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The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
Bach's Goldberg Variations
Bach’s Goldberg Variations - A survey of the piano recordings by Ralph Moore Let me say right away that while I am well aware that Bach specified on the title page that these variations are for harpsichord, I much prefer them played on the modern piano in what is technically a transcription and venture to suggest that Bach would have loved the sonorities and flexibility of the modern instrument, even though it inevitably involves essentially faking the changes of register available on a double manual harpsichord. I hardly seem to be alone in this, in that, just as every great cellist wants to engage with the Cello Suites, so almost every great pianist seems to want to record his or her interpretation of the Goldbergs for posterity and the public appetite for recordings and performances on the pianoforte seems undiminished. I have accordingly confined this survey to that category; doubtless more authentic accounts on an original instrument have great merit but they lie beyond my scope, knowledge and experience; I have neither the acquaintance with, nor appreciation for, harpsichord versions to attempt a meaningful conspectus of them; nor, indeed, do I have the recording on my shelves and leave that task to a better-qualified reviewer. Here, however, is a good collective survey of the harpsichord recordings from The Classic Review aimed at the average punter like me. In common with many a devotee of this miraculous music, my own first encounter with it was via the second Glenn Gould recording when, many years ago, a cultivated girlfriend introduced me to it; it was love at first hearing (assisted, perhaps by my attachment to said lady, but that’s another story…). -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
“Il '700: Il Classicismo, La Nascita Delle Forme E I Suoi Sviluppi”
dei Assessorato alla Cultura e al Turismo Festival Pianistico XXI EDIZIONE “Il ’700: il classicismo, la nascita delle forme e i suoi sviluppi” CASTEL NUOVO Maggio/Giugno 2019 Festival Pianistico XXI EDIZIONE Sala dei Baroni - ore 19,00 12 maggio - 19 maggio - 26 maggio - 2 giugno 2 Il Festival incontra i giovani Sala della Loggia - ore 11,00 12 maggio - 19 maggio - 26 maggio - 2 giugno 2 ingresso libero fino ad esaurimento posti Per informazioni: 347.8430019 [email protected] 2 a XXI edizione del Festival Pianistico, collegandosi Festival Pianistico al tema guida di questo “Maggio dei Monumenti” XXI EDIZIONE dedicato a Gaetano Filangieri e al ’700 ha come tema “Il ’700: il classicismo, la nascita delle forme e i suoi Lsviluppi” e ogni concerto, partendo da un autore del periodo Sala dei Baroni - ore 19,00 classico, proporrà un confronto con gli autori dei secoli succes- 12 maggio - 19 maggio - 26 maggio - 2 giugno sivi e con le evoluzioni, che, dalle basi formali nate proprio nel ’700, hanno poi generato tante diverse forme musicali. 2 In particolare il Festival Pianistico si articolerà in quattro domeniche, da domenica 12 maggio a domenica 2 giugno, con concerti serali nella Sala dei Baroni e nella mattinata nella Sala Il Festival incontra della Loggia per un totale di otto eventi. Anche questa edizione, come quelle storiche al Museo di Villa i giovani Pignatelli, all’Accademia di Belle Arti, al Museo Archeologico e al Complesso Monumentale di Sant’Anna dei Lombardi, si dividerà in due sezioni: una dedicata a pianisti di chiara fama ed una ai giovani talenti, con in particolare l’appuntamento del 2 giugno Sala della Loggia - ore 11,00 alle 11 nella “Sala della Loggia” dedicato ai vincitori del “Premio Pianistico Internazionale Napolinova”. -
Thalberg Revisited / the Piano Music of Sigismund Thalberg, Ian Hominick, Piano
Document generated on 10/01/2021 9:25 p.m. Canadian University Music Review Revue de musique des universités canadiennes --> See the erratum for this article Thalberg Revisited The Piano Music of Sigismund Thalberg, Ian Hominick, piano. Titanic Records Ti-227 [DDD], produced by Jeanne Lippincott Thalberg: Fantasies on Operas by Verdi, Rossini and Bellini. Francesco Nicolosi, piano. Marco Polo 8.223367 [DDD], produced by Tamás Benedek Paul F. Rice Volume 16, Number 2, 1996 URI: https://id.erudit.org/iderudit/1014439ar DOI: https://doi.org/10.7202/1014439ar See table of contents Publisher(s) Canadian University Music Society / Société de musique des universités canadiennes ISSN 0710-0353 (print) 2291-2436 (digital) Explore this journal Cite this review Rice, P. F. (1996). Review of [Thalberg Revisited / The Piano Music of Sigismund Thalberg, Ian Hominick, piano. Titanic Records Ti-227 [DDD], produced by Jeanne Lippincott / Thalberg: Fantasies on Operas by Verdi, Rossini and Bellini. Francesco Nicolosi, piano. Marco Polo 8.223367 [DDD], produced by Tamás Benedek]. Canadian University Music Review / Revue de musique des universités canadiennes, 16(2), 150–152. https://doi.org/10.7202/1014439ar All Rights Reserved © Canadian University Music Society / Société de musique This document is protected by copyright law. Use of the services of Érudit des universités canadiennes, 1996 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. -
Thursday Playlist
April 9, 2020: (Full-page version) Close Window “Inspiration is an awakening, a quickening of all man's faculties, and it is manifested in all high artistic achievements.” — Giacomo Puccini Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! Debussy Six Epigraphes Antiques Andrei Diev Arte Nova 34053 743213405322 Awake! 00:21 Buy Now! Grieg Cradle Song ~ Lyric Pieces, Op. 68 BBC Scottish Symphony/Maksymiuk Naxos 8.550864 4891030508644 00:27 Buy Now! Tchaikovsky Orchestral Suite No. 2 in C, Op. 53 USSR Symphony/Svetlanov Melodiya 278825/26 3149023388256 01:01 Buy Now! Schubert Symphony No. 4 in C minor, D. 417 "Tragic" Hanover Band/Goodman Nimbus 5198 083603519827 01:33 Buy Now! Handel Concerto Grosso in A minor, Op. 6 No. 4 Bath Festival Orchestra/Menuhin EMI 73344 724357334426 01:46 Buy Now! Strauss Jr. Tales from the Vienna Woods Vienna Philharmonic/Maazel Sony 88697952062 886979520622 02:00 Buy Now! Dvorak Prague Waltzes Detroit Symphony/Dorati London 414 370 028941437020 02:10 Buy Now! Herrmann Suite ~ The Snows of Kilimanjaro Moscow Symphony/Stromberg Marco Polo 8.225168 636943516829 02:49 Buy Now! Borodin Overture ~ Prince Igor Toronto Symphony/Davis Sony 62406 074646240625 03:01 Buy Now! Bach Trio Sonata in G, BWV 1039 Alanko/Juutilainen/Mattila Naxos 8.553755 730099475525 03:13 Buy Now! Mozart Piano Concerto No. 08 in C, K. 246 Ashkenazy/London Symphony/Kertesz London 443 576 028944357622 03:36 Buy Now! Viotti Cello Concerto in C Harnoy/I Solisti Veneti/Scimone RCA 61228 090266122820 04:01 Buy Now! Haydn Piano Sonata No. -
Andrei Gavrilov
CODA / VORSCHAU Erinnern Sie sich noch an ... ... Andrei Gavrilov Der russische Pianist mit dem Bären- Vergleiche mit Vladimir Horowitz und temperament gehört in den 80er- und Svjatoslav Richter auommen. Doch 90er-Jahren zu den erfolgreichsten So- Gavrilov interessiert sich auch für Bach, listen auf internationalen Bühnen. 1955 Händel und Haydn. Händels Klaviersui- in Moskau geboren, studiert er dort am ten führte er gemeinsam mit Svjatoslav Vollmer/Wikipedia Foto: Jürg Konservatorium beim Neuhaus-Schüler Richter im Wechsel auf: ein pianisti- Lew Naumow und gewinnt 1974 den sches Gipfeltreen auf Augenhöhe. Von dessen Tschaikowsky-Wettbewerb. Internati- 1977 bis 1989 nimmt er bei der EMI auf, Vertreter onales Aufsehen erregt im selben Jahr 1991 bis 1993 ist er Exklusivkünstler der ihn nicht nur Gavrilovs sensationelles Einspring-Kon- Deutschen Grammophon und auf der seinerzeit in Russland gequält, sondern zert für seinen langjährigen Förderer Höhe seines Erfolgs. sogar später in London noch versucht Svjatoslav Richter bei den Salzburger 1993 kommt die Krise: Gavrilov hört hätten, ihn mithilfe eines präparierten Festspielen; nach seinem Auritt wird er bei einem Konzert in Wien einfach auf Flügels zu vergien. Auch am Denkmal vom jubelnden Publikum auf Schultern zu spielen, verlässt die Bühne und taucht Svjatoslav Richter kratzt Gavrilov heig, ins Künstlerzimmer getragen. ab. Für acht Jahre. Seit 2001 gibt er wie- indem er sich über dessen Vorliebe für Gavrilov entspricht idealtypisch dem der ab und zu Konzerte. Er lebt nun im sadistische Filme auslässt und seinen In- Klischee des dynamitgeladenen russi- Kanton Zürich, hat einen Sohn im Teen- terpretationsstil als „pseudointellektuell schen Klaviervirtuosen. Er verfügt über ageralter und bastelt mit Unterstützung und schmierentheaterha“ abtut. -
Ideazione E Coordinamento Della Programmazione a Cura Di Massimo Di Pinto
Ideazione e coordinamento della programmazione a cura di Massimo Di Pinto gli orari indicati possono variare nell'ambito di 4 minuti per eccesso o difetto Giovedì 3 marzo 2016 00:00 - 02:00 euroclassic notturno bach, johann sebastian (1685-1750)/ gounod, charles (1818-1893) ave maria arr. per trba e org di blagoj angelovski blagoj angelovski, trba; velin iliev, org (reg. sofia, 1999) durata: 2.58 BNR ente radiofonico bulgaro lewkovitch, bernhard (1927) tre madrigali op. 13 su testi di torquato tasso a virgilio - all'aurora - non è questo un morire. the jutland chamber choir dir. mogens dahl durata: 8.26 DR radiotelevisione di stato danese barriere, jean (1705-1747) sonata n. 10 in sol mag per 2 vcl duo fouquet: elizabeth dolin e guy fouquet, vcl durata: 9.08 CBC canadian broadcasting corporation kainz, joseph (1738-1813) concerto in do mag per clav 2 ob 2 vl e b. c. allegro moderato - adagio - finale, presto. linda nicholson, clav; ensemble florilegium collinda (reg. herne, 17/11/1996) durata: 13.21 WDR radio della germania occidentale haydn, joseph (1732-1809) sonata per piano Hob XVI n. in mi min presto - adagio - finale: molto vivace. niklas sivelöv, pf (reg. stoccolma, 01/02/ 1997) durata: 12.15 SR radio svedese gounod, charles (1818-1893) l'amour! l'amour .. ah! lève-toi, soleil - cavatina e aria dall'opera: roméo et juliette (a. II) richard margison, ten; canadian opera company orch dir. richard bradshaw durata: 4.19 CBC canadian broadcasting corporation ciaikovsky, piotr (1840-1893) la tempesta, fantasia sinfonica op. 18 da shakespeare BBC philharmonic orch dir. -
Scottish International Piano Competition 1 – 10 September 2017
sipc2017.org Scottish International Piano Competition 1 – 10 September 2017 sipc2017.org 1 Contents Welcome 4 UNESCO City of Music 5 Why Glasgow? 5 Scottish International Piano Competition 6 A Festival of Piano Music 7 Sponsors and Donors 8 Patrons and Friends 9 Competition Calendar 11 The Jury 13 The Competitors 21 Frederic Lamond 38 Competition Repertoire 39 Gordon McPherson and the Test Piece 40 The Orchestra 42 Thomas Søndergård, Conductor 44 Scottish International Piano Competition sipc2017.org Welcome Why Glasgow? It is my pleasure to welcome the Scottish Welcome to the Scottish International Piano Glasgow was named UNESCO City of Music in Glasgow’s legendary music scene stretches International Piano Competition to the city. Competition 2017. August 2008. It is the second Scottish city to join across the whole spectrum from contemporary This triennial event is an established and highly the Creative Cities Network beside Edinburgh City of and classical to Celtic and Country. Its venues are regarded musical fixture that attracts gifted As ever we look forward to a veritable feast of piano Literature. equally varied and include King Tut’s Wah Wah Hut competitors from across the globe to Glasgow. music from our hugely talented competitors from (consistently voted the top live music venue in the Glasgow is a city with a reputation for musical across the world. It is a huge honour for Glasgow, What is UNESCO? Founded in 1945, currently 193 UK), the Barrowlands, 02 Academy, the Hydro, the excellence. As a UNESCO City of Music we pride UNESCO City of Music, to serve once more as the member states – cultural arm of the United Nations. -
The Artist Teaching of Alexander Goldenweiser: Fingers in Service to Music Junwei Xue © 2018
The Artist Teaching of Alexander Goldenweiser: Fingers in Service to Music Junwei Xue © 2018 Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Musical Arts. Chair: Steven Spooner Jack Winerock Michael Kirkendoll Ketty Wong Robert Ward Date Defended: 10 May 2018 The dissertation committee for Junwei Xue certifies that this is the approved version of the following doctoral document: The Artist Teaching of Alexander Goldenweiser: Fingering in Service to Music Chair: Steven Spooner Date Approved: 10 May 2018 ii Abstract This paper examines the life, teaching methods, and critical editions of Alexander Goldenweiser (1875-1961), a major figure of the Russian music scene in the first half of the twentieth century. A pianist, teacher, and composer, Goldenweiser left an important legacy with his teaching philosophy and editions of piano scores. Many of his students have become renowned pianists and teachers themselves, who have transmitted Goldenweiser’s teaching philosophy to their own pupils, thus strengthening the widely recognized Russian school of piano. An examination of his teaching methods reveals his teaching philosophy, which focuses on the development of a piano technique that seeks a faithful interpretation of the music scores. In his view, children should start taking piano lessons at an early age to acquire the necessary skills to master all sorts of passages in the piano literature, and to these purposes, he was influential in the creation of the Central Music School in Moscow, where musically-gifted children study the elementary and secondary school levels. -
The Fourth International Piano Master Competition
THE FOURTH INTERNATIONAL PIANO MASTER COMPETITION MARCH-APRIL 1983 ISRAEL THE ARTHUR RUBINSTEIN INTERNATIONAL MUSIC SOCIETY ' THE FOURTH INTERNATIONAL PIANO MASTER COMPETITION MARCH-APRIL 1983 ISRAEL . THE NEW JEWISH NATION HAS FELT, FROM ITS’ EARLIEST BEGINNING, THAT HOMELAND AND CULTURE ARE TWO CONCEPTIONS WHICH CANNOT BE SEPARATED FROM EACH OTHER. ARTHUR RUBINSTEIN For Israel this fourth Arthur Rubinstein International Piano Master Competition is an event of deep and moving significance. It is bound up with many aspects of our nation's life, even beyond the Competition's world-wide artistic importance and the aesthetic delight it gives to great numbers We see it this year as a fitting memorial to the great musician, humanist, superbly charming man and dedicated Jew who shed his luster upon it ever since its initiation in 1974. We in Israel have benefitted from Arthur Rubinstein's special, generous concern for young talents in the country, and we are happy that young artists from many countries are to participate 1n the Competition. Their presence and the remarkable panel of judges underscore the international nature of music and Israel's place in that great world - a place consonant with Israel's dedication to the arts and the enhancement of human life. May the fourth Rubinstein Competition fulfil its hopes Yitzhak Navon Jerusalem, January 25, 1983 Mr. J. Bistritzky The Arthur Rubinstein International Piano Master Competition P.O. Box 29MW Tel Aviv Dear Mr. Bistritzky, I wish to acknowledge with thanks receipt of your letter of January 12, 1983. Certainly, if I am able to do so, I will attend the special concert to mark the close of the Competition which bears the great artist's name. -
Patrimonio Uno CMBS S.R.L
OFFERING CIRCULAR DATED 28 JUNE 2006 Pursuant to Article 2, paragraph 3 of Italian Law No. 130 of 30 April 1999 and to Art. 8 of the Luxembourg law of 10 July, 2005, implementing the Prospectus Directive 2003/71/EC Patrimonio Uno CMBS S.r.l. (incorporated with limited liability under the laws of the Republic of Italy) € 115,050,000 Class A Commercial Mortgage Backed Floating Rate Notes due 2021 € 110,050,000 Class B Commercial Mortgage Backed Floating Rate Notes due 2021 € 70,000,000 Class C Commercial Mortgage Backed Floating Rate Notes due 2021 € 30,550,000 Class D Commercial Mortgage Backed Floating Rate Notes due 2021 € 39,500,000 Class E Commercial Mortgage Backed Floating Rate Notes due 2021 € 32,678,000 Class F Commercial Mortgage Backed Floating Rate Notes due 2021 with Class X Detachable Coupons This Offering Circular (the “Offering Circular”) constitutes a prospectus under Art. 8 of the Luxembourg law of 10 July, 2005, implementing the Prospectus Directive 2003/71/EC. Application has been made to the Luxembourg Stock Exchange (the “Luxembourg Stock Exchange“) for the admission to listing of the € 115,050,000 Class A Commercial Mortgage Backed Floating Rate Notes due 2021 (the “Class A Notes”), the € 110,050,000 Class B Commercial Mortgage Backed Floating Rate Notes due 2021 (the “Class B Notes”), the € 70,000,000 Class C Commercial Mortgage Backed Floating Rate Notes due 2021 (the “Class C Notes”), the € 30,550,000 Class D Commercial Mortgage Backed Floating Rate Notes due 2021 (the “Class D Notes”), the € 39,500,000 Class E Commercial Mortgage Backed Floating Rate Notes due 2021 (the “Class E Notes”), the € 32,678,000 Class F Commercial Mortgage Backed Floating Rate Notes due 2021 (the “Class F Notes“ and, together with the Class A Notes, the Class B Notes, the Class C Notes, the Class D Notes and the Class E Notes the “Notes”) to be issued by Patrimonio Uno CMBS S.r.l., a limited liability company organised under the laws of the Republic of Italy (the “Issuer“).