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The V. Sarajishvili Tbilisi State Conservatoire International
The V. Sarajishvili #14 Tbilisi State The News Ethnomusicological life in Georgia Conservatoire For Dimitri Araqishvili’s Jubilee Foreign Ethnomusicologists International Izaly Zemtsovsky Foreign musical folklore The Chaotic Culture of Marrakech's Djemaa el Research Fna Georgian Children’s Folk Ensembles “Martve”, “Mdzlevari”, “Erkvani”, Center for “Lasharela” Expedition Diary Traditional Expedition in Zemo Achara (Keda District) One foreign folk ensemble Polyphony The Traditional Singing Group “Saucējas” from Latvia Beneficents of Georgian Song B U L L E T I N The Erkomaishvilis Foreigners on Georgian Folklore Peter Gold – Georgian Folk Music from Turkey The Centres of Georgian Science and Culture Simon Janashia State Museum of Georgia Foreign Performers of Georgian Folk Song Ensemble “Darbazi” from Canada Old Press Pages Kakhi Rosebashvili “I Could not Have Lived Without this Song…” Comment on the book: “Echoes from Georgia” History of One Song Tbilisi. June, 2013 “Urmuli” 1 The news 20-21.05.2013 – Professor Rob Simms of York Ethnomusicological life in Georgia University (Canada) delivered two lectures at Tbilisi State Conservatoire as organized by the IRCTP: 1. (January-June, 2013) “Poetics of Iranian Song and Muhammad Reza Shajarian‟s Songs” – historical, political, poetic 18.04.2013 – Information on Georgia‟s ethnomu- aspects, narrative performance, balance of the sicological life was published in the last volume of the individual and collective in tradition, interrelation ICTM (International Council of Traditional Music of between -
The Alternative Role of New Tushetian Songs in Contemporary Georgian Musical Culture
GESJ: Musicology and Cultural Science 2015| No.2(12) ISSN 1512-2018 UDC - 784.4 THE ALTERNATIVE ROLE OF NEW TUSHETIAN SONGS IN CONTEMPORARY GEORGIAN MUSICAL CULTURE Kae Hisaoka PhD candidate, Department of Musicology and Theatre Studies, Division of Studies on Cultural Expression, Graduate School of Letters, Osaka University, 1-5 Machikaneyama-cho, Toyonaka 560-0043, Japan Abstract This study examined the alternative aspects of the new folk music of the eastern mountain regions in Georgian musical culture. Today, such pop-folk music is popular among the younger generation in Georgia. In particular, the female folk music of the Tusheti region, popularized by Lela Tataraidze, is influential as a countercultural reaction to official polyphonic singing. Tusheti lies on the frontier of the North Caucasus, where the influence of the national culture of male polyphonic singing did not extend during the twentieth century. Therefore, women’s musical activities, such playing the garmoni, have prospered among the Tushetian people. Tushetian folk music expresses the melancholy experienced by women living under patriarchy, while male polyphonic singing is characterized by masculinity and lucidity. Moreover, the formation of the Georgian Diaspora community during the post-Soviet period promoted the acceptance of folk music from marginal communities. Tushetian songs describing the landscapes of old mountain villages in the countryside convey nostalgia and imagery of the homeland, thereby promoting the creation of a national consciousness among the Diaspora. Keywords: popular music studies, counterculture, gender expression,Tusheti, new folk songs, Diaspora, cultural nationalism Introduction Georgian musical culture is strongly tied to gender expression. This tendency is especially evident in the sphere of traditional music, such as male polyphonic singing, which was registered by UNESCO as an Intangible Cultural Heritage in 2001. -
Georgian Copyright Association (GCA) STATUTE
Georgian Copyright Association (GCA) Collective Management Organization STATUTE 2012 Tbilisi 1. General Provisions 1.1. The Georgian Copyright Association (GCA) is a voluntary union, non-profit legal entity (hereinafter the Association), established in order to achieve the goals set by the present Statute and protect the interests of the copyright and/or neighboring rights holders, and/or their assignees/successors, who entered the Association for the purpose of performing joint activities. 1.2. The Association exists, is managed and functions in compliance with the Statute of the Association, Constitution of Georgia, current legislation of Georgia and universally recognized principles of the international law. 1.3. The full title of the Association is The Georgian Copyright Association – organization managing the property rights on a collective basis, abbreviated as the Georgian Copyright Association – Collective Management Organization, GCA. 1.4. The Georgian Copyright Association – is the Collective Management Organization is the legal successor of the union - The Georgian Authors’ and Performers’ Rights Society (GESAP) – Collective Management Organization registered on the basis of the Decision No2/9-152 of 16th August 1999 of the Tbilisi Didube-Chughureti District Court, and of the union - The Georgian Authors’ Society (SAS) – Collective Management Organization N1, which renewed its registration on the basis of the Decision N585 of the 17th February, 2006 of the Ministry of Justice of Georgia. 1.5. The legal address of the Association is: 123, Aghmashenebeli Ave., Tbilisi, Georgia 1.6. Accounting year is a calendar year. The period between the date of registration of the Association and the 31st December of the registration year makes an incomplete accounting year. -
The Gurian Trio Song: Memory, Media, and Improvisation in A
Wesleyan ♦ University THE GURIAN TRIO SONG: MEMORY, MEDIA, AND IMPROVISATION IN A GEORGIAN FOLK GENRE By Brian R. Fairley Faculty Advisor: Eric Charry A Dissertation submitted to the Faculty of Wesleyan University in partial fulfillment of the requirements for the degree of Master of Arts Middletown, Connecticut May 2017 TABLE OF CONTENTS LIST OF ILLUSTRATIONS .................................................................................................... iii ACCOMPANYING CD TRACK LIST .................................................................................... v NOTE ON TRANSLITERATION OF GEORGIAN ..................................................... vi ACKNOWLEDGMENTS .................................................................................... vii ABSTRACT ....................................................................................................... xiv INTRODUCTION ................................................................................................ 1 Scenes from a Film .................................................................................... 1 Background to Fieldwork ........................................................................... 7 Chapter Overview .................................................................................... 13 CHAPTER ONE Guria and its Place in Georgian Music Scholarship ........................................ 18 Geography and History of Guria ............................................................... 18 Early Writing on Georgian Music ............................................................ -
The V. Sarajishvili Tbilisi State Conservatoire International
The #15 V. Sarajishvili Tbilisi State International Research Center for Traditional Polyphony is 10 Years Old Conservatoire The News Ethnomusicological Life in Georgia Foreign Ethnomusicologists International Dieter Christensen “New Nadimi” Festival of Traditional Art in Telavi Research Foreign Musical Folklore Traditional Polyphony of the Maasai One Georgian Folk Ensemble Center for “Sathanao” Expedition Diary Traditional Expedition of the IRCTP in Pankisi One Foreign Folk Ensemble The Sutartinės Performers’ Group “Trys keturiose” Polyphony Beneficents of Georgian Song Ivane Margiani B U L L E T I N The Centres of Georgian Science and Culture Georgian State Museum of Theater, Music, Film and Choreography Foreign Performers of Georgian Folk Song Trio” Djamata” (France))ro Gigi Garaqanidze Batumi 8th International Festival and Scientific Conference of Folk and Church Music m France Old Press Pages Kukuri Chokhonelidze “Wine and Georgian Table Songs” On One Genre Georgian Traditional Banquet and Songs related to it Tbilisi. December, 2013 Georgian Folk Instruments Tsintsila 1 History of One Song “Dzabrale” The International over 800 Georgian and foreign performers, pub- lished the books of proceedings of all previous Research Center for forums (that of the 6th symposium will have been Traditional Polyphony issued for the start of the 7th symposium) and each participant scholar will receive a copy; released Is 10 Years Old! 14 volumes of the Center’s Bulletin; realized a number of projects including the publication of 16 In 2013 the International research Center CDs of wax cylinder collections existing in Geor- for Traditional Polyphony of Tbilisi state Conser- gia together with Vienna Fonogrammarchiv vatoire turned 10 years old. -
Familiar Strangers: the Georgian Diaspora in the Soviet Union
Familiar Strangers: The Georgian Diaspora in the Soviet Union By Erik Rattazzi Scott A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Yuri Slezkine, Chair Professor Stephan Astourian Professor Victoria E. Bonnell Professor Victoria Frede Professor Leslie P. Peirce Spring 2011 Familiar Strangers: The Georgian Diaspora in the Soviet Union © 2011 By Erik Rattazzi Scott Abstract Familiar Strangers: The Georgian Diaspora in the Soviet Union By Erik Rattazzi Scott Doctor of Philosophy in History University of California, Berkeley Professor Yuri Slezkine, Chair The experience of the Georgian diaspora in the Soviet Union is a story of the paradoxes of Soviet empire. On the one hand, the arrival of the Red Army in Tbilisi in 1921 brought Georgia’s brief period of independence to an abrupt end. On the other hand, membership in the newly-constituted Soviet Union opened up new opportunities for Georgians and other ethnic minority groups. Such opportunities were seized upon most effectively by an internal Georgian diaspora within the Soviet Union, a small but highly mobile and visible community. The Georgians, who traveled to Moscow from the periphery of the Soviet empire, could be seen at the center of Soviet life at every stage of Soviet history. Georgians headed the state that built socialism, provided the food and entertainment when Soviet citizens desired new forms of consumption and leisure, dominated the burgeoning second economy, and were among the first to seek an exit from the Soviet Union amidst the rising nationalism that accompanied its demise. -
A Tale of Two Georgias? FOCUS
Issue no: 1201 • NOVEMBER 8 - 11, 2019 • PUBLISHED TWICE WEEKLY PRICE: GEL 2.50 In this week’s issue... Number of Georgian Emigrants Up NEWS PAGE 2 The Minister of Education Mikheil Batiashvili Resigns POLITICS PAGE 4 Lithuanian Advice on Dealing with Russia’s Hybrid Warfare POLITICS PAGE 6 The Intricacies of Church & State Life POLITICS PAGE 7 On Vano Merabishvili’s FOCUS Imminent Release POLITICS PAGE 7 ON IDENTITY Georgia may face clashes this CEO of Informational weekend on the airing of a fi lm Highway Technologies SA: about a young homosexual PAGE 4 Georgia is Very Attractive for Companies like Mine BUSINESS PAGE 8 A Tale of Two Georgias? Ren Zhengfei's Northern BLOG BY SOPHIE KATSARAVA MBE – CHAIR European Media OF THE FOREIGN AFFAIRS COMMITTEE AT THE PARLIAMENT OF GEORGIA Roundtable, Part 3 BUSINESS PAGE 10 oes Georgia struggle to tell the story of her progress today? And The Personal Letter Ryan if so, where does the problem lie? Do we fi nd it hard to convince our Smith’s Mother Wrote to Western friends that, in fact, eve- Drything we do aims to make Georgia a reliable, her Family’s Murderer true friend to the West? Why do we get over- whelmed by waves of negativity and false nar- SOCIETY PAGE 13 ratives? And why do we allow ourselves to be undermined by those pursuing their own inter- Misha Avsajanishvili Judges ests rather than publicising more of the positive progress Georgia has made? the First Bocuse D’Or To put my thoughts into perspective, let’s remind ourselves of a story you have heard many National Competition times and yet remains relevant and important: Once Georgia regained its independence in the CULTURE PAGE 15 early 90s, the ‘century’s project’ of the Baku-Tbilisi- Ceyhan pipeline was launched to improve Geor- gia’s standing in the world. -
Ingl Sigtavsi.Qxd
3 This volume is published through the support of Nova Science Publishers. Editors: Rusudan Tsurtsumia Tamaz Gabisonia Translators: Maia Kachkachishvili Clayton parr Design: Nika Sebiskveradze Giorgi Kokilashvili Computer services: Tamaz Gabisonia Kakhaber Maisuradze © International Research Center for Traditional Polyphony of V. Sarajishvili Tbilisi State Conservatoire, 2006 ISSN 1512 - 2883 Printed by: polygraph Semi-annual bulletin in Georgian and English 4 There are several scholarly centers for tra- ditional music in the world; many seminars, sym- A Brief History of the posia and conferences, dedicated to the results of International Forums this research work, are held in various countries; they play important role in the safeguarding and on Traditional preservation of the world's cultural diversity. These scientific forums, of course, cover all aspects Polyphony of ethnomusicological study, including polypho- ny. But, Tbilisi symposia are dedicated solely to the problems of polyphony as the specific means The Third International Symposium on of musical expression. And so, in my opinion, Traditional Polyphony is approaching - it will be they hold a distinguished place. opened on September 25 at the Grand Hall of As one of the organizers of these sym- Tbilisi State Conservatoire and during the fol- posia, I became interested in the history of hold- lowing 4 days it will host the world's renowned ing scientific forums on polyphony. I was cer- ethnomusicologists and foreign performers of tain, that in the former Soviet Union the first con- Georgian folk song. Among the scholars, togeth- ference dedicated solely to the problems of polypho- ny and with the participation of ethnomusicolo- er with new names, are those who have partici- gists from the West was first held in 1984 in pated in previous Symposia. -
Caucasus Journal of Social Sciences
aucasus Journal C of social sciences Volume 11 2018 Politics and International Relations Education History and Anthropology Humanities Law and Art Public Health and Psychology Business and Economics ISSN 1512-3677 www.ug.edu.ge Caucasus Journal of Social Sciences Volume 11 Issue 1 The University of Georgia Publishing House Tbilisi 2018 UDC(uak) 908 (479) (06) k144 Printed at The University of Georgia. Tbilisi, Georgia. Copyright © 2018. All rights reserved by the University of Georgia. Permission to make digital or hard copies of part or all of this work for personal or classroom use is granted without fee provided that copies are not made or distributed for profit or commercial advantage. No responsibility for the views expressed by authors in the Caucasus Journal of Social Sciences is assumed by the editors or the publisher. Caucasus Journal of Social Sciences The University of Georgia. Georgia, Tbilisi, 0175. M. Kostava Street 77, Building IV. Tel: (+995 32) 255 22 22 Email: [email protected] Copyright © 2018 Caucasus Journal of Social Sciences ISSN 1512-3677 Caucasus Journal of Social Sciences Editor-in-Chief Jeremiah Paul Johnson Managing Editor Julieta Andguladze Board of Editors Abuladze Konstantine Tbilisi Teaching University “Gorgasali” Alasania Giuli The University of Georgia Blauvelt Timothy American Councils Carper Mark The University of Alaska Anchorage Davies Janette Oxford University Dzebisashvili Lasha The University of Georgia Ghudushauri Tinatin The University of Georgia Gvelesiani Mariam The University of Georgia