View / Open Turbin Oregon 0171A 12551.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Haviland-Historical
*Shall Woman's Voice Be Hushed?": Laura Smith Uavita;1ffi Women's "O,ionist by Tiya Miles In September of 201'0, residents of southeastern Michign gathered at the Lenawee County Historical Museum for a lecture on locally renowned Underground Railroad "conductor" Laura Smith Haviland. The next weekend at a nearby annual art festival, Haviland was a focal point in a dramattc, if exaggerated, historical performance in which she was portrayed as freeing thousands of slaves and facing off a pack of h*gty wolves while en route to Canadal A commissioned poruait of Haviland-eldedy, wise, and gracefirlly holding a bouquet 6f 165ss- hangs in the Michigan W'omen's Historical Center and Hall of Fame in Lansing.2 In the state of Michigan, LawraHaviand is a heroic chatacter subject to the excesses of legend. In the historical literatute on antislavery womeq however, Haviland has been largely ovedooked. In this aricle,I explore Laura Haviland's activism in relation to the historiography of abolitionist women. I consider feasons Haviland failed to become a person of interest in the literature until very recendy' everl as the scholady scope widened in the 1990s and eady 2000s to include women who had been marginalized from the dominant narcattve of antislavery politics. Additionally, this work suggests th^t an examination of Haviland's actions and social networks illuminates the regional particularity of Midwesteffl women's antislavery culture as well as the ftansnational charactet of Great Lakes abolitionism' 1 Haviland's life was also reenacted in a "Historical Dalf' at the Adrian woman's Club in 1948. -
Back Listeners: Locating Nostalgia, Domesticity and Shared Listening Practices in Contemporary Horror Podcasting
Welcome back listeners: locating nostalgia, domesticity and shared listening practices in Contemporary horror podcasting. Danielle Hancock (BA, MA) The University of East Anglia School of American Media and Arts A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy January 2018 Contents Acknowledgements Page 2 Introduction: Why Podcasts, Why Horror, and Why Now? Pages 3-29 Section One: Remediating the Horror Podcast Pages 49-88 Case Study Part One Pages 89 -99 Section Two: The Evolution and Revival of the Audio-Horror Host. Pages 100-138 Case Study Part Two Pages 139-148 Section Three: From Imagination to Enactment: Digital Community and Collaboration in Horror Podcast Audience Cultures Pages 149-167 Case Study Part Three Pages 168-183 Section Four: Audience Presence, Collaboration and Community in Horror Podcast Theatre. Pages 184-201 Case Study Part Four Pages 202-217 Conclusion: Considering the Past and Future of Horror Podcasting Pages 218-225 Works Cited Pages 226-236 1 Acknowledgements With many thanks to Professors Richard Hand and Mark Jancovich, for their wisdom, patience and kindness in supervising this project, and to the University of East Anglia for their generous funding of this project. 2 Introduction: Why Podcasts, Why Horror, and Why Now? The origin of this thesis is, like many others before it, born from a sense of disjuncture between what I heard about something, and what I experienced of it. The ‘something’ in question is what is increasingly, and I believe somewhat erroneously, termed as ‘new audio culture’. By this I refer to all scholarly and popular talk and activity concerning iPods, MP3s, headphones, and podcasts: everything which we may understand as being tethered to an older history of audio-media, yet which is more often defined almost exclusively by its digital parameters. -
The BG News April 4, 1996
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-4-1996 The BG News April 4, 1996 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News April 4, 1996" (1996). BG News (Student Newspaper). 5996. https://scholarworks.bgsu.edu/bg-news/5996 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Inside the News Opinion Nation • Unabomber suspect in custody. World • Death cult uncovered in Switzerland. 8 Aaron Weisbrod discusses a painful lesson learned on Spring Break. Sports • Scott Brown responds to Schott's comments. 10 E W S Page 2 Thursday, April 4,1996 Bowling Green, Ohio Volume 82, Issue 109 The News' Careful Class Briefs NL Scores spends St. Louis 5 New York 3 break Houston Los Angeles at camp Atlanta Dawn Killer San Francisco The BC News Forty-seven University stu- AL Scores dents did nothing but homework during spring break at Michin- New York 5 doh Camp to help about IS Toledo Cleveland 1 sixth graders have a good time. Jim Davidson, professor emer- itus of education foundations and Chicago 4 Inquiry, said he requires his class Seattle 2 to have a field component with practical experience. He said most of the students work with the outdoor education camp be- Prosecutors: Court cause it opens eyes to how sixth should include graders act and think. -
MARGARET GARNER a New American Opera in Two Acts
Richard Danielpour MARGARET GARNER A New American Opera in Two Acts Libretto by Toni Morrison Based on a true story First performance: Detroit Opera House, May 7, 2005 Opera Carolina performances: April 20, 22 & 23, 2006 North Carolina Blumenthal Performing Arts Center Stefan Lano, conductor Cynthia Stokes, stage director The Opera Carolina Chorus The Charlotte Contemporary Ensemble The Charlotte Symphony Orchestra The Characters Cast Margaret Garner, mezzo slave on the Gaines plantation Denyce Graves Robert Garner, bass baritone her husband Eric Greene Edward Gaines, baritone owner of the plantation Michael Mayes Cilla, soprano Margaret’s mother Angela Renee Simpson Casey, tenor foreman on the Gaines plantation Mark Pannuccio Caroline, soprano Edward Gaines’ daughter Inna Dukach George, baritone her fiancée Jonathan Boyd Auctioneer, tenor Dale Bryant First Judge , tenor Dale Bryant Second Judge, baritone Daniel Boye Third Judge, baritone Jeff Monette Slaves on the Gaines plantation, Townspeople The opera takes place in Kentucky and Ohio Between 1856 and 1861 1 MARGARET GARNER Act I, scene i: SLAVE CHORUS Kentucky, April 1856. …NO, NO. NO, NO MORE! NO, NO, NO! The opera begins in total darkness, without any sense (basses) PLEASE GOD, NO MORE! of location or time period. Out of the blackness, a large group of slaves gradually becomes visible. They are huddled together on an elevated platform in the MARGARET center of the stage. UNDER MY HEAD... CHORUS: “No More!” SLAVE CHORUS THE SLAVES (Slave Chorus, Margaret, Cilla, and Robert) … NO, NO, NO MORE! NO, NO MORE. NO, NO MORE. NO, NO, NO! NO MORE, NOT MORE. (basses) DEAR GOD, NO MORE! PLEASE, GOD, NO MORE. -
RIVERFRONT CIRCULATING MATERIALS (Can Be Checked Out)
SLAVERY BIBLIOGRAPHY TOPICS ABOLITION AMERICAN REVOLUTION & SLAVERY AUDIO-VISUAL BIOGRAPHIES CANADIAN SLAVERY CIVIL WAR & LINCOLN FREE AFRICAN AMERICANS GENERAL HISTORY HOME LIFE LATIN AMERICAN & CARIBBEAN SLAVERY LAW & SLAVERY LITERATURE/POETRY NORTHERN SLAVERY PSYCHOLOGICAL ASPECTS OF SLAVERY/POST-SLAVERY RELIGION RESISTANCE SLAVE NARRATIVES SLAVE SHIPS SLAVE TRADE SOUTHERN SLAVERY UNDERGROUND RAILROAD WOMEN ABOLITION Abolition and Antislavery: A historical encyclopedia of the American mosaic Hinks, Peter. Greenwood Pub Group, c2015. 447 p. R 326.8 A (YRI) Abolition! : the struggle to abolish slavery in the British Colonies Reddie, Richard S. Oxford : Lion, c2007. 254 p. 326.09 R (YRI) The abolitionist movement : ending slavery McNeese, Tim. New York : Chelsea House, c2008. 142 p. 973.71 M (YRI) 1 The abolitionist legacy: from Reconstruction to the NAACP McPherson, James M. Princeton, NJ: Princeton University Press, c1975. 438 p. 322.44 M (YRI) All on fire : William Lloyd Garrison and the abolition of slavery Mayer, Henry, 1941- New York : St. Martin's Press, c1998. 707 p. B GARRISON (YWI) Amazing Grace: William Wilberforce and the heroic campaign to end slavery Metaxas, Eric New York, NY : Harper, c2007. 281p. B WILBERFORCE (YRI, YWI) American to the backbone : the life of James W.C. Pennington, the fugitive slave who became one of the first black abolitionists Webber, Christopher. New York : Pegasus Books, c2011. 493 p. B PENNINGTON (YRI) The Amistad slave revolt and American abolition. Zeinert, Karen. North Haven, CT : Linnet Books, c1997. 101p. 326.09 Z (YRI, YWI) Angelina Grimke : voice of abolition. Todras, Ellen H., 1947- North Haven, Conn. : Linnet Books, c1999. 178p. YA B GRIMKE (YWI) The antislavery movement Rogers, James T. -
The Lowell 14Th Annual Lowell Community Expo To
ROOI the lowell 97 Wednesday • march • 17 • 2010 I c^ cl ^ " p vol. 39 issue 23 for over 116 years • today - tomorrow - your lowell area news source www, thelowell ledger, com Happy th St. Patrick's Day! 14 annual Lowell Community Expo to maple feature variety of businesses, nonprofits syrup time byv Emma PaloyPalova ^ / i The 14th annual Lowell provide networking oppor- Baker. "We wanted to show- to provide the venue to this This year, the exclusive Community Expo will fea- tunities offered by the Low- case our businesses, organi- day. business sponsor is The ture most area businesses ell Area Chamber of Com- zations and churches." The first Expo was held in Lowell Ledger/Lowell Litho. and nonprofits on March 27 merce. The Lowell Area Schools May, but the committee soon As part of the overall market- at the Lowell High School. "We were one of the first (LAS) were pushing market- found out that was too late ing strategy, a special section The mission remains the small community expos," ing at the time and continue in the year to hold an Expo. covering the Expo with maps same as in the beginning to said chamber director Liz The event was then changed and the schedule will come to March. out in the Buyers Guide on "it's a true community March 21. Expo where everybody "This is a new venture works to create the commu- in our marketing strategy," nity we live in," said Baker. said Baker. "It's good for the 4klt also highlights the Low- sponsoring business." ell Area School districl." The Expo has become a The attendance has huge part of the greater Low- grown over the years from ell community. -
RR-1993-04-09.Pdf
ISSUE NUMBER 987 THE INDUSTRY'S NEWSPAPER APRIL 9, 1993 Survey Says Americans INSIDE: Not Keen On Radio News NEW SOURCE OF RTNDA's Bartlett disputes findings, says RADIO VENTURE poll is skewed in favor of TV, newspapers COMING CAPITAL Radio news gets low marks identified radio as a primary Stations may find financing for credibility when compared source of news. to television and newspapers, easier to come by - if For Granted according to a recently released Taken Congress approves a new Roper Organization survey RTNDA President David proposal to create a secondary commissioned by NAB and the Network Television Associa- Bartlett expressed skepticism loans. in market for small business tion. about radio's weak showing Page 4 According to the report, just 7% of Americans consider radio a kmsMt'ftww.fi's...'. yvwí:Sm.Xá3`v`satm8f <...,..:Wita°ai.'..Q,:: the most credible news media. News Notes That figure puts radio in a dis- GAUGING PERSONNEL White House Ready To tant third place behind televi- Radio news t ilea PERFORMANCE sion (56% ) and newspapers in credibility (22%) - and just ahead of mag- TV, papers a +e Today a manager's success Nominate Cook To FCC azines (4 %). preferred me pia must be measured in regards to Those numbers are based on At R &R's "She'd make a good chairper- survey participants' responses Radio 'inform ation' changes in the environment, the Tuesday dead- son," said Mutual Broadcasting to this question: "If you got con- product, and the inventory. Sales line, Washing- President Jack Clements. flicting or different reports of not traditional news? same news story from ra- consultant Shane Fox shows ton was burn- While Washington media the ing with ru- heavyweights and communica- dio, television, magazines, and you how to take these variables mors that the tions insiders expect quick ac- newspapers, which of the four the survey. -
The Criminal Underworlds of Nicolas Winding Refn
The Philosophical Journal of Conflict and Violence Vol. IV, Issue 2/2020 © The Authors 2020 Available online at http://trivent-publishing.eu/ Slicing Up Eyeballs: The Criminal Underworlds of Nicolas Winding Refn M. Blake Wilson Department of Criminal Justice, California State University, Stanislaus, USA Abstract: From Buñuel and Dali’s Un Chien Andalou to recent works by Danish filmmaker Nicolas Winding Refn, the cinematic destruction of the eye has become iconic due to its striking effect upon film spectators’ visceral experiences as well as its ability to influence their symbolic or fetishistic desires. By exploiting the natural discomfort and disgust produced by these types of images and then situating them within an aesthetic and psychoanalytic framework, Refn and other filmmakers provide a visual showcase for a unique type of cinematic violence, one which demands that viewers reappraise the value of their own eyes as well as the values which reflect social attitudes towards law enforcement, crime, and justice. Keywords: Eyes; Film; Film Noir; Jacques Lacan; Philosophy; Nicolas Winding Refn; Violence. DOI: 10.22618/TP.PJCV.20204.2.1763002 The PJCV Journal is published by Trivent Publishing This is an Open Access article distributed in accordance with the Creative Commons Attribution Non Commercial (CC- BY-NC-ND 4.0) license, which permits others to copy or share the article, provided original work is properly cited and that this is not done for commercial purposes. Users may not remix, transform, or build upon the material and may not distribute the modified material (http://creativecommons.org/licenses/by-nc/4.0/) Slicing Up Eyeballs: The Criminal Underworlds of Nicolas Winding Refn M. -
Famous People from Michigan
APPENDIX E Famo[ People fom Michigan any nationally or internationally known people were born or have made Mtheir home in Michigan. BUSINESS AND PHILANTHROPY William Agee John F. Dodge Henry Joy John Jacob Astor Herbert H. Dow John Harvey Kellogg Anna Sutherland Bissell Max DuPre Will K. Kellogg Michael Blumenthal William C. Durant Charles Kettering William E. Boeing Georgia Emery Sebastian S. Kresge Walter Briggs John Fetzer Madeline LaFramboise David Dunbar Buick Frederic Fisher Henry M. Leland William Austin Burt Max Fisher Elijah McCoy Roy Chapin David Gerber Charles S. Mott Louis Chevrolet Edsel Ford Charles Nash Walter P. Chrysler Henry Ford Ransom E. Olds James Couzens Henry Ford II Charles W. Post Keith Crain Barry Gordy Alfred P. Sloan Henry Crapo Charles H. Hackley Peter Stroh William Crapo Joseph L. Hudson Alfred Taubman Mary Cunningham George M. Humphrey William E. Upjohn Harlow H. Curtice Lee Iacocca Jay Van Andel John DeLorean Mike Illitch Charles E. Wilson Richard DeVos Rick Inatome John Ziegler Horace E. Dodge Robert Ingersol ARTS AND LETTERS Mitch Albom Milton Brooks Marguerite Lofft DeAngeli Harriette Simpson Arnow Ken Burns Meindert DeJong W. H. Auden Semyon Bychkov John Dewey Liberty Hyde Bailey Alexander Calder Antal Dorati Ray Stannard Baker Will Carleton Alden Dow (pen: David Grayson) Jim Cash Sexton Ehrling L. Frank Baum (Charles) Bruce Catton Richard Ellmann Harry Bertoia Elizabeth Margaret Jack Epps, Jr. William Bolcom Chandler Edna Ferber Carrie Jacobs Bond Manny Crisostomo Phillip Fike Lilian Jackson Braun James Oliver Curwood 398 MICHIGAN IN BRIEF APPENDIX E: FAMOUS PEOPLE FROM MICHIGAN Marshall Fredericks Hugie Lee-Smith Carl M. -
Et Moi, Tituba, Sorcière Noire De Salem (Maryse Condé) Kathleen Gyssels
« Sages sorcières? » Révision de la mauvaise mère dans Beloved (Toni Morrison), Praisesong for the Widow (Paule Marshall), et Moi, Tituba, sorcière noire de Salem (Maryse Condé) Kathleen Gyssels University Press of America, Inc. [copyright informatiοn] I would like to thank Stephen E. James, for his trust in this long-range affair, Colleague Tom De Herdt for his precious help with the layout, Neighbour and poet Elie Rodenbach, for revising the manuscript. I dedicate this work to my beloveds, Manon and Peter April 2000 Table des matières Introduction ................................................................................................................................... xi Chapitre 1 Légitime Défense d'une nouvelle Renaissance .......................................................... 1 1.1 « Trace the New Web » .......................................................................................................... 1 1.2 Marshall, Morrison et Condé: passeuses de langue, tisseuses de liens................................... 4 1.3 Marshall, Morrison et Condé: veilleuses du lieu .................................................................... 8 1.4 Dossa et Doxa....................................................................................................................... 10 1.5 Sages sorcières?.................................................................................................................... 16 Chapitre 2 L'exil, entre l'ancrage et la fuite.............................................................................. -
The Inventory of the Van Christo Radio Theatre Collection #1589
The Inventory of the Van Christo Radio Theatre Collection #1589 Howard Gotlieb Archival Research Center Van Christo Radio Collection 10/26/00 Preliminary Listing Note: VCRT = Van Christo Radio Theater; TH= Tree House. Dates refer to broadcast dates for VC's radio programs, not original creation or broadcast dates (unless otherwise noted). I. Audio. A. 7 11 reel to reels. Box 1 1. Not labeled, marked "8." 2. "The Lone Ranger." a. VCRT: "Tunnel to Trouble" and "Guilty Knowledge," 3 3/4 ips, 25 minutes. b. VCRT: "Trouble at the Rafter 'H' ," "Dead Man," "Marked for Murder," 3 3/4 ips. c. VCRT: "Kill or Be Killed," "Birthday for Billy," 3 3/4 ips. d. VCRT: "The Wrong Man," "The Witness," "Boots and the Rodeo," 3 3/4 ips. e. VCRT: "Call to the Colors," "Teacher's Brother," "The Fugitive," 3 3/4 ips. Box4 f. VCRT: "The Count of Three," 7 ½ ips. g. VCRT: "The Count of Three;" "Telescope Clue;" "Marked for Death," 3 3/4 ips. h. TH: "The Wrong Man," 7 ½ ips., 30 minutes, 9/30/n.y. Box 1 3. "Series: Informax: Great Guildersleeve," 7 ½ ips. 4. VCRT: 1. "Blondie"; Music Break: "Let's Dance On" (Goodman); 2. "The Sixshooter"; 7 ½ ips. 5. "X-1", "Episode 2: Martian Death March," 28 minutes. 6. VCRT:1/27/n.y., "Halls oflvy; Archie." 7. VCRT: The Clock: "The Angel with Two Faces, Parts 1 and 2," 7 ½ ips., 25 minutes, 39 seconds; 2 copies. 8. "Old Time Radio Day on WBUR FM," 7 ½ ips. 9. "Dimension X", "Episode 11: A Logic Named Joe," 27 minutes, 4 7 seconds. -
THE THIRD MAN Involved in an Opium-Smuggling Operation
CD 7A: “Every Frame Has a Silver Lining” - 10/26/1951 Passing through Iran, Harry becomes THE THIRD MAN involved in an opium-smuggling operation. Lives of Harry Lime CD 7B: “Mexican Hat Trick” - 11/02/1951 Program Guide by Elizabeth McLeod Down on his luck in Mexico, opportunity Orson Welles in The Third Man beckons Harry…thanks to a pickpocket! It’s a hard job being a middle-aged wunderkind, especially in show business -- where you’re only as good as your last big success. And CD 8A: “Art Is Long and Lime Is Fleeting” - 11/09/1951 as Orson Welles moved into his mid-thirties, the triumphs of his youth The painting Harry’s trying to sell isn’t really a Renoir, but does that seemed increasingly remote. The Mercury Theatre was just a memory, really matter? and so was the bold 1930s experimental theatre scene that gave it life. Postwar America, with its increasing restrictions on intellectual freedom CD 8B: “In Pursuit of a Ghost” - 11/16/1951 and its suspicion of anyone who dared to color outside the lines, had Harry is caught up in a rush of events and finds himself in the middle of little use for a superannuated boy wonder…especially one who’d made a banana-republic revolution! a career of antagonizing the Establishment. Orson Welles may have been a genius, but it didn’t take a genius to know that there wasn’t much call anymore for the kind of work that he did so well. He’d burned his Elizabeth McLeod is a journalist, author, and broadcast bridges in Hollywood -- and the radio networks, seeing the approaching historian.