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Abbildungsverzeichnis
Abbildungsverzeichnis Trotz intensiver Recherchen war es nicht in allen Fällen möglich, die Rechteinhaber der Abbil- dungen ausfndig zu machen. Berechtigte Ansprüche werden selbstverständlich im Rahmen der üblichen Vereinbarungen abgegolten. B = Bühnenbild, M = Musik, P = Premierendatum, R = Regie, T = Text Abb. 1 Johan Torn Prikker, Ecce Homo, Dreikönigenkirche, Neuss, Einzelscheibe aus dem mittleren Chorfenster, 1912, Fotografe: Stefan Johnen, Glottertal. Abb. 2 Rekonstruktion der Sonderbundkapelle anlässlich der Ausstellung 1912 – Mission Moderne im Wallraf-Richartz-Museum & Fondation Corboud, Köln, 2012, Fotografe: © Raimond Spekking/CC-BY-SA-4.0 (via Wikimedia Commons). Abb. 3 Henry van de Velde, Bühnenbildentwurf zu Émile Verhaerens Das Kloster, Werkbund- theater Köln, R: Victor Barnowsky, P: Juli 1914, Gouache und Kreide auf Karton, 35,2 × 50,5 cm, Teaterwissenschafliche Sammlung der Universität zu Köln, Fotografe: Christina Vollmert, © VG Bild-Kunst, Bonn 2018. Abb. 4 Szenenfotografe zu Émile Verhaerens Das Kloster, Werkbundtheater Köln, R: Victor Barnowsky, B: Henry van de Velde, P: Juli 1914, Teaterwissenschafliche Sammlung der Universität zu Köln, Fotografe: Christina Vollmert. Abb. 5 Szenenfotografe zu Hugo von Hofmannsthals Jedermann, Domplatz Salzburg, R: Max Reinhardt, B: Alfred Roller, P: 22.08.1920, Teaterwissenschafliche Sammlung der Univer- sität zu Köln. Abb. 6 Wilhelm Willinger, Szenenfotografe zu Hugo von Hofmannsthals Das Salzburger Große Welttheater, Kollegienkirche Salzburg, R: Max Reinhardt, B: Alfred Roller, P: 13.08.1922, Teaterwissenschafliche Sammlung der Universität zu Köln. Abb. 7 Carl Meyer nach einer Zeichnung von Ernst Friedrich Zwirner, Der Dom zu Cöln im Frühjahre 1851, Stahlstich, in: Kölner Domblatt. Amtliche Mittheilungen des Central-Dombau- Vereins 75 (1851): S. 21, Dombauarchiv Köln, Fotografe: Universitätsbibliothek Heidelberg/ CC-BY-SA-3.0. -
Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) Kester, Bernadette
www.ssoar.info Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933) Kester, Bernadette Veröffentlichungsversion / Published Version Monographie / monograph Zur Verfügung gestellt in Kooperation mit / provided in cooperation with: OAPEN (Open Access Publishing in European Networks) Empfohlene Zitierung / Suggested Citation: Kester, B. (2002). Film Front Weimar: Representations of the First World War in German Films from the Weimar Period (1919-1933). (Film Culture in Transition). Amsterdam: Amsterdam Univ. Press. https://nbn-resolving.org/ urn:nbn:de:0168-ssoar-317059 Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer CC BY-NC-ND Lizenz This document is made available under a CC BY-NC-ND Licence (Namensnennung-Nicht-kommerziell-Keine Bearbeitung) zur (Attribution-Non Comercial-NoDerivatives). For more Information Verfügung gestellt. Nähere Auskünfte zu den CC-Lizenzen finden see: Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0 https://creativecommons.org/licenses/by-nc-nd/4.0/deed.de * pb ‘Film Front Weimar’ 30-10-2002 14:10 Pagina 1 The Weimar Republic is widely regarded as a pre- cursor to the Nazi era and as a period in which jazz, achitecture and expressionist films all contributed to FILM FRONT WEIMAR BERNADETTE KESTER a cultural flourishing. The so-called Golden Twenties FFILMILM FILM however was also a decade in which Germany had to deal with the aftermath of the First World War. Film CULTURE CULTURE Front Weimar shows how Germany tried to reconcile IN TRANSITION IN TRANSITION the horrendous experiences of the war through the war films made between 1919 and 1933. -
Crossing the Floor Roy Douglas a Failure of Leadership Liberal Defections 1918–29 Senator Jerry Grafstein Winston Churchill As a Liberal J
Journal of Issue 25 / Winter 1999–2000 / £5.00 Liberal DemocratHISTORY Crossing the Floor Roy Douglas A Failure of Leadership Liberal Defections 1918–29 Senator Jerry Grafstein Winston Churchill as a Liberal J. Graham Jones A Breach in the Family Megan and Gwilym Lloyd George Nick Cott The Case of the Liberal Nationals A re-evaluation Robert Maclennan MP Breaking the Mould? The SDP Liberal Democrat History Group Issue 25: Winter 1999–2000 Journal of Liberal Democrat History Political Defections Special issue: Political Defections The Journal of Liberal Democrat History is published quarterly by the Liberal Democrat History Group 3 Crossing the floor ISSN 1463-6557 Graham Lippiatt Liberal Democrat History Group Editorial The Liberal Democrat History Group promotes the discussion and research of 5 Out from under the umbrella historical topics, particularly those relating to the histories of the Liberal Democrats, Liberal Tony Little Party and the SDP. The Group organises The defection of the Liberal Unionists discussion meetings and publishes the Journal and other occasional publications. 15 Winston Churchill as a Liberal For more information, including details of publications, back issues of the Journal, tape Senator Jerry S. Grafstein records of meetings and archive and other Churchill’s career in the Liberal Party research sources, see our web site: www.dbrack.dircon.co.uk/ldhg. 18 A failure of leadership Hon President: Earl Russell. Chair: Graham Lippiatt. Roy Douglas Liberal defections 1918–29 Editorial/Correspondence Contributions to the Journal – letters, 24 Tory cuckoos in the Liberal nest? articles, and book reviews – are invited. The Journal is a refereed publication; all articles Nick Cott submitted will be reviewed. -
Remembering the Fallen
Remembering the fallen As the world celebrates the Games of the XXX Olympiad in London, I wonder how many will remember that it is also the 40th anniversary of the Munich Massacre. If this was before your time, at the Munich Games in 1972, Palestinian terrorists murdered 11 members of the Israeli Olympic Team. On September 5, 1972, Palestinian terrorists broke into the Olympic Village. They immediately killed two and nine were taken hostage. Efforts to rescue the hostages failed and they were eventually killed. The Olympic Games are a great time to remember that countries can usually put aside their differences and come together for a few weeks on the world’s grandest stage. And while we all have our favorite athletes and sports, I would like to believe most of us enjoy seeing the world come together, sending its best athletes to compete. But as we talk about the history of the Olympics, most don’t talk about the tragedy of the Munich Games. I know what you’re thinking, “Why should we remember something so sad?” It’s simple. We remember because that’s how we heal. Each time there is a tragedy of large proportions, such as the recent shooting in Aurora, Colorado, the Oklahoma City bombing, 9/11, etc., we take a moment to remember those who were lost and those still affected by such tragedies. Remembering the fallen of the Munich Games is no different. With that, I would like to thank Rabbi Ruth Abusch-Magder (on Twitter as @RabbiRuth http://twitter.com/RabbiRuth) for bringing this to my attention and calling for a two-minute moment of silence (turn off your TV if you like) during the Opening Ceremonies. -
Bruno Walter (Ca
[To view this image, refer to the print version of this title.] Erik Ryding and Rebecca Pechefsky Yale University Press New Haven and London Frontispiece: Bruno Walter (ca. ). Courtesy of Österreichisches Theatermuseum. Copyright © by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections and of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Designed by Sonia L. Shannon Set in Bulmer type by The Composing Room of Michigan, Grand Rapids, Mich. Printed in the United States of America by R. R. Donnelley,Harrisonburg, Va. Library of Congress Cataloging-in-Publication Data Ryding, Erik S., – Bruno Walter : a world elsewhere / by Erik Ryding and Rebecca Pechefsky. p. cm. Includes bibliographical references, filmography,and indexes. ISBN --- (cloth : alk. paper) . Walter, Bruno, ‒. Conductors (Music)— Biography. I. Pechefsky,Rebecca. II. Title. ML.W R .Ј—dc [B] - A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. For Emily, Mary, and William In memoriam Rachel Kemper and Howard Pechefsky Contents Illustrations follow pages and Preface xi Acknowledgments xv Bruno Schlesinger Berlin, Cologne, Hamburg,– Kapellmeister Walter Breslau, Pressburg, Riga, Berlin,‒ -
Historical Background on the Munich Olympics Massacre 1
Foreword 1 Introduction 4 World Map 9 CHAPTER 1 Historical Background on the Munich Olympics Massacre 1. The Events and Legacy of the Munich Olympics Massacre 13 Lisa Maglojf An author provides a brief summary of the events at the Munich Olympics and at the German military airfield where most of the killings took place. The viewpoint also touches on the long-term aftermath of the event. 2. Terrorists Turn '72 Munich Olympics Into Bloodbath 21 Bruce Lowitt A journalist traces the events of the Munich massacre as they evolved on September 5, 1972, up to a very subdued closing ceremony. 3. Broadcasting the Events of Munich in Real Time 29 Tom Hojfarth The attack at Munich was the first such event to be broadcast on television around the world, thanks to new satellite technology and the presence of many capable reporters. http://d-nb.info/1058509063 Twenty-five years afterward, a writer speaks with renowned ABC sports announcer Jim McKay, who remained in front of the cameras for hours on September 5, 1972. 4. Olympics Memorial for Eleven Israeli Athletes 35 Nissan Ratzlav-Katz An Israeli journalist writes of a memorial held by the Israeli Olympic team in the ath lete's village at the 2008 games in Beijing, China. Although it did not have official sanc tion from Olympics officials, the event was attended by VIPs, family members, and other well-wishers. 5. Munich 1972: When Terrorism "Contaminated" the Olympics 39 Kelly Whiteside An Israeli swimmer living in the United States tells a reporter how the 2012 Summer Olympics in London will remind him once again of the massacre he escaped in 1972. -
1999 Election Candidates | European Parliament Information Office in the United Kin
1999 Election Candidates | European Parliament Information Office in the United Kin ... Page 1 of 10 UK Office of the European Parliament Home > 1999 > 1999 Election Candidates Candidates The list of candidates was based on the information supplied by Regional Returning Officers at the close of nominations on 13 May 2004. Whilst every care was taken to ensure that this information is accurate, we cannot accept responsibility for any omissions or inaccuracies or for any consequences that may result. Voters in the UK's twelve EU constituencies will elect 78 MEPs. The distribution of seats is as follows: Eastern: 7 East Midlands: 6 London: 9 North East: 3 North West: 9 South East: 10 South West: 7 West Midlands: 7 Yorkshire and the Humber: 6 Scotland: 7 Wales: 4 Northern Ireland: 3 Eastern LABOUR CONSERVATIVE 1. Eryl McNally, MEP 1. Robert Sturdy, MEP 2. Richard Howitt, MEP 2. Christopher Beazley 3. Clive Needle, MEP 3. Bashir Khanbhai 4. Peter Truscott, MEP 4. Geoffrey Van Orden 5. David Thomas, MEP 5. Robert Gordon 6. Virginia Bucknor 6. Kay Twitchen 7. Beth Kelly 7. Sir Graham Bright 8. Ruth Bagnall 8. Charles Rose LIBERAL DEMOCRAT GREEN 1. Andrew Duff 1. Margaret Elizabeth Wright 2. Rosalind Scott 2. Marc Scheimann 3. Robert Browne 3. Eleanor Jessy Burgess 4. Lorna Spenceley 4. Malcolm Powell 5. Chris White 5. James Abbott 6. Charlotte Cane 6. Jennifer Berry 7. Paul Burall 7. Angela Joan Thomson 8. Rosalind Gill 8. Adrian Holmes UK INDEPENDENCE PRO EURO CONSERVATIVE PARTY 1. Jeffrey Titford 1. Paul Howell 2. Bryan Smalley 2. -
The Great Disasters Podcast Is Written, Researched and Produced by Kari Fay
The Munich Olympics Massacre It was meant to be a coming together of nations, in peace, to celebrate sporting excellence. For the athletes attending, it was the pinnacle of their achievements, a moment to be proud of. For some, it held even more meaning. It was the first OIympic Games to be held in Germany since 1936, when it had been under the auspices of the Nazi regime. Now, stepping into the arena, an Israeli team held their flag high. Eleven of them would not return alive. I’m Kari Fay, and this is Great Disasters. The theme of the 1972 Summer Olympics was an optimistic one; the official motto was “Glückliche Spiele” or The Happy Games, and the logo was a bright blue sun. The West German government was keen to present their new democratic Germany well, and the Olympics seemed like the perfect opportunity to do so. In contrast to the militaristic 1936 Games, which were festooned with swastikas and presided over by Hitler himself, these would be bright, open and carefree. Their security personnel would be discreet, and they would subtly deal with drunkenness or ticket fraud, without disrupting the joyous atmosphere. When they were dispatched to deal with a congregation of Maoist supporters in the Olympic Park, they dispersed the crowd by giving them candy. They allowed people to come and go somewhat freely; athletes later reported that it was easy for anybody to walk into the Olympic Village, so long as they were dressed like athletes. The athletes themselves took liberties with security arrangements, often scaling the fences around the village rather than walk the long way around to the gates. -
Appendix: “Ideology, Grandstanding, and Strategic Party Disloyalty in the British Parliament”
Appendix: \Ideology, Grandstanding, and Strategic Party Disloyalty in the British Parliament" August 8, 2017 Appendix Table of Contents • Appendix A: Wordscores Estimation of Ideology • Appendix B: MP Membership in Ideological Groups • Appendix C: Rebellion on Different Types of Divisions • Appendix D: Models of Rebellion on Government Sponsored Bills Only • Appendix E: Differences in Labour Party Rebellion Following Leadership Change • Appendix F: List of Party Switchers • Appendix G: Discussion of Empirical Model Appendix A: Wordscores Estimation of Ideology This Appendix describes our method for ideologically scaling British MPs using their speeches on the welfare state, which were originally produced for a separate study on welfare reform (O'Grady, 2017). We cover (i) data collection, (ii) estimation, (iii) raw results, and (iv) validity checks. The resulting scales turn out to be highly valid, and provide an excellent guide to MPs' ideologies using data that is completely separate to the voting data that forms the bulk of the evidence in our paper. A1: Collection of Speech Data Speeches come from an original collection of every speech made about issues related to welfare in the House of Commons from 1987-2007, covering the period over which the Labour party moved 1 to the center under Tony Blair, adopted and enacted policies of welfare reform, and won office at the expense of the Conservatives. Restricting the speeches to a single issue area is useful for estimating ideologies because with multiple topics there is a danger of conflating genuine extremism (a tendency to speak in extreme ways) with a tendency or requirement to talk a lot about topics that are relatively extreme to begin with (Lauderdale and Herzog, 2016). -
Report Sustainable Food Supply Chains
Report Sustainable Food Supply Chains Industry and Parliament Trust THE LONG AND THE SHORT OF IT SUSTAINABLE FOOD SUPPLY CHAINS INTRODUCTION 3. Introduction 4. Key Issues The Issues and Challenges of Sustainable Food Supply Chains Introduction “Sustainable food 5. Key Issue One How the Market Operates supply chains would In January 2013, the Food Safety Authority reported that horse 6. Key Issue Two DNA had been found in beef burgers being sold by five major be those which Volunteerism or Regulation? retailers in Britain and Ireland. The public outcry and subsequent help MEET THE 8. Site Visit One debate prompted by the “horsemeat scandal” raised issues about NEEDS OF THE Visit to Sodexo UK and Ireland - By Huw Irranca-Davies MP the supply chains of the food being sold to UK consumers and about levels of trust between food businesses and their customers. PRESENT without 9 Site Visit Two compromising the Visit to McCain Foods by Andrew Kuyk CBE It was this far-reaching public debate – together with the ability of 10. Key Issue Three recognition that food supply chain issues extend beyond issues Engaging with People as Citizens and Consumers of integrity alone – that prompted the Industry and Parliament FUTURE Trust, the University of Warwick and the Food Ethics Council to 12. Case Study One GENERATIONS establish the Sustainable Food Supply Chains Commission. The McDonald’s, Great Britain and Northern Ireland aim of the Commission was to explore the challenges facing food to meet their own 13. Case Study Two companies in ensuring the sustainability of their supply chains, and needs” Divine Chocolate to investigate the most significant upcoming policy developments – 14. -
Max Reinhardt
COLLOQUE INTERNATIONAL 28-30 OCTOBRE MAX 2013 REINHARDT L’ART ET LA TECHNIQUE À LA CONQUÊTE DE L’ESPACE LABEX-ARTS-H2H.FR 16H30 — DAS MIRAKEL : UNE CATHÉDRALE POUR LA MODERNITÉ. DU LUNDI SPECTACLE POPULAIRE À L’« ART DES FOULES » 28 OCTOBRE Julien SÉGOL, Paris 7 17H00 — DISCUSSION. PAUSE 13H30 — ACCUEIL DES PARTICIPANTS ALLOCUTIONS DE BIENVENUE 17H30 — LE THÉÂTRE DU MONDE SELON MAX REINHARDT : VARIÉTÉ ET VARIATION Isabelle MOINDROT, directrice du Labex COMME VALEURS PROGRAMMATIQUES Arts-H2H, Paris 8 (MAX REINHARDTS THEATRUM MUNDI: VIELFALT UND VARIATION ALS Christian BIET et Ségolène LE MEN, PROGRAMMATISCHES KONZEPT) directeur et directrice adjointe de l’EA Conférence inaugurale de Peter W. MARX, 4414 HAR (Histoire des Arts et des Cologne Représentations), Paris Ouest Nanterre William MARX, directeur de l’ED 138, Lettres, Langues, Spectacles, Paris Ouest MARDI Nanterre 14H00 — PRÉSENTATION 29 OCTOBRE Marielle SILHOUETTE, Paris Ouest Nanterre L’ART, L’ESPACE ET L’ŒUVRE D’ART TOTALE Présidence de séance : LA MATIÈRE Christian MERLIN, Lille 3 Présidence de séance : Jean-Louis BESSON et Marielle SILHOUETTE, Paris Ouest Nanterre 9H 30 — MAX REINHARDT CONTRE KARL KRAUS : L’AFFAIRE OFFENBACH 14H30 — LE JEU DE L’ACTEUR SELON Gerald STIEG, Paris 3 MAX REINHARDT Jean-Louis BESSON, Paris Ouest Nanterre 10H00 — L’ŒUVRE D’ART TOTALE : GRANDEUR ET VICISSITUDES 15H00 — ÉCLAIRAGE ET DRAMATURGIE Danièle COHN, Paris 1 DE LA LUMIÈRE DANS LES MISES EN SCÈNE DE MAX REINHARDT 10H30 — DISCUSSION. PAUSE Cristina GRAZIOLI, Padoue 11H00 — DANSE, PANTOMIME ET LANGAGE -
Schloss Leopoldskron and the Meierhof Now Reopened As a Hotel
Birthplace of the Salzburg Festival and an exclusive address for travelers to Salzburg For everyone and “Everyman”: Schloss Leopoldskron and the Meierhof now reopened as a hotel This majestic rococo palace dating back to the 18th century is generally held to be the birthplace of the Salzburg Festival, though it gained true world fame as a shooting location for “The Sound of Music”, and has always been a real magnet for artists and thinkers from around the globe. Under its new name “Hotel Schloss Leopoldskron”, effective immediately this estate now offers 55 stylishly renovated rooms in the “Meierhof” as well as 12 spacious, historical suites in the palace itself. After a slow process spanning many years aimed at providing access to this estate for guests, the palace and its Meierhof have now opened their doors as a hotel. General Manager Daniel Szelényi, who comes from Munich and joined Schloss Leopoldskron last summer, has made it possible for Salzburg visitors to experience this unique historical site from this point on: “The entire palace is once again inhabitable, as a guest you can enjoy it as if it were your own home. You can even make yourself comfortable in the former office of Max Reinhardt”, raves Szelényi. “The quiet location on the banks of the Leopoldskroner Weiher, with view of the mighty Untersberg Massif and Hohensalzburg Fortress, makes this inspiring place almost magical.” This process goes hand in hand with a restructuring of the entire organization: Service has been refined and a stronger focus has been placed on the guest experience as a whole.