History in the Making 2013
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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
California Citrus State Historic Park 9400 Dufferin Ave
Our Mission California The mission of California State Parks is to provide for the health, inspiration and rassy, tree-shaded education of the people of California by helping G Citrus to preserve the state’s extraordinary biological diversity, protecting its most valued natural and areas evoke a quieter cultural resources, and creating opportunities State Historic Park for high-quality outdoor recreation. time — an era when the American dream might be found in a leafy evergreen grove, heavy California State Parks supports equal access. with golden fruit. Prior to arrival, visitors with disabilities who need assistance should contact the park at (951) 780-6222. If you need this publication in an alternate format, contact [email protected]. CALIFORNIA STATE PARKS P.O. Box 942896 Sacramento, CA 94296-0001 For information call: (800) 777-0369 (916) 653-6995, outside the U.S. 711, TTY relay service www.parks.ca.gov California Citrus State Historic Park 9400 Dufferin Ave. / Mail: 1879 Jackson St. Riverside, CA 92504 (951) 780-6222 © 2003 California State Parks (Rev. 2016) V isitors to California Citrus State NATIVE PEOPLE trauma, honoring their Historic Park are greeted at the park The area that is now Riverside County was cultural traditions, and entrance by a replica of an old-fashioned inhabited for centuries by diverse native contributing as vital roadside fruit stand. This charming “big peoples, including Serrano, Luiseño, community members. orange” structure, on the corner of Van Gabrielino-Tongva, Cupeño, Chemehuevi, CREATING THE Buren Boulevard and Dufferin Avenue in and Cahuilla. California Indians traveled CITRUS INDUSTRY Riverside, recalls an era that forever changed seasonally from village to village, following the landscape their food sources and The mission padres of Southern trade routes. -
Das Disney's Faces
Universidade de Brasília Instituto de Ciências Humanas Programa de Pós-Graduação em História Área de concentração: História Cultural Defesa de Dissertação de Mestrado Das Disney’s faces Representações do Pato Donald sobre a Segunda Guerra (1942-4) Bárbara Marcela Reis Marques de Velasco – 07/68715 Banca Examinadora: Prof. Dr. José Walter Nunes – Orientador Profa. Dra. Maria Thereza Negrão de Mello Prof. Dr. David Rodney Lionel Pennington Profa. Dra. Márcia de Melo Martins Kuyumijan – Suplente Brasília, setembro de 2009. Universidade de Brasília Instituto de Ciências Humanas Programa de Pós-Graduação em História Área de concentração: História Cultural Defesa de Dissertação de Mestrado Das Disney’s faces Representações do Pato Donald sobre a Segunda Guerra (1942-4) Bárbara Marcela Reis Marques de Velasco – 07/68715 Brasília, setembro de 2009. Onde é que eu fui parar Aonde é esse aqui Não dá mais pra voltar Porque eu fiquei tão longe, longe (Arnaldo Antunes) Agradecimentos Ao Senhor que sabe o porquê de todas as coisas. Aos meus avós que sempre foram exemplo. Se não fosse por eles eu não estaria aqui. Aos professores membros da banca, José Walter Nunes, Maria Thereza Negrão de Mello, David Rodney Lionel Pennington, pelo resultado aqui apresentado. À força da Professora Myriam Christiano Maia Gonçalves. Motivação para seguir a diante, prosseguindo. Aos colegas Sílvia Fernandes e Ricardo Moreira. Sempre existe uma possibilidade. Vamos ver... Ao CNPq pela contribuição em parte da pesquisa. Resumo A presente pesquisa é resultado de um estudo sobre 10 produções animadas do início da década de 1940, dos estúdios Walt Disney. Protagonizadas pelo personagem Pato Donald, verifica-se nelas as mais diversas formas de representações traçadas pelos estúdios a respeito da Segunda Guerra Mundial e de alguns de seus atores: os Estados Unidos da América e seus inimigos. -
"Man-Patron" Relationship in Contemporary Northeast Brazil" (1972)
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 1972 Continuity of a traditional social pattern: the "man- patron" relationship in contemporary northeast Brazil Patricia Ellen Thorpe Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Family, Life Course, and Society Commons, Nature and Society Relations Commons, and the Social and Cultural Anthropology Commons Let us know how access to this document benefits ou.y Recommended Citation Thorpe, Patricia Ellen, "Continuity of a traditional social pattern: the "man-patron" relationship in contemporary northeast Brazil" (1972). Dissertations and Theses. Paper 958. https://doi.org/10.15760/etd.958 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. AN A3ST?~CT OF THE THESIS OF Patricia Ellen Thorpe for the Master of Arts in Anthropology presented October 24, 1972. Title: Continuity of A Traditional Social Pattern: The "Man-Patronlt Relationship in Contemporary Northeast Brazil .. APPROVED BY MEMBERS OF THE THESIS COMMITTEE: zr~COb Fried, Chairman Daniel/Scheans Tom Ne\-nnan Northeast Brazil is a region characterized by economic poverty and human misery. Poor ecological conditions con tribute to the nature of the dilemma, but another factor in the apparent cultural stagnation of the Northeast, may be the persistence of values and social practices traditiona.lly alig!1ed with the colonial sugar plantation system. Thus, this thesis represents e~ examination of the continuity of a given pattern, the man/patron relationship. -
Much Amiss at Venice Airport NEWS EDITOR Location: Various Parcels
Our View 6A Subway set 8A Mercury recall 10A Jail (site) break … for Laurel interchange Businesses pay attention Adopt a pet Looking VENICE • for a “furever” home stm , 1B LOCAL NEWS COVER TO COVER AWARD-WINNING WEEKLY NEWSPAPER 50 CENTS VOLUME 64 NUMBER 34 WEDNESDAY-FRIDAY EDITION, AUG. 19-21, 2009 AN EDITION OF THE SUN FAA Land Use Audit Leases under fire BY GREG GILES pensation to the airport fund. Much amiss at Venice airport NEWS EDITOR Location: Various parcels. An FAA land use audit dated BY GREG GILES Aug. 10 reviewed deeds, leases NEWS EDITOR and other documents dating back to the original Venice Municipal Airport quitclaim As if the city of Venice didn’t deed in 1947. The audit found have enough on its plate with a a number of irregularities that formal Part 16 complaint unless corrected could subject pending with the Federal the city to civil penalties over Aviation Administration, now the following leases: the FAA has released results of The Pier Group/Sharky’s Rest- a special audit of the Venice aurant — Numerous concerns airport, and the news is any- with a new lease, including thing but good. escalation/rental rates and The city made public the skimpy revenues (only one- FAA land use audit on Tuesday. third goes to the airport fund). It has far reaching implications City must revoke, modify or for the Venice Municipal amend the terms. Airport — further solidifying Location: One-acre parcel the FAA’s long-held position off Harbor Drive on the beach that Lake Venice Golf Club’s SUN PHOTO BY GREG GILES SUN PHOTOS BY GREG GILES abutting the Venice Municipal driving range is in a safety Fishing Pier. -
MARGARET GARNER a New American Opera in Two Acts
Richard Danielpour MARGARET GARNER A New American Opera in Two Acts Libretto by Toni Morrison Based on a true story First performance: Detroit Opera House, May 7, 2005 Opera Carolina performances: April 20, 22 & 23, 2006 North Carolina Blumenthal Performing Arts Center Stefan Lano, conductor Cynthia Stokes, stage director The Opera Carolina Chorus The Charlotte Contemporary Ensemble The Charlotte Symphony Orchestra The Characters Cast Margaret Garner, mezzo slave on the Gaines plantation Denyce Graves Robert Garner, bass baritone her husband Eric Greene Edward Gaines, baritone owner of the plantation Michael Mayes Cilla, soprano Margaret’s mother Angela Renee Simpson Casey, tenor foreman on the Gaines plantation Mark Pannuccio Caroline, soprano Edward Gaines’ daughter Inna Dukach George, baritone her fiancée Jonathan Boyd Auctioneer, tenor Dale Bryant First Judge , tenor Dale Bryant Second Judge, baritone Daniel Boye Third Judge, baritone Jeff Monette Slaves on the Gaines plantation, Townspeople The opera takes place in Kentucky and Ohio Between 1856 and 1861 1 MARGARET GARNER Act I, scene i: SLAVE CHORUS Kentucky, April 1856. …NO, NO. NO, NO MORE! NO, NO, NO! The opera begins in total darkness, without any sense (basses) PLEASE GOD, NO MORE! of location or time period. Out of the blackness, a large group of slaves gradually becomes visible. They are huddled together on an elevated platform in the MARGARET center of the stage. UNDER MY HEAD... CHORUS: “No More!” SLAVE CHORUS THE SLAVES (Slave Chorus, Margaret, Cilla, and Robert) … NO, NO, NO MORE! NO, NO MORE. NO, NO MORE. NO, NO, NO! NO MORE, NOT MORE. (basses) DEAR GOD, NO MORE! PLEASE, GOD, NO MORE. -
RIVERFRONT CIRCULATING MATERIALS (Can Be Checked Out)
SLAVERY BIBLIOGRAPHY TOPICS ABOLITION AMERICAN REVOLUTION & SLAVERY AUDIO-VISUAL BIOGRAPHIES CANADIAN SLAVERY CIVIL WAR & LINCOLN FREE AFRICAN AMERICANS GENERAL HISTORY HOME LIFE LATIN AMERICAN & CARIBBEAN SLAVERY LAW & SLAVERY LITERATURE/POETRY NORTHERN SLAVERY PSYCHOLOGICAL ASPECTS OF SLAVERY/POST-SLAVERY RELIGION RESISTANCE SLAVE NARRATIVES SLAVE SHIPS SLAVE TRADE SOUTHERN SLAVERY UNDERGROUND RAILROAD WOMEN ABOLITION Abolition and Antislavery: A historical encyclopedia of the American mosaic Hinks, Peter. Greenwood Pub Group, c2015. 447 p. R 326.8 A (YRI) Abolition! : the struggle to abolish slavery in the British Colonies Reddie, Richard S. Oxford : Lion, c2007. 254 p. 326.09 R (YRI) The abolitionist movement : ending slavery McNeese, Tim. New York : Chelsea House, c2008. 142 p. 973.71 M (YRI) 1 The abolitionist legacy: from Reconstruction to the NAACP McPherson, James M. Princeton, NJ: Princeton University Press, c1975. 438 p. 322.44 M (YRI) All on fire : William Lloyd Garrison and the abolition of slavery Mayer, Henry, 1941- New York : St. Martin's Press, c1998. 707 p. B GARRISON (YWI) Amazing Grace: William Wilberforce and the heroic campaign to end slavery Metaxas, Eric New York, NY : Harper, c2007. 281p. B WILBERFORCE (YRI, YWI) American to the backbone : the life of James W.C. Pennington, the fugitive slave who became one of the first black abolitionists Webber, Christopher. New York : Pegasus Books, c2011. 493 p. B PENNINGTON (YRI) The Amistad slave revolt and American abolition. Zeinert, Karen. North Haven, CT : Linnet Books, c1997. 101p. 326.09 Z (YRI, YWI) Angelina Grimke : voice of abolition. Todras, Ellen H., 1947- North Haven, Conn. : Linnet Books, c1999. 178p. YA B GRIMKE (YWI) The antislavery movement Rogers, James T. -
Drafting Disney for Victory: Animation, Propaganda, and Political Resistance, 1941-1942
DRAFTING DISNEY FOR VICTORY: ANIMATION, PROPAGANDA, AND POLITICAL RESISTANCE, 1941-1942 by John Michael Gregory A thesis submitted to the faculty of The University of North Carolina at Charlotte in partial fulfillment of the requirements for the degree of Master of Arts in History Charlotte 2019 Approved by: ______________________________ Dr. Mark Wilson, Thesis Director ______________________________ Dr. Peter Thorsheim ______________________________ Dr. David Johnson ©2019 John Michael Gregory ALL RIGHTS RESERVED ABSTRACT JOHN MICHAEL GREGORY. Drafting Disney for Victory: Animation, Propaganda, and Political Resistance, 1941-1942. (Under the direction of DR. MARK WILSON) History has forgotten animation, and film companies are often complicit in failing to acknowledge its influence on our social and cultural history. Walt Disney came of age in the film industry during the Golden Age of Hollywood, an era that coincided with a world stage set for war and conflict. The threat of Nazi Germany was felt both home and abroad, and the United States struggled with indecision on whether or not to support its European allies or remain isolationist. When the Second World War began, the American response was lukewarm with Lend-Lease being the only acceptable political means of interference in the European conflict. Walt Disney, struggling over lack of profits due to war-related distribution overseas, sought US Government contracts for morale and instructional films to keep his company afloat and his artists paid. Though Disney’s popularity and success in Hollywood in the late 1930s should have made him an easy sell to politicians, he was largely met with distrust over questions of cost and the future viability of animation in government use. -
To Oral History
100 E. Main St. [email protected] Ventura, CA 93001 (805) 653-0323 x 320 QUARTERLY JOURNAL SUBJECT INDEX About the Index The index to Quarterly subjects represents journals published from 1955 to 2000. Fully capitalized access terms are from Library of Congress Subject Headings. For further information, contact the Librarian. Subject to availability, some back issues of the Quarterly may be ordered by contacting the Museum Store: 805-653-0323 x 316. A AB 218 (Assembly Bill 218), 17/3:1-29, 21 ill.; 30/4:8 AB 442 (Assembly Bill 442), 17/1:2-15 Abadie, (Señor) Domingo, 1/4:3, 8n3; 17/2:ABA Abadie, William, 17/2:ABA Abbott, Perry, 8/2:23 Abella, (Fray) Ramon, 22/2:7 Ablett, Charles E., 10/3:4; 25/1:5 Absco see RAILROADS, Stations Abplanalp, Edward "Ed," 4/2:17; 23/4:49 ill. Abraham, J., 23/4:13 Abu, 10/1:21-23, 24; 26/2:21 Adams, (rented from Juan Camarillo, 1911), 14/1:48 Adams, (Dr.), 4/3:17, 19 Adams, Alpha, 4/1:12, 13 ph. Adams, Asa, 21/3:49; 21/4:2 map Adams, (Mrs.) Asa (Siren), 21/3:49 Adams Canyon, 1/3:16, 5/3:11, 18-20; 17/2:ADA Adams, Eber, 21/3:49 Adams, (Mrs.) Eber (Freelove), 21/3:49 Adams, George F., 9/4:13, 14 Adams, J. H., 4/3:9, 11 Adams, Joachim, 26/1:13 Adams, (Mrs.) Mable Langevin, 14/1:1, 4 ph., 5 Adams, Olen, 29/3:25 Adams, W. G., 22/3:24 Adams, (Mrs.) W. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
Citrus Fruits Information Compiled by Sunkist Growers
Commodity Fact Sheet Citrus Fruits Information compiled by Sunkist Growers How Produced – Citrus trees are propagated asexually mandarin orange and a lemon, are less acidic than traditional through a procedure known as grafting which fuses two lemons. different varieties of plants. In the case of citrus trees, one variety, the rootstock, is selected for Desert grapefruit are harvested October its hardiness and the other variety, the through March while summer grapefruit scion, is selected for its high-quality are available May through September. fruits. The rootstock, grown from a Specialty citrus include Melo Golds seed, is typically a two- to three-year- and Oro Blancos, grapefruit varieties old seedling while the scion is a bud that are popular with those preferring a from a mature tree. Through grafting, sweeter taste. Pummelos, or “Chinese” the scion fuses to the rootstock and grapefruit, considered a delicacy among becomes a new tree. In approximately many Asian cultures, are the largest of five years, the tree produces the same all citrus fruits. variety of fruit that was budded onto Almost a dozen different mandarin the rootstock. The successfully grafted and tangerine varieties, such as trees are sold to citrus growers through Clementines, Gold Nuggets, and wholesale nurseries and are certified Pixies, are available November through disease-free. There are approximately CITRUS VARIETIES May. Most are easy to peel and have a 270,000 bearing acres of citrus trees in lively flavor. California. Commodity Value – While Florida is the number one History – Oranges and lemons can be traced back to the producer of citrus fruits, the majority of their crop is made ancient Middle East. -
Zallen Gsas.Harvard 0084L 11460.Pdf (8.379Mb)
American Lucifers: Makers and Masters of the Means of Light, 1750-1900 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Zallen, Jeremy Benjamin. 2014. American Lucifers: Makers and Masters of the Means of Light, 1750-1900. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:12274111 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA American Lucifers: Makers and Masters of the Means of Light, 1750-1900 A dissertation presented by Jeremy Benjamin Zallen to The Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History Harvard University Cambridge, Massachusetts April 2014 ©2014—Jeremy Benjamin Zallen All rights reserved. American Lucifers: Makers and Masters of the Means of Light, 1750-1900 Abstract This dissertation examines the social history of Atlantic and American free and unfree labor by focusing on the production and consumption of the means of light from the colonial period to the end of the nineteenth century. Drawing from archives across the country, I reconstruct the ground-level experiences and struggles of the living (and dying) bringers of lights—those American lucifers—and the worlds they made in the process. I begin by arguing that colonial American deep-sea whaling voyages triggered an Atlantic street lighting revolution radiating from London, while a New England run candles-for-slave(ry) trade helped illuminate and circulate processes caught up in colonial transatlantic sugar slavery.