Who Was Peter Paul Rubens from Visit Antwerp
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Int Students Guide GENERAL.Pdf
Table of Content Welcome to Thomas More 5 Studying as an exchange student 30 1 Academic year and public holidays 30 University College 5 2 Public holidays 31 Thomas More - expect more 6 Words and phrases in Dutch 34 1 ASKING FOR HELP AND DIRECTIONS 34 Thomas More campuses 8 2 How to introduce yourself 34 3 WISH SOMEONE SOMETHING 35 Antwerp 8 4 SOLVING A MISUNDERSTANDING 35 Mechelen 9 5 EXPRESSIONS AND WORDS 36 Sint-Katelijne-Waver 10 Turnhout 11 Facilities 38 Vorselaar 12 1 International office 38 Geel 13 2 Student services (STIP) 38 Lier 14 3 Buddy programme 39 4 Network facilities 40 Belgium & Flanders 16 5 Student union 40 1 BELGIUM 16 6 Student card 41 2 Flanders 18 3 Higher education in Flanders 19 Practical information 22 1 Climate and clothing 22 2 Crime 22 3 Time 22 4 Using the phone 22 5 Mobile phone 22 6 Sockets 23 7 How to pay 23 8 Important phone numbers 23 9 Belgian cuisine 23 10 Transport 25 11 Health & insurance 28 12 Postal system in Belgium 28 Welcome to Thomas More University College Thomas More offers an exciting and diverse study environment where students can obtain international and intercultural competencies. We are happy to welcome you to in our university college. Our international office and student services (STIP) will ensure that your time at Thomas More is an unforgettable experience. It will be a pleasure for us to provide you with whatever assistance you need. We will not only provide practical assistance but also try to offer you a wide variety of fun and relaxing activities such as sight-seeing tours, sports and cultural activities. -
The Spell of Belgium
The Spell of Belgium By Isabel Anderson THE SPELL OF BELGIUM CHAPTER I THE NEW POST THE winter which I spent in Belgium proved a unique niche in my experience, for it showed me the daily life and characteristics of a people of an old civilization as I could never have known them from casual meetings in the course of ordinary travel. My husband first heard of his nomination as Minister to Belgium over the telephone. We were at Beverly, which was the summer capital that year, when he was told that his name was on the list sent from Washington. Although he had been talked of for the position, still in a way his appointment came as a surprise, and a very pleasant one, too, for we had been assured that “Little Paris” was an attractive post, and that Belgium was especially interesting to diplomats on account of its being the cockpit of Europe. After receiving this first notification, L. called at the “Summer White House” in Beverly, and later went to Washington for instructions. It was not long before we were on our way to the new post. Through a cousin of my husband’s who had married a Belgian, the Comte de Buisseret, we were able to secure a very nice house in Brussels, the Palais d’Assche. As it was being done over by the owners, I remained in Paris during the autumn, waiting until the work should be finished. My husband, of course, went directly to Brussels, and through his letters I was able to gain some idea of what our life there was to be. -
Mechelen ACCESSIBLE for EVERYONE
Flanders State of the Art Mechelen ACCESSIBLE FOR EVERYONE A city walk which takes in the Burgundian and contemporary sights in Mechelen. VISITFLANDERS Visit and experience 1 IN THE FOOTSTEPS OF MARGARET. Welcome to the walking city of Mechelen. Historical monu- ments, eye-catchers nestled among the greenery, charming locations near the water? Everything lies within an accessi- ble (walking) distance. We are focussing the spotlights on a golden era in the story of Mechelen: the Burgundian period. The time of Margaret of Austria and Margaret of York. Two fascinating women who made their mark on this city on the Dijle. This walk will follow the footsteps of these strong women. Just imagine... 500 years ago, Mechelen was the capital city of the Netherlands. It was the location of the court, the Grand Council, and was home to the Burgundian noblemen. In short, Mechelen was a hugely important location. This golden age left many traces in the city. Today, you can dis- cover the city palaces, historical churches, wooden façades and richly decorated guildhalls. Feeling thirsty? Release your inner Burgundian and enjoy a Gouden Carolus, the beer that has put Mechelen on the world map! Older tourists, pedestrians with a temporary or permanent disability or those with special requirements in terms of comfort or care can also visit Mechelen without worrying. This brochure was created in collaboration with VISITFLANDERS, Inter, Stad Mechelen and Visit Mechelen. It offers all of the information you’ll need to prepare your visit to Mechelen. The walk around the famous attractions starts at the Schepenhuis and is 2,5 km long. -
Prints That Were Initially Produced and Printed There.[16]
Peter Paul Rubens (Siegen 1577 – 1640 Antwerp) How to cite Bakker, Piet. “Peter Paul Rubens” (2017). In The Leiden Collection Catalogue, 3rd ed. Edited by Arthur K. Wheelock Jr. and Lara Yeager-Crasselt. New York, 2020–. https://theleidencollection.com/artists/peter-paul- rubens/ (accessed September 27, 2021). A PDF of every version of this biography is available in this Online Catalogue's Archive, and the Archive is managed by a permanent URL. New versions are added only when a substantive change to the narrative occurs. © 2021 The Leiden Collection Powered by TCPDF (www.tcpdf.org) Peter Paul Rubens Page 2 of 7 Peter Paul Rubens was born in Siegen, Germany, on 28 June 1577. His parents were the lawyer Jan Rubens (1530–87) and Maria Pijpelincx (1538–1608).[1] Jan had also been an alderman of Antwerp, but fearing reprisal for his religious tolerance during the Beeldenstorm (Iconoclastic Fury), he fled in 1568 and took refuge with his family in Cologne. There he was the personal secretary of William I of Orange’s (1533–84) consort, Anna of Saxony (1544–77), with whom he had an affair. When the liaison came to light, Jan was banished to prison for some years. Shortly after his death in 1587, his widow returned with her children to Antwerp. Rubens’s study at the Latin school in Antwerp laid the foundations for his later status as a pictor doctus, an educated humanist artist who displayed his erudition not with a pen, but with a paintbrush. He derived his understanding of classical antiquity and literature in part from the ideas of Justus Lipsius (1547–1606), an influential Dutch philologist and humanist.[2] Lipsius’s Christian interpretation of stoicism was a particularly significant source of inspiration for the artist.[3] Rubens’s older brother Filips (1574–1611) had heard Lipsius lecture in Leuven and was part of his circle of friends, as was Peter Paul, who continued to correspond with one another even after the scholar’s death. -
Download PDF Van Tekst
De Gulden Passer. Jaargang 78-79 bron De Gulden Passer. Jaargang 78-79. Vereniging van Antwerpse Bibliofielen, Antwerpen 2000-2001 Zie voor verantwoording: https://www.dbnl.org/tekst/_gul005200001_01/colofon.php Let op: werken die korter dan 140 jaar geleden verschenen zijn, kunnen auteursrechtelijk beschermd zijn. i.s.m. 7 [De Gulden Passer 2000-2001] Woord vooraf Ruim een halve eeuw geleden begon de bibliograaf Prosper Arents aan de realisatie van zijn vermetel plan om de bibliotheek van Pieter Pauwel Rubens virtueel te reconstrueren. In 1961 publiceerde hij in Noordgouw een bondig maar nog steeds lezenswaardig verslag over de stand, op dat ogenblik, van zijn werkzaamheden onder de titel De bibliotheek van Pieter Pauwel Rubens. Toen hij in 1984 op hoge leeftijd overleed, had hij vele honderden titels achterhaald, onderzocht en bibliografisch beschreven. Persklaar kon men zijn notities echter allerminst noemen, iets wat hij overigens zelf goed besefte. In 1994 slaagden Alfons Thijs en Ludo Simons erin onderzoeksgelden van de Universiteit Antwerpen / UFSIA ter beschikking te krijgen om Arents' gegevens electronisch te laten verwerken. Lia Baudouin, classica van vorming, die deze moeilijke en omvangrijke taak op zich nam, beperkte zich niet tot het invoeren van de titels, maar heeft ook bijkomende exemplaren opgespoord, Arents' bibliografische verwijzingen nagekeken en aangevuld en de uitgegeven correspondentie van P.P. Rubens opnieuw gescreend inzake lectuurgegevens. Een informele werkgroep, bestaande uit Arnout Balis, Frans Baudouin, Jacques de Bie, Pierre Delsaerdt, Marcus de Schepper, Ludo Simons en Alfons Thijs, begeleidde L. Baudouin bij haar ‘monnikenwerk’. Na het verstrijken van het mandaat van de onderzoekster bleef toch nog heel wat werk te verrichten om het geheel persklaar te maken. -
Peter Paul Rubens: De Onsterfelijke Kunstenaar?
PETER PAUL RUBENS: DE ONSTERFELIJKE KUNSTENAAR? SPOREN VAN MYTHEVORMING IN DE ZEVENTIENDE-EEUWSE RUBENSBIOGRAFIEËN DEEL 1: ONDERZOEK Hannah T’Sas Studentennummer: 01200255 Promotor: Prof. Dr. Koenraad Jonckheere Masterproef voorgelegd aan de Faculteit Letteren en Wijsbegeerte, Vakgroep Kunst,- Muziek-, en Theaterwetenschappen, voor het behalen van de graad van Master Academiejaar: 2017 – 2018 Verklaring i.v.m. auteursrecht De auteur en de promotor(en) geven de toelating deze studie als geheel voor consultatie beschikbaar te stellen voor persoonlijk gebruik. Elk ander gebruik valt onder de beperkingen van het auteursrecht, in het bijzonder met betrekking tot de verplichting de bron uitdrukkelijk te vermelden bij het aanhalen van gegevens uit deze studie. Voorwoord Een masterproef schrijven is een intensief en boeiend leerproces. Het is de kroon op het werk van een lange opleiding, die ik met vallen op staan doorworsteld heb. Het resultaat van dit hele proces zou er nooit gekomen kunnen zijn zonder de motiverende steun van anderen. Daarom zou ik aan enkele personen mijn dank willen betuigen. Allereerst bedank ik mijn promotor Prof. Dr. Koenraad Jonckheere, voor de kansen die ik kreeg en voor zijn begeleiding die hij mij gegeven heeft tijdens het schrijven van mijn masterproef. Het is mede dankzij zijn enthousiaste lessenreeksen als specialist en professor in de zeventiende-eeuwse kunst dat deze periode en in het bijzonder Rubens mij al vroeg in hun greep hadden. De omgeving van mijn stageplaats in Florence heeft deze affiniteit alleen maar gestimuleerd en deed me beseffen dat de wereld van kunstliefhebbers -en historici alle landen en talen overstijgt. De taal van de kunst spreekt en verbindt iedereen. -
Illustrated Biographies Of
—Ed ' l w s m z Revie . A eservi S r e base u on r ce t G rma l cat ons. znb d ng e i , d p e n e n pub i i g — e a or Most thoroughly and tastefully edited Sp ct t . ILLU STRATED BIOG RAPHIES OF THE G REAT ARTISTS. Each volumis l strat t fro 1 2 to 20 f a E rav n s r nte in the e i lu ed wi h m ull e ng i g , p i d est a er and o orna e ta c oth cov r s . 6d b m nn , b und in m n e , 3 . Froma R eview in TH E S P CTATO l E R u 1 8 . , y y 5, 79 It is high time that some thorough and general acquaintance with the works of these t ai t rs s o s r a a roa and it is a so c r o s to t k how o t r a s migh y p n e h uld be p e d b d , l u i u hin l ng hei n me ’ hav occ i sacr ic s in the or s art Wit o t the rese c of c o ar k o e up ed ed n he w ld he , h u p n e mu h p ul n w he co t v k of t r s If he f Io a hies a o t t c i or i iv . -
Elewijt Castle for Sale Belgium, Flemish Brabant, Zemst
Elewijt Castle For Sale Belgium, Flemish Brabant, Zemst 4,500,000 € QUICK SPEC Year of Construction 14th century Bedrooms 20 Half Bathrooms Full Bathrooms 5 Total Surface approx 2,500 m2 - 26,909 Sqf.Ft. Plot Surface approx 90,000 m2 - 968,751 Sqf.Ft Parking 3 Cars Property Type Castle TECHNICAL SPECIFICATIONS Elewijt Castle, also known as "Castle of Het Steen" or "Rubenskasteel", is a castle in Elewijt, Belgium, which was owned by Peter Paul Rubens from 1635 to his death in 1640, and features in some of his paintings. Elewijt Castle is situated at an altitude of 11 meters. Located in a quiet, green area, this 14th century castle is surrounded by 9 ha of gardens with its ponds and meadows. It offers several living spaces with a total surface area of ± 2.500 m2. The moated Rubens Castle or "Het Steen" was sold to Pieter-Paul Rubens in 1635, who lived there with his wife Helena Fourment. The painter renovated the old fortress into a beautiful Renaissance-style castle. A number of elements of this renovation are still visible, such as the tower building or his coat of arms which still hangs above the baroque fireplace in the dining room. Opposite the castle there is a beautiful view of the "Neerhof" from the 18th century, consisting of three buildings in U-shape PROPERTY FEATURES BEDROOMS • Master Bedrooms - • Total Bedrooms - 20 • Suite - BATHROOMS • Full Bathrooms - • Total Bathrooms - 5 • Half Bathrooms - OTHER ROOMS • • • HEATING AND COOLING • Heating Features: Central • Cooling Features: Central A/C INTERIOR FEATURES • Renovation in 1950 • • EXTERIOR AND LOT FEATURES • • Opposite the castle there is a beautiful • view of the "Neerhof" from the 18th century, consisting of three buildings in U-shape POOL AND SPA • • No Pool • LAND INFO GARAGE AND PARKING • Lot Size: 90,000 m2 - 968,751 Sqf.Ft • Garage Spaces: gated • Parking Spaces: 3 SCHOOL INFORMATION Education in Belgium is compulsory between the ages of 6 and 18 or until one graduates from secondary school. -
Muziek, Theater, Voordrachten, Wandelingen, Kunstprojecten En Tentoonstellingen in De Mechelse Kerken
Muziek, theater, voordrachten, wandelingen, kunstprojecten en tentoonstellingen in de Mechelse kerken. Info & tickets: www.uitinmechelen.be/festival-k In samenwerking met vele partners 1 Mechelen heeft een schat aan religieus erfgoed zoals kloosters, seminaries, kapellen en kerken. Maar liefst acht historische kerken liggen op wandelafstand van elkaar. Vier gotische en vier barokke parels herbergen kostbare kunst en religieus erfgoed. Dit maakt van Mechelen dé kerkenstad van Vlaanderen. Steeds meer bezoekers vinden de weg naar onze kerken. Sinds 2000 zorgen enthousiaste vrijwilligers van Torens aan de Dijle vzw ervoor dat iedereen de kerken kan bezoeken, bewonderen en beleven. Onze stad koestert onze kerken. Vanaf de jaren 1980 zijn onze diensten Gebouwen en Monumentenzorg betrokken bij de grote buitenrestauraties van zes van de acht kerken. De financiële inbreng van de Vlaamse overheid is daarbij onontbeerlijk. Eind 2010 waren de buitenkanten van de kerken, buiten die van de Begijnhofkerk, grotendeels gerestaureerd. Maar de interieurs bleven onaangeroerd achter. Gelukkig kon Stad Mechelen de Vlaamse overheid overtuigen opnieuw te investeren in onze kerken. De laatste tien jaar zijn het laatste exterieur en vijf interieurs grondig aangepakt. In een hoog tempo werd er gewerkt aan de Sint-Pieter- en Paulkerk (2013), Onze-Lieve-Vrouw-van-Hanswijkkerk (2013), Sint-Janskerk (2016), Sint-Katelijnekerk (2016) en Begijnhofkerk (2014 en 2017). Met de voltooiing van de interieurrestauratie van de Begijnhofkerk loopt dit ambitieuze restauratieproject in december 2020 af. En dat vieren we! Van 13 september tot en met 22 december 2020 verzamelen lokale en internationale creatievelingen en wetenschappers zich onder de hoge gewelven van de acht historische kerken. Tijdens FESTIVAL K botsen de klanken en beelden tegen de kleurrijke ramen en vormen nieuwe verhalen zich tussen de dikke muren. -
Peter Paul Rubens
T h e Gre at Masters in P ainting and S c ulpture Will iam n Editedby G . C . so P E T E R PA U L R U BEN S TH E GREAT MASTERS IN PAINTING AND L T R E SCU P U . Tbc ollowin Volumes Izam been issued rice s net at /I f g , p 5 . e . ’ ‘ B T I I E LLI S . O C . By A . TREETER R UN ELLE H I . L B SC By EADER SCOTT . M A E I . I COR R GG O S . By ELWYN BR NTON , M N R US HFO R’P H I LLI . I M . A CR E G . V By C E L , M BI the S B UR LA MA CC II I . DELLA RO B A . By ARCHE A RE DE RTO . SS . AND A L SA By H . GUINNE D N TE LLO . H R EA O A By OPE . W M P h . GER R D DOU . D . A By ARTIN , UDE N! I FER R R I . E T II E L H S GA O A By AL EY . FR N I . G O C. I I S Litt D . C . A A By E RGE W LL AM ON , M A GIOR GION E . H B C . By ER ERT OOK, M S. F. S GIOTTO . By A ON PERKIN M A . FR NS H LS . G S . D V S . A A By ERALD A IE , LUIN I . G C. I S Litt . D . By EORGE WILL AM ON , M R T T wE LL C U . -
Master Drawings from the Courtauld Gallery
WORKS BY LEONARDO DA VINCI, MICHELANGELO, DÜRER, REMBRANDT, WATTEAU, GOYA, GAINSBOROUGH, TURNER, VAN GOGH, SEURAT, PICASSO & OTHERS INCLUDED IN UNPRECEDENTED LOAN EXHIBITION MANTEGNA TO MATISSE: MASTER DRAWINGS FROM THE COURTAULD GALLERY October 2, 2012, through January 27, 2013 In keeping with its tradition of presenting masterworks from collections outside of New York, this fall The Frick Collection presents fifty-eight drawings from The Courtauld Gallery, London. This exhibition marks the first time that so many of the principal drawings in The Courtauld’s renowned collection—one of Britain’s most important—have been made available for loan. The prized sheets—many of which have never been shown in New York— represent a survey of the extraordinary draftsmanship of Italian, Dutch, Flemish, German, Spanish, British, and French artists Peter Paul Rubens (1577–1640), Helena Fourment, c. 1630, black, red, and white chalk and pen and ink, 24 x 21 ½ inches; © The active between the late Middle Ages and Samuel Courtauld Trust, The Courtauld Gallery, London the early twentieth century. The exhibition features works executed in a range of techniques and styles and for a variety of purposes, including preliminary sketches, practice studies, aide-mémoires, designs for other artworks, and finished pictures meant to be appreciated as independent works of art. Among the artists whose drawings will be shown are Andrea Mantegna, Leonardo da Vinci, Albrecht Dürer, Michelangelo Buonarroti, Peter Paul Rubens, Jusepe de Michelangelo Buonarroti (1475–1564), The Dream (Il Sogno), c. 1533, graphite, 15.6 x 11 inches; © The Samuel Ribera, Rembrandt van Rijn, Jean-Antoine Watteau, Charles-Joseph Natoire, Courtauld Trust, The Courtauld Gallery, London 1 Thomas Gainsborough, Francisco Goya y Lucientes, Joseph Mallord William Turner, Théodore Géricault, Edgar Degas, Paul Cézanne, Vincent van Gogh, Georges Seurat, Henri Matisse, and Pablo Picasso. -
Thematic Routes of the Thyssen-Bornemisza Collection
THEMATIC ROUTES OF THE THYSSEN-BORNEMISZA COLLECTION Jewellery During the Middle Ages and the Renaissance, the work of the goldsmith occupied an important place in public life, as opposed to its traditional status as inferior to other fields of art such as painting and architecture. In these two periods, magical and medicinal properties were attributed to gems and minerals. These qualities, cited in ancient texts such as Pliny the Elder’s Natural History and the works of Aristotle, were compiled in so-called “lapidaries” by medieval authors like St. Isidore, St. Albert Magnus — inspired by the writings of Avicenna —, Marbod and Alfonso X the Wise, among others. Some referred to the magical and medical properties of stones, while others explained their astrological connections or religious connotations. They became manuals for the use of stones for therapeutic purposes and circulated among apothecaries, doctors, jewellers and aficionados throughout Europe. Jewels also provided clues to the wearer’s social and economic status. They could symbolize belonging to a certain family, religious or military group or allude to the moral virtues of the individual in question. The cultured and sophisticated courtly world of the Renaissance, ruled by the personal tastes of the great patrons, provided the ideal environment for the flourishing of the arts. And in the case of goldsmithing, the most precious materials accessible to man were utilised. In fact, many of the inventories made by the great families who owned marvellous paintings also contained pieces of jewellery that were more valuable than these works. To explain this, we must not only consider the economic value of the materials used but also — and no less importantly — the keen interest developed by the humanist Renaissance society in physical appearance and the accomplishments of noteworthy figures, and the consequent desire to preserve the memory of both of these things.