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1 Dark Room Prologue Bleak. the Man Had Never Known It So Bleak
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Bangor University: eBangor / Prifysgol Bangor Dark Room Prologue Bleak. The man had never known it so bleak. He shuddered and with hands raw from the wind he pulled the flimsy coat closer to his body, but it was no protection against the cold. The wind had gone, but an icy front from the North had replaced it. He had heard it said that it was the harshest winter in forty years. He certainly recalled no other like it. In the daytime he walked the city streets seeking warmth in shop doorways until the security guards began to look at him with suspicion. He was no thief. He would rather starve than steal, and he made it his business to move on before any false accusations could begin. The shops were quiet after the bustle of the New Year sales. The Christmas lights hung unlit across the streets. There was something sad about the end of another year, but maybe this one would be different. The man shivered, and turned down a side street where he might at least get shelter in a doorway. From a shop window light spilled into the narrow street. The man looked at the sign above the door - gold letters on peeling light blue paint that read Mrs Quinn’s Charity Shop. He looked through the window. On a tall stool, a bespectacled woman in her sixties was sitting at the counter reading a newspaper. She looked up as he pushed the door open and he felt a rush of warmth from the electrical heater by the counter. -
I Wasn't on Some Campaign to Change the World, I Was a Drummer in A
Contents Masthead The Off 07 Loic maurin Apesanteur [ZERO GRAVITY] 17 The Sum Of The Parts John Maher 28 Dropping Names Don Lombardi 35 Maximum Break Richard Colburn 44 Retirement Bill Bruford 49 Out On A Limb CONTENTS A conversation with Eddie Prevost Issue One, December 2012 57 Rhythm As A Medium Ben Martin 62 Tatsuya Amano クロスフェイス [CROSSFAITH] Subscriptions/Newsletter Editor: Tom Hoare [email protected] Art Director: Luke Douglas [email protected] Web Editor: Andrew Jones Contributors: Ben Martin, Iain Bellamy, Kate Darracott, Flora Hodson, Elspeth Leadbetter, John Maher, Julia Kaye, Jim Bevington Thanks: Tim Wilson, Rew Kubayashi, Ryan Richards, BGM Rhythms, John Williamson, James Walker, Greg & Julia, Alex Sayles, Crystalline Connolley, Papillon Zamprioli, Needham Avenue, Glen Thomson Contact: Editorial: [email protected] Advertising: [email protected] Cover: A preoccupation with time. Reading note: We’ve made this magazine to be readable online, without the need to zoom and MASTHEAD scroll. It looks best when viewed in full screen. Issue One, December 2012 www Copyright © The Drummer’s Journal 2012 The proprietors and contributors to The Drummer’s Journal have asserted their right under the Copyright Designs and Patens Act 1988 to be identified as the owners and authors of this work. THE OFF www welve months ago, the brief conversation which sowed the seeds for The Drummer’s Journal occurred. It was between a good friend and myself. Having dredged out an assorted collection of drum magazines from under my bed, he selected a copy and Tread it cover to cover. He then picked up another and did the same. -
Concert: Ithaca College Jazz Workshop Ithaca College Jazz Workshop
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 12-6-1991 Concert: Ithaca College Jazz Workshop Ithaca College Jazz Workshop Steve Brown Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation Ithaca College Jazz Workshop and Brown, Steve, "Concert: Ithaca College Jazz Workshop" (1991). All Concert & Recital Programs. 5453. https://digitalcommons.ithaca.edu/music_programs/5453 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. >- C .. N .2 ::s 0) .. ..C 0) 1! ...I .Q N ITHAO\ CONSERVATORY ut MUSIC.,.,. la aca 0) CIO =lo" - '- a 0 ... Ithaca College founder W. Grant Egbert on the steps of the Ithaca Conservatory of Music with student Helen Doyle Durrett · 13 Early catalog cover design ITHACA COLLEGE JAZZ WORKSHOP Tuesday-Thursday Jazz Lab Steve Brown, Musical Director Phil Markowitz, Guest Piano Soloist Carol Kagy, Vocalist Blues In Hoss Flat Frank Foster With My Eyes Closed Ray Brown Life With Thilo Bob Mintzer Prelude, Fugue, and Riffs Leonard Bernstein Everytime We Say Goodbye Cole Porter arranged by Steve Brown City Medley Ray Brown INTERMISSION The Lamp Is Low Parish/DeRose/Shefter arranged by Steve Brown Circular Motion Phil Markowitz Summer Night Dubin/Warren arranged by Steve Brown Paul's Call Bob Mintzer Cherokee Sketches FritzPauer arranged by Ray Brown Walter B. Ford Hall Auditorium Friday, December 6, 1991 8:15 p.m. -
TIRED PONY/PETER PONY/PETER BUCK BUCK © PPVMEDIEN 2010 Tired Pony Von R.E.M
INTERVIEW:INTERVIEW: TIRED TIRED PONY/PETER PONY/PETER BUCK BUCK © PPVMEDIEN 2010 Tired Pony Von R.E.M. zu Tired Pony: Peter Buck im Interview Peter Buck ist ein umtriebiger Musiker. Der Gitarrist ist nicht nur Gründungsmitglied der Alternative-Rocker R.E.M. – er unterhält auch noch diverse Nebenprojekte. Sein neuestes heißt Tired Pony, das er zusammen mit Gary Lightbody von Snow Patrol unterhält. Wir sprachen mit ihm über dieses und andere Sideprojekte, seine Verbindung zur Country-Musik und das kommende R.E.M-Album. on einer fixen Idee zur Supergroup: SOUNDCHECK: Peter, erzähle mir drei Dinge cken und mir Handschellen angelegt. Dann Was einst als Lightbodys Soloprojekt über dich, die ich nicht auf Wikipedia finde! zeigte sich, dass sie eigentlich nur Schmier geld V gestartet war, entwickelte sich bei den Peter Buck: Jedes Mal, wenn ich ein viersilbiges wollten. Ich kann euch versichern: Um sich in Recordingsessions zu einer richtigen Band. Mit Wort höre, fange ich an das Lied von Oklahoma zu Tansania freizukaufen, reicht schon ein Sech- dabei sind Tom Smith von den Editors, die singen: „Ooook-lahoma, Where The Wind Co- serpack Bier! Schauspielerin und Sängerin Zooey Deschanel mes...“ Das ist echt furchtbar! Was auch kaum mit ihrem Partner M. Ward (als She & Him), einer weiß: Ich haben meinen zweiten Vornamen SC: Neben R.E.M. pflegst du noch diverse Richard Colburn (Belle & Sebastian), Top-Pro- im Alter von 16 Jahren ändern lassen, denn ich Seitenprojekte. Bist du ein Workaholic? duzent Garret „Jacknife“ Lee (u. a. U2, R.E.M., hasste ihn. Mein Mittelname ist nun Luther. -
September 30, 2010
University of Mississippi eGrove Daily Mississippian Journalism and New Media, School of 9-30-2010 September 30, 2010 The Daily Mississippian Follow this and additional works at: https://egrove.olemiss.edu/thedmonline Recommended Citation The Daily Mississippian, "September 30, 2010" (2010). Daily Mississippian. 712. https://egrove.olemiss.edu/thedmonline/712 This Newspaper is brought to you for free and open access by the Journalism and New Media, School of at eGrove. It has been accepted for inclusion in Daily Mississippian by an authorized administrator of eGrove. For more information, please contact [email protected]. 1 T HURSDAY , SEP T EMBER 30, 2010 | VOL . 99, NO .27 THE DAILY this week MISSISSIPPIAN OXFORD MALCO T HE ST UDEN T NEW S PAPER OF THE UNIVER S I T Y OF MI ss I ss IPPI | SERVING OLE MI ss AND OXFORD S INCE 1911 | WWW . T HED M ONLINE . CO M JAPAN FOUNDATION FILM SERIES The Japan Foundation and the Mascot Selection Committee moves forward on Croft Institute for International Committee reviews Studies will host the 6th Annual polling, narrows options to three choices Japan Foundation Film Series: Japanese Films of the 1960’s. Cedar Oaks request This event is free and open to the public. The second film, The Fort for alcohol sales of Death, will be shown Thursday, September 30th at 7 p.m. at the Oxford Malco Studio Cinema. BY CAIN MADDEN Williams said. “I have talk- The Daily Mississippian ed to (Police) Chief (Mark) With a vote on the issue Martin, and all we have to CHALLENGE COURSE of selling alcohol at a city do is tell him we are having building approaching, Ce- an event, and the police REBEL CHALLENGE dar Oaks’ neighbors met will patrol the area.” COURSE FREE FRIDAYS with city officials Wednes- Besides providing a shut- Check out the Rebel Challenge day night to discus their tle, Williams also talked to Course every Friday from 2 - 4 p.m concerns over the prop- Martin about only allow- for FREE FRIDAYS. -
UNIVERSAL MUSIC • Paul Mccartney – New • Mary J Blige – a Mary
Paul McCartney – New Mary J Blige – A Mary Christmas Luciano Pavarotti – The 50 Greatest Tracks New Releases From Classics And Jazz Inside!!! And more… UNI13-42 “Our assets on-line” UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: KATY PERRY / PRISM Bar Code: Cat. #: B001921602 Price Code: SPS Order Due: Release Date: October 22, 2013 File: POP Genre Code: 33 Box Lot: 6 02537 53232 2 Key Tracks: ROAR ROAR Artist/Title: KATY PERRY / PRISM (DELUXE) Bar Code: Cat. #: B001921502 Price Code: AV Order Due: October 22, 2013 Release Date: October 22, 2013 6 02537 53233 9 File: POP Genre Code: 33 Box Lot: Key Tracks: ROAR Artist/Title: KATY PERRY / PRISM (VINYL) Bar Code: Cat. #: B001921401 Price Code: FB Order Due: October 22, 2013 Release Date: October 22, 2013 6 02537 53234 6 File: POP Genre Code: 33 Box Lot: Key Tracks: Vinyl is one way sale ROAR Project Overview: With global sales of over 10 million albums and 71 million digital singles, Katy Perry returns with her third studio album for Capitol Records: PRISM. Katy’s previous release garnered 8 #1 singles from one album (TEENAGE DREAM). She also holds the title for the longest stay in the Top Ten of Billboard’s Hot 100 – 66 weeks – shattering a 20‐year record. Katy Perry is the most‐followed female artist on Twitter, and has the second‐largest Twitter account in the world, with over 41 million followers. -
Black Women's Music Database
By Stephanie Y. Evans & Stephanie Shonekan Black Women’s Music Database chronicles over 600 Africana singers, songwriters, composers, and musicians from around the world. The database was created by Dr. Stephanie Evans, a professor of Black women’s studies (intellectual history) and developed in collaboration with Dr. Stephanie Shonekon, a professor of Black studies and music (ethnomusicology). Together, with support from top music scholars, the Stephanies established this project to encourage interdisciplinary research, expand creative production, facilitate community building and, most importantly, to recognize and support Black women’s creative genius. This database will be useful for music scholars and ethnomusicologists, music historians, and contemporary performers, as well as general audiences and music therapists. Music heals. The purpose of the Black Women’s Music Database research collective is to amplify voices of singers, musicians, and scholars by encouraging public appreciation, study, practice, performance, and publication, that centers Black women’s experiences, knowledge, and perspectives. This project maps leading Black women artists in multiple genres of music, including gospel, blues, classical, jazz, R & B, soul, opera, theater, rock-n-roll, disco, hip hop, salsa, Afro- beat, bossa nova, soka, and more. Study of African American music is now well established. Beginning with publications like The Music of Black Americans by Eileen Southern (1971) and African American Music by Mellonee Burnim and Portia Maultsby (2006), -
Greenhouse’ Talks Urgent
30 Cents J ‘Greenhouse’ talks urgent Town Director Ronald Osella said today that he with drought has asked the town manager to make the public works director responsible for getting wetlands permits in the future to avoid a recurrence of the By Jeff Bradley by the seven-nation Economic current problems over the town’s sewage treatment The Associated Press Summit in Toronto. plant. Others expected to attend in The failure to obtain a wetlands permit from the TORONTO - With the North clude the heads of U.N. environ U.S. Army Corps of Engineers could hold up the $27 American farm belt parched by mental agencies; cabinet minis million improvement of the sewage treatment plant its worst drought in 50 years and ters from Indonesia, the off Olcott Street for a year, officials have said. 'Town fears the "greenhouse effect” is Netherlands and Senegal; scient Manager Robert B. Weiss has said that the permanently changing the ists from Harvard University and consulting engineer for the project, Metcalf & Eddy, earth’s climate, a gathering of 300 the Soviet Academy of Sciences, was responsible for getting the permit, although scientists in Toronto this week and Sen. ’Timothy E. Wirth, I some directors have said that that responsibility takes on a special urgency. D-Colo., and Rep. George E. ultimately rested with the town administration. The World Conference on the Brown, Jr., D-Calif. Osella said that he asked Weiss to change the Job Changing Atmosphere brings to Scientists will discuss ozone description for public works director tojUclude gether researchers, economists depletion, acid rain, water man responsibility for obtaining wetlands and other and politicians from 40 countries agement and food prospects, but federal permits. -
Dec 11 Cover.Qxd 11/5/2020 2:39 PM Page 1 Allall Starstar Cardscards Volumevolume 2828 Issueissue #5#5
ASC080120_001_Dec 11 cover.qxd 11/5/2020 2:39 PM Page 1 AllAll StarStar CardsCards VolumeVolume 2828 IssueIssue #5#5 We are BUYING! See Page 92 for details Don’t Miss “CyberMonday” Nov. 30th!!! It’s Our Biggest Sale of theYear! (See page 7) ASC080120_001_Dec 11 cover.qxd 11/5/2020 2:39 PM Page 2 15074 Antioch Road To Order Call (800) 932-3667 Page 2 Overland Park, KS 66221 Mickey Mantle Sandy Koufax Sandy Koufax Willie Mays 1965 Topps “Clutch Home Run” #134 1955 Topps RC #123 Centered! 1955 Topps RC #123 Hot Card! 1960 Topps #200 PSA “Mint 9” $599.95 PSA “NM/MT 8” $14,999.95 PSA “NM 7” $4,999.95 PSA “NM/MT 8” Tough! $1,250.00 Lou Gehrig Mike Trout Mickey Mantle Mickey Mantle Ban Johnson Mickey Mantle 1933 DeLong #7 2009 Bowman Chrome 1952 Bowman #101 1968 Topps #280 1904 Fan Craze 1953 Bowman #59 PSA 1 $2,499.95 Rare! Auto. BGS 9 $12,500.00 PSA “Good 2” $1,999.95 PSA 8 $1,499.95 PSA 8 $899.95 PSA “VG/EX 4” $1,799.95 Johnny Bench Willie Mays Tom Brady Roger Maris Michael Jordan Willie Mays 1978 Topps #700 1962 Topps #300 2000 Skybox Impact RC 1958 Topps RC #47 ‘97-98 Ultra Star Power 1966 Topps #1 PSA 10 Low Pop! $999.95 PSA “NM 7” $999.95 Autographed $1,399.95 SGC “NM 7” $699.95 PSA 10 Tough! $599.95 PSA “NM 7” $850.00 Mike Trout Hank Aaron Hank Aaron DeShaun Watson Willie Mays Gary Carter 2011 Bowman RC #101 1954 Topps RC #128 1964 Topps #300 2017 Panini Prizm RC 1952 Bowman #218 1981 Topps #660 PSA 10 - Call PSA “VG/EX 4” $3,999.95 PSA “NM/MT 8” $875.00 PSA 10 $599.95 PSA 3MK $399.95 PSA 10 $325.00 Tough! ASC080120_001_Dec 11 cover.qxd -
The Advocate Student Publications
Fordham Law School FLASH: The Fordham Law Archive of Scholarship and History The Advocate Student Publications 2-1993 The Advocate The Advocate, Fordham Law School Follow this and additional works at: http://ir.lawnet.fordham.edu/student_the_advocate Part of the Law Commons Recommended Citation The Advocate, Fordham Law School, "The Advocate" (1993). The Advocate. Book 35. http://ir.lawnet.fordham.edu/student_the_advocate/35 This Book is brought to you for free and open access by the Student Publications at FLASH: The orF dham Law Archive of Scholarship and History. It has been accepted for inclusion in The Advocate by an authorized administrator of FLASH: The orF dham Law Archive of Scholarship and History. For more information, please contact [email protected]. THE ADVOCATE - Fordham Law School's Newspaper since 1967 - Vol. XXV, No.4 Fordham University School of Law © The Advocate February, 1993 _ PROF. BATTS NOMINATED TO THE BENCH' by Tracy Jo Murphy Fordham Law Batts concerning her made .. ." Associate Professor Deborah A. Batts School since 1984 nomination: About students seeking clerks hips: "My was recommended in late January by and was the frrst M About teaching mailbox since March of '91 has been inun Democratic Senator Daniel P. Moynihan to rican-American Law: "I think the dated with clerkship applications from the Clinton Administration for one of five professor to receive Socratic method is people that read about the fact that Senator vacant Federal Judgeships in the Southern tenure here. Raised wonderful because Moynihan put my name in. I obviously District of New York. New York Law Jour in Philadelphia, she all judges should do have not looked at them. -
Snow Patrol Songs for Polarbears Mp3, Flac, Wma
Snow Patrol Songs For Polarbears mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Songs For Polarbears Country: UK Released: 1998 Style: Lo-Fi, Indie Rock MP3 version RAR size: 1673 mb FLAC version RAR size: 1606 mb WMA version RAR size: 1866 mb Rating: 4.1 Votes: 126 Other Formats: DMF MP2 AHX ADX WMA AAC VOX Tracklist Hide Credits 1 Downhill From Here 3:24 Starfighter Pilot 2 3:19 Drums, Keyboards – Richard Colburn 3 The Last Shot Ringing In My Ears 4:26 Absolute Gravity 4 2:46 Scratches [Turntable Tactician] – Tom Simpson 5 Get Balsamic Vinegar...Quick You Fool 3:27 6 Mahogany 2:47 NYC 7 4:28 Vocals – Isobel Campbell 8 Little Hide 2:42 9 Make Up 2:12 10 Velocity Girl 4:37 Days Without Paracetamol 11 3:32 Guitar – Fraser Simpson 12 Fifteen Minutes Old 3:09 13 Favourite Friend 2:46 14 One Hundred Things You Should Have Done In Bed 6:14 Credits Producer – Jamie Watson Barcode and Other Identifiers Barcode: 5 027731 785049 Other versions Category Artist Title (Format) Label Category Country Year Snow Songs For Polarbears (LP, Jeepster JPRLP004 JPRLP004 UK 1998 Patrol Album) Recordings Snow Songs For Polarbears Jeepster JPRCD 004X JPRCD 004X UK 2006 Patrol (CD, Album, S/Edition) Recordings Snow Songs For Polarbears Jeepster NR4039 NR4039 US 1999 Patrol (CD, Album, Promo) Recordings Snow Songs For Polarbears Jeepster JPR 4 JPR 4 US 2006 Patrol (CD, Album, RE) Recordings Ltd. Snow Songs For Polarbears NR4039 Never Records NR4039 US 1999 Patrol (CD, Album) Related Music albums to Songs For Polarbears by Snow Patrol Snow Patrol - Eyes Open Snow Patrol - Chasing Cars / Open Your Eyes (Oomen & Van Doorn Remixes) Snow Patrol - Greatest Hits Snow Patrol - When It's All Over We Still Have To Clear Up Party Patrol - Party Patrol Snow Patrol - Crack The Shutters Snow Patrol - Fallen Empires Snow Patrol - A Hundred Million Suns. -
Louis Johnson
LOUIS JOHNSON Approfondimenti a cura di Riccardo Pantella LOUIS JOHNSON “ THUNDER-THUMBS “ Quando si parla della tecnica dello Slap spesso vengono in mente i soliti nomi di grandi musicisti, ad esempio Larry Graham che si sostiene ne sia l’inventore. Ma è impossibile parlare di questa tecnica e non citare Louis Johnson, che di certo è stato uno dei pionieri ed ha contribuito a svilupparne la tecnica. Per via del suo stile distintivo venne soprannominato Thunder-Thumbs. Da non sottovalutare le sue numerose collaborazioni come session man. Tra le più importanti potremmo citare l’album “Thriller” di Michael Jackson. Probabilmente ciò che ha dato un grande contributo alla sua carriera è stata la sua ampia musicalità e senso ritmico. BIOGRAFIA Nato a Los Angeles il 13 Aprile del 1955, Louis fin da subito mostrò un forte interesse per la musica. Suo padre regalò presto una chitarra a lui e a suo fratello George, che subito cominciarono a suonare a turno. Louis era attratto dalle note gravi e cominciò a suonare le linee di basso che ascoltava sui dischi di artisti come James Brown, The Temptations and The Supremes.. Fu così che suo padre decise di regalargli un basso, e passò poco tempo prima che Johnson cominciò a strappare e percuotere le corde per dare più groove a ciò che suonava. Tutto questo si è evoluto nella tecnica dello Slap, rendendolo un musicista di fama mondiale. Mentre era ancora a scuola a Los Angeles, insieme al fratello George e il cugino Alex Weir formarono i “Three Plus One”. Band che si è subito evoluta in un contesto professionale condividendo palchi con artisti come The Supremes e Bobby Womack.