Reinventing Personal Branding Building a Personal Brand Through Content on Youtube
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Touchstones of Popular Culture Among Contemporary College Students in the United States
Minnesota State University Moorhead RED: a Repository of Digital Collections Dissertations, Theses, and Projects Graduate Studies Spring 5-17-2019 Touchstones of Popular Culture Among Contemporary College Students in the United States Margaret Thoemke [email protected] Follow this and additional works at: https://red.mnstate.edu/thesis Part of the Higher Education and Teaching Commons Recommended Citation Thoemke, Margaret, "Touchstones of Popular Culture Among Contemporary College Students in the United States" (2019). Dissertations, Theses, and Projects. 167. https://red.mnstate.edu/thesis/167 This Thesis (699 registration) is brought to you for free and open access by the Graduate Studies at RED: a Repository of Digital Collections. It has been accepted for inclusion in Dissertations, Theses, and Projects by an authorized administrator of RED: a Repository of Digital Collections. For more information, please contact [email protected]. Touchstones of Popular Culture Among Contemporary College Students in the United States A Thesis Presented to The Graduate Faculty of Minnesota State University Moorhead By Margaret Elizabeth Thoemke In Partial Fulfillment of the Requirements for the Degree of Master of Arts in Teaching English as a Second Language May 2019 Moorhead, Minnesota iii Copyright 2019 Margaret Elizabeth Thoemke iv Dedication I would like to dedicate this thesis to my three most favorite people in the world. To my mother, Heather Flaherty, for always supporting me and guiding me to where I am today. To my husband, Jake Thoemke, for pushing me to be the best I can be and reminding me that I’m okay. Lastly, to my son, Liam, who is my biggest fan and my reason to be the best person I can be. -
National Conference
NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION In Memoriam We honor those members who passed away this last year: Mortimer W. Gamble V Mary Elizabeth “Mery-et” Lescher Martin J. Manning Douglas A. Noverr NATIONAL CONFERENCE OF THE POPULAR CULTURE ASSOCIATION AMERICAN CULTURE ASSOCIATION APRIL 15–18, 2020 Philadelphia Marriott Downtown Philadelphia, PA Lynn Bartholome Executive Director Gloria Pizaña Executive Assistant Robin Hershkowitz Graduate Assistant Bowling Green State University Sandhiya John Editor, Wiley © 2020 Popular Culture Association Additional information about the PCA available at pcaaca.org. Table of Contents President’s Welcome ........................................................................................ 8 Registration and Check-In ............................................................................11 Exhibitors ..........................................................................................................12 Special Meetings and Events .........................................................................13 Area Chairs ......................................................................................................23 Leadership.........................................................................................................36 PCA Endowment ............................................................................................39 Bartholome Award Honoree: Gary Hoppenstand...................................42 Ray and Pat Browne Award -
SUBJECT INDEX Volume 1
SUBJECT INDEX A Volume 1 B A–I —Arthur Turns Green. 2014. (Arthur Adventures Ser.). (J). lib. —Who’s in Love with Arthur? (Arthur Chapter Bks.: Bk. 10). —The Errand Boy: Or, How Phil Brent Won Success. 2013. A bdg. 17.20 (978-0-606-34069-4(6)) Turtleback. 57p. (J). (gr. 3-6). pap. 3.95 (978-0-8072-1306-3(3), (Works of Horatio Alger Jr.). 425p. reprint ed. lthr. 79.00 —Arthur Writes a Story. 2004. (Arthur Adventure Ser.). (J). (gr. Listening Library) Random Hse. Audio Publishing Group. (978-0-7812-3566-2(9)) Reprint Services Corp. k-3). spiral bd. (978-0-616-01604-6(2)); spiral bd. Brown, Marc & Sarfatti, Esther. Arturo y la Navidad. 2004. Alonso, Manuel L. Rumbo Sur. 2005. (978-84-263-5948-3(5)) (978-0-616-01605-3(0)) Canadian National Institute for the (SPA.). (J). pap. 6.95 (978-1-930332-48-5(3)) Lectorum Vives, Luis Editorial (Edelvives). ABCBOOKS Blind/Institut National Canadien pour les Aveugles. Pubns., Inc. Baratz-Logsted, Lauren. Jackie’s Jokes. 2009. (Sisters Eight see Alphabet Books —Arthur Writes a Story. 2003. (Arthur Adventure Ser.). (Illus.). deRubertis, Barbara. Marty Aardvark: Vowel Combination Ar. Ser.: 4). (ENG., Illus.). 128p. (J). (gr. 1-4). pap. 6.99 A. D. C. 14.95 (978-1-59319-021-7(2)) LeapFrog Enterprises, Inc. Cockrille, Eva Vagreti, illus. 2006. (Let’s Read Together (r) (978-0-547-05328-8(2), 1036247) Houghton Mifflin Harcourt see Child Welfare —Arthur’s Birthday Surprise. 2004. (ENG., Illus.). 24p. (J). (gr. Ser.). (ENG.). 32p. -
Identity / Vlog
Identity Our deeply interconnected social media environment world challenges our understanding of how we fit into the world and demands that we craft and project a personal brand online. We create media, or watch and share it, in order to express and perform our identities and affiliate ourselves with our communities. Affiliative Loop Theater Affiliative videos target micro-audiences by reflecting Working within the constraints of the now-defunct social viewers back to themselves, operating on a level of intimacy video platform Vine, users iterated on a unique kind of and recognition similar to in-jokes. These videos rely on performance that relied on the 6.5-second loop as a defining recognizable phrases and situations, incentivizing viewers to formal element. Fast edits, absurd switches in logic, over-the- share them to their networks to express their own identities. top acting, and nonsensical phrases and situations coined a That affiliative videos cost little to produce allows them to number of memes and found the videos shared far outside target narrowly carved audiences that have not received such their originating platform as Vine compilations. The strange, specialized attention in traditional media. wacky humor was performed for friends and followers on the social network, an expression of self-identity. Shit Girls Say | 1:18 | 2011 | Shit THINGS ONLY TRANS GUYS Girls Say UNDERSTAND | 9:01 | 2016 | Sam Swipe up to scroll through a selection of Vine videos. Shit White Girls Say...to Black Girls | Barnes 2:01 | 2012 | chescaleigh -
PERSONAL BRANDING CHECKLIST Account Settings” to a Variation of Your Name I.E
FACEBOOK PINTEREST ¨ Do you have a Facebook account? ¨ Do you have a Pinterest account? ¨ Customize your Facebook username in “General ¨ Fill out your bio and include a link to your website. PERSONAL BRANDING CHECKLIST Account Settings” to a variation of your name i.e. ¨ Create a board for your blog to pin your blog posts. http://facebook.com/YOURNAME. ¨ Create a board to pin articles/resources related to ¨ Update your “About” section and utilize space to write your professional interests/goals. an "Intro." (Be sure to include a link to your blog or JessicaLawlor.com/PersonalBranding website!) ¨ Create a portfolio board to pin your resume, [email protected] accolades and portfolio items. ¨ Check your privacy settings. Be sure posts are set to “public” when you want to share updates broadly. ¨ Use a free tool like Canva to design fun "pinnable" graphics for your blog posts or online content. (Size ¨ Want to grow your blog, land a new job, discover freelance opportunities, Join and participate in relevant Facebook groups for matters! Canva recommends Pinterest's desired your industry. partner with brands and get more attention online? You must have a strong personal brand. dimensions.) ¨ Let your personal network in on what you’re doing - Maximize your personal brand and online presence by following this checklist. don’t be afraid to share personal AND professional content with your audience. INSTAGRAM ¨ Consider creating a brand Facebook page for your ¨ Do you have an Instagram account? WEBSITE/BLOG TWITTER blog, business or personal brand to utilize sponsored ¨ Fill out your bio. ¨ Do you have your own website or blog? ¨ Do you have a Twitter account? posts and create ads. -
Personal Branding: a Quest for Digital Identity
Personal Branding: A Quest for Digital Identity Joe Bean, Doctoral Student, History Naser Al Madi, Doctoral Candidate, Computer Science Joe Bean •Welcome… Naser Al Madi •Welcome… Ajenda • Why personal branding • Brand Power • How to define your brand • Digital Identity • Q&A Objectives • Learn about the importance of personal branding. • Establish personal branding goals for the graduate school experience. • Explore ways to establish an individual digital identity. What is a brand? What is a brand? “Branding is what people say about you when you are not in the room.” -Jeff Bezos, Amazon CEO I am a person, do I need a brand? I am a person, do I need a brand? Guess what! you already have a brand, the question is whether you want to manage it or not. Do academics need a brand? Do academics need a brand? “Whether you like it or not, universities have a brand. It’s an image people associate with us.” -The president of the University of Toronto. Brand Power Brand Power Brand Power Brand Power Brand Power Brand Power Brand Power Brand Power Brand Power Brand Power How can you think of yourself as a brand? Brand Power How can you think of yourself as a brand? What do you want associated with your name? Brand Power How can you think of yourself as a brand? What do you want associated with your name? Associate with other strong brands Brand Power What personal branding is NOT… Bragging Someone that you are not False self-image Brand Power What personal branding is… Michelangelo said “Every block of stone has a statue inside it, and it is the task of the sculptor to discover it.” Your task…is to discover and develop those things that make you unique and that define your personal brand. -
Over 3 Million Youtube Creators Globally Receive Some Level Of
MEDIA FOLLOW THIS Social media entertainment – the kind that has seen huge growth on YouTube and other platforms – needs understanding if there is to be any measured policy response, writes STUART CUNNINGHAM from an Australian perspective ver the past 10 years or so, in the midst of all 1+ million; 2,000+ Australian YouTube channels the cacophony of change we are well familiar earned between $1,000 and $100,000 and more than with, a new creative industry was born. With 100 channels earned more than $100,000. More O my collaborator David Craig, a veteran than 550,000 hours of video were uploaded by Hollywood executive now teaching at the University Australian creators and over 90% of the followers of of Southern California Annenberg School for Australian channels were international. Communication and Journalism, I have been That’s only YouTube, and only the programmatic examining the birth and early childhood of what advertising revenue that can be tracked by Google. we call social media entertainment. It is peopled by A Google-funded study by AlphaBeta2 estimates that cultural leaders, entertainers and activists most of the number of content creators in Australia has whom you may be very unfamiliar with... Here more than doubled over the past 15 years, almost are some of them – Hank Green, Casey Neistat, wholly driven by the entry of 230,000 new creators PewDiePie, Tyler Oakley. of online video content. The same study estimates We understand social media entertainment to be that online video has created a A$6 billion an emerging industry based on previously amateur consumer surplus (the benefit that consumers get creators professionalising and monetising their in excess of what they have paid for that service). -
Community Managers and Personal Branding in Social Media
“I Work in Social”: Community Managers and Personal Branding in Social Media by Jenna Jacobson A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Faculty of Information University of Toronto © Copyright by Jenna Jacobson 2017 “I Work in Social”: Community Managers and Personal Branding in Social Media Jenna Jacobson Doctor of Philosophy Faculty of Information University of Toronto 2017 Abstract Welcome to a world of networking, hustling, coffee, cupcakes, and cocktails; a world where social media is not only an interest, but a way that people meet, become friends, make money, and stay connected. Here, social media is both a passion and a profession, but there is also an unspoken tension. My research analyzes how social media managers—those who manage online communities and create content across digital platforms—work in social media (referring to the work practice of social media managers), and also do the work of social media (referring to the curation of their personal brand using social media to leverage a strategic advantage in the job market). Using a mixed method approach, including three years of fieldwork in Toronto and semi- structured interviews with social media professionals, this dissertation analyzes the “social media scene” and identifies elements of the changing landscape of work and self- presentation in an age of social media. The research examines the practice of community ii management across various industries, including marketing agencies, entertainment, not- for-profit, education, government, telecommunications, retail, and sports. The dissertation uncovers an emerging feminization of social media within the profession. I argue that social media management represents the next iteration of the devaluation of women’s work in the tech industry, mirroring the history of women’s labour in technology. -
'I' of the Front Camera
The ‘I’ of the Front Camera 1 Navajyoti, International Journal of Multi-Disciplinary Research Volume 3, Issue 2, February 2019 THE ‘I’ OF THE FRONT CAMERA: WHERE EVERYBODY IS AN AUTEUR Chandana Surapaneni Mount Carmel College Abstract: Identity construction in the post digital revolution era has taken a futuristic narrative, where the role of technology in capturing the nuances of daily life has been downplayed by factors such as legitimacy and accountability. One such gradation is the emergence of the idea of Instant sharing through vlog channels. To avoid ambiguities of terms, a vlog is typically an audio visual clip that brings the viewer closer to a certain experience of lifestyle, traveling, clothing, eating, or even daily life that is highly specific to the vlogger’s point of view. This paper aims to highlight the problems in theorising the concept of vlogging as a media object. The author of this paper attempts to highlight the dynamism involved in the field of vlogging and offers a critique of its demystifying nature. The idea of a vlog as a self theorising media object and its role in the conception of the “I” is traced through the understanding of vlogging as a mundanely extraordinary experience with a wide network of sinthomatic expressions that define what is personal and private. This paper questions the applicability of the postmodern notion of “we are all auteurs” and the possibility of experiencing vlogging as a scope providing medium and not as a self-theorising entity. Keywords: Identity, Legitimacy, Digital, Vlogs, Media object, Demystifying, Self Theorising, Mundanely Extraordinary, Personal and Private, Auteurs, Scope Medium. -
An Analysis on Youtube Rewinds
KADİR HAS UNIVERSITY GRADUATE SCHOOL OF SOCIAL SCIENCES NEW MEDIA DISCIPLINE AREA POPULAR CULTURE REPRESENTATION ON YOUTUBE: AN ANALYSIS ON YOUTUBE REWINDS SİDA DİLARA DENCİ SUPERVISOR: Assoc. Prof. Dr. Çiğdem BOZDAĞ MASTER’S THESIS ISTANBUL, AUGUST, 2017 i POPULAR CULTURE REPRESENTATION ON YOUTUBE: AN ANALYSIS ON YOUTUBE REWINDS SİDA DİLARA DENCİ SUPERVISOR: Assoc. Prof. Dr. Çiğdem BOZDAĞ MASTER’S THESIS Submitted to the Graduate School of Social Sciences of Kadir Has University in partial fulfillment of the requirements for the degree of Master’s in the Discipline Area of New Media under the Program of New Media. ISTANBUL, AUGUST, 2017 i ii iii TABLE OF CONTENTS Abstract Acknowledgements List of Figures List of Chapters 1. Introduction 2. Literature Review 2.1 Commercializing Culprit or Social Cement? What is Popular Culture? 2.2 Sharing is caring: user-generated content 2.3 Video sharing hype: YouTube 3. Research Design 3.1 Research Question 3.2 Research Methodology 4. Research Findings and Analysis 4.1 Technical Details 4.1.1 General Information about the Data 4.1.2 Content Analysis on Youtube Rewind Videos 5. Conclusion References iv ACKNOWLEDGEMENTS I would first and foremost like to thank my thesis advisor Assoc. Prof. Dr. Çiğdem BOZDAĞ of the Faculty of Communication at Kadir Has University. Prof. Bozdağ always believed in me even I wasn’t sure of my capabilities. She kindly guided me through the tunnel of the complexity of writing a thesis. Her guidance gave me strength to keep myself in right the direction. I would like to thank Assoc. Prof. Dr. Eylem YANARDAĞOĞLU whose guidance was also priceless to my studies. -
Cal-Liope of Jan-March 2020
JANUARY- MARCH 2020 Cal-Liope Join CWC MESSAGE FROM THE CALIFORNIA PRESIDENT The Professional WORKFORCE CONNECTION Association By Denise Dobine, President for a changing 21st century workforce. The coming year For Workforce Using the power of decision will be one of positive change Professionals gives you the capacity to get and improvement. I hope you past any excuse to change any will join us by participating in and every part of your life your local chapter’s activities, in an instant. as well as the informative con- CWC – Tony Robbins ferences. CONFERENCE To kick start the New Year PRESIDENT DENISE DOBINE Happy New Year California CWC has some great upcom- CANCELED Workforce Connection ing events for you to attend. weight, improve finances, get By Denise Dobine Members! The CWC Book Club is a new job, stop procrastinat- Dear California Workforce 2019 was a year of change open to all – you don’t have to ing, manage stress better, set Connection (CWC) and transition for the Cali- be a member of the CWC. It is aside time for yourself, begin members, fornia Workforce Connection free – all you do is purchase the exercising, and to eat health- Due to the rapidly chang- (CWC). The major changes book and call in to participate ier. Resolutions are made to ing COVID-19 coronavirus include a new name and new in the discussions. The cur- stop settling for less and create situation facing our state logo, extra funding to our local rent book is: Leader Shift by a life of self-improvement and and nation, the California Chapters for their membership John Maxwell The 11 Essential personal growth. -
Paper Title (Use Style: Paper Title)
International Conference on Business, Economics, Marketing & Management Research (BEMM’13) Volume Book: Economics & Strategic Management of Business Process (ESMB) Copyright _ IPCO 2013 PERSONAL BRANDING: TOWARDS CONCEPTUALIZATION Manel Khedher Department marketing School of Business of Tunis, University Campus, 2010 Manouba, Tunisia [email protected] Abstract— Personal branding is a new marketing web sites and consultancy services. These discourses of phenomenon related to the marketing effort that a person adopts personal branding become popular because they do something in order to promote oneself in the competitive job market. In useful. Writings on person branding have largely been recent years employer branding has gained popularity in dominated by advice from practitioners who advocate that practitioner venues, but little in the academic arena, this article anyone can develop a successful brand that will enable them presents a theoretical foundation for personal branding applying to compete in the crowded market. This paper presents a Goffman’s dramaturgical theory. framework to initiate the scholarly study of personal branding Keywords— Personal branding, self marketing, impression and proposes a theoretical foundation for the emergence and management, capital, competitive job market practice of personal branding based on the dramaturgical theory of Erving Goffman [9]. I. INTRODUCTION II. PERSONAL BRANDING : THE EVOLUTION OF A CONCEPT Personal branding is a new marketing phenomenon related The business self-help genre of management to the marketing effort that a person adopts in order to communication traces its roots at least back to Dale Carnegie's promote oneself in the market. The popularization of personal How to Win Friends and Influence People [10].