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Sunday Morning Grid 4/12/15 Latimes.Com/Tv Times
SUNDAY MORNING GRID 4/12/15 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) Bull Riding Remembers 2015 Masters Tournament Final Round. (N) Å 4 NBC News (N) Å Meet the Press (N) Å News Paid Program Luna! Poppy Cat Tree Fu Figure Skating 5 CW News (N) Å In Touch Hour Of Power Paid Program 7 ABC News (N) Å This Week News (N) News (N) News Å Explore Incredible Dog Challenge 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX In Touch Joel Osteen Fox News Sunday Midday Paid Program I Love Lucy I Love Lucy 13 MyNet Paid Program Red Lights ›› (2012) 18 KSCI Paid Program Church Faith Paid Program 22 KWHY Cosas Local Jesucristo Local Local Gebel Local Local Local Local RescueBot RescueBot 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Kitchen Mexico Cooking Chefs Life Simply Ming Lidia 28 KCET Raggs Space Travel-Kids Biz Kid$ News TBA Things That Aren’t Here Anymore More Things Aren’t Here Anymore 30 ION Jeremiah Youssef In Touch Bucket-Dino Bucket-Dino Doki (TVY) Doki Ad Dive, Olly Dive, Olly E.T. the Extra-Terrestrial 34 KMEX Paid Program Al Punto (N) Fútbol Central (N) Fútbol Mexicano Primera División: Toluca vs Atlas República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Liberate In Touch PowerPoint It Is Written Best Praise Super Kelinda Jesse 46 KFTR Paid Program Hocus Pocus ›› (1993) Bette Midler. -
Over 3 Million Youtube Creators Globally Receive Some Level Of
MEDIA FOLLOW THIS Social media entertainment – the kind that has seen huge growth on YouTube and other platforms – needs understanding if there is to be any measured policy response, writes STUART CUNNINGHAM from an Australian perspective ver the past 10 years or so, in the midst of all 1+ million; 2,000+ Australian YouTube channels the cacophony of change we are well familiar earned between $1,000 and $100,000 and more than with, a new creative industry was born. With 100 channels earned more than $100,000. More O my collaborator David Craig, a veteran than 550,000 hours of video were uploaded by Hollywood executive now teaching at the University Australian creators and over 90% of the followers of of Southern California Annenberg School for Australian channels were international. Communication and Journalism, I have been That’s only YouTube, and only the programmatic examining the birth and early childhood of what advertising revenue that can be tracked by Google. we call social media entertainment. It is peopled by A Google-funded study by AlphaBeta2 estimates that cultural leaders, entertainers and activists most of the number of content creators in Australia has whom you may be very unfamiliar with... Here more than doubled over the past 15 years, almost are some of them – Hank Green, Casey Neistat, wholly driven by the entry of 230,000 new creators PewDiePie, Tyler Oakley. of online video content. The same study estimates We understand social media entertainment to be that online video has created a A$6 billion an emerging industry based on previously amateur consumer surplus (the benefit that consumers get creators professionalising and monetising their in excess of what they have paid for that service). -
The List: All Primetime Series on Television Calendar Year 2015
The List: All Primetime Series on Television Calendar Year 2015 Source: Nielsen, Live+7 data provided by FX Networks Research. 12/29/14-12/27/15. Original telecasts only. Excludes repeats, specials, movies, news, sports, programs with only one telecast, and Spanish language nets. Cable: Mon-Sun, 8-11P. Broadcast: Mon-Sat, 8-11P; Sun 7-11P. "<<" denotes below Nielsen minimum reporting standards based on P2+ Total U.S. Rating to the tenth (0.0). Important to Note: This list utilizes the TV Guide listing service to denote original telecasts (and exclude repeats and specials), and also line-items original series by the internal coding/titling provided to Nielsen by each network. Thus, if a network creates different "line items" to denote different seasons or different day/time periods of the same series within the calendar year, both entries are listed separately. The following provides examples of separate line items that we counted as one show: %(7 V%HLQJ0DU\-DQH%(,1*0$5<-$1(6DQG%(,1*0$5<-$1(6 1%& V7KH9RLFH92,&(DQG92,&(78( 1%& V7KH&DUPLFKDHO6KRZ&$50,&+$(/6+2:3DQG&$50,&+$(/6+2: Again, this is a function of how each network chooses to manage their schedule. Hence, we reference this as a list as opposed to a ranker. Based on our estimated manual count, the number of unique series are: 2015³1,415 primetime series (1,524 line items listed in the file). 2014³1,517 primetime series (1,729 line items). The List: All Primetime Series on Television Calendar Year 2015 Source: Nielsen, Live+7 data provided by FX Networks Research. -
'I' of the Front Camera
The ‘I’ of the Front Camera 1 Navajyoti, International Journal of Multi-Disciplinary Research Volume 3, Issue 2, February 2019 THE ‘I’ OF THE FRONT CAMERA: WHERE EVERYBODY IS AN AUTEUR Chandana Surapaneni Mount Carmel College Abstract: Identity construction in the post digital revolution era has taken a futuristic narrative, where the role of technology in capturing the nuances of daily life has been downplayed by factors such as legitimacy and accountability. One such gradation is the emergence of the idea of Instant sharing through vlog channels. To avoid ambiguities of terms, a vlog is typically an audio visual clip that brings the viewer closer to a certain experience of lifestyle, traveling, clothing, eating, or even daily life that is highly specific to the vlogger’s point of view. This paper aims to highlight the problems in theorising the concept of vlogging as a media object. The author of this paper attempts to highlight the dynamism involved in the field of vlogging and offers a critique of its demystifying nature. The idea of a vlog as a self theorising media object and its role in the conception of the “I” is traced through the understanding of vlogging as a mundanely extraordinary experience with a wide network of sinthomatic expressions that define what is personal and private. This paper questions the applicability of the postmodern notion of “we are all auteurs” and the possibility of experiencing vlogging as a scope providing medium and not as a self-theorising entity. Keywords: Identity, Legitimacy, Digital, Vlogs, Media object, Demystifying, Self Theorising, Mundanely Extraordinary, Personal and Private, Auteurs, Scope Medium. -
An Analysis on Youtube Rewinds
KADİR HAS UNIVERSITY GRADUATE SCHOOL OF SOCIAL SCIENCES NEW MEDIA DISCIPLINE AREA POPULAR CULTURE REPRESENTATION ON YOUTUBE: AN ANALYSIS ON YOUTUBE REWINDS SİDA DİLARA DENCİ SUPERVISOR: Assoc. Prof. Dr. Çiğdem BOZDAĞ MASTER’S THESIS ISTANBUL, AUGUST, 2017 i POPULAR CULTURE REPRESENTATION ON YOUTUBE: AN ANALYSIS ON YOUTUBE REWINDS SİDA DİLARA DENCİ SUPERVISOR: Assoc. Prof. Dr. Çiğdem BOZDAĞ MASTER’S THESIS Submitted to the Graduate School of Social Sciences of Kadir Has University in partial fulfillment of the requirements for the degree of Master’s in the Discipline Area of New Media under the Program of New Media. ISTANBUL, AUGUST, 2017 i ii iii TABLE OF CONTENTS Abstract Acknowledgements List of Figures List of Chapters 1. Introduction 2. Literature Review 2.1 Commercializing Culprit or Social Cement? What is Popular Culture? 2.2 Sharing is caring: user-generated content 2.3 Video sharing hype: YouTube 3. Research Design 3.1 Research Question 3.2 Research Methodology 4. Research Findings and Analysis 4.1 Technical Details 4.1.1 General Information about the Data 4.1.2 Content Analysis on Youtube Rewind Videos 5. Conclusion References iv ACKNOWLEDGEMENTS I would first and foremost like to thank my thesis advisor Assoc. Prof. Dr. Çiğdem BOZDAĞ of the Faculty of Communication at Kadir Has University. Prof. Bozdağ always believed in me even I wasn’t sure of my capabilities. She kindly guided me through the tunnel of the complexity of writing a thesis. Her guidance gave me strength to keep myself in right the direction. I would like to thank Assoc. Prof. Dr. Eylem YANARDAĞOĞLU whose guidance was also priceless to my studies. -
090617-Session-2-Keynote-John-Zuern Safra
Page 1 of 20 090617-Session-2-Keynote-John-Zuern_Safra Speaker Key: MS: Max Saunders MS: Monica Soeting ID: Isabel Duran JZ: John Zuern F: Female M: Female H: Hannah R: Rosanna J: Julia 00:00:00 MS: Good morning ladies and gentlemen, if we can start this session please, welcome back for the last day of the conference and our final keynote talk. Before we move on to that I just want to invite Monica Soeting and Isabel Duran to say a little bit about the European Journal, so over to Monica. MS: Right, thank you very much, Max. Actually just three things we want to talk about really briefly. Firstly, at the European Journal we’re firefighting, we’d really like to invite you to send us articles based on your papers of this conference, so would you please think about that and contact me if you want to. Thank you very much for that. Now, Isabel’s going to very shortly say something about her next conference. ID: Good morning everyone, I said it on the first day but some of you were not here yet, so just we should announce that IABE 2019 will be hosted by the Complutense University of Madrid, the Department of English Studies where I teach and where I belong. And, well, you know, Madrid is a very nice place to visit, the university has a tube station right in the middle of the campus so it’s approachable and reachable. The hotels are reasonably inexpensive, so it’s, I think, a good place to have a conference. -
You Tube Profit Models
Contact Information Winny Paola Nieto Parra YouTube: The BusinessYouTube Model CSU Stanislaus [email protected] Paola Nieto, California State University Stanislaus Books by YouTuber’s Alfie Deyes, Michelle Phan, and Zoe Sugg. YouTuber of PewDIePie Zoe Sugg in the cover of Company Magazine. The New Path Companies are starting to stray from solely endorsing traditional celebrities and moving into the tight knit communities of YouTube. Unlike traditional celebrities, people see YouTubers as approachable friends and equals. However, YouTubers need to be careful not to violate the trust of their viewers and disclose the fact a brand is sponsoring them. http://i.ytimg.com/vi/g1vLIN7pXHA/maxresdefault.jpg https://charlotteslife93.files.wordpress.com/2014/12/img_7516.jpg YouTubers’ Business Model Bethany Mota in a beauty video. YouTuber Grace Helbig’s show in E! YouTubers are able to profit for themselves in multiple ways. One way is through revenue generated by advertising in their videos, but YouTube usually keeps around 45% of that revenue. Some YouTubers are also expanding into the book business by publishing their own books like Alfie Deyes’ “The Pointless Book” from the Pointlessblog YouTube channel and Zoe Sugg’s “Girl Online” from the YouTube channel Zoella. Others like Michelle Phan have expanded in all other Medias. She has a book called “Make Up” and her own cosmetics line http://tve-static-eonline.nbcuni.com/prod/image/340/215/Grace_S1_2560x1450_1280x725_423161923927.jpg http://celebmafia.com/wp-content/uploads/2014/03/zoella-company-magazine-uk-april-2014-cover_1.jpg from L'Oreal .She also has endorsed products including Dr. Pepper, Toyota and SanDisk. -
Casey Neistat: Quits Vlogging, Sells His Company for 25 Million, in 1 Week
Casey Neistat: Quits vlogging, Sells his company for 25 Million, in 1 week Viewers were shocked a year ago after Casey Neistat (Youtuber) announced quitting daily vlogging – not YouTube – after more than 500 daily vlogs in a row. Casey Neistat’s channel had an increase of 5 million subscribers after starting daily vlogs in March 2014, 18 months later, more than a billion views in total and an average of 1.5 – 2.0 million views per vlog. Neistat, a young filmmaker, had explained in his video (linked below) the reason he quits daily vlogging, “I cannot feel challenged anymore” as Casey said in his video. He started vlogging to challenge himself to create daily content, edit and upload every single day. However, everything did came to an end as Casey has found a “systematic way” to create content, edit, then get more than 1.5 million views per video. Shockingly, youtubers like Philip DeFranco and more were surprised due to the end of such a great YouTube career, views and subscribers for the 33 year old filmmaker. Some saw what he did was crazy while the majority respected his decision. Neistat had people asking: What’s next for Youtubers? Since the release of YouTube in the start of the 21st century and the rise of social media, people started working as Youtubers for a full time job. The pay scale for such a job – if you were accepted as a partner – is around 1-3 $ per 1000 views, which is not bad considering you can earn around 60k monthly if your channel is successful and you vlog daily. -
September 11 & 12, 2019, Cologne
Conference 1/19 Conference September 11 & 12, 2019, Cologne Organizer Ideational and professional partner, With the special participation owner of the DMEXCO brand of the Circle of Online Marketers (OVK) Conference 2/19 The Meeting Place for the Digital Economy DMEXCO is the meeting place and a community for key players in digital business, marketing, and innovation. We bring together industry leaders, marketing and media professionals, and tech pioneers to set the digital agenda. Both globally informed and locally focused, DMEXCO offers an ecosystem with seminars, debates, and expositions outlining the future of the digital economy and driving market value. At DMEXCO you can learn, get inspired, build connections, and turn your ideas to actions. First tweet of Sir Martin Sorrell live on stage at DMEXCO 2017! It’s the result of a bet made the previous year when Jack Dorsey participated only via streaming: Sir Martin agreed to tweet if Jack would come to DMEXCO in person. Conference 3/19 DMEXCO Facts 2018 41KVisitors from 95 Countries 1KExhibitors from 40 Countries 95Countries + + 250Hour-long Program 550International Speakers 100Ksqm Exhibition Space Conference 4/19 DMEXCO Facts 2018 Visitors Structure: 40%Brands 24%Tech Providers 19%Agencies The Strongest International Visitor Groups – TOP 10: 01 GB / Northern Ireland 06 Switzerland 02 Netherlands 07 Israel 45%Share of International Visitors 03 USA 08 Poland 04 France 09 Spain 05 Austria 10 Italy Conference 5/19 Visitor Profile Who is there The Marketing International New Market Players: & Communication Publishers IoT, VR, AI Industry and Media Owners & Wearables Entrepeneurs The leading 30+ leading Advertising and Start-ups Digital Brands Brands & Innovators All Media, Creative The most relevant Cloud, & Digital Agency Data and Technology Networks Companies Sheryl Sandberg COO, Facebook Conference 6/19 of the DMEXCO visitors have an impact on 84%the purchase of media & technology services. -
Sunday Morning Grid 4/19/15 Latimes.Com/Tv Times
SUNDAY MORNING GRID 4/19/15 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Morning (N) Å Face the Nation (N) Paid Bull Riding Making Cancer History PGA Tour Golf 4 NBC News (N) Å Meet the Press (N) Å Hockey Washington Capitals at New York Islanders. (N) Å Hockey 5 CW News (N) Å In Touch Hour Of Power Paid Program 7 ABC News (N) Å This Week News (N) Wildlife Outback 2015 Draft Academy NBA Basketball 9 KCAL News (N) Joel Osteen Mike Webb Paid Woodlands Paid Program 11 FOX In Touch Joel Osteen Fox News Sunday Midday Pre-Race NASCAR Racing Sprint Cup Series: Food City 500. (N) 13 MyNet Paid Program Paid Program 18 KSCI Breast Red Paid Church Faith Paid Program 22 KWHY Cosas Local Jesucristo Local Local Gebel Local Local Local Local RescueBot RescueBot 24 KVCR Painting Dewberry Joy of Paint Wyland’s Paint This Painting Kitchen Mexico Cooking Fresh Simply Ming Lidia 28 KCET Raggs Space Travel-Kids Biz Kid$ News Asia Insight Rick Steves’ Europe: A Cultural Carnival Over Hawai’i (TVG) Å 30 ION Jeremiah Youssef In Touch Bucket-Dino Bucket-Dino Doki (TVY) Doki (TVY) Dive, Olly Dive, Olly The Fugitive ››› 34 KMEX Paid Program Al Punto (N) Fútbol Central (N) Fútbol Mexicano Primera División República Deportiva (N) 40 KTBN Walk in the Win Walk Prince Carpenter Liberate In Touch PowerPoint It Is Written Pathway Super Kelinda Jesse 46 KFTR Paid Program Fórmula 1 Gran Premio de Baréin. -
For Immediate Release Tribeca Film Festival Announces Inaugural Digital Creators Program Featuring First Ever Marketplace for Di
FOR IMMEDIATE RELEASE TRIBECA FILM FESTIVAL ANNOUNCES INAUGURAL DIGITAL CREATORS PROGRAM FEATURING FIRST EVER MARKETPLACE FOR DIGITAL AND ONLINE CONTENT, AND THIRD ANNUAL TRIBECA N.O.W. (New Online Work) SHOWCASE SPECIAL SCREENINGS FEATURE GRACE HELBIG, HANNAH HART, SWOOZIE, SHAY CARL, LISA SCHWARTZ, THE GREGORY BROTHERS, CHARLES TRIPPY, MILO VENTIMIGLIA, EMMA BELL AND FROM THE FINE BROTHERS - MIRCEA MONROE AND MISSI PYLE *** Special events include a conversation with Josh Hutcherson and Jake Avnet on Indigenous Media’s Film Incubator NEW YORK, NY– March 14, 2016 –The 15th annual Tribeca Film Festival (TFF), presented by AT&T, today announced the inaugural Tribeca Digital Creators Market and Special Screenings program. The first ever marketplace for digital and online content will connect online creators with industry, including buyers, producers and agents, and set a new standard for the creation, sale and showcase of digital series and standalone content. The daylong program on Thursday April 21st will also feature a lineup of special screenings, open to the public, featuring highly anticipated new work from well-known and burgeoning online storytellers from digital studios such as YouTube Red, StyleHaul, Fullscreen, Indigenous Media, New Form Digital and Maker Studios. The 2016 Tribeca Film Festival will run from April 13-24 in New York City. “There are exceptional stories being made for digital platforms and passionate, engaged fan bases for these stories. Our goal is to create an event that serves both the industry and creators by bringing visibility to their work and assisting their development,” said Genna Terranova, Festival Director, Tribeca Film Festival. “With this new platform, we hope to encourage quality storytelling in digital media and beyond, and give the public a first look at what their favorite creators are working on.” Special Screenings will debut alongside the Tribeca Digital Creators Market with the debut of five anticipated premieres, along with conversations with the creators. -
The Drivers and Impacts of Social Media Influencers: the Role of Mimicry
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 8-2018 THE DRIVERS AND IMPACTS OF SOCIAL MEDIA INFLUENCERS: THE ROLE OF MIMICRY Chung-Wha Ki University of Tennessee Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Recommended Citation Ki, Chung-Wha, "THE DRIVERS AND IMPACTS OF SOCIAL MEDIA INFLUENCERS: THE ROLE OF MIMICRY. " PhD diss., University of Tennessee, 2018. https://trace.tennessee.edu/utk_graddiss/5070 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Chung-Wha Ki entitled "THE DRIVERS AND IMPACTS OF SOCIAL MEDIA INFLUENCERS: THE ROLE OF MIMICRY." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Retail, Hospitality, and Tourism Management. Youn-Kyung Kim, Major Professor We have read this dissertation and recommend its acceptance: Heejin Lim, John G. Orme, Jeremy E. Whaley Accepted for the Council: Dixie L. Thompson Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) THE DRIVERS AND IMPACTS OF SOCIAL MEDIA INFLUENCERS: THE ROLE OF MIMICRY A Dissertation Presented for the Doctor of Philosophy Degree The University of Tennessee, Knoxville Chung-Wha Ki August 2018 Copyright © 2018 by Chung-Wha Ki All rights reserved.