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WHEN MARK TWAIN WAS I Urged to Take out an Insurance Policy To
WHEN MARK TWAIN WAS I urged to take out an insurance policy to protect him from risk of accident while on the train trip for which he had just bought a ticket he declined, saying that he thought that instead he would take out a policy for the following day. The agent couldn't understand this, and Mark explained that he had been looking over the statistics and had discovered that by far the greatest number of accidents occurred to people while they were at home, so he concluded that it was more dangerous to stay at home than to travel. JUST NOW WE ARE Shocked by the number of deaths resulting from automobile accidents. Some statistician who has devoted considerable time to the subject compares automobile fatalities with deaths in war. According to his figures there were in the United States 388,936 deaths resulting directly from automobile accidents in the past fifteen years. And the record shows that in all the wars in which the United States has been engaged there were 244,357 American soldiers killed outright or fatally wounded on the field of battle. Probably Mark Twain would conclude that it is less dangerous to go to war than to ride in an automobile. BUT THAT IS NOT THE worst of it. It seems to be almost as dangerous to stay at home as it is to go joy-riding. In the year 1934 there were 36,000 persons killed by or in motor cars, and in the same year 34,500 persons were killed in accidents at home. -
Program PDF Saturday, March 28, 2020 Updated: 02-14-20
Program PDF Saturday, March 28, 2020 Updated: 02-14-20 Special ‐ Events and Meetings Congenital Heart Disease ‐ Scientific Session #5002 Session #602 Fellowship Administrators in Cardiovascular Education and ACHD Cases That Stumped Me Training Meeting, Day 2 Saturday, March 28, 2020, 8:00 a.m. ‐ 9:30 a.m. Saturday, March 28, 2020, 7:30 a.m. ‐ 5:30 p.m. Room S105b Marriott Marquis Chicago, Great Lakes Ballroom A CME Hours: 1.5 / CNE Hours: CME Hours: / CNE Hours: Co‐Chair: C. Huie Lin 7:30 a.m. Co‐Chair: Karen K. Stout Fellowship Administrators in Cardiovascular Education and Training Meeting, Day 2 8:00 a.m. LTGA, Severe AV Valve Regurgitation, Moderately Reduced EF, And Atrial Acute and Stable Ischemic Heart Disease ‐ Scientific Arrhythmia Session #601 Elizabeth Grier Treating Patients With STEMI: What They Didn't Teach You in Dallas, TX Fellowship! Saturday, March 28, 2020, 8:00 a.m. ‐ 9:30 a.m. 8:05 a.m. Room S505a ARS Questions (Pre‐Panel Discussion) CME Hours: 1.5 / CNE Hours: Elizabeth Grier Dallas, TX Co‐Chair: Frederick G. Kushner Co‐Chair: Alexandra J. Lansky 8:07 a.m. Panelist: Alvaro Avezum Panel Discussion: LTGA With AVVR And Reduced EF Panelist: William W. O'Neill Panelist: Jennifer Tremmel Panelist: Jonathan Nathan Menachem Panelist: Joseph A. Dearani 8:00 a.m. Panelist: Michelle Gurvitz Case of a Young Women With STEMI Panelist: David Bradley Jasjit Bhinder Valhalla, NY 8:27 a.m. ARS Questions (Post‐Panel Discussion) 8:05 a.m. Elizabeth Grier Young Women With STEMI: Something Doesn't Make Sense... -
One the Peculiarities of Modern Musical Folklore of Shirak
Social and Economic Aspects of Education in Modern Society ART ONE THE PECULIARITIES OF MODERN MUSICAL FOLKLORE OF SHIRAK Hasmik Harutyunyan, PhD in Art Studies, Yerevan State Conservatory after Komitas Gyumri Branch (Director), Shirak Centre for Armenological Studies NAS RA Hasmik Matikyan, PhD in Philology, Yerevan State Conservatory after Komitas Gyumri Branch (Lecturer), Shirak Centre for Armenological Studies NAS RA DOI: https://doi.org/10.31435/rsglobal_conf/25122020/7307 Abstract. In different rural communities of Shirak region nowadays live representatives of the Armenain generation who have immigrated from Western Armenia and bear unique musical specimen. They are folk and national multi-genre song types and musical instrumental works. In the article we have touched upon 100 folk songs compiled from the folkloristic material organized in about 20 communities of Shirak region in 2015 March-April, that not only give us common notion of the song tradition of our compatriots migrated from Moush and Alashkert, in 2015, but they also certify that the tradition of folk song creativity is alive and coexists next to the very different modern cultural manifestations. Keywords: Ethnomusicology, Musical folklore, Shirak regon, traditional music, folk song, study, revival. The musical heritage of Shirak of the 19th-20th centuries has its unique place and role in the development of the Armenian national music. The rich musical folklore, imbued with the genre- stylistic features of the musical dialects of Western Armenia, became the basis for the unprecedented development of the professional music of the oral tradition and the creation of a valuable heritage. From the second half of the 19th century Armenian philologists and musician-folklorists became interested in the flourishing art of the Armenian bards and folk music players of Shirak. -
Ö 10 - 1 Royal Empress Tango English Couple I A- 5
MVFD Listing by OLD Number CD Track Dance Name Nationality Type Inst Old # 9 - 20 Canadian Breakdown USA Contra A- 3 9 - 19 Petronella USA Contra I A- 3 ö 10 - 1 Royal Empress Tango English Couple I A- 5 9 - 21 Tango Waltz, The English Couple A- 5 10 - 2 Camptown Races USA Square I A- 8 10 - 3 Old Joe Clark USA Square A- 8 10 - 3 Old Joe Clark USA Contra A- 8 10 - 4 Bonfire (Fisher's Hornpipe) Irish Couple I A- 9 10 - 5 Come Up the Backstairs (Sacketts USA Contra I A- 9 10 - 4 Fisher's Hornpipe USA Contra I A- 9 10 - 5 Sacketts's Harbour (Come Up the USA Contra I A- 9 ö 81 - 17 Aird Of Coigah (Reel of Mey) Scottish Set 4 Couple I A-10 81 - 18 Cauld Kail in Aberdeen Scottish Set 4 Couple I A-10 81 - 15 Gates of Edinburgh (8x32 Reel) S Scottish Set 4 Couple A-10 81 - 13 Hooper's Jig (8x32 Jig) SKIPS Scottish Jig A-10 81 - 16 Jessie's Hornpipe (8x32 Reel) Scottish Contra I A-10 81 - 19 Kingussie Flower (8x40 Reel) Scottish Reel A-10 81 - 14 Macphersons of Edinburgh, The ( Scottish Set 4 Couple A-10 81 - 12 Mairi's Wedding (8x40 Reel) Scottish Set 4 Couple I A-10 81 - 19 Red House Reel (Kingussie Flow Scottish Set 4 Couple I A-10 ö 81 - 17 Reel of Hey, The (8x48 Reel) Scottish Set 4 Couple I A-10 81 - 19 White Heather Jig (Kingussie Flo Scottish Set 4 Couple I A-10 10 - 7 Geudman Of Ballangigh English Contra I A-11 10 - 6 Larusse English Square I A-11 10 - 8 Yorkshire Square Eight English Square I A-11 10 - 12 Dargason English Set 4 Couple I A-12 10 - 9 Little Man in a Fix Danish Set 2 Couple I A-12 Saturday, July 29, 2000 Page 1 of 96 MVFD -
Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56,57 Boozdigoots Armenia Ajoian, F
LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56,57 Boozdigoots Armenia Ajoian, F. 57 Gemrigin Baduh Armenia Ajoian, F. 56 Golden Bracelet Armenia Ajoian, F. 56, 57 Halay Armenia Ajoian, F. 55 Halay Havasi Armenia Ajoian, F. 56 Lorkay Lorkay Armenia Ajoian, F. 56, 57 Medax Tashginag Armenia Ajoian, F. 57 Nor Imatsa (Yerzinga Tamzara) Armenia Ajoian, F. 57 Pompouri Armenia Ajoian, F. 55 Sotis Armenia Ajoian, F. 56 Tamzara Armenia Ajoian, F. 55 Three And One (Bar) Armenia Ajoian, F. 55 Sheleg Al Iri Israel Alpert, A. 18 Ve’shuv Itchem Israel Alpert, A. 18 Yaffo Israel Alpert, A. 18 Normali israel Alpert, A. 18 Or Chadash Israel Alpert, A. 18 Haleluyah Le’Gal Israel Alpert, A.` 18 Hayom Hazeh Israel Alpert, A.` 18 Heya Heya Israel Alpert, A.` 18 Hora Ha’bika Israel Alpert, A.` 18 Carbonero, El El Salvador Amaya, N. 68 Cortadoras, Las El Salvador Amaya, N. 68 Diablo Chingo, El Costa Rica Amaya, N. 68 Xuc, El El Salvador Amaya, N. 68 Yenka Spain Amaya, N. 68 Bereznianka Ukraine Arabagi, G. & I. 14 Bukovinskii Tanets Ukraine Arabagi, G. & I. 12 STOCKTON FOLK DANCE CAMP INDEX 1948-2018 PAGE 1 LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Dansul Tiganilor Basarabeni Moldova (Bessarabia; Rom) Arabagi, G. & I. 14 Hora din Giurgiuleşti Moldova (Moldavian) Arabagi, G. & I. 12 Hora Dragostei Moldova Arabagi, G. & I. 14 Horlitsya Ukraine Arabagi, G. & I. 14 Hutsulka Ukraine Arabagi, G. & I. 12 Joc Mare Ukraine (Moldavian) Arabagi, G. -
Exposing Minstrelsy and Racial Representation Within American Tap Dance Performances of The
UNIVERSITY OF CALIFORNIA Los Angeles Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Culture and Performance by Brynn Wein Shiovitz 2016 © Copyright by Brynn Wein Shiovitz 2016 ABSTRACT OF THE DISSERTATION Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950 by Brynn Wein Shiovitz Doctor of Philosophy in Culture and Performance University of California, Los Angeles, 2016 Professor Susan Leigh Foster, Chair Masks in Disguise: Exposing Minstrelsy and Racial Representation within American Tap Dance Performances of the Stage, Screen, and Sound Cartoon, 1900-1950, looks at the many forms of masking at play in three pivotal, yet untheorized, tap dance performances of the twentieth century in order to expose how minstrelsy operates through various forms of masking. The three performances that I examine are: George M. Cohan’s production of Little Johnny ii Jones (1904), Eleanor Powell’s “Tribute to Bill Robinson” in Honolulu (1939), and Terry- Toons’ cartoon, “The Dancing Shoes” (1949). These performances share an obvious move away from the use of blackface makeup within a minstrel context, and a move towards the masked enjoyment in “black culture” as it contributes to the development of a uniquely American form of entertainment. In bringing these three disparate performances into dialogue I illuminate the many ways in which American entertainment has been built upon an Africanist aesthetic at the same time it has generally disparaged the black body. -
Stockton Index by Instructor
LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Armenian Polka Armenia Ajoian, F. 57 Bardezuh Mer Armenia Ajoian, F. 56, 57 Boozdigoots Armenia Ajoian, F. 57 Gemrigin Baduh Armenia Ajoian, F. 56 Golden Bracelet Armenia Ajoian, F. 56, 57 Halay Armenia Ajoian, F. 55 Halay Havasi Armenia Ajoian, F. 56 Lorkay Lorkay Armenia Ajoian, F. 56, 57 Medax Tashginag Armenia Ajoian, F. 57 Nor Imatsa (Yerzinga Tamzara) Armenia Ajoian, F. 57 Pompouri Armenia Ajoian, F. 55 Sotis Armenia Ajoian, F. 56 Tamzara Armenia Ajoian, F. 55 Three And One (Bar) Armenia Ajoian, F. 55 Sheleg Al Iri Israel Alpert, A. 18 Ve’shuv Itchem Israel Alpert, A. 18 Yaffo Israel Alpert, A. 18 Normali israel Alpert, A. 18 Or Chadash Israel Alpert, A. 18 Haleluyah Le’Gal Israel Alpert, A.` 18 Hayom Hazeh Israel Alpert, A.` 18 Heya Heya Israel Alpert, A.` 18 Hora Ha’bika Israel Alpert, A.` 18 Carbonero, El El Salvador Amaya, N. 68 Cortadoras, Las El Salvador Amaya, N. 68 Diablo Chingo, El Costa Rica Amaya, N. 68 Xuc, El El Salvador Amaya, N. 68 Yenka Spain Amaya, N. 68 Bereznianka Ukraine Arabagi, G. & I. 14 Bukovinskii Tanets Ukraine Arabagi, G. & I. 12 Dansul Tiganilor Basarabeni Moldova (Bessarabia; Rom) Arabagi, G. & I. 14 STOCKTON FOLK DANCE CAMP INDEX 1948-2019 PAGE 1 LISTING BY TEACHER Dance Name COUNTRY INSTRUCTOR(S) YEAR(S) Hora din Giurgiuleşti Moldova (Moldavian) Arabagi, G. & I. 12 Hora Dragostei Moldova Arabagi, G. & I. 14 Horlitsya Ukraine Arabagi, G. & I. 14 Hutsulka Ukraine Arabagi, G. & I. 12 Joc Mare Ukraine (Moldavian) Arabagi, G. -
Armenian Orchestral Music Tigran Arakelyan a Dissertation Submitted
Armenian Orchestral Music Tigran Arakelyan A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2016 Reading Committee: David Alexander Rahbee, Chair JoAnn Taricani Timothy Salzman Program Authorized to Offer Degree: School of Music ©Copyright 2016 Tigran Arakelyan University of Washington Abstract Armenian Orchestral Music Tigran Arakelyan Chair of the Supervisory Committee: Dr. David Alexander Rahbee School of Music The goal of this dissertation is to make available all relevant information about orchestral music by Armenian composers—including composers of Armenian descent—as well as the history pertaining to these composers and their works. This dissertation will serve as a unifying element in bringing the Armenians in the diaspora and in the homeland together through the power of music. The information collected for each piece includes instrumentation, duration, publisher information, and other details. This research will be beneficial for music students, conductors, orchestra managers, festival organizers, cultural event planning and those studying the influences of Armenian folk music in orchestral writing. It is especially intended to be useful in searching for music by Armenian composers for thematic and cultural programing, as it should aid in the acquisition of parts from publishers. In the early part of the 20th century, Armenian people were oppressed by the Ottoman government and a mass genocide against Armenians occurred. Many Armenians fled -
FOLK DANCER/ONLINE INDEX Vol. 1 No.1 (Summer 1969) to Vol. 51 No
FOLK DANCER/ONLINE INDEX Vol. 1 No.1 (Summer 1969) to Vol. 51 No. 5 (December 2020), inclusive Written by Karen Bennett. Not indexed: most editorials and like content written by editors while they hold that position; most letters, ads, cartoons, coming events, and photographs; and social announcements, sometimes made in a column whose title varied a lot, including “Hiers Ek Wiers,” “Tidbits,” “From the Grapevine” and “The Back Page”). Not all content was attributed (especially that of Walter Bye and Karen Bennett while they were editors), and reports by OFDA executives aren’t listed under their names, so this combination index/bibliography doesn’t include under a person’s name everything they wrote. Abbreviations used: ''AGM'' stands for Annual General Meeting, "bio" for biography, “fd” for folk dance, IFD for international folk dance,“info.” for information, "J/J/A" for June/July/August, and "OFDC" for Ontario Folk Dance Camp, and “IFDC” for the International Folk Dance Club, University of Toronto. The newsletter title has been variously OFDA, OFDA Newsletter, Ontario Folk Dance Association Newsletter, Ontario Folk Dance Association Magazine, Ontario Folkdancer, Ontario FolkDancer, Folk Dancer: The Magazine of World Dance and Culture, and Folk Dancer Online: The Magazine of World Dance and Culture. A Alaska: --folk dance cruise, Oct. 15/90 --visit by Ruth Hyde, J/J/A 85 Acadia, see French Canada Albania: Adams, Coby: obituary, J/J/A 86 --dance descriptions: Leši, Oct. 76; Valle Adamczyk, Helena: Jarnana, Jan. 15/96 (p. 8) --“Macedonian Celebration in Hamilton, 27 --dance words:Valle Jarnana, Jan. 15/96 (p. -
The Armenian Foreign Municipality Was Discussing Renaming Them, They Ing with International Mediators in Paris
FEBRUARY 9, 2013 MirTHErARoMENr IAN -Spe ctator Volume LXXXIII, NO. 30, Issue 4275 $ 2.00 NEWS IN BRIEF The First English Language Armenian Weekly in the United States Since 1932 NKR Foreign Minister Congratulates Kerry Paruyr Hayrikyan not to Seek Delay in Election Schedule STEPANAKERT (Armenpress) — Foreign Minister of the Nagorno Karabagh (Artsakh) Republic Candidate Shot outside His Home Karen Mirzoyan sent a congratulatory message to On January 31 in Yerevan Sen. John Kerry on the occasion of his appoint - ment as the US secretary of state. YEREVAN (Reuters/Arminfo) — An In the message, Mirzoyan extended his good Armenian presidential candidate who wishes to Kerry in his new role. was shot last week will not seek a post - “We highly appreciate the mediation efforts of ponement to this month’s election to the United States and are confident that during avoid the risk of further instability in the your tenure the US, along with the Russian former Soviet republic, his lawyer and Federation and France, will further contribute to other backers said on Tuesday. the peaceful settlement of the conflict between Hayrikyan was shot in the shoulder on Azerbaijan and Nagorno Karabagh based on prin - January 31 near his home in Yerevan. ciples of international law, respect for human rights He could have asked the and fundamental freedoms.” Constitutional Court for a two-week post - Mirzoyan also expressed his gratitude for the assis - ponement of the February 18 vote, which tance the US rendered to the people of Artsakh. would have raised the prospect of insta - bility in the republic in the volatile South Caucasus region that carries oil and nat - Istanbul Street to Be ural gas to Europe. -
Song and Dance Ensemble
TATULALTUNYAN ARMENIAN STATE SONG AND DANCE ENSEMBLE October 2014 KULTURCENTRET DREJERVEJ 11-21 2400, COPENHAGEN Director: Ashot Tigranyan | Artistic Director: Zhirayr Altunyan JV \ Embassy artner of the Republic |"eam of Armenia | Gevorg Manasyan Folk song & dance "Ceremonial overture" "Shone again" Armen Smbatyan Tatul Altunyan "My Armenian song" "My lovely Nazan" Tatul Altunyan Arno Babajanyan "Yaman yar" "Elegy" Traditional dance Aleksandr Harutyunyan "Kochari" "Dance of Sassoun" Sayat-Nova Folk song & dance "Song about love" "Armenian girls" Folk songs of Sassoun Folk songs Folk dance Aram Khachaturyan "Shalakho" "The dance of sabre" Aleksey Hekimyan Sheram "Kind Stork" "A rose's been opened in the garden" Aram Khachaturyan Hovhannes Badalyan Suite from "Gayane" ballet "Die for the shade of Mountain" Razmik Abrahamyan "Patriotic song" Folk dance "Tamzara" 2-3 Performances might change. The State Honored Song and Dance Ensemble named after Tatul Altunyan has a long and rich history. It was founded in 1938 by People's Artist of the USSR, Laureate of the State Award, Professor Tatul Altunyan. During the 75 years of its existence, the Ensemble has reached glorious heights thanks to its bright and unique performance of national Armenian songs and dances, musical Instruments, colorful and luxurious national costumes. The Ensemble has represented Armenian national culture in many countries of the world and has delighted both Armenian and foreign audience with its warm, deep national spirit, graceful and elegant performance of national dances, and lyrical, tender and melodic songs, some of which vividly tell about the heroic past of the nation. In 2011 Tatul Altunyan State Honored Song and Dance Ensemble was awarded Gold Medal of the Ministry of Culture of the Republic of Armenia. -
A Dan Z.Ye Bulmaca Sözlüğü
A DAN Z.YE BULMACA SÖZLÜĞÜ A Aba terlik :PANTUFLA Abartı : MÜBALAĞA ABD Başkanı Eisenhower’in takma adı : İKE Abdülhak Hamit Tarhan’ın manzum trajedisi : NESTEREN Abla :CİCE Acem hükümdarı : EKASİRE Acemi zeybek :KIZAN Acemi,bir işe yeni başlayan : NEVNİYAZ Acemi : TOR Acı biber :KAYEN Acı çikolata : BİTTER Acı kavun : EŞEK HIYARI Acı yitimi : ANALJEZİ Acıbadem ağacı : EREZ Acıklı olay,dram :HAİLE Acıklılık : FECAAT Aç gözlü : TAMAHKAR Açı ölçmeye yarayan dönme hareketli bir çeşit cetvel :ALİDAT Açık alan korkusu :AGORAFOBİ Açık duran baş parmağın ucundan işaret parmağının ucuna kadar olan uzaklık : SERE Açık eflatun renk : KIZILŞAP Açık havada ızgara veya kızartma yapmaya yarayan ocak :BARBEKÜ Açık kapı ve pencereler arasında oluşan hava cereyanı : KURANDERE Açık mavi, kırmızı ve beyaz,sıkı ve tatlı küçük elma : ABİ Açık tohumlardan parklarda süs bitkisi olarak yetiştirilen,yurdu Güney Asya olan,palmiyeye benzer ağaç : SİKALAR Açık toprak rengi : BOZ Açık toprak rengi :BOZ Açık ve yüksek sesle :CEHREN Açık yeşil ve pembe renkli,kolay işlenen,değerli bir taş : YEŞİM Açık,ortada : AYAN Açıkgöz,kurnaz,hin :EKE Açıkgöz :CİNGÖZ Açıklık,bellilik :BEDAHET Açıktan geç,yaklaşma anlamında bir denizcilik ünlemi :ALARGA Açma,açılış : KÜŞAT Ad kavmi hükümdarı Şeddad tarafından cennete benzetilerek yaptırılan efsanevi bahçe :İREM Ad veya numara çekilerek oynanan şans oyunlarının genel adı : LOTARYA Ada çayı : MERYEMİYE Adak : NEZİR Adalet : TÜRE Adana ve Mersin yöresinde güğümle doldurularak sokaklarda satılan ve böbreğe iyi geldiğine inanılan meyankökü