Nar Que Murdoch Es Un Suje- to Bastante

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Nar Que Murdoch Es Un Suje- to Bastante Siglo nuevo de su origen infantil, dulce y munes y desconcertantes) y trágico a la vez. Cabe mencio- la inclusión de textos que am- nar que Murdoch es un suje- plían las historias de las líri- to bastante peculiar: sufrió fa- cas, dejando claras las dotes tiga crónica durante siete a- literarias de Murdoch. ños, es alérgico al alcohol, cris- Su tercer disco, The Boy tiano convencido, vegetariano With The Arab Strap (1998) hizo y aficionado al atletismo. En un uso extenso de los recursos 1996, como parte de su tarea del estudio de grabación para en la asignatura de Negocios tejer canciones ricas en mati- Musicales del Stow College de ces. Varios críticos ven aquí el Glasgow, grabó durante tres rebasar las 4,000 libras en el sado cristalizadas en un soni- punto más alto del grupo. Pa- días (junto a Stuart David) el mercado de coleccionistas. do actual. ra la grabación de The Boy... la primer set de canciones de Be- Su segunda entrega fue alineación de Belle and Sebas- lle and Sebastian, las cuales If You’re Feeling Sinister (1996),(1996), tian quedó establecida con serían publicadas por el sello CANCIONERO ADOLESCENTE con arreglos más profesiona- Murdoch (voz), Stuart David Electric Honey en el disco Ti- El estilo de Belle and Sebas- les que el álbum predecesor (bajo), Stevie Jackson (guita- germilk. El tiraje inicial fue de tian impactó desde el inicio pero conservando la frescu- rra), Isobel Campbell (viola), 1,000 copias en vinilo y se con- con sus melodías pegajosas y ra de su planteamiento y más Chris Geddes (teclados), Mike virtió en un clásico instantá- su aire melancólico que no o- aún, perfilando un concepto Cooke (trompeta), Richard neo. Hoy en día un ejemplar frecen algo nuevo, sino una integral que incluye el diseño Colburn (batería) y Sarah de la edición original puede mezcla de influencias del pa- de portada (con fotos entre co- Martin (violín). Vino después Fold Your Hands Child, You Walk Like A Peasant (2000),(2000), unun experimen-experimen- to de atmósferas etéreas con instrumentos de cuerda que abre con I Fought In A War, lala cual destaca entre las compo- siciones mejor logradas de la banda. Una aproximación más energética fue Dear Catastro- phe Waitress (2003),(2003), qqueue ddejóejó a un lado la tristeza para plas- mar piezas más rítmicas, ten- dencia que se consolidó con The Life Pursuit (2006)(2006) ccuyouyo sencillo Funny Little Frog en-en- cuentra el equilibrio ideal en- tre la base nostálgica y el rock cadencioso. Su más reciente producción, Write About Love (2010), es una muestra de rock pop impecable. En medio de esta discogra- fía se pueden contar un buen número de singles, compila- torios y lados B, además del soundtrack de la película Story- telling dede ToddTodd SolondzSolondz (2002)(2002) y productos alternos como li- bros y cómics que son ávida- mente atesorados por los se- guidores del conjunto. 52 • Sn.
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