Conyers Old Time Radio Presents the Scariest Episodes of OTR
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Gregbellmedia.Com Jan 18Th
SHOW TIME RadioClassics (Ch. 148 on Sirius & XM) gregbellmedia.com Jan 18th - Jan 24th, 2021 SHOW TIME PT ET MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY PT ET 9pm 12mid George Burns Birthday 1 Sherlock 7/25/2010 Gunsmoke 8/23/54 Duffy's Tavern 5/25/49 Philip Marlowe (8/19/47) Tudor Owen Birthday 65th Anniversary Special 9pm 12mid Prev Four Episodes Of Harry Nile 10/10 2010 Hopalong Cassidy 2/19/50 Duffy's Tavern 4/13/49 Starring Van Heflin Pete Kelly's Blues 8/29/51 Fort Laramie 7/22/56 Prev Night Night Burns & Allen Show Two 1/2 Hour Johnny Charlie McCarthy 9/26/43 Frank Race 9/11/49 Rogue's Gallery 1/17/46 Pat Novak For Hire 3/27/49 Fort Laramie 2/12/56 11/10/42 & 11/17/42 Dollar Episodes with Bob Red Skelton Show 3/4/47 The Falcon 11/26/50 The Weird Circle 10/1/44 Jeff Regan (New) 9/11/48 Fort Laramie 1/19/56 8/31/43 & 11/1/45 Bailey 7/13/58 7/20/58 Lights Out 12/15/42 Police Headquarters 1932 Gunsmoke 12/18/55 11pm 2am J. Carrol Naish Birthday 75th Series Anniversary Boston Blackie 10/15/46 Hopalong Cassidy Escape Stole Bible 8/30/51 George Burns Birthday 2 Suspense (8/4/57) 11pm 2am Prev Life With Luigi 12/7/48 The Fat Man 6/8/46 The Falcon 2/1/51 From Oct. 14th, 1950 Night Beat 6/1/51 Burns & Allen 2/10/49 with DeForest Kelley Prev Night Night Life With Luigi 4/22/52 The Fat Man 1/17/51 Damon Runyon 4/3/49 Romance/Ranchos 10/1/44 Suspense 9/16/48 on Jack Benny 3/7/43 X-Minus One 5/22/55 Suspense 2/4/52 This Is Your FBI 7/12/46 Jack Benny Program Fibber McGee/Molly 1/27/48 with Gregory Peck Sam Spade 9/12/48 Broadway's -
The-Hitchhiker-By-Lucille-Fletcher
1 Short Story of the Month Table of Contents "The Hitchhiker" by Lucille Fletcher Terms of Use 2 Table of Contents 3 List of Activities, Difficulty Levels, and Common Core Alignment 4 Digital Components/Google Classroom Guide 5 Teaching Guide, Rationale, Lesson Plans, and Procedures: EVERYTHING 6-11 Activity 1: Story Devices Interactive Notebook Lesson 12-14 Activity 2: Story Devices Practice w/Key 15-18 Activity 3: Hitchhiker Play Prep Instructions & Role Sheet 19-20 Activity 6: Annotation Guide (Story Devices) 21-23 Activity 7: Basic Comprehension Quiz (Recall Facts and Details) w Key 24-25 Activity 9: Audio Analysis Guide w/Key 26-27 Activity 10: Find Evidence That… Text-Dependent Questions Activity w/Key 28-29 Activity 11: Diagramming a Story Organizer w/Answer Key 30-31 Activity 12: Plot Diagram Quiz w/Key 32-33 Activity 13: Vocabulary Guide – Standardized Test Vocabulary Practice w/Key 34-37 Activity 14: Story Analysis: Plot Development Questions w/Key 38-39 Activity 15: The Hitchhiker Video Analysis w/Key 40-47 Activity 16: Comprehension Skills Test 48-53 Activity 17: Write a Narrative Ending Prewriting Organizer & Rubric 54-55 Activity 18: Nonfiction Paired Text: “Why Is Fear Fun?” 56 Activity 19: Nonfiction Skills Analysis Activity 57-60 Activity 20: Essential Question (Putting It All Together) 61-62 TEKS Alignment 63 3 ©2017 erin cobb imlovinlit.com Short Story of the Month Teacher’s Guide "The Hitchhiker" by Lucille Fletcher Activities, Difficulty Levels, and Common Core Alignment List of Activities & Standards Difficulty Level: *Easy **Moderate ***Challenge Activity 1: Story Devices Lesson** RL.6.3, RL.6.5 Activity 2: Story Devices Practice** RL.6.3, RL.6.5 Activity 3: Hitchhiker Play Prep* SL.6.1, SL.6.2 Activity 4: Journal Activity* SL.6.1 Activity 5: First Read: Play Performance** SL.6.1, SL.6.2, SL.6.5 Activity 6: Annotation Guide (Story Devices)** RL.6.1, RL.6.3, RL.6.5 Activity 7: Comprehension Quiz* RL.6.1 Activity 8: Radio Play Audio Performance* SL.6.2, RL.6.1, RL.6.3 Activity 9: Audio Analysis Guide** RL.6.7. -
The Graduation Exercises Will Be Official
TheMONDAY, Graduation MAY THE EIGHTEENTH Exercises TWO THOUSAND AND FIFTEEN NINE O’CLOCK IN THE MORNING THOMAS K. HEARN, JR. PLAZA THE CARILLON: “Mediation from Thaïs” . Jules Massenet Raymond Ebert (’60), University Carillonneur William Stuart Donovan (’15), Student Carillonneur THE PROCESSIONAL . Led by Head Faculty Marshals THE OPENING OF COMMENCEMENT . Nathan O . Hatch President THE PRAYER OF INVOCATION . The Reverend Timothy L . Auman University Chaplain REMARKS TO THE GRADUATES . President Hatch THE CONFERRING OF HONORARY DEGREES . Rogan T . Kersh Provost Carlos Brito, Doctor of Laws Sponsor: Charles L . Iacovou, Dean, School of Business Stephen T . Colbert, Doctor of Humane Letters Sponsor: Michele K . Gillespie, Dean-Designate, Wake Forest College George E . Thibault, Doctor of Science Sponsor: Peter R . Lichstein, Professor, Department of Internal Medicine Jonathan L . Walton, Doctor of Divinity Sponsor: Gail R . O'Day, Dean, School of Divinity COMMENCEMENT ADDRESS . Stephen Colbert Comedian and Late Night Television Host THE HONORING OF RETIRING FACULTY FROM THE REYNOLDA CAMPUS Bobbie L . Collins, M .S .L .S ., Librarian Ronald V . Dimock, Jr ., Ph .D ., Thurman D. Kitchin Professor of Biology Jack D . Ferner, M .B .A ., Lecturer of Management J . Kendall Middaugh, II, Ph .D ., Associate Professor of Management James T . Powell, Ph .D ., Associate Professor of Classical Languages David P . Weinstein, Ph .D ., Professor of Politics and International Affairs FROM THE MEDICAL CENTER CAMPUS James D . Ball, M .D ., Professor Emeritus of Radiology William R . Brown, Ph .D ., Professor Emeritus of Radiology Frank S . Celestino, M .D ., Professor Emeritus of Family and Community Medicine Wesley Covitz, M .D ., Professor Emeritus of Pediatrics Robert L . -
Gunsmoke" As Broadcast
REPLAY FORMAT 3/12/55 p L&MFILTERS, ATTACHED Present "GUNSMOKE" AS BROADCAST "KITE; I S REWARD " x`36 SATURDAY - FJUARY 19, 1955 PRE-CUT 3 : 30 PM - 4 :00 PM PST SATURDAY - MARCH 5, 1955 AIR 5 :00 PM - 5 :28:50 PM PST SATURDAY - MARCH 12, 1955 REPLAY 9 :30 AM - 9 :59 :30 AM PST DIRECTOR : NORMAN MACDONNELL SATURDAY - FEBflUARY 19, 195 5 ASSOCIATE : KENNY MCMANUS CAST. : 11 :00 AM - 1 :30 PM ASSOCIATE : ENGINEER : BOB CHADWICK ENGINEER : and SOUND : 2 :30 PM - 3 :30 PM SOUND : RAY KEMPER TOM HANLEY MUSIC : 1 :30 PM - 3 :30 P M MUSIC : R KOURY STUDIO #1 ANNOUNCER : , GEORGE WALSH AUTHOR : JOHN ASTON AMPLx 3 :15 PM - 4 :00 P M WILLIAM CONRA D as MATT DILLO N CHESTER . Parley Baer KITTY . Georgia Elli s DOC . Howard McNear KITE . John Dehner ANDY . Sam Edwards BAR . & Is Joe Duva l JAII Vic Perri n DH LIG 0382530 L&MFTLTERS Present GUNSMOKE SATURDAY. MARCH 5 , 1955 5:00-5 :28 :50 PM PST 1 SOUND : HORSE FADES ON TO FULL MIKE . .O N CUE : RECORDED SHOT 2 MUSIC ; HOLD UNDER . .TRACK 1 3 WALSH ; GUNSMOKE . .brought to you by L & M Alters, This is it ; 4 L & M is best - stands out from all the rest l 5 MU SIC : FIGURE AND UNDER . TRACK 2 6 WALSH : Around Dodge City and in the territory on West - there's 7 just one way to handle the killers and the spoilers - and 8 that's with a U .S . Marshal and the smell of - GUNSMOI2 1 9 MUSIC : THEME HITS : FULL ROAD SWTEP AND UNDER . -
31 Days of Oscar® 2010 Schedule
31 DAYS OF OSCAR® 2010 SCHEDULE Monday, February 1 6:00 AM Only When I Laugh (’81) (Kevin Bacon, James Coco) 8:15 AM Man of La Mancha (’72) (James Coco, Harry Andrews) 10:30 AM 55 Days at Peking (’63) (Harry Andrews, Flora Robson) 1:30 PM Saratoga Trunk (’45) (Flora Robson, Jerry Austin) 4:00 PM The Adventures of Don Juan (’48) (Jerry Austin, Viveca Lindfors) 6:00 PM The Way We Were (’73) (Viveca Lindfors, Barbra Streisand) 8:00 PM Funny Girl (’68) (Barbra Streisand, Omar Sharif) 11:00 PM Lawrence of Arabia (’62) (Omar Sharif, Peter O’Toole) 3:00 AM Becket (’64) (Peter O’Toole, Martita Hunt) 5:30 AM Great Expectations (’46) (Martita Hunt, John Mills) Tuesday, February 2 7:30 AM Tunes of Glory (’60) (John Mills, John Fraser) 9:30 AM The Dam Busters (’55) (John Fraser, Laurence Naismith) 11:30 AM Mogambo (’53) (Laurence Naismith, Clark Gable) 1:30 PM Test Pilot (’38) (Clark Gable, Mary Howard) 3:30 PM Billy the Kid (’41) (Mary Howard, Henry O’Neill) 5:15 PM Mr. Dodd Takes the Air (’37) (Henry O’Neill, Frank McHugh) 6:45 PM One Way Passage (’32) (Frank McHugh, William Powell) 8:00 PM The Thin Man (’34) (William Powell, Myrna Loy) 10:00 PM The Best Years of Our Lives (’46) (Myrna Loy, Fredric March) 1:00 AM Inherit the Wind (’60) (Fredric March, Noah Beery, Jr.) 3:15 AM Sergeant York (’41) (Noah Beery, Jr., Walter Brennan) 5:30 AM These Three (’36) (Walter Brennan, Marcia Mae Jones) Wednesday, February 3 7:15 AM The Champ (’31) (Marcia Mae Jones, Walter Beery) 8:45 AM Viva Villa! (’34) (Walter Beery, Donald Cook) 10:45 AM The Pubic Enemy -
Fact Or Fiction: Hollywood Looks at the News
FACT OR FICTION: HOLLYWOOD LOOKS AT THE NEWS Loren Ghiglione Dean, Medill School of Journalism, Northwestern University Joe Saltzman Director of the IJPC, associate dean, and professor of journalism USC Annenberg School for Communication Curators “Hollywood Looks at the News: the Image of the Journalist in Film and Television” exhibit Newseum, Washington D.C. 2005 “Listen to me. Print that story, you’re a dead man.” “It’s not just me anymore. You’d have to stop every newspaper in the country now and you’re not big enough for that job. People like you have tried it before with bullets, prison, censorship. As long as even one newspaper will print the truth, you’re finished.” “Hey, Hutcheson, that noise, what’s that racket?” “That’s the press, baby. The press. And there’s nothing you can do about it. Nothing.” Mobster threatening Hutcheson, managing editor of the Day and the editor’s response in Deadline U.S.A. (1952) “You left the camera and you went to help him…why didn’t you take the camera if you were going to be so humane?” “…because I can’t hold a camera and help somebody at the same time. “Yes, and by not having your camera, you lost footage that nobody else would have had. You see, you have to make a decision whether you are going to be part of the story or whether you’re going to be there to record the story.” Max Brackett, veteran television reporter, to neophyte producer-technician Laurie in Mad City (1997) An editor risks his life to expose crime and print the truth. -
Anthology Drama: the Case of CBS Les Séries Anthologiques Durant L’Âge D’Or De La Télévision Américaine : Le Style Visuel De La CBS Jonah Horwitz
Document generated on 09/26/2021 8:52 a.m. Cinémas Revue d'études cinématographiques Journal of Film Studies Visual Style in the “Golden Age” Anthology Drama: The Case of CBS Les séries anthologiques durant l’âge d’or de la télévision américaine : le style visuel de la CBS Jonah Horwitz Fictions télévisuelles : approches esthétiques Article abstract Volume 23, Number 2-3, Spring 2013 Despite the centrality of a “Golden Age” of live anthology drama to most histories of American television, the aesthetics of this format are widely URI: https://id.erudit.org/iderudit/1015184ar misunderstood. The anthology drama has been assumed by scholars to be DOI: https://doi.org/10.7202/1015184ar consonant with a critical discourse that valued realism, intimacy and an unremarkable, self-effacing, functional style—or perhaps even an “anti-style.” See table of contents A close analysis of non-canonical episodes of anthology drama, however, reveals a distinctive style based on long takes, mobile framing and staging in depth. One variation of this style, associated with the CBS network, flaunted a virtuosic use of ensemble staging, moving camera and attention-grabbing Publisher(s) pictorial effects. The author examines several episodes in detail, demonstrating Cinémas how the techniques associated with the CBS style can serve expressive and decorative functions. The sources of this style include the technological limitations of live-television production, networks’ broader aesthetic goals, the ISSN seminal producer Worthington Miner and contemporaneous American 1181-6945 (print) cinematic styles. 1705-6500 (digital) Explore this journal Cite this article Horwitz, J. (2013). Visual Style in the “Golden Age” Anthology Drama: The Case of CBS. -
Teacher's Notes
PENGUIN READERS Teacher’s notes LEVEL 4 Teacher Support Programme The Time Machine H G Wells occupied by the Eloi and their enemies, the Morlocks. He becomes friends with one of the Eloi, Weena, when he saves her from drowning. After she dies in a fire, the Time Traveller is forced to escape from the Morlocks on his own. He does, and then takes his time machine even farther into the future to see the end of the world. He leaves again the next day, and though he says he will return, the Time Traveller is never seen again. Chapters 1 and 2: We meet four men at dinner discussing time travelling. A man called The Time Traveller is showing them a model of a time machine he has designed. He makes it disappear. Another evening The Time Traveller arrives late for dinner, dusty and tired with a About the author strange tale to tell. Herbert George Wells (1866–1946) was born in Chapters 3 and 4: The Time Traveller describes his first Bromley, Kent, in the United Kingdom. His father was frightening attempts at time travelling, how he has seen a shopkeeper and professional cricketer. Wells studied the moon and sun rush across the sky. Then he decides biology and, leaving science college without a degree, to stop, and lands in a strange world of sweet, gentle but taught for four years. He settled in London and from weak people who only eat fruit. 1893 became a full-time writer. The Time Machine (1895) Chapters 4 and 5: The Time Traveller reflects on the was his first novel, and this was followed by other science differences he has seen between the new world of the fiction classics, such as The Island of Dr Moreau (1896), future and his world. -
Beloved Holiday Movie: How the Grinch Stole Christmas! 12/9
RIVERCREST PREPARATORY ONLINE SCHOOL S P E C I A L I T E M S O F The River Current INTEREST VOLUME 1, ISSUE 3 DECEMBER 16, 2014 We had our picture day on Beloved Holiday Movie: How the Grinch Stole Christmas! 12/9. If you missed it, there will be another opportunity in the spring. Boris Karloff, the voice of the narrator and the Grinch in the Reserve your cartoon, was a famous actor yearbook. known for his roles in horror films. In fact, the image most of us hold in our minds of Franken- stein’s monster is actually Boris Karloff in full make up. Boris Karloff Jan. 12th – Who doesn’t love the Grinch Winter Break is Is the reason the Grinch is so despite his grinchy ways? The Dec. 19th popular because the characters animated classic, first shown in are lovable? We can’t help but 1966, has remained popular with All class work must adore Max, the unwilling helper of children and adults. be completed by the Grinch. Little Cindy Lou Who The story, written by Dr. Seuss, the 18th! is so sweet when she questions was published in 1957. At that the Grinch’s actions. But when the I N S I D E time, it was also published in Grinch’s heart grows three sizes, THIS ISSUE: Redbook magazine. It proved so Each shoe weighed 11 pounds we cheer in our own hearts and popular that a famous producer, and the make up took hours to sing right along with the Whos Sports 2 Chuck Jones, decided to make get just right. -
The Horror Film Series
Ihe Museum of Modern Art No. 11 jest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart Saturday, February 6, I965 FOR IMMEDIATE RELEASE The Museum of Modern Art Film Library will present THE HORROR FILM, a series of 20 films, from February 7 through April, 18. Selected by Arthur L. Mayer, the series is planned as a representative sampling, not a comprehensive survey, of the horror genre. The pictures range from the early German fantasies and legends, THE CABINET OF DR. CALIGARI (I9I9), NOSFERATU (1922), to the recent Roger Corman-Vincent Price British series of adaptations of Edgar Allan Poe, represented here by THE MASQUE OF THE RED DEATH (I96IO. Milestones of American horror films, the Universal series in the 1950s, include THE PHANTOM OF THE OPERA (1925), FRANKENSTEIN (1951), his BRIDE (l$55), his SON (1929), and THE MUMMY (1953). The resurgence of the horror film in the 1940s, as seen in a series produced by Val Lewton at RR0, is represented by THE CAT PEOPLE (19^), THE CURSE OF THE CAT PEOPLE (19^4), I WALKED WITH A ZOMBIE (19*£), and THE BODY SNAT0HER (19^5). Richard Griffith, Director of the Film Library, and Mr. Mayer, in their book, The Movies, state that "In true horror films, the archcriminal becomes the archfiend the first and greatest of whom was undoubtedly Lon Chaney. ...The year Lon Chaney died [1951], his director, Tod Browning,filmed DRACULA and therewith launched the full vogue of horror films. What made DRACULA a turning-point was that it did not attempt to explain away its tale of vampirism and supernatural horrors. -
Radioclassics (Siriusxm Ch. 148) Gregbellmedia
SHOW TIME RadioClassics (SiriusXM Ch. 148) gregbellmedia.com June 21st - June 27th, 2021 SHOW TIME PT ET MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SUNDAY PT ET 9pm 12mid Mary Livingstone B-Day Fibber McGee & Molly I Was A Communist More Peter Lorre B-Day Frontier Town 10/24/52 Dimension X Family Theatre 7/8/53 9pm 12mid Prev Jack Benny Prgm 2/23/47 From October 10th, 1944 For The FBI 5/7/52 on Fred Allen Show 1/3/43 The Cisco Kid 3/31/53 "The Embassy" 6/3/50 CBS Radio Workshp 8/17/56 Prev Night Night Jack Benny Prgm 9/21/52 Burns & Allen Show 5/18/43 Gangbusters 8/16/52 on Duffy's Tavern 10/19/43 Broadway's My Beat 4/21/50 X-Minus One 8/29/57 Broadway Is My Beat Dragnet Big Guilt 11/23/52 Black Museum 11/25/52 Casey, Crime Photog 1/8/48 Inner Sanctum 3/7/43 Calling All Cars 9/7/37 Burns & Allen 3/27/47 From Dec. 31st, 1949 Big Town 6/18/42 Suspense 6/14/45 Sherlock Holmes 3/31/47 Suspense 7/20/44 Great Gildersleeve 3/1/50 Gunsmoke Belle's Back 9/9/56 11pm 2am Phil Harris Birthday (1) Phil Harris Birthday (2) Mr District Attorney 11/30/52 Paul Frees Birthday (1) Yours Truly, Johnny Boston Blackie 77th Annv Lux Radio's (9/26/38) 11pm 2am Prev Harris & Faye 12/11/53 From Harris & Faye Show Sam Spade 8/2/48 The Whistler 5/22/49 Dollar Marathon Jan 1956 w/ Chester Morris 7/28/44 Seven Keys To Baldpate Prev Night Night Harris & Faye 10/19/52 11/13/49 & 1/13/52 Dimension X 7/12/51 EscapeHouseUsher 10/22/47 The Flight Six Matter w/ Dick Kollmar 1/29/46 with Jack & Mary Benny Harris & Faye 1/15/50 On Suspense 5/10/51 X Minus One 4/24/57 -
Shakespeare, William Shakespeare
Shakespeare, William Shakespeare. Julius Caesar The Shakespeare Ralph Richardson, Anthony SRS Caedmon 3 VG/ Text Recording Society; Quayle, John Mills, Alan Bates, 230 Discs VG+ Howard Sackler, dir. Michael Gwynn Anthony And The Shakespeare Anthony Quayle, Pamela Brown, SRS Caedmon 3 VG+ Text Cleopatra Recording Society; Paul Daneman, Jack Gwillim 235 Discs Howard Sackler, dir. Great Scenes The Shakespeare Anthony Quayle, Pamela Brown, TC- Caedmon 1 VG/ Text from Recording Society; Paul Daneman, Jack Gwillim 1183 Disc VG+ Anthony And Howard Sackler, dir. Cleopatra Titus The Shakespeare Anthony Quayle, Maxine SRS Caedmon 3 VG+ Text Andronicus Recording Society; Audley, Michael Horden, Colin 227 Discs Howard Sackler, dir. Blakely, Charles Gray Pericles The Shakespeare Paul Scofield, Felix Aylmer, Judi SRS Caedmon 3 VG+ Text Recording Society; Dench, Miriam Karlin, Charles 237 Discs Howard Sackler, dir. Gray Cymbeline The Shakespeare Claire Bloom, Boris Karloff, SRS- Caedmon 3 VG+ Text Recording Society; Pamela Brown, John Fraser, M- Discs Howard Sackler, dir. Alan Dobie 236 The Comedy The Shakespeare Alec McCowen, Anna Massey, SRS Caedmon 2 VG+ Text Of Errors Recording Society; Harry H. Corbett, Finlay Currie 205- Discs Howard Sackler, dir. S Venus And The Shakespeare Claire Bloom, Max Adrian SRS Caedmon 2 VG+ Text Adonis and A Recording Society; 240 Discs Lover's Howard Sackler, dir. Complaint Troylus And The Shakespeare Diane Cilento, Jeremy Brett, SRS Caedmon 3 VG+ Text Cressida Recording Society; Cyril Cusack, Max Adrian 234 Discs Howard Sackler, dir. King Richard The Shakespeare John Gielgud, Keith Michell and SRS Caedmon 3 VG+ Text II Recording Society; Leo McKern 216 Discs Peter Wood, dir.