Taking a Stand? Debating the Bauhaus and Modernism, Heidelberg: Arthistoricum.Net 2021, P
The Myth of the White Bauhaus City Tel Aviv Philipp Oswalt Oswalt, Philipp, The Myth of the White Bauhaus City Tel Aviv, in: Bärnreuther, Andrea (ed.), Taking a Stand? Debating the Bauhaus and Modernism, Heidelberg: arthistoricum.net 2021, p. 397-408, https://doi.org/10.11588/arthistoricum.843.c112922 Fig. 1 Cover of the catalogue for the exhibition «White City. International Style Architecture in Israel. A Portrait of an Era», in the Tel Aviv Museum, 1984, by Michael D. Levin. (Cover picture: Leopold Krakauer, Bendori House (Teltch Hotel), 103 Derech Hayam, Haifa, 1934–35) 399 Philipp Oswalt tel aviv as bauhaus’ world capital No newspaper supplement today can fail to mention Tel Aviv as a «bauhaus» white city «Bauhaus city». Scarcely anywhere seems better suited to illustrat- social relevance of the bauhaus ing the Bauhaus’ social relevance and impact. At the same time, al- most nowhere else demonstrates more impressively how the myths bauhaus brand surrounding the Bauhaus brand have become detached from his- bauhaus myths torical realities and taken on an independent existence. The White City is anything but a genuine Bauhaus city.1 In terms of those involved, it is only marginally connected with the questioning bauhaus brand’s Bauhaus: Over two hundred architects worked in Tel Aviv in the «bauhaus» constructions 1930s, but only four of these had studied at the Bauhaus for some time.2 The percentage of Bauhaus students involved in planning Auschwitz was higher: From 1940 to 1943, Bauhaus alumnus Fritz questioning entrenched Ertl was
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