Gonzo Weekly #102
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Worksheet- the Boat That Rocked (Film Trailer) Watch the Video 3 Times
Worksheet- The Boat that Rocked (film trailer) Watch the video 3 times VIEWING 1: Write down all the words you understand : VIEWING 2: Fill in the blanks Richard Curtis, creator of Notting Hill, Four Weddings and a Funeral and Love Actually was __________ by the true story of how the _________ _____________ tried to _____ rock ‘n’ roll music from the _________ to bring us his latest comedy : __________ ________ In 1964, all anybody could ______ on _______ radio of ____ music was about _____ hours a week and this was the ________ time for British pop music. That’s the whole point of being the government, if you don’t like something, you simply make it ________ until one __________ DJ and a band of __________ took to the sea to begin __________ _______-_______ hours a day. You had the right to _______ to this music _________ you wanted… They became known as _________, loved by _________ and despised by the ____________. 22 million _____ used to ____ in every day, and then of course they got ________ status, which was even ________ VIEWING 3: Interview Richard Curtis ! What type of film is it according to Richard Curtis ? A comedy A romance A romantic comedy What’s the serious message out of this film ? ………………………………………………………………………. EE : Would you like to watch this film ? Why ? (30 words) …………………………………………..…………………………………………………..…………………………………… ….…………………………………………..…………………………………………………..………………………………… ……. Toolbox : exciting/ hilarious/ based on true events… Activity 3 : Let’s recap ! Using the trailer and your asnwers, write the synopsis (=plot) of the film The Boat that Rocked is a film by………………………………………………………………………………………. -
We Are Saying Is... Give Peace a Chance…
SUPPORTING GREENPEACE EAVIS DAUGHTER WATERAID NOT FOR SHALE OXFAM STOP PRESS Twin Atlantic replace Chromeo for John Peel set, Sat 9.15pm Thursday, 26 June, 2014 Proudly printed in the Theatre and Circus Fields of Glastonbury Festival FREE ALL WE ARE SAYING IS... GIVE PEACE A CHANCE… Yoko Ono wait until 2015 I didn’t want to wait featuring members of the amazing The wishes will then all be collect- collective desire for peace in the and also to think of a day when we that long! Why not now?! So I was Yo La Tengo, I will also be installing ed, sent to me and then will be kept world. will have world peace. Together we really thrilled when the Festival I have never been to Glastonbury, arlier this year I played two wish trees at the Green Kids Field. I underneath Imagine Peace Tower in can make it! organisers said that they not only and I can’t wait! Who knows what Esmall shows in Dalston in And I came to tell you what fun wanted me this year but that they I will see! The line-up is amazing it is to work for world peace. It’s London and another musician who wanted to give me a really good slot and, for me, coming from the avant came said to me that he would love on Sunday night on the Park stage. I “I came to tell you what fun it grade world, it’s so great to see so the most fun work there is now in to see me do a similar type of show, was a happy girl! much diversity and experimenta- our planet. -
MELLOTRONEN - Progrockens Främsta (?) Kännetecken!
MELLOTRONEN - Progrockens främsta (?) kännetecken! Karl-Göran Karlsson En introduktion till boken ”Mellotron – The Machine and the Musicians that Revolutionised Rock” skriven av Nick Awde (utgiven 2008 av förlaget Desert Hearts, www.deserthearts.com, England, rekommenderat pris £19.95) 1. Inledning De flesta människor har säkert hört musik spelad med Mellotron men om man frågar någon (ja, naturligtvis inte någon av er ärade Progrock/Artrock-nördar!) om han eller hon vet vad en Mellotron är så möts man i regel av klockrena fågelholkar. D v s, de fattar överhuvudtaget inte vad man menar. När man då antyder att det är en maskin med inspelade ljudsnuttar så lyser de upp och säger ”Aha – du menar en synth! Men – än sen då, det är väl inte så märkvärdigt?”. Suck och stön, säger jag bara. De har överhuvudtaget inte fattat någonting under dessa mer än 50 år som denna märkliga maskin funnits. Men vad har jag då för fog att påstå att de flesta någon gång har hört detta instrument (eller vad man nu skall kalla det) spela? Och varför skulle det vara något speciellt med Mellotronen i jämförelse med alla dessa keyboards och synthesizers som vällt över oss de senaste halva århundradet? Om jag då ger följande två exempel på låtar där Mellotronen haft en framträdande plats så undrar jag inte om polletten till slut faller ner: 1. Beatles: ”Strawberry Fields Forever” (utgiven 1966, egentligen inspelad för Sgt. Pepper-LP-n men istället utgiven som singel tillsammans med ”Penny Lane”, finns dock även på plattan Magical Mystery Tour) 2. The Moody Blues: ”Nights in White Satin” (singel utgiven 1967 och sedan även på LP-n ”Days of Future Passed” från samma år) När det gäller den första låten så känner väl de flesta till den. -
Exploring the UK Festival Scene
Exploring the UK Festival scene What makes a festival? Or more specifi - and ingrained in the festival spirit. traditional ‘fallow year’, while the whimsi - cally, what makes a British festival? Across While Glastonbury is largely recognised cally eclectic Secret Garden Party, a won - fields, seafronts and the paved streets of now as being the pinnacle of the festival derland of neon and glitter in the London, summer brings people of all in - scene, the Isle of Wight was at the fore - Cambridge village of Abbots Ripton, per - terests and backgrounds together as one. front. Beginning as a counterculture event manently came to an end last year and In 1971, a year after its debut, a film between 1968 and 1970, it was recognised Scotland’s T in the Park has announced a crew captured the atmosphere of as the British equivalent of Woodstock. Its hiatus. ese aside, though, leaves no Glastonbury festival (see Nicolas Roeg’s 1970 line-up consisted of Joni Mitchell shortage especially as T in the Park has documentary Glastonbury Fayre ). Hair standing harmoniously in a yellow maxi been replaced by TRNSMT, a city festival flowed, tan coloured flares danced, tassels dress under the afternoon sun and Leonard in the centre of Glasgow which happens waved and light-weight, loose garments Cohen gripping the audience with his over the last weekend of June and first seemingly floated with the bodies of their tuneful poetry. e Who and e Doors weekend of July. supplied the rock and roll while Jimi wearers moving in swirling hypnotic mo - While most festivals are a temporary tions to the banging of drums. -
Dossier De Presse © Thomas Biarneix
LA NOUVELLE SCÈNE DES MUSIQUES ACTUELLES À TOULOUSE sept. déc. Dossier de Presse _ © Thomas Biarneix SERVICE DE PRESSE DE LA VILLE DE TOULOUSE Aline Degert Maugard / [email protected] DIRECTION DES MUSIQUES ACTUELLES - CONTACT PRESSE METRONUM Perrine Crubilé / [email protected] 05 61 25 96 93 / 06 88 30 96 80 / 18 rue Saint Rémésy 31000 Toulouse LE METRONUM, UN LIEU PARTAGÉ sommaire Pleinement inscrit dans le paysage culturel toulousain et dans le cœur du quartier de Borderouge, le Metronum se définit comme la tête de réseau _ connectée avec l’ensemble des salles de spectacles et de studios de ré- pétition disséminés sur le territoire de la métropole toulousaine. Cet équi- pement culturel de spectacles est aussi un « outil » de travail au service du monde artistique local, inédit en France, organisé autour de fonctionnali- tés en adéquation avec les requêtes de la filière des musiques actuelles. En effet, le Metronum n’est pas seulement conçu comme un espace de production de spectacles musicaux, mais aussi comme un lieu de travail et de création pour des groupes artistiques et surtout comme un lieu de 04 > CALENDRIER DATE PAR DATE vie, de rencontre, de résidence et de ressources. Ce lieu partagé est ou- vert aux associations, aux producteurs locaux et nationaux. 07 > PRODUCTIONS METRONUM « La particularité de l’équipement réside dans sa fonctionnalité, chaque espace a été pensé pour répondre à un besoin, un usage » 15 > PRODUCTIONS METRONUM (Hervé Bordier, Directeur - Direction des Musiques Actuelles, -
Introducing Strategy
1 INTRODUCING STRATEGY Learning outcomes After reading this chapter you should be able to: ● Explain what ‘strategy’ is about. ● Summarise the strategy of an organisation in a ‘strategy statement ’. ● Identify key issues for an organisation’s strategy according to the Exploring Strategy model. ● Distinguish between corporate , business and operational strategies. Key terms Business-level strategy p. 6 Corporate-level strategy p. 6 Exploring Strategy Model p. 9 Managing strategy in action p. 13 MyStrategyLab is designed to help you make the most of your studies. Operational strategies p. 7 Visit www.mystrategylab.com to discover a wide range of resources specific to this chapter, including: Strategic choices p. 12 • A personalised Study plan that will help you understand core concepts. Strategic position p. 11 • Audio and video clips that put the spotlight on strategy in the real world. Strategy p. 2 • Online glossaries and flashcards that provide helpful reminders when Strategy statements p. 7 you’re looking for some quick revision. Three horizons framework p . 3 See p. xiv for further details. M01_JOHN7252_02_SE_C01.indd 1 10/11/11 9:04 AM 2 CHAPTER 1 INTRODUCING STRATEGY 1.1 INTRODUCTION trategy is about key issues for the long-term future of organisations. For example, how S should Google – originally a search company – manage its expansion into the mobile phone industry? Should universities concentrate their resources on research excellence or teaching quality or try to combine both? How should a small video games producer relate to dominant console providers such as Nintendo and Sony? What should a rock band do to secure revenues in the face of declining CD sales? All these are strategy questions. -
Gong, 15.10.17 Bonn, Harmonie
Gong, 15.10.17 Bonn, Harmonie »Alles ist erleuchtet« Schon geraume Zeit vor dem durchaus sehnsüchtig erwarteten Konzertbeginn wurde die Bonner Harmonie komplett von sich apart verformenden Erscheinungen in strahlenden Lichtfarben geflutet. Bestimmt ein gutes Mittel gegen Depressionen in der lichtarmen Jahreszeit. Da passt es dann auch, dass die Projektion des „Flying Teapot“ wärmsten Szenenapplaus erhält. Die Lichtbringer sind aktuell Kavus Torabi (vocals/guitar; u.a. Knifeworld, Guapo), Fabio Golfetti (guitar/vocals), Dave Sturt (bass/vocals/gatekeeping; u.a. Steve Hillage, Jade Warrior, David Gilmour, Earl Slick, Theo Travis, Michael Kamen, ), Ian East (sax/flute/mauspfeife; u.a Inspiral Trio) and Cheb Nettles (drums/vocals). Dass dennoch daevid allen irgendwie immer noch mit von der Partie ist, wird schon bei der Wahl vom 1971er Song ‚You Can’t Kill Me‘ als Eröffnung deutlich. Bei den angesichts der teils offensichtlich noch unbekannten Bandmitglieder auf der Bühne minimal angespannten +50er im Zuschauerraum macht sich daraufhin Entspannung breit. Der wenig später Erleuchtungen folgen. Denn auch ‚I’ve Been Stoned Before‘ (1977) gehört zum sowasvon-sanktionierten QiGong-Kanon. ‚Kapital‘ hingegen schließt sich nahtlos an, obwohl es vom 2016er Album Rejoice! I’m Dead! stammt – und auch unmittelbar von dessen wunderbar positiven, lebensbejahenden Titelsong gefolgt wird. Unterdes flasht Fabio die Gitarristen im Publikum durch sein nicht mit der Griff- sondern mit seiner rechten „Schlag“-Hand vorgenommenes Slide-Spiel. Alle anderen sind unterdes enthusiasmiert entweder von den parallelen Knochenjochen- Projektionen oder von Chebs phantastischem Drumming, das die meisten der irrsinnigen Steigerungen einleitet, zu der diese Formation fähig ist. Für ‚Master Builder‘ und ‚I Never Glid Before‘ wechseln die Projektionen zunächst zu aztekisch wirkenden Mustern und dann zu Bildern von Meditierenden. -
Plattenbörsen 2005
2 Oldie Markt 02/05 Plattenbörsen Plattenbörsen 2005 Schallplattenbörsen sind seit einigen Jahren fester Bestandteil der europäischen Musikszene. Steigende Besucherzahlen zeigen, daß sie längst nicht mehr nur Tummelplatz für Insider sind. Neben teuren Raritäten bieten die Händler günstige Bild wird von geliefertem Second-Hand-Platten, Fachzeitschriften, Bücher Lexika, Poster und Zubehör an. Rund 250 Börsen finden pro Jahr allein in Film einmontiert! der Bundesrepublik statt. Oldie-Markt veröffentlicht als einzige deutsche Zeit- schrift monatlich den aktuellen Börsen- kalender. Folgende Termine wurden von den Veranstaltern bekanntgegeben: Datum Stadt/Land Veranstaltungs-Ort Veranstalter / Telefon 27. Januar Berlin Statthaus Böcklerpark Kurt Wehrs ¤ (030) 67 77 62 42 29. Januar Hamburg Uni Mensa WIR ¤ (051 75) 93 29 93 29. Januar Salzburg/Österreich Kleingmainer Saal Werner Stoschek ¤ (085 09) 26 09 6. Februar Dortmund Westfalenhalle-Goldsaal Manfred Peters ¤ (02 31) 48 19 39 6. Februar Lingen Emslandhallen JoKo-Promotion ¤ (02 71) 232 00 17 12. Februar Gera Kongreßzentrum First & Last ¤ (03 41) 699 56 80 13. Februar Bremen Weserterrassen Henry Fangmann ¤ (047 46) 98 18 75 13. Februar Mainz Kurfürstliches Schloß Wolfgang W. Korte ¤ (061 01) 12 86 62 13. Februar Münster Halle Münsterland Agentur Lauber ¤ (02 11) 955 92 50 13. Februar Aachen Eurogress JoKo-Promotion ¤ (02 71) 232 00 17 13. Februar Leipzig Uni-Mensa First & Last ¤ (03 41) 699 56 80 18. Februar Berlin-Hellersdorf Marktplatz-Center Kurt Wehrs ¤ (030) 67 77 62 42 19. Februar Mannheim Alte Feuerwache Wolfgang W. Korte ¤ (061 01) 12 86 62 20. Februar Siegen Siegerlandhalle Joko-Promotion ¤ (02 71) 232 00 17 20. Februar Saarbrücken Congresshalle Agentur Lauber ¤ (02 11) 955 92 50 20. -
Beyond Imagination
Beyond Imagination In January 1997, IQ began work on 'Subterranea', their sixth studio album and without doubt their most ambitious project to date. The 105-minute 2CD set would form the basis for a completely new stage show. "After we'd finally managed to release 'Forever Live', we didn't really want to release a single album studio album", explained Mike Holmes. "We felt it would have been a bit of an anticlimax after there quality and standard of the boxed set. We also had quite a bit of material kicking around." Peter Nicholls: "When we were writing 'Subterranea', I came across loads of old rehearsal tapes with ideas that we'd never finished because we'd got sidetracked by something else. There was an awful lot of material there that we felt we should have another look at." The decision to build the album around a concept was an important one for the band, as Martin Orford remembered: "With this album, it was nice to have the framework of a story to work to so that we knew the sort of pieces we had to find for particular sections." So creative were the 'Subterranea' writing sessions, though, that IQ had no need to resort to reworking unfinished ideas. In fact, two tracks, 'The Universal Scam' and 'Eyes Of The Blind', were omitted from the final album, only being released two years later on the rarities CD, 'The Lost Attic'. "Right from the beginning, this project was conceived as an album and a live show", explained Peter Nicholls. "We've always wanted to present the band on stage this way but there's always been a reason, usually financial, for not doing it. -
Brinsley Schwarz Last Updated: 10 August 2007
This document is a snapshot of content from a discontinued BBC website, originally published between 2002-2011. It has been made available for archival & research purposes only. Please see the foot of this document for Archive Terms of Use. 8 May 2012 Accessibility help Text only BBC Homepage Wales Home Brinsley Schwarz Last updated: 10 August 2007 Ian Gomm was once described as the "best rhythm more from this section guitarist in Britain" (NME BBC Local 1971). In those days, he was My Story a member of cult group A Week in Westminster Mid Wales Abigail's Orang-utans Brinsley Shwarz. Things to do Back into the big bad world... Bah! Humbug! People & Places Beard and Booze Nature & Outdoors Ian now lives in Llanfair Caereinon in Powys and writes here Belonging History about his days as a rock star. He sent us his story after Brinsley Schwarz Religion & Ethics visiting the BBC Wales Bus in Llanfair Caereinion in 2003. Calendar Girl Class of '53 Arts & Culture Don't cry for me Aberaeron Music God Bless the Cambrian News! TV & Radio "I was born in downtown Chiswick and grew up in London History Hunter Internet Innovators Local BBC Sites and cut my teeth on 'The Ventures', 'The Everly Brothers' Jim's Story News and 'The Beatles'. As a youngster, I followed a 5-year Keeping Butterflies Sport apprenticeship in mechanical and electronic engineering with Learner of the Year EMI Ltd. at Hayes in London where The Beatles' first records Led Zeppelin Weather Leila's Long Walk Travel were manufactured. Llanidloes Fancy Dress Martin's Memories Neighbouring Sites I sang and played lead/rhythm guitar in semi-professional Memories from Bont North East Wales groups in my spare time through the late sixties, and Motherhood - My View North West Wales performed around the West London R&B circuit in clubs and My West Side Story South East Wales Observations of a Sea-Side Town. -
Download Date 27/09/2021 09:14:37
Out of sight: the mediation of the music festival Item Type Book chapter Authors Goodall, Mark D. Citation Goodall MD (2015) Out of sight: the mediation of the music festival. In: McKay G (Ed.) The Pop Festival: History, Music, Media, Culture. London: Bloomsbury. Rights (c) 2015 Bloomsbury. Full-text reproduced with publisher permission. Download date 27/09/2021 09:14:37 Link to Item http://hdl.handle.net/10454/10323 The University of Bradford Institutional Repository http://bradscholars.brad.ac.uk This work is made available online in accordance with publisher policies. Please refer to the repository record for this item and our Policy Document available from the repository home page for further information. To see the final version of this work please visit the publisher’s website. Access to the published online version may require a subscription. Citation: Goodall MD (2015) Out of sight: the mediation of the music festival. In: McKay G (Ed.) The Pop Festival: History, Music, Media, Culture. London: Bloomsbury. Copyright statement: © 2015 Bloomsbury. Full-text reproduced with publisher permission. Chapter 4. Out of sight: the mediation of the music festival The children danced night and day. Eric Burdon, Monterey1 The pop festival grows from nothing; it rises up from an empty space into an audio- visual spectacle, captivating the thousands of individuals who have made the pilgrimage to witness it. Over the years these musical staged events, with a strong visual dimension, have attracted media producers, especially film-makers. This chapter explores how the pop festival has been mediated over time, from the early pioneering films of music festivals through to the modern festival. -
Mellotron ORDER 08
NEW FROM DESERT♥HEARTS BOOKS SUMMER 2008 ORDER YOUR COPY NOW! GENESIS • KING CRIMSON • YES • MOODY BLUES • STRAWBS • BARCLAY JAMES HARVEST • PAVLOV’S DOG • STEVE HACKETT • FLOWER KINGS • IQ • ENGLAND • XTC • ORCHESTRAL MANOEUVRES IN THE DARK • 21ST CENTURY SCHIZOID BAND • Mellotron The Machine and the Musicians that Revolutionised Rock A history of one of rock’s mythical keyboards — by Nick Awde 592 pages, 300 B&W photos • £19.95 • ISBN: 978-1-898948-02-5 (Hardback) Order your special preview copy DIRECT from Desert Hearts, shipping Monday July 14 (official release date Sept 1). Order online at www.deserthearts.com, or by post sending cheque with the order form below. The Mellotron changed music forever when it appeared in the 60s. Long before the advent of synthesizers, this extraordinary keyboard revolutionised rock and pop music. For the first time, it brought a potentially unlimited range of sounds to a musician’s fingertips. As the world’s first sampler, its pre-recorded tapes included everything from a symphony orchestra and church choir to samba combo and rock’n’roll drum rhythms. The result is an insight into the social history of British pop and rock music—in particular progressive rock—and explains some of the reasons why British music came to rock the whole world. Top musicians, songwriters and producers chart their careers with the Mellotron, the first sampler keyboard whose eccentric mechanism led to it being affectionately called “The Beast”: Tony Banks (Genesis), Mike Pinder (Moody Blues), Ian McDonald (King Crimson, Foreigner),