Radio Recall Index of Major Articles from 2001 to the Current Issue
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Back Listeners: Locating Nostalgia, Domesticity and Shared Listening Practices in Contemporary Horror Podcasting
Welcome back listeners: locating nostalgia, domesticity and shared listening practices in Contemporary horror podcasting. Danielle Hancock (BA, MA) The University of East Anglia School of American Media and Arts A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy January 2018 Contents Acknowledgements Page 2 Introduction: Why Podcasts, Why Horror, and Why Now? Pages 3-29 Section One: Remediating the Horror Podcast Pages 49-88 Case Study Part One Pages 89 -99 Section Two: The Evolution and Revival of the Audio-Horror Host. Pages 100-138 Case Study Part Two Pages 139-148 Section Three: From Imagination to Enactment: Digital Community and Collaboration in Horror Podcast Audience Cultures Pages 149-167 Case Study Part Three Pages 168-183 Section Four: Audience Presence, Collaboration and Community in Horror Podcast Theatre. Pages 184-201 Case Study Part Four Pages 202-217 Conclusion: Considering the Past and Future of Horror Podcasting Pages 218-225 Works Cited Pages 226-236 1 Acknowledgements With many thanks to Professors Richard Hand and Mark Jancovich, for their wisdom, patience and kindness in supervising this project, and to the University of East Anglia for their generous funding of this project. 2 Introduction: Why Podcasts, Why Horror, and Why Now? The origin of this thesis is, like many others before it, born from a sense of disjuncture between what I heard about something, and what I experienced of it. The ‘something’ in question is what is increasingly, and I believe somewhat erroneously, termed as ‘new audio culture’. By this I refer to all scholarly and popular talk and activity concerning iPods, MP3s, headphones, and podcasts: everything which we may understand as being tethered to an older history of audio-media, yet which is more often defined almost exclusively by its digital parameters. -
The Criminal Underworlds of Nicolas Winding Refn
The Philosophical Journal of Conflict and Violence Vol. IV, Issue 2/2020 © The Authors 2020 Available online at http://trivent-publishing.eu/ Slicing Up Eyeballs: The Criminal Underworlds of Nicolas Winding Refn M. Blake Wilson Department of Criminal Justice, California State University, Stanislaus, USA Abstract: From Buñuel and Dali’s Un Chien Andalou to recent works by Danish filmmaker Nicolas Winding Refn, the cinematic destruction of the eye has become iconic due to its striking effect upon film spectators’ visceral experiences as well as its ability to influence their symbolic or fetishistic desires. By exploiting the natural discomfort and disgust produced by these types of images and then situating them within an aesthetic and psychoanalytic framework, Refn and other filmmakers provide a visual showcase for a unique type of cinematic violence, one which demands that viewers reappraise the value of their own eyes as well as the values which reflect social attitudes towards law enforcement, crime, and justice. Keywords: Eyes; Film; Film Noir; Jacques Lacan; Philosophy; Nicolas Winding Refn; Violence. DOI: 10.22618/TP.PJCV.20204.2.1763002 The PJCV Journal is published by Trivent Publishing This is an Open Access article distributed in accordance with the Creative Commons Attribution Non Commercial (CC- BY-NC-ND 4.0) license, which permits others to copy or share the article, provided original work is properly cited and that this is not done for commercial purposes. Users may not remix, transform, or build upon the material and may not distribute the modified material (http://creativecommons.org/licenses/by-nc/4.0/) Slicing Up Eyeballs: The Criminal Underworlds of Nicolas Winding Refn M. -
The Inventory of the Van Christo Radio Theatre Collection #1589
The Inventory of the Van Christo Radio Theatre Collection #1589 Howard Gotlieb Archival Research Center Van Christo Radio Collection 10/26/00 Preliminary Listing Note: VCRT = Van Christo Radio Theater; TH= Tree House. Dates refer to broadcast dates for VC's radio programs, not original creation or broadcast dates (unless otherwise noted). I. Audio. A. 7 11 reel to reels. Box 1 1. Not labeled, marked "8." 2. "The Lone Ranger." a. VCRT: "Tunnel to Trouble" and "Guilty Knowledge," 3 3/4 ips, 25 minutes. b. VCRT: "Trouble at the Rafter 'H' ," "Dead Man," "Marked for Murder," 3 3/4 ips. c. VCRT: "Kill or Be Killed," "Birthday for Billy," 3 3/4 ips. d. VCRT: "The Wrong Man," "The Witness," "Boots and the Rodeo," 3 3/4 ips. e. VCRT: "Call to the Colors," "Teacher's Brother," "The Fugitive," 3 3/4 ips. Box4 f. VCRT: "The Count of Three," 7 ½ ips. g. VCRT: "The Count of Three;" "Telescope Clue;" "Marked for Death," 3 3/4 ips. h. TH: "The Wrong Man," 7 ½ ips., 30 minutes, 9/30/n.y. Box 1 3. "Series: Informax: Great Guildersleeve," 7 ½ ips. 4. VCRT: 1. "Blondie"; Music Break: "Let's Dance On" (Goodman); 2. "The Sixshooter"; 7 ½ ips. 5. "X-1", "Episode 2: Martian Death March," 28 minutes. 6. VCRT:1/27/n.y., "Halls oflvy; Archie." 7. VCRT: The Clock: "The Angel with Two Faces, Parts 1 and 2," 7 ½ ips., 25 minutes, 39 seconds; 2 copies. 8. "Old Time Radio Day on WBUR FM," 7 ½ ips. 9. "Dimension X", "Episode 11: A Logic Named Joe," 27 minutes, 4 7 seconds. -
THE THIRD MAN Involved in an Opium-Smuggling Operation
CD 7A: “Every Frame Has a Silver Lining” - 10/26/1951 Passing through Iran, Harry becomes THE THIRD MAN involved in an opium-smuggling operation. Lives of Harry Lime CD 7B: “Mexican Hat Trick” - 11/02/1951 Program Guide by Elizabeth McLeod Down on his luck in Mexico, opportunity Orson Welles in The Third Man beckons Harry…thanks to a pickpocket! It’s a hard job being a middle-aged wunderkind, especially in show business -- where you’re only as good as your last big success. And CD 8A: “Art Is Long and Lime Is Fleeting” - 11/09/1951 as Orson Welles moved into his mid-thirties, the triumphs of his youth The painting Harry’s trying to sell isn’t really a Renoir, but does that seemed increasingly remote. The Mercury Theatre was just a memory, really matter? and so was the bold 1930s experimental theatre scene that gave it life. Postwar America, with its increasing restrictions on intellectual freedom CD 8B: “In Pursuit of a Ghost” - 11/16/1951 and its suspicion of anyone who dared to color outside the lines, had Harry is caught up in a rush of events and finds himself in the middle of little use for a superannuated boy wonder…especially one who’d made a banana-republic revolution! a career of antagonizing the Establishment. Orson Welles may have been a genius, but it didn’t take a genius to know that there wasn’t much call anymore for the kind of work that he did so well. He’d burned his Elizabeth McLeod is a journalist, author, and broadcast bridges in Hollywood -- and the radio networks, seeing the approaching historian. -
Old Radio Times the Official Publication of the Old-Time Radio Researchers
The Old Radio Times The Official Publication of the Old-Time Radio Researchers Spring 2019 www.otrr.org No. 102 Contents Murder at Murder at Midnight: Killing Midnight, Pt. 2 the Competition Pt. 2 1 By Karl Schadow Ó2019 Smiley Burnette 12 In Part 1 of this series, (The Old Battle of the Radio Times, Winter 2019) a brief Bard Book profile of Murder at Midnight was Review 13 presented which included executives Wistful Vistas of the producing firm, Louis G. 14 Cowan, Inc. and also principal crew Blog Profile 14 members of the series. Additionally, Purchasing a timeline of the program's tenure on Groups 16 the etherwaves was delineated with My Son Jeep 17 highlights of radio station and Louis G. Cowan sponsor involvement along with Remembering selected comments from the critics. #1 "The Dead Hand" by Robert Doris Day 18 This concluding part cites key Newman, recorded April 19, Young Doctor features of all fifty-two episodes 1946. Script Copyright Claim Malone 21 which was compiled by research of received April 30, 1946, assigned Acquisitions 29 extant audio (thirty-four episodes) Registration No. DU2897. Extant Contributors: and analysis of scripts of all fifty- audio: Yes. Plot: Following an Ryan Ellett two dramas. A complete collection accident in which he lost a hand, a of these scripts was examined at the concert pianist will not settle for a Martin Grams Manuscript Division, Library of mere artificial limb as a Dan Hughes Congress. Additionally, several replacement. Cast: Berry Kroeger Claire Nava scripts were also scrutinized that (Roger), Betty Caine (Lona), Barry were held in the Robert Newman Hopkins (Dr. -
Guide to Jewish Studies Resources at UT Austin
the SCHUSTERMAN CENTER for JEWISH STUDIES presents A GUIDE TO THE COLLECTIONS JEWISH STUDIES RESOURCES at THE UNIVERSITY OF TEXAS AT AUSTIN table of CONTENTS I. A Message from the Director ............................................... 2 II. The Architecture and Planning Library ..................................... 4 III. The Fine Arts Library ........................,............................... 5 IV. The Perry-Castañeda Library .............................................. 6 V. The Tarlton Law Library ..................................................... 7 VI. The Nettie Lee Benson Latin American Collection . 8 VII. The Harry Ransom Center ............................................... 10 VIII. The Dolph Briscoe Center for American History . 20 a message from THE DIRECTOR ONE OF THE founding goals of the Schusterman Center for Jewish Studies at The University of Texas at Austin was to become a crossroads for the study of Jews and Jewish culture in all its aspects, with particular focus on Jewish life in the Americas. A crucial piece of this vision has been to make more visible to an international audience the rich research collections concerning Jews in the vari- ous archives and libraries on the Austin campus. We have prepared this guide to promote the use of these resources by both students and scholars based not only in Austin, but also elsewhere in the United States and around the world. Someone not familiar with the University of Texas may find astonishing the depth, breadth, and importance of these materials. Available for research are resources like the papers of Jewish writers, including Isaac Bashevis Singer, Arthur Miller, and Nor- man Mailer, local history collections of the Texas Jewish Historical Society, exten- ROBERT H. ABZUG, DIRECTOR sive holdings in Yiddish and Hebrew, and rare and unusual examples of Judaica. -
Bensman, Marvin R.; Walker, Dennis Sources of Broadcast Audio
DOCUMENT RESUME ED 109 724 CS 5,01 094 AUTHOR Bensman, Marvin R.; Walker, Dennis TITLE Sources of Broadcast Audio Programming. PUB DATE 75 NOTE 332p. EDRS PRICE MF-$0.76 HC-$17.13 PLUS POSTAGE DESCRIPTORS *Broadcast Industry; Instructional Materials; *Phonograph Records; *gadio; Resource Materials IDENTIFIERS *DiscographieS _ABSTRACT This publication'is the result of a search conducted for sources of,recordings of old radio programs. Section 1 consists of an annotated list of broadcast programs available on commercial phonograph records. Section 2 consists of an annotated listing of associations concerned with the preservation of recorded broadcast material, organizations which sell programs, newsletters and publications by individuals who collect and trade old radio prograts, and institutions which ha *e collections which are available to some degree for research and teaching purposes. Section 3 is a computerized- catalog of over 100 private collections which was devised to locate specific programs as well as to give some idea of the depth of the material available from such sources. (TS) ****************************************************4i***************** Documents acquired by ERIC Include manyinformal unpublished * materials not available from other sources. ERIC wakes everyeffort * * to obtain the best copy available. nevertheless, items ofmarginal * * reproducibility are often encountered and this affects thequality * * of the microfiche and hardcopy reproductions ERIC makesavailable * * via the ERIC Document Reproduction Service -
ミステリSFコレクション（洋図書） 1 資料番号 書名 請求記号 a Dictionary of Monsters and Mysterious Beasts / Carey Miller ; Illustrated 2011413056 001/Mi27 by Mary I
ミステリSFコレクション（洋図書） 1 資料番号 書名 請求記号 A dictionary of monsters and mysterious beasts / Carey Miller ; illustrated 2011413056 001/Mi27 by Mary I. French.-- Pan Books; c1974.-- (Piccolo original). Return to the stars : evidence for the impossible / by Erich von Däniken ; 2011411224 001.94/D37 translated by Michael Heron.-- Transworld Publishers; 1972. Rosenbach : a biography / by Edwin Wolf 2nd with John F. Fleming.-- 2011413486 002.07/W84 World Publishing; c1960. Holiday catalogue : The mysterious bookshop ; 1994, 1996, 1996 spring- 2011414227 011/H83 summer.-- The mysterious bookshop; 1994-. Holiday catalogue : The mysterious bookshop ; 1994, 1996, 1996 spring- 2011414228 011/H83 summer.-- The mysterious bookshop; 1994-. Holiday catalogue : The mysterious bookshop ; 1994, 1996, 1996 spring- 2011414229 011/H83 summer.-- The mysterious bookshop; 1994-. The list of books / Frederic Raphael, Kenneth McLeish.-- Harmony 2011413466 011/R17 Books; 1981. Subject guide to books in print : an index to the publishers' trade list 2011414166 015.73/P88 annual, 1963 / editen by Shrah L.Prakken.-- R.R. Bowker; 1963. By us! / society by crime writers in Stockholm ; translation by Claudia Brä 2011414299 018/C92 nnback.-- Härnösands Boktryckeri AB; 1981. The paperback price guide / by Kevin Hancer ; pbk..-- Overstreet 2011412078 018.4/H28 Publications. The paperback price guide / by Kevin Hancer ; pbk..-- Overstreet 2011412079 018.4/H28 Publications. 2011410672 Le Placard / John Burningham.-- Flammarion; c1975. 028.5/B93 2011410676 The little house / story and pictures by Virginia Lee Burton.-- Faber; 028.5/B94 Dr. George Gallup's 1956 pocket almanac of facts / Robert W. Mangold 2011414192 051/Ma43 and S. Arthur.-- Pocket Books; 1956.-- (A Cardinal Giant ; GC-1956). -
TFH Catalog 2017 03062017.Pdf
TFH # Trailer Guru Runtime Genre Release Year TFH-0001 The T.A.M.I. Show John Landis 4:05 Musical 1964 TFH-0002 House on Haunted Hill Mick Garris 2:53 Horror 1959 TFH-0003 The Terror Joe Dante 2:56 Drama 1959 TFH-0004 The Unearthly Joe Dante 2:36 Horror 1957 TFH-0005 The Incredible Petrified World Joe Dante 2:02 Science Fiction 1957 TFH-0006 Danger Diabolik Edgar Wright 2:39 Action 1968 TFH-0007 The Fiendish Ghouls Joe Dante 2:55 Horror 1965 TFH-0008 X - The Man with the X-Ray Eyes Mick Garris 2:34 Science Fiction 1963 TFH-0009 The Fall of the Roman Empire John Landis 4:34 Drama 1964 TFH-0010 The Vampire Lovers Mick Garris 2:33 Horror 1970 TFH-0011 Journey to the Lost City Sam Hamm 2:15 Western 1954 TFH-0012 Colossus: The Forbin Project John Landis 3:27 Science Fiction 1970 TFH-0013 Monster From Mars A.K.A. Robot Monster Joe Dante 2:00 Science Fiction 1953 TFH-0014 House of Usher Mary Lambert 2:49 Horror 1960 TFH-0015 Spartacus Larry Cohen 3:04 Adventure 1960 TFH-0016 These Are The Damned Joe Dante 4:14 Science Fiction 1962 TFH-0017 Attack of the 50 Foot Woman Joe Dante 2:33 Science Fiction 1958 TFH-0018 God Told Me To A.K.A. Demon Mick Garris 1:30 Horror 1976 TFH-0019 Kronos Sam Hamm 2:25 Science Fiction 1957 TFH-0020 Village of the Damned Mary Lambert 2:23 Science Fiction 1960 TFH-0021 Invaders From Mars Larry Cohen 2:40 Science Fiction 1953 TFH-0022 The Pit and the Pendulum Mary Lambert 2:43 Horror 1961 TFH-0023 The Cyclops Joe Dante 2:23 Science Fiction 1957 TFH-0024 She Demons Joe Dante 2:07 Horror 1958 TFH-0025 13 Ghosts Sam Hamm 2:49 Fantasy 1960 TFH-0026 Black Sunday AKA-Mask of the Demon Larry Cohen 2:15 Horror 1961 TFH-0027 Dr. -
ISSUE NO. 61.Indd
The Old Radio Times The Official Publication of the Old-Time Radio Researchers May/June 2012 www.otrr.org 2256 Subscribers Number No. 61 Inner Sanctum Mysteries: The Existing Episodes by Martin Grams, Jr. Known for its signature opening, a creaking door, Raymond the host invited listeners in for a weekly half-hour fright fest of murder and madness. Werewolves, vampires, creeping vines, walking corpses, dark stormy nights, haunted houses, black cats, vengeful ancestors and even ghosts of gangsters roamed the airwaves. For eleven seasons this horror program frightened listeners and today, remains a popular collector’s item for fans of old-time radio. Throughout the 1970s and 1980s, episodes of Inner Sanctum Mystery originated from transcription discs, transferred to a feasible listening format, courtesy of a number of OTR vendors. The shows were also licensed and commercially released through companies like METACOM (doing business as Adventures in Cassettes) and Radio Spirits. About ten years ago, when the mp3 format became a standard for the casual collector (serious collectors still prefer CD and reel to reel format), episodes of Inner Sanctum market will kill off any chance of recouping Mystery began popping up all over the internet their investment. As a result, unlike other old- at various prices. The mp3 craze, coupled with time radio programs, no new episodes of Inner illegal free downloads (the radio program is Sanctum Mystery have surfaced in collector still copyrighted), ultimately killed the hobby. circles within the past fi ve or six years. This is Vendors who were willing to spend $100 and a sad statement to make, but is nonetheless $200 for a transcription disc with a formerly “lost” true. -
Crime Museum
Coordinates: 51°30′10″N 0°7′27″W Crime Museum The Crime Museum is a collection of criminal memorabilia kept at New Scotland Yard, headquarters of the Metropolitan Police Service in London, England. Known as the Black Museum until the early 21st century, the museum came into existence at Scotland Yard sometime in 1874, arising out of the collection of prisoners' property gathered as a result of the Forfeiture Act 1870 and intended as an aid to the police in their study of crime and criminals. Initially unofficial, it had become an official if private museum by 1875, with a police inspector and a police constable assigned to official duty there. Not open to the public, it was used as a teaching collection for police The Crime Museum in its former home at New recruits and was only ever accessible those involved in Scotland Yard, 8–10 Broadway (now demolished) legal matters, royals and other VIPs.[1] Now sited in the basement of the Curtis Green Building (the present New Scotland Yard), the museum remains closed to the public but can be visited by officers of the Metropolitan Police and any of the country's police forces by prior appointment. A major exhibition of artefacts from the museum, The Crime Museum Uncovered, was held at the Museum of London from 9 October 2015 to 10 April 2016.[2] Though this was the only time a large number of exhibits have been displayed to the public, individual objects have been loaned to exhibitions at other museums - in 2019-2020 this included objects from Leatherslade Farm in a Great Train Robbery exhibition -
A Chronological Study of Experiential Education in the American History
A CHRONOLOGICAL STUDY OF EXPERIENTIAL EDUCATION IN THE AMERICAN HISTORY MUSEUM Bettye Alexander Cook, B.A., M.A. Dissertation Prepared for the Degree of DOCTOR OF EDUCATION UNIVERSITY OF NORTH TEXAS December 2007 APPROVED: Gloria Contreras, Major Professor Janet Ellis, Minor Professor T. Lindsay Baker, Committee Member James Laney, Program Coordinator Leslie Patterson, Chair of the Department of Teacher Education and Administration M. Jean Keller, Dean of the College of Education Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Cook, Bettye Alexander. A Chronological Study of Experiential Education in the American History Museum. Doctor of Education (Curriculum & Instruction), December 2007, 248 pp., references, 397 titles. This study traced the evolution of experiential education in American history museums from 1787 to 2007. Because of a decline in attendance, museum educators need to identify best practices to draw and retain audiences. I used 16 museology and history journals, books, and archives of museums prominent for using the method. I also interviewed 15 museum educators who employ experiential learning, one master interpreter of the National Park Service, and an independent museum exhibit developer. Experiential education involves doing with hands touching physical materials. Four minor questions concerned antecedents of experiential learning, reasons to invest in the method, the influence of social context, and cultural pluralism. Next is a review of the theorists whose works support experiential learning: Dewey, Piaget, Vygotsky, Lewin, Bruner, Eisner, Hein, and David Kolb plus master parks interpreter Freeman Tilden. The 8 characteristics they support include prior experiences, physical action, interaction with the environment, use of the senses, emotion, social relationships, and personal meaning.