberg's baby from start to finish, and once it crossed the million view mark on YouTube, Hollywood took notice. Warner Bros. While there's no official reason for the delay, we have some ideas. A mere few days after Lights Out took summer by storm in theaters, Warner Bros. Sandberg back as director and Eric Heisserer returning to write Lights Out 2 's script. While Warner Bros. Fans got excited, only to be responded to with deafening silence. No updates on the sequel have been offered sinceand in a few months, it'll have been four years since it was greenlit. The most likely reason Lights Out 2 hasn't happened Lights Out that Sandberg ended up getting wrapped up in the all- encompassing world of superhero cinema.
    [Show full text]