The Inventory of the Van Christo Radio Theatre Collection #1589

Total Page:16

File Type:pdf, Size:1020Kb

The Inventory of the Van Christo Radio Theatre Collection #1589 The Inventory of the Van Christo Radio Theatre Collection #1589 Howard Gotlieb Archival Research Center Van Christo Radio Collection 10/26/00 Preliminary Listing Note: VCRT = Van Christo Radio Theater; TH= Tree House. Dates refer to broadcast dates for VC's radio programs, not original creation or broadcast dates (unless otherwise noted). I. Audio. A. 7 11 reel to reels. Box 1 1. Not labeled, marked "8." 2. "The Lone Ranger." a. VCRT: "Tunnel to Trouble" and "Guilty Knowledge," 3 3/4 ips, 25 minutes. b. VCRT: "Trouble at the Rafter 'H' ," "Dead Man," "Marked for Murder," 3 3/4 ips. c. VCRT: "Kill or Be Killed," "Birthday for Billy," 3 3/4 ips. d. VCRT: "The Wrong Man," "The Witness," "Boots and the Rodeo," 3 3/4 ips. e. VCRT: "Call to the Colors," "Teacher's Brother," "The Fugitive," 3 3/4 ips. Box4 f. VCRT: "The Count of Three," 7 ½ ips. g. VCRT: "The Count of Three;" "Telescope Clue;" "Marked for Death," 3 3/4 ips. h. TH: "The Wrong Man," 7 ½ ips., 30 minutes, 9/30/n.y. Box 1 3. "Series: Informax: Great Guildersleeve," 7 ½ ips. 4. VCRT: 1. "Blondie"; Music Break: "Let's Dance On" (Goodman); 2. "The Sixshooter"; 7 ½ ips. 5. "X-1", "Episode 2: Martian Death March," 28 minutes. 6. VCRT:1/27/n.y., "Halls oflvy; Archie." 7. VCRT: The Clock: "The Angel with Two Faces, Parts 1 and 2," 7 ½ ips., 25 minutes, 39 seconds; 2 copies. 8. "Old Time Radio Day on WBUR FM," 7 ½ ips. 9. "Dimension X", "Episode 11: A Logic Named Joe," 27 minutes, 4 7 seconds. 10. "War of the Worlds, reel 1 of 2, 30 minutes. 11. VCRT, Side One: Mercury Theatre, "Dracula (1938);" Side Two: a. Molly Mystery Theatre, "The Creeper (1946)"; b. "The Shadow," "White God (1937)," 3 3/4 ips. 12 Not labeled, marked "10." 1 13. VCRT: 1. "The Great Guildersleeve"; Music Break: The Big Band Sound featuring the song "I'm Beginning to See the Light"; 2. The Snow Village Sketches. 14. VCRT: 1. "People are Funny"; Music Break: "Boogie Blues" (Gene Krupa); 2. Dr. Kildare; 3 3/4 ips., 57 minutes, 52 seconds. 15. TH: "Life ofFredrich Chopin Part II," 7/28/n.y.; 7 ½ ips., 30 minutes. 16. Not labeled, marked "9." Box2 17. VCRT: 1. "Challenge of the Yukon"; Music Break: "Three Little Fishes" (Glenn Miller); 2. "Mel Blanc"; Fill Music: Glenn Miller, "Moon Love," "Little Brown Jug," "Back to Back." 18. Shakespeare's Julius Caesar, 3 3/4 ips., 134 minutes, 4 seconds. 19. VCRT: "The Sealed Book," "Episode 8: Stranger in the House." 20. TH: "Mougli's Brothers," 7 ½ ips. 30 minutes, 11/11/n.y. 21. TH: Dr. Jekyll and Mr. Hyde, "Episode 13L," 7 ½ ips., 27 minutes,8/27 /n.y. 22. TH: The Bronze Bow. a "Part I," 7 ½ ips. 30 minutes, 8/18/n.y. b "Part II," 7 ½ ips. 30 minutes, 8/25/n.y. 23. TH: The Door in the Wall, "Part I," 7 ½ ips. 30 minutes, 3/27n.y. 24. The Treetops Show: The Green Hornet, "Woman in the Case," 7 ½ ips., 30 minutes, 10/7/n.y. 25. VCRT: 3/17/n.y. 26. VCRT: Inner Sanctum and Suspense. a. Inner Sanctum, "Death is a Double Crosser;" Suspense, "Marry for Murder"; "'Cabin in the Sky' - Helen Forrest," 62 minutes, 54 seconds, 1/5/n.y. b. Inner Sanctum, "Catch a Killer"; Suspense, "Man Alive with Paul Douglas"; "Lover," Peggy Lee; 3 3/4 ips., 59 minutes, 24 seconds, 8/11/n.y. 27. VCRT: 1. "Aldrich Family," "Episode 25"; 2. "Great Guildersleeve", "Episode 47"; 3 3/4 ips., 57 minutes, 36 seconds, 12/3/n.y. 28. TH: "Life of Friedrich Chopin", "Part I," 7 ½ ips., 30 minutes, 7/21/n.y. 29. TH: "The Perilous Road", "Part I," 7 ½ ips., 30 minutes, 7/7/n.y. 30. TH: "Horton Lays an Egg - Ali Baba," 7 ½ ips., 31 minutes, 11/18/n.y. 2 31. TH: "Life and Times of Mozart," "Conclusion," 7 ½ ips., 30 minutes, 6/30/n.y. 32. VCRT: "The Shadow." Box 3 a. "Phantom Voyage;" "Death is an Art," 3 3/4 ips. Box4 b. "The Creeper"; "Seance with Death," 3 3/4 ips. c. "Death at the Rails"; "A Gift of Murder"; "Carnival of Death," 3 3/4 ips. d. "Death Takes the Wheel"; "Bones of the Dragon," 3 3/4 ips. e. "Mark of the Black Widow"; " Reflections of Death." f. "Comic Strip Killer" and "Murder Underground," 3 3/4 ips., 3/10/n.y. g. "The Nursery Rhyme Murders," 7 ½ ips., 9/16/n.y. h. "Night Marauders"; " Voodoo," 3 3/4 ips., 11/11/n.y. 1. "House That Death Built"; "Murder and the Medium"; "Death Rides High," 3 3/4 ips.; March 31-April 19, n.y. Box3 33. VCRT: "Passing Parade with John Doremus." 34. VCRT: Side 1. "Gangbusters"; Side 2. "Gangbusters." 35. "A Brief History of the Golden Age of Radio (with excerpts)," by VC, 7 ½ ips., 22 minutes, 2 copies. 36. VCRT: The Green Hornet. a. "Circumstances After Cases"; "Bait for a Two- Timer"; "Justice Weaves a Blindfold," 3 3/4 ips. b. "A Question of Time," 3 3/4 ips., 5/11/n.y. 37. TH: Jack Benny; Hansel and Gretel; 7 ½ ips., 30 minutes, 1/13/n.y. 38. TH: The Canterville Ghost, "Pt. II, #13K," 7 ½ ips., 26 minutes, 35 seconds., 8/20/n.y. 39. TH: Beethoven, "Pt. II," 7 ½ ips., 30 minutes; 5/5/n.y. 40. TH: Alice in Wonderland, "Pt. I, #13G," 7 ½ ips., 30 minutes, 20 seconds, 7 /23/n.y. Box4 41. VCRT: 1. The Aldrich Family; 2. Archie Andrews. 42. "Minority Programming at WBUR," 10 minutes, 30 seconds. 43. "Milton Berle Thanksgiving." 44. "Commercial for the 'Muse,' a musical instrument," 7 ½ ips. 45. VCRT: Arch Oboler Radio Drama. 46. 1. Life of Riley, "Episode 25"; 2. Great Guildersleeve, "Episode 7"; 3 3/4 ips., 50 minutes, 56 seconds, 11/26/n.y. 3 Box 3 B. 5" tapes. 1. VCRT: "Middle Sponsor Spot #2," 7 ½ ips., 2 minutes, 47 seconds. 2. "WAARC 'Bell Tolls' 30 seconds, Poor Audio." 3. "l. 'Talk Their Language ... '; 2. 'Tired of the Same Old Radio Commercials ... '," 7 ½ ips. 4. "Christmas Shows Demo." 5. VCRT "Promotion: With Weather," 7 ½ ips. 6. Van Christo Mystery Theatre: "l. Open, 1 minute, 52 seconds," "Close, 45 seconds." 7. VCRT Promotion as heard on WCRB Radio; Promotion for The Shadow, 7 ½ ips. 8. "Pilgrim Press: spot 1. Military Complex; spot 2. Same Sex; spot 3. Hombre Nuevo," 7 ½ ips. 9. "Radio promos for The Devil and Mr. 'O '," 7 ½ ips. 10. "Male Announcers - Samples," 43 samples included. I 11. VCRT: "Song: 'I Had the Craziest Dream,' by Helen Forrest," 7 ½ ips. 12. "Albanian Orthodox Bishop Stefan," 7 ½ ips. 13. "Tired of the Same Old Radio Commercials ... ," 60 seconds. 14. "Interview with VC, Advertising Executive," 7 ½ ips., 7 minutes. 15. "James Kelley Demo Tape," 7 ½ ips. C Dated Reels, 7". Box 1 1. "1950, Duffy's Tavern with Jeff Chandlier," 21:42 fade music, 31 :30." 2. VCRT: "The Lone Ranger." a. "The Notorious El Diablo," 7 ½ ips, 2/23/69. b. "The Infernal Machine," 7 ½ ips, 12/30/78 (also cf. Box 2). Box2 c. "'Shrimp' Butler," 7 ½ ips., 10/5/69. d "Marked for Murder," 7 ½ ips., 10/12/69. Box 3 e. "The Badlands," 7 ½ ips., 4/27/69. Box 1 3. VCRT: "Gunsmoke": "Man Who Lives By The Sword"; 2. The Shadow: "Spider Boy," 3 3/4 ips, 7/21/74. 4. VCRT: "Gunsmoke": "The Man Hunter," 3 3/4 ips., 52 minutes, 9/4/75. 5. VCRT: 1. "Gunsmoke," "Jezera Cobb"; 2. The Shadow: "The Ghost Walks Again"; 3 3/4 ips, 6/19/76. 6. VCRT: "Life of Riley" and "Great Guildersleeve." a. 1. "Life of Riley," "Episode 6", 2. "Great Guildersleeve", "Episode 9," 3 3/4 ips., 2/26/77. 4 b. 1. "Great Guildersleeve", "Episode 154"; 2. "Life of Riley," "Episode 9," 3 3/4 ips., 57 minutes, 35 seconds, 4/9/77. c. 1. "Life of Riley," "Episode 24"; 2. "Great Guildersleeve", "Episode 45"; 3 3/4 ips., 55 minutes, 36 seconds, 11/12/77. Box2 d. 1. "Great Guildersleeve", "Episode 23"; 2. "Life of Riley", "Episode 13"; 3 3/4 ips., 58 minutes, 15 seconds, 6/4/77. e. 1. "Life of Riley", "Episode 19"; 2. "Great Guildersleeve," "Episode 35"; 3 3/4 ips., 59 minutes, 32 seconds, 8/27/77. f 1. Great Guildersleeve, "Episode 17"; 2. Life of Riley, "Episode 10"; 3 3/4 ips., 55 minutes, 15 seconds, 12/17177. Box3 g. 1. Life of Riley, "Episode 14"; 2. "Great Guildersleeve", "Episode 25"; 3 3/4 ips., 57 minutes, 6/18/77. Box4 h. 1. "Life of Riley," "Episode 7"; 2. "Great Guildersleeve," "Episode 11"; 3 3/4 ips., 3/12/77. 1 1. "Life of Riley," "Episode 12"; 2. "Great Guildersleeve," "Episode 2"; 3 3/4 ips., 54 minutes, 20 seconds, 5/21/77. J. 1. "Great Guildersleeve," "Episode 29"; 2. Life of Riley, "Episode 16"; 3 3/4 ips., 59 minutes, 34 seconds, 7/16/77. k. 1. "Life of Riley," "Episode 18"; 2. Great Guildersleeve, "Episode 33"; 3 3/4 ips., 56 minutes, 34 seconds, 8/13/77. 1. 1. Great Guildersleeve, "Episode 37"; 2. Life of Riley, "Episode 20"; 3 3/4 ips., 57 minutes, 30 seconds, 9/10/77. 7. VCRT: "Aldrich Family" and "Great Guildersleeve." Box 1 a. 1. "Aldrich Family," "Episode 159"; 2. "Great Guildersleeve," "Episode 28"; 3 3/4 ips., 59 minutes, 7 seconds, 7/7 /77.
Recommended publications
  • The-Hitchhiker-By-Lucille-Fletcher
    1 Short Story of the Month Table of Contents "The Hitchhiker" by Lucille Fletcher Terms of Use 2 Table of Contents 3 List of Activities, Difficulty Levels, and Common Core Alignment 4 Digital Components/Google Classroom Guide 5 Teaching Guide, Rationale, Lesson Plans, and Procedures: EVERYTHING 6-11 Activity 1: Story Devices Interactive Notebook Lesson 12-14 Activity 2: Story Devices Practice w/Key 15-18 Activity 3: Hitchhiker Play Prep Instructions & Role Sheet 19-20 Activity 6: Annotation Guide (Story Devices) 21-23 Activity 7: Basic Comprehension Quiz (Recall Facts and Details) w Key 24-25 Activity 9: Audio Analysis Guide w/Key 26-27 Activity 10: Find Evidence That… Text-Dependent Questions Activity w/Key 28-29 Activity 11: Diagramming a Story Organizer w/Answer Key 30-31 Activity 12: Plot Diagram Quiz w/Key 32-33 Activity 13: Vocabulary Guide – Standardized Test Vocabulary Practice w/Key 34-37 Activity 14: Story Analysis: Plot Development Questions w/Key 38-39 Activity 15: The Hitchhiker Video Analysis w/Key 40-47 Activity 16: Comprehension Skills Test 48-53 Activity 17: Write a Narrative Ending Prewriting Organizer & Rubric 54-55 Activity 18: Nonfiction Paired Text: “Why Is Fear Fun?” 56 Activity 19: Nonfiction Skills Analysis Activity 57-60 Activity 20: Essential Question (Putting It All Together) 61-62 TEKS Alignment 63 3 ©2017 erin cobb imlovinlit.com Short Story of the Month Teacher’s Guide "The Hitchhiker" by Lucille Fletcher Activities, Difficulty Levels, and Common Core Alignment List of Activities & Standards Difficulty Level: *Easy **Moderate ***Challenge Activity 1: Story Devices Lesson** RL.6.3, RL.6.5 Activity 2: Story Devices Practice** RL.6.3, RL.6.5 Activity 3: Hitchhiker Play Prep* SL.6.1, SL.6.2 Activity 4: Journal Activity* SL.6.1 Activity 5: First Read: Play Performance** SL.6.1, SL.6.2, SL.6.5 Activity 6: Annotation Guide (Story Devices)** RL.6.1, RL.6.3, RL.6.5 Activity 7: Comprehension Quiz* RL.6.1 Activity 8: Radio Play Audio Performance* SL.6.2, RL.6.1, RL.6.3 Activity 9: Audio Analysis Guide** RL.6.7.
    [Show full text]
  • Back Listeners: Locating Nostalgia, Domesticity and Shared Listening Practices in Contemporary Horror Podcasting
    Welcome back listeners: locating nostalgia, domesticity and shared listening practices in Contemporary horror podcasting. Danielle Hancock (BA, MA) The University of East Anglia School of American Media and Arts A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy January 2018 Contents Acknowledgements Page 2 Introduction: Why Podcasts, Why Horror, and Why Now? Pages 3-29 Section One: Remediating the Horror Podcast Pages 49-88 Case Study Part One Pages 89 -99 Section Two: The Evolution and Revival of the Audio-Horror Host. Pages 100-138 Case Study Part Two Pages 139-148 Section Three: From Imagination to Enactment: Digital Community and Collaboration in Horror Podcast Audience Cultures Pages 149-167 Case Study Part Three Pages 168-183 Section Four: Audience Presence, Collaboration and Community in Horror Podcast Theatre. Pages 184-201 Case Study Part Four Pages 202-217 Conclusion: Considering the Past and Future of Horror Podcasting Pages 218-225 Works Cited Pages 226-236 1 Acknowledgements With many thanks to Professors Richard Hand and Mark Jancovich, for their wisdom, patience and kindness in supervising this project, and to the University of East Anglia for their generous funding of this project. 2 Introduction: Why Podcasts, Why Horror, and Why Now? The origin of this thesis is, like many others before it, born from a sense of disjuncture between what I heard about something, and what I experienced of it. The ‘something’ in question is what is increasingly, and I believe somewhat erroneously, termed as ‘new audio culture’. By this I refer to all scholarly and popular talk and activity concerning iPods, MP3s, headphones, and podcasts: everything which we may understand as being tethered to an older history of audio-media, yet which is more often defined almost exclusively by its digital parameters.
    [Show full text]
  • Anthology Drama: the Case of CBS Les Séries Anthologiques Durant L’Âge D’Or De La Télévision Américaine : Le Style Visuel De La CBS Jonah Horwitz
    Document generated on 09/26/2021 8:52 a.m. Cinémas Revue d'études cinématographiques Journal of Film Studies Visual Style in the “Golden Age” Anthology Drama: The Case of CBS Les séries anthologiques durant l’âge d’or de la télévision américaine : le style visuel de la CBS Jonah Horwitz Fictions télévisuelles : approches esthétiques Article abstract Volume 23, Number 2-3, Spring 2013 Despite the centrality of a “Golden Age” of live anthology drama to most histories of American television, the aesthetics of this format are widely URI: https://id.erudit.org/iderudit/1015184ar misunderstood. The anthology drama has been assumed by scholars to be DOI: https://doi.org/10.7202/1015184ar consonant with a critical discourse that valued realism, intimacy and an unremarkable, self-effacing, functional style—or perhaps even an “anti-style.” See table of contents A close analysis of non-canonical episodes of anthology drama, however, reveals a distinctive style based on long takes, mobile framing and staging in depth. One variation of this style, associated with the CBS network, flaunted a virtuosic use of ensemble staging, moving camera and attention-grabbing Publisher(s) pictorial effects. The author examines several episodes in detail, demonstrating Cinémas how the techniques associated with the CBS style can serve expressive and decorative functions. The sources of this style include the technological limitations of live-television production, networks’ broader aesthetic goals, the ISSN seminal producer Worthington Miner and contemporaneous American 1181-6945 (print) cinematic styles. 1705-6500 (digital) Explore this journal Cite this article Horwitz, J. (2013). Visual Style in the “Golden Age” Anthology Drama: The Case of CBS.
    [Show full text]
  • Old Radio Times Old Radio Times
    Changed with the DEMO VERSION of CAD-KAS PDF-Editor (http://www.cadkas.com). The OLD RADIO TIMES The Official Publication of the Old-Time Radio Researchers January 2006 1,275 readers and growing! Number 2 Contents An Amos ‘N’ Andy Christmas Special Features John Liska An Amos ‘N’ Andy Beginning in 1940, the Amos ‘N’ Andy show did a yearly Christmas special. Its early Christmas 1 versions were centered around Amos explaining the meaning of the Lord's Prayer to his A History of daughter, Arbadella. By 1943 the show had expanded to a half-hour format and included Andy Syndicated Radio 5 taking Arbadella around town and playing Santa to get her a talking doll. Documentation is It was previously believed that surviving example of these shows were simply replays year Where You Find It 8 after year. After some close examination and a little help from Ms. Elisabeth McLeod, I have – Mp3’s Bad Name 9 so far – found eight different versions, ranging in date from 1941 through 1954. Ted Follow-Up 11 While not all the dates are certain, the following will help you determine which version of Standards for OTRR the show you're listening to: Certified Series 11 1941 Broadway Follow-Up 12 Amos explains to Andy how they saved their tree lights from the previous year, and added a string this year. Book Review 12 Andy brought a rattle for the baby. Researchers Make the Cut 16 1942 Remembering 17 Amos explains to Andy that they have extra bulbs for their Christmas Tree.
    [Show full text]
  • Billie's Message: an Original Dance-Drama in the Modern Dance Idiom
    UNLV Retrospective Theses & Dissertations 1-1-1990 Billie's Message: An original dance-drama in the modern dance idiom Vicki Lynn Dale University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/rtds Repository Citation Dale, Vicki Lynn, "Billie's Message: An original dance-drama in the modern dance idiom" (1990). UNLV Retrospective Theses & Dissertations. 30. http://dx.doi.org/10.25669/f8vl-dzbd This Thesis is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Thesis has been accepted for inclusion in UNLV Retrospective Theses & Dissertations by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photo­ graph and reproduce this manuscript from.the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction.
    [Show full text]
  • The Digital Deli Online - List of Known Available Shows As of 01-01-2003
    The Digital Deli Online - List of Known Available Shows as of 01-01-2003 $64,000 Question, The 10-2-4 Ranch 10-2-4 Time 1340 Club 150th Anniversary Of The Inauguration Of George Washington, The 176 Keys, 20 Fingers 1812 Overture, The 1929 Wishing You A Merry Christmas 1933 Musical Revue 1936 In Review 1937 In Review 1937 Shakespeare Festival 1939 In Review 1940 In Review 1941 In Review 1942 In Revue 1943 In Review 1944 In Review 1944 March Of Dimes Campaign, The 1945 Christmas Seal Campaign 1945 In Review 1946 In Review 1946 March Of Dimes, The 1947 March Of Dimes Campaign 1947 March Of Dimes, The 1948 Christmas Seal Party 1948 March Of Dimes Show, The 1948 March Of Dimes, The 1949 March Of Dimes, The 1949 Savings Bond Show 1950 March Of Dimes 1950 March Of Dimes, The 1951 March Of Dimes 1951 March Of Dimes Is On The Air, The 1951 March Of Dimes On The Air, The 1951 Packard Radio Spots 1952 Heart Fund, The 1953 Heart Fund, The 1953 March Of Dimes On The Air 1954 Heart Fund, The 1954 March Of Dimes 1954 March Of Dimes Is On The Air With The Fabulous Dorseys, The 1954 March Of Dimes Is On The Air, The 1954 March Of Dimes On The Air 1955 March Of Dimes 1955 March Of Dimes Is On The Air, The 1955 March Of Dimes, The 1955 Pennsylvania Cancer Crusade, The 1956 Easter Seal Parade Of Stars 1956 March Of Dimes Is On The Air, The 1957 Heart Fund, The 1957 March Of Dimes Galaxy Of Stars, The 1957 March Of Dimes Is On The Air, The 1957 March Of Dimes Presents The One and Only Judy, The 1958 March Of Dimes Carousel, The 1958 March Of Dimes Star Carousel, The 1959 Cancer Crusade Musical Interludes 1960 Cancer Crusade 1960: Jiminy Cricket! 1962 Cancer Crusade 1962: A TV Album 1963: A TV Album 1968: Up Against The Establishment 1969 Ford...It's The Going Thing 1969...A Record Of The Year 1973: A Television Album 1974: A Television Album 1975: The World Turned Upside Down 1976-1977.
    [Show full text]
  • The Artie Shaw Orchestra
    The Artie Shaw Orchestra On the eve of America's entry into World War II, TIME magazine reported that to the German masses the United States meant "sky-scrapers, Clark Gable, and Artie Shaw." Some 42 years after that, in December l983, Artie Shaw made a brief return to the bandstand, after thirty years away from music, not to play his world-famous clarinet but to launch his latest (and still touring) orchestra at the newly refurbished Glen Island Casino in New Rochelle, New York. This new Artie Shaw Orchestra remains one of the swingingest outfits around. Featuring clarinetist Matt Koza, the group hews to the Shaw legacy, and continues with the time-tested formula that has always pleased a full spectrum of audiences from the “Begin the Beguine” fans of yesteryear to the new jazz fans who want to imbibe in an exciting and heady evening of Swing. A Brief History Artie Shaw was born in New York City on May 23, 1910 and was in the top echelon of bandleader/soloists from the great swing era of 1935-45. He made his first public appearance as a leader in 1936, in a Swing Concert (history’s first) held at Broadway’s Imperial Theatre. Shaw could scarcely have known that within a short time he would make a hit record of a song called “Begin the Beguine,” which he once jokingly refers to as “a nice little tune from one of Cole Porter’s very few flop shows.” Shortly before that he had hired Billie Holiday as his band vocalist (the first white bandleader to employ a black female singer as a full-time member of his band).
    [Show full text]
  • Soundies Research
    Soundies Disc 1 Golden Oldies Opening & © notice Listed in the order they appear on the disc: Del Casino Surrender 1946 Three Suns with Artie Dunn Beyond the Blue Horizon 1944 Emil Coleman with June Barton Gotta Be This or That 1945 Six Hits and a Miss Sweet Sue, Just You 1941 Harry Cool Stardust 1945 Yvonne De Carlo with Spike Jones band Lamp of Memory 1942 Ray Bloch with Carolyn Marsh I Can’t Give You Anything But Love Baby 1941 Seven Sarongs Heaven Help a Sailor 1941 Zarek and Zarina Male Order 1941 3 Car Hops At Your Service 1941 Juvenile Jubilee with Merle Pitt I Don’t Want to Walk W/out You 1942 Thelma White Hollywood Boogie 1946 Andy Iona Orchestra Tropical Swingaroo 1941 Johnny Long and Orchestra Maria Elena 1943 Varios and Vida (dancers) Begin the Beguine 1943 Larry Clinton Semper Fidelis 1943 Johnny Long In a Shanty In Old Shanty Town 1943 Billy MacDonald & His Highlanders Playmates 1944 Jimmy Dorsey Bar Babble 1943 Jimmy Dorsey with Helen O’Connell Man That’s Groovy 1943 Jimmy Dorsey La Rosita 1943 Gene Krupa with Anita O’Day Let Me Off Uptown 1942 Gene Krupa with Anita O’Day Thanks for the Boogie Ride 1942 Al Donahue with Ellen Connor Java Jive 1943 Al Donahue with Phil Brito Lonesome Road 1943 Victor Young Hold That Tiger 1940 Al Donahue Anvil Chorus 1943 Al Donahue with Ellen Connor Jumpin’ at the Juke Box 1943 Will Bradley Boardwalk Boogie 1941 Will Bradley Barnyard Bounce 1941 Johnny Long Boogie Man 1943 Charlie Spivak Hop, Skip and Jump 1942 Johnny Long It Must Be Jelly 1946 Nat King Cole Frim Fram Sauce 1945 Nat King Cole Calypso Girl (?) Mills Brothers Cielito Lindo 1944 Cab Calloway Minnie the Moocher 1942 Soundies Disc 2 All of these are Soundies except the Artie Shaw number from Second Chorus.
    [Show full text]
  • The Criminal Underworlds of Nicolas Winding Refn
    The Philosophical Journal of Conflict and Violence Vol. IV, Issue 2/2020 © The Authors 2020 Available online at http://trivent-publishing.eu/ Slicing Up Eyeballs: The Criminal Underworlds of Nicolas Winding Refn M. Blake Wilson Department of Criminal Justice, California State University, Stanislaus, USA Abstract: From Buñuel and Dali’s Un Chien Andalou to recent works by Danish filmmaker Nicolas Winding Refn, the cinematic destruction of the eye has become iconic due to its striking effect upon film spectators’ visceral experiences as well as its ability to influence their symbolic or fetishistic desires. By exploiting the natural discomfort and disgust produced by these types of images and then situating them within an aesthetic and psychoanalytic framework, Refn and other filmmakers provide a visual showcase for a unique type of cinematic violence, one which demands that viewers reappraise the value of their own eyes as well as the values which reflect social attitudes towards law enforcement, crime, and justice. Keywords: Eyes; Film; Film Noir; Jacques Lacan; Philosophy; Nicolas Winding Refn; Violence. DOI: 10.22618/TP.PJCV.20204.2.1763002 The PJCV Journal is published by Trivent Publishing This is an Open Access article distributed in accordance with the Creative Commons Attribution Non Commercial (CC- BY-NC-ND 4.0) license, which permits others to copy or share the article, provided original work is properly cited and that this is not done for commercial purposes. Users may not remix, transform, or build upon the material and may not distribute the modified material (http://creativecommons.org/licenses/by-nc/4.0/) Slicing Up Eyeballs: The Criminal Underworlds of Nicolas Winding Refn M.
    [Show full text]
  • 744 101St Chase and Sandborn Show Anniversary Show
    744 101ST CHASE AND SANDBORN SHOW ANNIVERSARY SHOW NBC 60 EX COM 5008 10-2-4 RANCH #153 1ST SONG HOME ON THE RANGE CBS 15 EX COM 5009 10-2-4 RANCH #154 1ST SONG UNTITLED SONG CBS 15 EX COM 5010 10-2-4 RANCH #155 1ST SONG BY THE SONS OF THE PIONEERS CBS 15 EX COM 5011 10-2-4 RANCH #156 1ST SONG KEEP AN EYE ON YOUR HEART CBS 15 EX COM 2951 15 MINUTES WITH BING CROSBY #1 1ST SONG JUST ONE MORE CHANCE 9/2/1931 8 VG SYN 4068 1949 HEART FUND THE PHIL HARRIS-ALICE FAYE SHOW 00/00/1949 15 VG COM 588 20 QUESTIONS 4/6/1946 30 VG- 246 20 QUESTIONS #135 12/1/48 AFRS 30 VG AFRS 247 20 QUESTIONS #137 1/8/1949 AFRS 30 VG AFRS 592 20 QUESTIONS WET HEN MUT. 30 VG- 2307 2000 PLUS THE ROCKET AND THE SKULL 30 VG- SYN 2308 2000 PLUS A VETRAN COMES HOME 30 VG- SYN 4069 A & P GYPSIES 1ST SONG IT'S JUST A MEMORY 00/00/1933 NBC 37 VG+ 1017 A CHRISTMAS PLAY #325 THESE THE HUMBLE (SCRATCHY) 30 G-VG SYN 2003 A DATE WITH JUDY WITH JOSEPH COTTON 2/6/1945 NBC 30 VG COM 938 A DATE WITH JUDY #86 WITH CHARLES BOYER AFRS 30 VG AFRS 2488 ABBOTT AND COSTELLO WITH MARLENA DETRICH 10/15/1942 NBC 30 VG+ COM 2489 ABBOTT AND COSTELLO WITH LUCILLE BALL 11/18/1943 NBC 30 VG+ COM 4071 ABBOTT AND COSTELLO WITH LYNN BARI 12/16/1943 NBC 30 VG COM 4072 ABBOTT AND COSTELLO WITH THE ANDREW SISTERS 12/26/1943 NBC 30 VG COM 2490 ABBOTT AND COSTELLO WITH BERT GORDON 12/30/1943 NBC 30 VG+ COM 2491 ABBOTT AND COSTELLO WITH JUDY GARLAND 1/6/1944 NBC 30 VG+ COM 2492 ABBOTT AND COSTELLO WITH HAROLD PERRY 1/20/1944 NBC 30 VG+ COM 4073 ABBOTT AND COSTELLO WITH THE GREAT GILDERSLEEVE 1/20/1944 NBC
    [Show full text]
  • Conyers Old Time Radio Presents the Scariest Episodes of OTR
    Conyers Old Time Radio Presents the Scariest Episodes of OTR Horror! Playlist runs from ~6:15pm EDT October 31st through November 4th (playing twice through) War of the Worlds should play around 8pm on October 31st!! _____________________________________________________________________________ 1. OTR Horror ‐ The Scariest Episodes Of Old Time Radio! Fear You Can Hear!! (1:00) 2. Arch Oboler's Drop Dead LP ‐ 1962 Introduction To Horror (2:01) 3. Arch Oboler's Drop Dead LP ‐ 1962 The Dark (8:33) 4. Arch Oboler's Drop Dead LP ‐ 1962 Chicken Heart (7:47) 5. Quiet Please ‐ 480809 (060) The Thing On The Fourble Board (23:34) 6. Escape ‐ 491115 (085) Three Skeleton Key starring Elliott Reid, William Conrad, and Harry Bartell (28:50) 7. Suspense ‐ 461205 (222) House In Cypress Canyon starring Robert Taylor and Cathy Lewis (30:15) 8. The Mercury Theatre On The Air ‐ 381030 (17) The War Of The Worlds starring Orson Welles (59:19) 9. Fear on Four ‐ 880103 (01) The Snowman Killing (28:41) 10. Macabre ‐ 620108 (008) The Edge of Evil (29:47) 11. Nightfall ‐ 800926 (13) The Repossession (30:49) 12. CBS Radio Mystery Theater ‐ 740502 (0085) Dracula starring Mercedes McCambridge (44:09) 13. Suspense ‐ 550607 (601) Mary Shelley's Frankenstein starring Stacy Harris and Herb Butterfield (24:27) 14. Mystery In The Air ‐ 470814 (03) The Horla starring Peter Lorre (29:49) 15. The Weird Circle ‐ 450429 (74) Dr. Jekyll And Mr. Hyde (27:20) 16. The Shadow ‐ 430926 (277) The Gibbering Things starring Bret Morrison and Marjorie Anderson (28:24) 17. Lights Out ‐ 470716 (002) Death Robbery starring Boris Karloff (29:16) 18.
    [Show full text]
  • Introduction to the Complete Directory to Prime Time Network and Cable TV Shows
    Broo_9780345497734_2p_fm_r1.qxp 7/31/07 10:32 AM Page ix INTRODUCTION In the following pages we present, in a sin- eral headings. For example, newscasts are gle volume, a lifetime (or several lifetimes) of summarized under News, movie series under television series, from the brash new medium Movies and sports coverage under Football, of the 1940s to the explosion of choice in the Boxing, Wrestling, etc. All other series are 2000s. More than 6,500 series can be found arranged by title in alphabetical order. There here, from I Love Lucy to Everybody Loves is a comprehensive index at the back to every Raymond, The Arthur Murray [Dance] Party cast member, plus appendixes showing an- to Dancing with the Stars, E/R to ER (both nual network schedules at a glance, the top with George Clooney!), Lost in Space to Lost 30 rated series each season, Emmy Awards on Earth to Lost Civilizations to simply Lost. and other information. Since the listings are alphabetical, Milton Network series are defined as those fed out Berle and The Mind of Mencia are next-door by broadcast or cable networks and seen si- neighbors, as are Gilligan’s Island and The multaneously across most of the country. Gilmore Girls. There’s also proof that good Broadcast networks covered are ABC, CBS, ideas don’t fade away, they just keep coming NBC, Fox, CW, MyNetworkTV, ION (for- back in new duds. American Idol, meet merly PAX) and the dear, departed DuMont, Arthur Godfrey’s Talent Scouts. UPN and WB. We both work, or have worked, in the TV Original cable series are listed in two dif- industry, care about its history, and have ferent ways.
    [Show full text]