DOCSLIB.ORG

A Tale of Two Georgias? FOCUS

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Issue no: 1201 • NOVEMBER 8 - 11, 2019 • PUBLISHED TWICE WEEKLY PRICE: GEL 2.50 In this week’s issue... Number of Georgian Emigrants Up NEWS PAGE 2 The Minister of Education Mikheil Batiashvili Resigns POLITICS PAGE 4 Lithuanian Advice on Dealing with Russia’s Hybrid Warfare POLITICS PAGE 6 The Intricacies of Church & State Life POLITICS PAGE 7 On Vano Merabishvili’s FOCUS Imminent Release POLITICS PAGE 7 ON IDENTITY Georgia may face clashes this CEO of Informational weekend on the airing of a fi lm Highway Technologies SA: about a young homosexual PAGE 4 Georgia is Very Attractive for Companies like Mine BUSINESS PAGE 8 A Tale of Two Georgias? Ren Zhengfei's Northern BLOG BY SOPHIE KATSARAVA MBE – CHAIR European Media OF THE FOREIGN AFFAIRS COMMITTEE AT THE PARLIAMENT OF GEORGIA Roundtable, Part 3 BUSINESS PAGE 10 oes Georgia struggle to tell the story of her progress today? And The Personal Letter Ryan if so, where does the problem lie? Do we fi nd it hard to convince our Smith’s Mother Wrote to Western friends that, in fact, eve- Drything we do aims to make Georgia a reliable, her Family’s Murderer true friend to the West? Why do we get over- whelmed by waves of negativity and false nar- SOCIETY PAGE 13 ratives? And why do we allow ourselves to be undermined by those pursuing their own inter- Misha Avsajanishvili Judges ests rather than publicising more of the positive progress Georgia has made? the First Bocuse D’Or To put my thoughts into perspective, let’s remind ourselves of a story you have heard many National Competition times and yet remains relevant and important: Once Georgia regained its independence in the CULTURE PAGE 15 early 90s, the ‘century’s project’ of the Baku-Tbilisi- Ceyhan pipeline was launched to improve Geor- gia’s standing in the world. After decades of Soviet occupation, independence was followed by a long Special Offer for readers period of turbulence, severe civil confrontation, a devastating social-economic crisis, lost territories of Georgia Today and waves of refugees in our own country. Continued on page 4 -15% off all Diet Plans! PAGE 7 GEORGIA TODAY 2 NEWS NOVEMBER 8 - 11, 2019 Public Defender Demands Number of Georgian Emigrants Up Investigation into Allegations BY TEA MARIAMIDZE Voiced against Clergy he 2019 Migration Profi le released by Georgia’s State Commission on Migration Issues reads that the num- ber of emigrants leaving TGeorgia increased last year. The highest number of emigrants in the last four years was recorded in 2018 and amounted to 76,367 people. 57% of Geor- gian emigrants are men. According to UN DESA, the largest number of emi- grants from Georgia live in Russia, how- ever, the number of Georgians emigrating to Russia in recent years has been decreas- ing, and the number of Georgian citizens Image source: Visa center who leave it has been increasing. As a In addition, the Commission says that Turkey on the basis of work, family result, the migration balance of Georgian since the entry into force of visa-free reunifi cation and short-term visits. citizens in Russia has decreased. travel, the rate of refusals for Georgian In addition to migration, the report In addition to Russia, a large number citizens to enter the EU have signifi cantly noted that the number of Georgian citi- of Georgians emigrate to Greece, Ukraine, increased. The highest number of cases zens returning from the EU countries Armenia and Azerbaijan. The number of border-crossing denial was recorded signifi cantly increased in 2018 and is of Georgian applicants asking for per- in 2018, with Germany, Greece, France, expected to continue to rise in the com- manent residence and citizenship in the Cyprus and Poland leading. These are ing years. The countries from which the United States in 2015-2017 was more or the countries (with the exception of most return home are Germany, Greece less stable. In 2017, 1,629 Georgian citi- Cyprus) where the largest number of and France. zens were granted permanent residence Georgian citizens left after the visa-free The number of returning migrants in the United States, and 889 were granted travel was activated on March 28, 2017. within the IOM Voluntary Return and US citizenship. Until 2017, the majority of Georgian Reintegration Program (AVRR) has The number of Georgian citizens hold- citizens were refused entrance the EU increased dramatically in the last two ing a residence permit in the EU is also countries mainly on land borders. How- years. Most of the AVRR program return- might have been committed against increasing. Their number increased by ever, after visa-free travel took effect, ees are from Greece and Germany. BY ANA DUMBADZE minors. 8.5% in 2018 compared to 2017. 60% of the picture changed and the number of Regarding internal migration, the major- "The allegations contain signs of actions Georgian citizens with a residence per- refusals received at the air border in ity of IDPs from the Russian occupied punishable by the Criminal Code of mit are in Greece, Italy and Germany. 2017-2018 signifi cantly exceeded the South Ossetia region live in Mtskheta- ublic Defender Nino Lomjaria Georgia. Accordingly, I urge the law They mainly hold work permits and refusal rate at land and sea borders. Mtianeti and Shida Kartli, and the major- urges the law enforcement enforcement agencies to launch a probe family reunifi cation permits. The number of Georgian nationals ity of IDPs from the other breakaway agencies to launch a probe into each allegation. I also urge anyone After the visa-free regime entered into illegally living in EU member states was region Abkhazia reside in Tbilisi and into allegations of harassment who is aware of alleged criminal actions force, the number of asylum seekers in relatively stable in 2017, but in 2018 the Samegrelo-Zemo Svaneti. and coercion committed by to immediately report to the appropriate EU member states increased signifi cantly. number of such cases increased signifi - “In Georgia, the rural population Pclergy, noting that the allegations contain authorities. I would like to publicly call Most frequently, Georgian citizens seek cantly. Last year, 9,115 Georgian nationals declines annually, which also affects the signs of actions punishable by the Crim- on both the authors of the statements asylum in France and Germany. were identifi ed living illegally in EU overall urban / rural structure. In the inal Code of Georgia. and those who have any information to “The overwhelming majority (about member states, of whom 7,205 were men last four years, the share of urban popu- “In recent days, some clergymen have contact the Public Defender's Offi ce in 95%) of applications fi led by Georgian and 1,910 were women. lation has increased from 57.7% to 58.7%. stated via the media that they are aware order to allow us to gather complete citizens for asylum in the EU are rejected The report reads that the number of Unlike other regions of Georgia, the of alleged sexual harassment and coer- information around the issue and verify by the relevant agencies for the reason Georgian citizens with a residence per- population of Tbilisi and Ajara is sig- cion committed by clergy. They also it. Confi dentiality will be guaranteed that that the claims for asylum are ground- mit in Turkey is on the rise. Citizens of nifi cantly growing,” the Migration Pro- indicated that some of those actions upon request”, she said. less,” the 2019 Migration Profi le reads. Georgia are mainly allowed to live in fi le reads. GEORGIA TODAY 4 POLITICS NOVEMBER 8 - 11, 2019 Right-wing Groups Threaten to Disrupt Screening of First Georgian Film about Gay Love Sandro Bregadze, leader of ultra-con- that they strictly condemn any kind of BY ANA DUMBADZE servative movement Georgian March, violence. condemned the fi lm as “homosexual “There has been a big attack on the propaganda,” stating that those who are Church and national values. There are rom today until Sunday, the going to attend the premiere “are or want some forces that seem to be deeply dis- fi rst Georgian fi lm about gay to be gays and lesbians”. He, just like turbed by the authority of the Church, love titled 'And Then We Vasadze, said he intends to mobilize in the love of the population for God and Danced' is to be shown in Tbi- front of the cinemas along with like- traditional values, and they use various lisi and Batumi cinemas. All minded people and interrupt the screen- methods to shake it,” the Patriarchate Ftickets sold out and several thousand ing of the fi lm. noted. "The Georgian Orthodox Church spectators are expected to show up at Head of the Patriarchate's Public Rela- has always been and will continue to be cinemas in Tbilisi and Batumi. tions Service, Andria Jagmaidze, also categorically incompatible with the pro- However, local right-wing and religious condemned the fi lm. motion and legalization of sin as well as groups have spent the week mobilizing “Movie theaters screening a fi lm about sinful relationships. That is why we fi nd against the premiere of ‘And Then We the love of a gay couple is yet another it unacceptable to show such a movie in Danced,’ threatening to disrupt the attempt to undermine Christian values the cinemas. At the same time, we would screening, stating their belief that the in our society. The Church objects to like to point out that, just like before, we fi lm “undermines Georgian traditions this fervently. This will probably become separate ourselves from violence and and values.” a reason for further attacks on the Church.
Recommended publications
  • Tchaikovsky Competition 1982 a Diary by Peter Donohoe1

    Tchaikovsky Competition 1982 a Diary by Peter Donohoe1

    TCHAIKOVSKY COMPETITION 1982 A DIARY BY PETER DONOHOE1 1 The footnotes in this diary are restrospective notes from 2012 – 30 years later... 08 June 1982 Recital at Charlotte Mason College in Ambleside in the British Lake District Program: Tchaikovsky Sonata 2 in G Major (1st Movement) Tchaikovsky November (from The Seasons) Tippett Sonata 2 Prokofiev Sonata 6 ---- Scriabin Etude Op65/3 Chopin Etude Op10/8 Rachmaninov Etude Tableau Op39/5 E flat Minor Bach Prelude and Fugue Book 2 No. 3 Flierkovsky – Prelude and Fugue in G minor Stravinsky Three Movements from Petrushka A very nice, but knowing guy came up to me after the concert, and said “That was a very unusual program. It is almost as if you are preparing to enter the Tchaikovsky Competition.” I asked him to keep it under his hat – it is never good for people to know in advance of your competition efforts, in case it doesn’t work out. Set off home at 11.00 p.m. The car –a Vauxhall Viva borrowed from my parents-in-law – broke down after about 10 miles of a 120 mile journey to my in-laws on the Wirral. Still in the Lake District countryside. The weather was appallingly wet. I had to get to the Wirral, and then the next morning to Manchester for an early flight to London to connect with the Aeroflot flight to Moscow. 09 June 1982 Thank God for the AA Relay service. They got me to the Wirral in the cab of one of their trucks, with the car on the back.
  • Taktakishvili Flute Sonata Pdf

    Taktakishvili Flute Sonata Pdf

    Taktakishvili flute sonata pdf Continue Otar Takakishvili (born July 27, 1924) is a Soviet composer, teacher, writer and conductor. At the beginning of his career, he gained national notoriety by composing the official anthem of the Georgian Soviet Socialist Republic while he was still a student of compositions of Sarkis Barhudaryan at the Tbilisi Conservatory. The Conservatory later appointed him professor of choral literature and choir director in 1949, just two years after its graduation. In later years he also taught composition and served as rector. Outside the conservatory, he served as a rehearsal pianist, conductor and, ultimately, artistic director of the State Choral Chapel of Georgia. Taktakishvili has achieved incredible political recognition during his lifetime. State awards included three separate State Prizes of the USSR in addition to the Lenin Prize of 1982 - one of the highest awards of the USSR (previous laureates - Sergei Prokofiev and Dmitry Shostakovich). Political appointments included: Deputy Supreme Council of the USSR, deputy of the Supreme Council of the GRUKOVOY SSR, member of the Presidium of the International Music Council of the United Nations, Minister of Culture of Georgia (1965-84), Chairman of the Union of Composers of Georgia (1962), secretary and board member of the Union of Composers of the USSR (1957-89), member of the jury/chairman of various international competitions. Taktakishvili's music covered many genres, but his main work was vocal music with an emphasis on folk material. Many Soviet composers of Taktakishvili's generation turned to regional folk music as a source of material. These composers were born around 1920 and received traditional training in the theory of Russian music in the Soviet conservatories, which followed the standard curriculum.
  • 4932 Appendices Only for Online.Indd

    4932 Appendices Only for Online.Indd

    APPENDIX I MUSIC AWARDS IN COMPOSITION Key to award cycles: 1941 for works from 1934–40 1942 for works from 1941 1943 for works from 1942 1946a for works from 1943–44 1946b for works from 1945 1947 for works from 1946 1948 for works from 1947 1949 for works from 1948 1950 for works from 1949 1951 for works from 1950 1952 for works from 1951 Not included here: 1953 for works from 1952, no awards made 1954 for works from 1952–53, no awards made (see Appendix IV) Table 1. Awards in Composition by Genre Unusually high numbers are in boldface ’41 ’42 ’43 ’46a ’46b ’47 ’48 ’49 ’50 ’51 ’52 Opera2121117 2 Cantata 1 2 1 2 1 5 32 Symphony 2 1 1 4 1122 Symphonic poem 1 1 3 2 3 Suite 111216 3 Concerto 1 3 1 1 3 4 3 Ballet 1 1 21321 Chamber music 1 1 3 4 11131 Piano pieces 1 1 Film scores 21 2111 1 4 APPENDIX I MUSIC AWARDS IN COMPOSITION Songs 2121121 6 3 Art songs 1 2 Marches 1 Incidental music 1 Folk instruments 111 Table 2. Composers in Alphabetical Order Surnames are given in the most common transliteration (e.g. as in Wikipedia); first names are mostly given in the familiar anglicized form. Name Alternative Spellings/ Dates Class and Year Notes Transliterations of Awards 1. Afanasyev, Leonid 1921–1995 III, 1952 2. Aleksandrov, 1883–1946 I, 1942 see performers list Alexander for a further award (Appendix II) 3. Aleksandrov, 1888–1982 II, 1951 Anatoly 4.
  • Cultural Influences Upon Soviet-Era Programmatic Piano Music for Children

    Cultural Influences Upon Soviet-Era Programmatic Piano Music for Children

    UNLV Theses, Dissertations, Professional Papers, and Capstones 5-1-2017 Cultural Influences upon Soviet-Era Programmatic Piano Music for Children Maria Pisarenko University of Nevada, Las Vegas Follow this and additional works at: https://digitalscholarship.unlv.edu/thesesdissertations Part of the Education Commons, Fine Arts Commons, and the Theatre and Performance Studies Commons Repository Citation Pisarenko, Maria, "Cultural Influences upon Soviet-Era Programmatic Piano Music for Children" (2017). UNLV Theses, Dissertations, Professional Papers, and Capstones. 3025. http://dx.doi.org/10.34917/10986115 This Dissertation is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Dissertation in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Dissertation has been accepted for inclusion in UNLV Theses, Dissertations, Professional Papers, and Capstones by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. CULTURAL INFLUENCES UPON SOVIET-ERA PROGRAMMATIC PIANO MUSIC FOR CHILDREN By Maria Pisarenko Associate of Arts – Music Education (Piano Pedagogy/Performance/Collaborative Piano) Irkutsk College of Music, City
  • The V. Sarajishvili Tbilisi State Conservatoire International

    The V. Sarajishvili Tbilisi State Conservatoire International

    The V. Sarajishvili #14 Tbilisi State The News Ethnomusicological life in Georgia Conservatoire For Dimitri Araqishvili’s Jubilee Foreign Ethnomusicologists International Izaly Zemtsovsky Foreign musical folklore The Chaotic Culture of Marrakech's Djemaa el Research Fna Georgian Children’s Folk Ensembles “Martve”, “Mdzlevari”, “Erkvani”, Center for “Lasharela” Expedition Diary Traditional Expedition in Zemo Achara (Keda District) One foreign folk ensemble Polyphony The Traditional Singing Group “Saucējas” from Latvia Beneficents of Georgian Song B U L L E T I N The Erkomaishvilis Foreigners on Georgian Folklore Peter Gold – Georgian Folk Music from Turkey The Centres of Georgian Science and Culture Simon Janashia State Museum of Georgia Foreign Performers of Georgian Folk Song Ensemble “Darbazi” from Canada Old Press Pages Kakhi Rosebashvili “I Could not Have Lived Without this Song…” Comment on the book: “Echoes from Georgia” History of One Song Tbilisi. June, 2013 “Urmuli” 1 The news 20-21.05.2013 – Professor Rob Simms of York Ethnomusicological life in Georgia University (Canada) delivered two lectures at Tbilisi State Conservatoire as organized by the IRCTP: 1. (January-June, 2013) “Poetics of Iranian Song and Muhammad Reza Shajarian‟s Songs” – historical, political, poetic 18.04.2013 – Information on Georgia‟s ethnomu- aspects, narrative performance, balance of the sicological life was published in the last volume of the individual and collective in tradition, interrelation ICTM (International Council of Traditional Music of between
  • Classical Literature and the Retroaction of Socialist Ideologyâ•Flthe Sovietization of a Medieval Georgian Epic Poem And

    Classical Literature and the Retroaction of Socialist Ideologyâ•Flthe Sovietization of a Medieval Georgian Epic Poem And

    Diego Benning Wang, 1 Classical Literature and the Retroaction of Socialist Ideology—The Sovietization of a Medieval Georgian Epic Poem and Its Mysterious Author Diego Benning Wang O Georgia—who makest us shed tears, /Thou art the second cradle of the Russian muse. /One who carelessly forgets about Georgia, /Is not likely to be a poet in Russia. –Evgeny Evtushenko When you read Rustaveli, you would be thinking: could there be many writers who lived 700-odd years ago akin to this precious genius of the Georgian people? –Mikhail Kalinin Early-20th-century Russian poet Kontantin Balmont, the first person to fully translate the medieval Georgian epic poetry vepkhistqaosani (The Knight in Panther Skin) into Russian, said such about the work’s author Shota Rustaveli: “Like Homer to the Hellas, Dante to Italy, Shakespeare to England, Calderón and Cervantes to Spain, Rustaveli is Georgia… A people, if great, will compose a song and carry in their bosom their world- renowned poet. Such crown-bearer of the ages, still unbeknownst to the Russians to this day, was the chosen one of Georgia, Shota Rustaveli, who in the twelfth century endowed his homeland with a banner and an appeal—vepkhistqaosani […] This is the best poetry of love ever composed in Europe, a rainbow of love, a bridge of fire, which connects the heaven with the earth.”1 Long after Balmont’s Russian translation of vepkhistqaosani was completed, the work still remained unknown to most non-Georgians of the Soviet Union. Yet four decades later, Rustaveli had become a household name far beyond his native Georgia and throughout the Soviet Union.
  • The Alternative Role of New Tushetian Songs in Contemporary Georgian Musical Culture

    The Alternative Role of New Tushetian Songs in Contemporary Georgian Musical Culture

    GESJ: Musicology and Cultural Science 2015| No.2(12) ISSN 1512-2018 UDC - 784.4 THE ALTERNATIVE ROLE OF NEW TUSHETIAN SONGS IN CONTEMPORARY GEORGIAN MUSICAL CULTURE Kae Hisaoka PhD candidate, Department of Musicology and Theatre Studies, Division of Studies on Cultural Expression, Graduate School of Letters, Osaka University, 1-5 Machikaneyama-cho, Toyonaka 560-0043, Japan Abstract This study examined the alternative aspects of the new folk music of the eastern mountain regions in Georgian musical culture. Today, such pop-folk music is popular among the younger generation in Georgia. In particular, the female folk music of the Tusheti region, popularized by Lela Tataraidze, is influential as a countercultural reaction to official polyphonic singing. Tusheti lies on the frontier of the North Caucasus, where the influence of the national culture of male polyphonic singing did not extend during the twentieth century. Therefore, women’s musical activities, such playing the garmoni, have prospered among the Tushetian people. Tushetian folk music expresses the melancholy experienced by women living under patriarchy, while male polyphonic singing is characterized by masculinity and lucidity. Moreover, the formation of the Georgian Diaspora community during the post-Soviet period promoted the acceptance of folk music from marginal communities. Tushetian songs describing the landscapes of old mountain villages in the countryside convey nostalgia and imagery of the homeland, thereby promoting the creation of a national consciousness among the Diaspora. Keywords: popular music studies, counterculture, gender expression,Tusheti, new folk songs, Diaspora, cultural nationalism Introduction Georgian musical culture is strongly tied to gender expression. This tendency is especially evident in the sphere of traditional music, such as male polyphonic singing, which was registered by UNESCO as an Intangible Cultural Heritage in 2001.
  • The V. Sarajishvili Tbilisi State Conservatoire International

    The V. Sarajishvili Tbilisi State Conservatoire International

    The V. Sarajishvili #1 Tbilisi State Conservatoire International 3 Manana Doijashvili - Greeting 3 Rusudan Tsurtsumia – Introduction Research 7 The V. Sarajishvili Tbilisi State Conservatoire Center for 8 Manana Andriadze - The Tbilisi State Conservatoire’s Georgian Folk Music Traditional Department 10 Program of Scientific Works at the Second International Symposium on Traditional Polyphony Polyphony 11 First English Translation of Essays on Georgian Folk Music BULLETIN 13 Musical Scores 99 Georgian Songs 14 Georgian Traditional Music in 2004 16 Field Expeditions Ethnomusicological Field Expedition in Dmanisi 17 Ethnomusicological Field Expedition in Ozurgeti Region, Guria 18 Ethnomusicological Field Expedition in Lentekhi (Lower Svaneti) and Tsageri (Lechkhumi) 20 Ethnomusicological Field Expedition in Telatgori (Kartli) 21 Georgian Ethnomusciologists Evsevi (Kukuri) Chokhonelidze 23 Georgian Folk Groups The Anchiskhati Church Choir and Folk Group Dzveli Kiloebi 25 Georgian Songmasters “Each Time I Sing It Differently” - An Interview with Otar Berdzenishvili 28 Georgian Folk Song – New Transcription TBILISI. DECEMBER. 2004 Kiziq Boloze 2 This bulletin is published bi-annually in Georgian and English through the support of UNESCO ' International Research Center The for Traditional Polyphony of Tbilisi V. Sarajishvili State Conservatoire, 2004. ISSN 1512 - 2883 Editors: Rusudan Tsurtsumia, Tamaz Gabisonia Translators: Maia Kachkachishvili, Carl Linich Design: Nika Sebiskveradze, George Kokilashvili Computer services: Kakha Maisuradze Printed by: Polygraph 3 Prof. MANANA DOIJASHVILI Prof. Dr. RUSUDAN TSURTSUMIA, Rector, V. Sarajishvili Tbilisi State Conservatoire V. Sarajishvili Tbilisi State Conservatoire Director, International Research Center for Today people all over the world are Traditional Polyphony singing Georgian polyphonic songs. The num- ber of scholars interested in this has greatly in- Georgian life has changed greatly since our creased.
  • Lietuvos Muzikologija 21.Indd

    Lietuvos Muzikologija 21.Indd

    Lietuvos muzikologija, t. 21, 2020 Nana SHARIKADZE Georgian Unofficial Music as a Fact of Musical Resistance Gruzijos neoficialioji muzika kaip muzikinio pasipriešinimo veiksnys V. Sarajishvili Tbilisi State Conservatoire, Griboedov str 8-10, 0108, Tbilisi, Georgia [email protected], [email protected] Abstract Cultural resistance reveals itself in different forms; it represents the act of unmortification of art and often appears as a tool against power, and restrictions and censorship in art. In the Soviet Union, with its strong censorship practices, the act of ignoring the “rules defined for all forms of art” while making art music can be perceived as an act of resistance. Unofficial art music and censorship have always been interrelated throughout the history of Soviet music. Micheil Shugliashvili is an outstanding Georgian composer of the generation of the 1960s and a brilliant member of the so-called musical resistance in a country where attacking freedom formed the main attitude for life and culture. He represents a unique example of an individual who had never been in touch with Western music. While isolated in the Eastern political bloc, he managed to reveal and incorporate new music information and find his own ways of expression, which earned him the name of the most distinguished Georgian avant-garde artist. His works were interpreted as the “Georgian analogue of Xenakis.” Keywords: Micheil Shugliashvili, unofficial music and Georgian avant-garde. Anotacija Kultūroje pasipriešinimas reiškiasi įvairiomis formomis: menas dažnai tampa įrankiu kovoje su valdžia prieš ribojimus ir cenzūrą. Sovie- tų Sąjungoje griežtai cenzūruojamas akademinės muzikos kūrimas, ignoruojant „taisykles, nustatytas visoms meno formoms“, gali būti suvokiamas kaip pasipriešinimo veiksmas.
  • Georgian Copyright Association (GCA) STATUTE

    Georgian Copyright Association (GCA) STATUTE

    Georgian Copyright Association (GCA) Collective Management Organization STATUTE 2012 Tbilisi 1. General Provisions 1.1. The Georgian Copyright Association (GCA) is a voluntary union, non-profit legal entity (hereinafter the Association), established in order to achieve the goals set by the present Statute and protect the interests of the copyright and/or neighboring rights holders, and/or their assignees/successors, who entered the Association for the purpose of performing joint activities. 1.2. The Association exists, is managed and functions in compliance with the Statute of the Association, Constitution of Georgia, current legislation of Georgia and universally recognized principles of the international law. 1.3. The full title of the Association is The Georgian Copyright Association – organization managing the property rights on a collective basis, abbreviated as the Georgian Copyright Association – Collective Management Organization, GCA. 1.4. The Georgian Copyright Association – is the Collective Management Organization is the legal successor of the union - The Georgian Authors’ and Performers’ Rights Society (GESAP) – Collective Management Organization registered on the basis of the Decision No2/9-152 of 16th August 1999 of the Tbilisi Didube-Chughureti District Court, and of the union - The Georgian Authors’ Society (SAS) – Collective Management Organization N1, which renewed its registration on the basis of the Decision N585 of the 17th February, 2006 of the Ministry of Justice of Georgia. 1.5. The legal address of the Association is: 123, Aghmashenebeli Ave., Tbilisi, Georgia 1.6. Accounting year is a calendar year. The period between the date of registration of the Association and the 31st December of the registration year makes an incomplete accounting year.

  • The Gurian Trio Song: Memory, Media, and Improvisation in A

    Wesleyan ♦ University THE GURIAN TRIO SONG: MEMORY, MEDIA, AND IMPROVISATION IN A GEORGIAN FOLK GENRE By Brian R. Fairley Faculty Advisor: Eric Charry A Dissertation submitted to the Faculty of Wesleyan University in partial fulfillment of the requirements for the degree of Master of Arts Middletown, Connecticut May 2017 TABLE OF CONTENTS LIST OF ILLUSTRATIONS .................................................................................................... iii ACCOMPANYING CD TRACK LIST .................................................................................... v NOTE ON TRANSLITERATION OF GEORGIAN ..................................................... vi ACKNOWLEDGMENTS .................................................................................... vii ABSTRACT ....................................................................................................... xiv INTRODUCTION ................................................................................................ 1 Scenes from a Film .................................................................................... 1 Background to Fieldwork ........................................................................... 7 Chapter Overview .................................................................................... 13 CHAPTER ONE Guria and its Place in Georgian Music Scholarship ........................................ 18 Geography and History of Guria ............................................................... 18 Early Writing on Georgian Music ............................................................

  • The V. Sarajishvili Tbilisi State Conservatoire International

    The #15 V. Sarajishvili Tbilisi State International Research Center for Traditional Polyphony is 10 Years Old Conservatoire The News Ethnomusicological Life in Georgia Foreign Ethnomusicologists International Dieter Christensen “New Nadimi” Festival of Traditional Art in Telavi Research Foreign Musical Folklore Traditional Polyphony of the Maasai One Georgian Folk Ensemble Center for “Sathanao” Expedition Diary Traditional Expedition of the IRCTP in Pankisi One Foreign Folk Ensemble The Sutartinės Performers’ Group “Trys keturiose” Polyphony Beneficents of Georgian Song Ivane Margiani B U L L E T I N The Centres of Georgian Science and Culture Georgian State Museum of Theater, Music, Film and Choreography Foreign Performers of Georgian Folk Song Trio” Djamata” (France))ro Gigi Garaqanidze Batumi 8th International Festival and Scientific Conference of Folk and Church Music m France Old Press Pages Kukuri Chokhonelidze “Wine and Georgian Table Songs” On One Genre Georgian Traditional Banquet and Songs related to it Tbilisi. December, 2013 Georgian Folk Instruments Tsintsila 1 History of One Song “Dzabrale” The International over 800 Georgian and foreign performers, pub- lished the books of proceedings of all previous Research Center for forums (that of the 6th symposium will have been Traditional Polyphony issued for the start of the 7th symposium) and each participant scholar will receive a copy; released Is 10 Years Old! 14 volumes of the Center’s Bulletin; realized a number of projects including the publication of 16 In 2013 the International research Center CDs of wax cylinder collections existing in Geor- for Traditional Polyphony of Tbilisi state Conser- gia together with Vienna Fonogrammarchiv vatoire turned 10 years old.