Teaching Tales: Harnessing the Power of Storytelling In
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Book Review:" Yoga Body: the Origins of Modern Posture Practice"
Journal of Hindu-Christian Studies Volume 23 Article 17 January 2010 Book Review: "Yoga Body: The Origins of Modern Posture Practice" Harold Coward Follow this and additional works at: https://digitalcommons.butler.edu/jhcs Part of the Religion Commons Recommended Citation Coward, Harold (2010) "Book Review: "Yoga Body: The Origins of Modern Posture Practice"," Journal of Hindu-Christian Studies: Vol. 23, Article 17. Available at: https://doi.org/10.7825/2164-6279.1469 The Journal of Hindu-Christian Studies is a publication of the Society for Hindu-Christian Studies. The digital version is made available by Digital Commons @ Butler University. For questions about the Journal or the Society, please contact [email protected]. For more information about Digital Commons @ Butler University, please contact [email protected]. Coward: Book Review: "Yoga Body: The Origins of Modern Posture Practice" 62 Book Reviews There is much to be learned from and seem to reflect a presumed position of privilege appreciated in Schouten's Jesus as Guru. for Caucasian, WesternlEuropean, Christian However, I was frustrated by phrases such as contexts. "Whoever explores the religion and culture of While dialogue between "East" and "West" India comes fact to face with a different world," sets the context for the book in the introduction, (1) or " ... Since then, it is no longer possible to in the Postscript Schouten acknowledges, " .. .in i imagine Indian society and culture without the past quarter of a century the voice of Hindus i I Christ." (4) Following an informative in the dialogue has grown silent." (260) Perhaps intermezzo on Frank Wesley's depiction of future work can assess why this might be so and Jesus as a blue hued child like Krishna, I wonder work to build a new conversation. -
JONATHAN EDELMANN University of Florida • Department of Religion
JONATHAN EDELMANN ASSISTANT PROFESSOR OF RELIGION University of Florida • Department of Religion 107 Anderson Hall • Room 106 • Gainesville FL 32611 (352) 273-2932 • [email protected] EDUCATION PH.D. | 2008 | UNIVERSITY OF OXFORD | RELIGIOUS STUDIES AND THEOLOGY Dissertation When Two Worldviews Meet: A Dialogue Between the Bhāgavata Purāṇa & Contemporary Biology Supervisors Prof. John Hedley Brooke, Oxford University Prof. Francis Clooney, Harvard University M.ST. | 2003 | UNIVERSITY OF OXFORD | SCIENCE AND RELIGION Thesis The Value of Science: Perspectives of Philosophers of Science, Stephen Jay Gould and the Bhāgavata-Purāṇa’s Sāṁkhya B.A. | 2002 | UNIVERSITY OF CALIFORNIA–SANTA BARBARA | PHILOSOPHY Graduated with honors, top 2.5% of class POSITIONS ! 2015-present, Assistant Professor of Religion, Department of Religion, University of Florida ! 2012-present, Section Editor for Hindu Theology, International Journal of Hindu Studies ! 2014-present, Consulting Editor, Journal of the American Philosophical Association ! 2013-2015, Honors College Faculty Fellow, Mississippi State University ! 2010-2012, American Academy of Religion, Luce Fellow in Comparative Theology and Theologies of Religious Pluralism ! 2009-2015, Assistant Professor, Department of Philosophy & Religion, MSU ! 2008-2009, Post Doctoral Fellow, Harris Manchester College, Oxford University ! 2007-2008, Religious Studies Teacher, St Catherine’s School, Bramley, UK RECENT AWARDS ! 2016, Humanities Scholarship Enhancement Fund Committee, College of Liberal Arts and -
Fatima the Spinner and the Tent
HOOPOE BOOKS FOR CHILDREN MANUAL FOR PARENTS & TEACHERS to accompany Fatima the Spinner and the Tent To order this book call your distributor or ISHK Book Service: Phone: 800 222-4745 Fax: 800 223-4200 Outside U.S. and Canada: Phone: 617 497-4124 Fax: 617-500-0268 Order on the web at www.hoopoekids.com “These Teaching-Stories can be experienced on many levels. A child may simply enjoy hearing them; an adult may analyze them in a more sophisticated way. Both may eventually benefit from the lessons within.” Lynn Neary “All Things Considered,” NPR News, Washington This manual accompanies one book in our series of illustrated tales from the rich storytelling tradition of Afghanistan, Central Asia and the Middle East. These Teaching-Storiestm have been told to countless children for more than a thousand years. Parents and teachers can use these ancient, universal tales not only to delight and entertain, but also to develop language and thinking abilities in the young. At the same time, these stories will encourage in children a love of good literature that can affect them positively throughout their lives. In this ancient tradition, stories are told to young and old alike. A story can help children deal with difficult situations and give them something to hold onto. It can, at the same time, stimulate a deeper understanding in adults. While reading and discussing this tale with your children, you, too, may find yourself thinking and perceiving in new ways. A wealth of learning awaits us all in these old tales. We hope you and your children enjoy this one! ABOUT HOOPOE TALES These stories show us what we share with these cultures and what we can learn from each other. -
Who Is Cinderella,...Or Cinderfella?
1 Who is Cinderella, … or Cinderfella? Donna Rohanna Patterson Elementary School Overview Rationale Objectives Strategies Classroom Activities Annotated Bibliography/Resources Appendices/Standards Overview Folk and fairy tale stories comprise most of the stories children hear from birth to 2nd grade. They are used not only to entertain, but often as teaching stories about the dangers and values of life. These very same stories are shared in many cultures around the world. Although they vary in characters, setting, and texture from one continent to the next, they remain some of the most powerful stories for teaching and learning during the early years. Folk and fairy tales have initiated children into the ways of the world probably from time immemorial. Many have changed over time to homogenize into the variety that we often see and hear today to meet a more generic audience, often leaving behind the tales geographic and social origins. By exposing students to a variety of multicultural renditions of a classic Fairy Tale they can begin to relate to these stories in new ways, leading to a richer literary experience. Fairy Tales written through ethnic eyes also give a great deal of cultural information, which can result in a richer experience for the students and students. We can then appreciate the origins and adaptations as they have migrated through time and space. These stories help to make sense of the world for young children. Folk and fairy tales were not meant only for entertainment, they provide a social identity, and instill values as well as teaching lessons. In my own experience I have found that classrooms are often filled with students that either come from other countries or have families that do. -
Experiential Shaping of Public Space During Pilgrimage: the Alandi-Pandharpur Palkhi
EXPERIENTIAL SHAPING OF PUBLIC SPACE DURING PILGRIMAGE: THE ALANDI-PANDHARPUR PALKHI PRAJAKTA SANE A thesis submitted in fulfillment of the requirements for the degree of Master of Architecture Postgraduate Board University of New South Wales March 2007 Abstract Space perceived and experienced through movement presents an interesting array of imagery which blends together to form a comprehensive whole. My thesis explores this dimension of spatial complexity through the public ritual of pilgrimage. This profound and deeply significant human activity connects the individual places to form an integrated sacred network. The practice of pilgrimage has developed over centuries across the globe and continues to grow and influence a huge cross section of society to come together and move en-masse towards religious centres and personal enlightenment. Public spaces demand a simultaneous co-existence of people, activities and their setting. The phenomenon of pilgrimage is central to the public realm. Its study involves an intricate layering of beliefs, customs, traditions and religion which collectively govern the people-space relationship. The transformation of a space to a place, from static to dynamic, from passive to active occurs during this activity, maintaining the traditional usage while simultaneously evolving as a product of interaction between people, rituals and spaces. In this thesis, I examine the experiential shaping of space which occurs through pilgrims’ activities and their impacts on the given urban and architectural conditions. The research is based on my study of the Alandi-Pandharpur Pilgrimage in India. It is an outcome of my participation in the ritual as, both, an architect and a pilgrim. -
God in the Vedanta Tradition Professor Edwin Bryant Rutgers University
NOTHING PURIFIES LIKE KNOWLEDGE THE MATTOO CENTER FOR INDIA STUDIES presents God in the Vedanta Tradition Professor Edwin Bryant Rutgers University Monotheism is usually characterized as a development exclusive to the Abrahamic traditions. This talk will problematize this stereotype, by considering the ways in which the various Vedanta traditions have construed the notion of a supreme Creator God. The Vedanta traditions all accept the notion of Isvara, a personal creator God, and correlate this Being with Brahman, the highest Truth expressed in the ancient Upanishads, the oldest mystico-philosophical texts in ancient India. They differ as to whether this personal Being is the primary ultimate expression of Brahman, or a secondary Truth derived from a still higher impersonal Being. This talk will examine these understandings of Isvara, and explore how the differences are rooted in the Upanishads themselves. Wednesday, October 28, 2015, 6 P.M. Humanities Building, Lecture Hall 1006 Edwin Bryant is Professor of Hinduism at Rutgers University. He has published books on Vedic history (In Quest of the Origins of Vedic Culture; Indo-Aryan Controversy), Yoga (The Yoga Sutras of Patanjali , translation and interpretation), Indian philosophy (Free Will, Agency and Selfhood in Indian Philosophy), and the Krishna tradition (Krishna: A Source Book; Krishna: The Beautiful Legend of God (translation of Srimad Bhagavata Purana Book X). He has just completed a new book, Bhakti Yoga in the Krishna tradition (forthcoming). This lecture is free and open to the public. All are cordially invited. For information, call 631.632.9742, email [email protected] or visit www.stonybrook.edu/india . -
Handbook of Hinduism Ancient to Contemporary Books on the Related Theme by the Same Author
Handbook of Hinduism Ancient to Contemporary Books on the related theme by the Same Author ● Hinduism: A Gandhian Perspective (2nd Edition) ● Ethics for Our Times: Essays in Gandhian Perspective Handbook of Hinduism Ancient to Contemporary M.V. NADKARNI Ane Books Pvt. Ltd. New Delhi ♦ Chennai ♦ Mumbai Kolkata ♦ Thiruvananthapuram ♦ Pune ♦ Bengaluru Handbook of Hinduism: Ancient to Contemporary M.V. Nadkarni © Author, 2013 Published by Ane Books Pvt. Ltd. 4821, Parwana Bhawan, 1st Floor, 24 Ansari Road, Darya Ganj, New Delhi - 110 002 Tel.: +91(011) 23276843-44, Fax: +91(011) 23276863 e-mail: [email protected], Website: www.anebooks.com Branches Avantika Niwas, 1st Floor, 19 Doraiswamy Road, T. Nagar, Chennai - 600 017, Tel.: +91(044) 28141554, 28141209 e-mail: [email protected], [email protected] Gold Cornet, 1st Floor, 90 Mody Street, Chana Lane, (Mohd. Shakoor Marg), Opp. Masjid, Fort Mumbai - 400 001, Tel.: +91(022) 22622440, 22622441 e-mail: [email protected], [email protected] Flat No. 16A, 220 Vivekananda Road, Maniktala, Kolkata - 700 006, Tel.: +91(033) 23547119, 23523639 e-mail: [email protected] # 6, TC 25/2710, Kohinoor Flats, Lukes Lane, Ambujavilasam Road, Thiruvananthapuram - 01, Kerala, Tel.: +91(0471) 4068777, 4068333 e-mail: [email protected] Resident Representative No. 43, 8th ‘‘A’’ Cross, Ittumadhu, Banashankari 3rd Stage Bengaluru - 560 085, Tel.: +91 9739933889 e-mail: [email protected] 687, Narayan Peth, Appa Balwant Chowk Pune - 411 030, Mobile: 08623099279 e-mail: [email protected] Please be informed that the author and the publisher have put in their best efforts in producing this book. Every care has been taken to ensure the accuracy of the contents. -
CONCEIVING the GODDESS an Old Woman Drawing a Picture of Durga-Mahishasuramardini on a Village Wall, Gujrat State, India
CONCEIVING THE GODDESS An old woman drawing a picture of Durga-Mahishasuramardini on a village wall, Gujrat State, India. Photo courtesy Jyoti Bhatt, Vadodara, India. CONCEIVING THE GODDESS TRANSFORMATION AND APPROPRIATION IN INDIC RELIGIONS Edited by Jayant Bhalchandra Bapat and Ian Mabbett Conceiving the Goddess: Transformation and Appropriation in Indic Religions © Copyright 2017 Copyright of this collection in its entirety belongs to the editors, Jayant Bhalchandra Bapat and Ian Mabbett. Copyright of the individual chapters belongs to the respective authors. All rights reserved. Apart from any uses permitted by Australia’s Copyright Act 1968, no part of this book may be reproduced by any process without prior written permission from the copyright owners. Inquiries should be directed to the publisher. Monash University Publishing Matheson Library and Information Services Building, 40 Exhibition Walk Monash University Clayton, Victoria 3800, Australia www.publishing.monash.edu Monash University Publishing brings to the world publications which advance the best traditions of humane and enlightened thought. Monash University Publishing titles pass through a rigorous process of independent peer review. www.publishing.monash.edu/books/cg-9781925377309.html Design: Les Thomas. Cover image: The Goddess Sonjai at Wai, Maharashtra State, India. Photograph: Jayant Bhalchandra Bapat. ISBN: 9781925377309 (paperback) ISBN: 9781925377316 (PDF) ISBN: 9781925377606 (ePub) The Monash Asia Series Conceiving the Goddess: Transformation and Appropriation in Indic Religions is published as part of the Monash Asia Series. The Monash Asia Series comprises works that make a significant contribution to our understanding of one or more Asian nations or regions. The individual works that make up this multi-disciplinary series are selected on the basis of their contemporary relevance. -
Activities Used in Teaching Short Stories at Secondary Level
ACTIVITIES USED IN TEACHING SHORT STORIES AT SECONDARY LEVEL A Thesis Submitted to the Department of English Education In Partial Fulfilment for the Master of Education in English Submitted by Hem Raj Paudel Faculty of Education Tribhuvan University, Kirtipur Kathmandu, Nepal 2017 DECLARATION I hereby, declare that to the best of my knowledge this thesis is original, no part of it was earlier submitted for the candidate of research degree to any university. Date: 09-04-2017 _____________________ Hem Raj Paudel 2 RECOMMENDATION FOR ACCEPTANCE This is to certify that Mr. Hem Raj Paudel has prepared this thesis entitled Activities Used in Teaching Short Stories at Secondary Level under my guidance and supervision. I recommend the thesis for acceptance. Date: 09-04-2017 ____________________________ Laxmi Prasad Ojha (Supervisor) Teaching Assistant Department of English Education Faculty of Education T.U., Kirtipur, Kathmandu 3 RECOMMENDATION FOR EVALUATION This thesis has been recommended for evaluation from the following Research Guidance Committee. Signature Dr. Anjana Bhattarai ...……………… Professor and Head Chairperson Department of English Education T.U., Kirtipur, Kathmandu Mr. Laxmi Prasad Ojha (Supervisor) ...……………… Teaching Assistant Member Department of English Education T.U., Kirtipur, Kathmandu Mr. Resham Acharya ...……………… Teaching Assistant Member Department of English Education T.U., Kirtipur, Kathmandu Date: 2073-04-03 4 EVALUATION AND APPROVAL This thesis has been evaluated and approved by the following Thesis Evaluation and Approval Committee. Signature Dr. Ram Ekwal Singh _________________ Reader and Head Chairperson Department of English Education T.U., Kirtipur Dr. Anju Giri _________________ Professor Member Department of English Education and Chairperson, English and Other Foreign Languages Education Subject Committee T.U., Kirtipur Mr. -
Using Metaphors in Therapy
Praise for 101 Healing Stories for Children and Teens George Burns is a highly experienced clinician with the remarkable ability to create, discover and tell engaging stories that can teach us all the most important lessons in life. With 101 Healing Stories for Kids and Teens, he strives especially to help kids and teens learn these life lessons early on, providing them opportunities for getting help, and even learning to think preventively. Burns has made an invaluable contribution to helping young people build good skills and good lives. Michael D.Yapko, Ph.D. Author of Breaking the Patterns of Depression and Hand-Me-Down Blues 101 Healing Stories for Children and Teens is a must read for everyone working with this age group. George Burns takes the reader on a wonderful journey, balancing metaphor, good therapeutic technique, and empirical foundations during the trip. Given that Burns utilizes all three aspects of the Confucian story referred to in the book—teaching, showing, and involving—any reader using this resource should increase their understanding of how stories can be used therapeutically. Richard G.Whiteside, MSW Author of The Art of Using and Losing Control and Working with Difficult Clients Burns has done it again, even more thoroughly and usefully than last time! I loved the structure, the content, and the stories—particularly the child-generated metaphors and collaborative tales. This book is going to be invaluable to all clinicians who work with children of all ages, and shines with the clear and genuine love that allowed its writing. Thanks, George. Robert McNeilly, MBBS Director, Centre of Effective Therapy, Melbourne, Australia Author of Healing the Whole Person 101 Healing Stories for Kids and Teens is a fantastic idea, well executed, by a master! Burns systematically leads readers through every step of constructing and delivering therapeutic stories in general, and then outlines and provides examples of stories for achieving a wide variety of specific goals. -
Seven Habits Prf3
Copyrighted Material Seven Habits of Highly Fulfi lled People: Journey from Success to Signifi cance Copyright © 2012 by Satinder Dhiman. All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmit- ted, in any form or by any means — electronic, mechanical, photocopying, recording or otherwise — without prior written permission from the publisher, except for the inclusion of brief quotations in a review. For information about this title or to order other books and/or electronic media, contact the publisher: Personhood Press PO Box 370 Fawnskin, CA 92333 800-429-1192 www.personhoodpress.com [email protected] Library of Congress Control Number: 2012933831 ISBN: 9781932181913 Printed in the United States of America Cover and Interior design: 1106 Design Dedication Tavadiyam vastu Govinda tubhyameva samarpaye: O Lord! I off er unto You what is really Yours! Table of Contents Prologue: Living Profoundly Signifi cant Lives! . .xv Setting the Stage! . xix CHAPTER ONE: Th e Journey of Self-Discovery . .1 Th is Is Not a “How-to” Book! . .2 Self-Knowledge Is the Supreme Key to Fulfi llment . .3 Th e Utter Necessity of Self-Knowledge . .4 Th e World Is Made up of Stories! . .6 Multiple Dimensions of Teaching Stories . .8 Vedanta and Buddhist Psychology. .11 Concluding Remarks. .12 CHAPTER TWO: Th e Pursuit of Happiness and Fulfi llment . .13 Th e Perennial Pursuit of Humankind . .14 Aristotle’s Recipe for Happiness. .15 Positive Psychology and the Pursuit of Happiness . .16 Th e Sustainable Happiness Model. .18 Th ere Is No Direct Road to Fulfi llment. -
The Teaching Story: Observations of the Folklore of Our “Modern” Thought - by Idries Shah There Is No Nation, No Community, Without Its Stories
The Teaching Story: Observations of the Folklore of our “Modern” Thought - by Idries Shah There is no nation, no community, without its stories. Children are brought up on fairy tales, cults and religions depend upon them for moral instruction: they are used for entertainment and for training. They are usually catalogued as myths, as humorous tales, as semi-historical fact, and so on, in accordance with what people believe to be their origin and function. But what a story can be used for is often what it was originally intended to be used for. The fables of all nations provide a really remarkable example of this, because, if you can understand them at a technical level, they provide the most striking evidence of the persistence of a consistent teaching, preserved sometimes through mere repetition, yet handed down and prized simply because they give a stimulus to the imagination or entertainment for the people at large. There are very few people nowadays who are able to make the necessary use of stories. Those who know about the higher level of being represented by stories can learn something from them, but very little. Those who can experience this level can teach the use of stories. But first of all we must allow the working hypothesis that there may be such a level operative in stories. We must approach them from the point of view that they may on that level be documents of technical value: an ancient yet still irreplaceable method of arranging and transmitting a knowledge which can not be put in any other way.